Tanya TENNYSON, Plaintiff-Appellant, v. ASCAP, (American Society of Composers, Authors & Publishers), The Harry Fox Agency, Inc., The Royalty Network, MPL Communications, Universal Music Group INC., et al., Defendants-Appellees.
No. 10-13711
United States Court of Appeals, Eleventh Circuit.
May 18, 2012.
608
Non-Argument Calendar.
Frederick Dyer Page, Beau A. Baker, Holland & Knight, LLP, Jacksonville, FL, Leland H. Kynes, Holland & Knight, LLP, Atlanta, GA, Richard H. Reimer, ASCAP Legal Department, New York, NY, for Plaintiff-Appellant.
Nathan P. Suedmeyer, H. Williams Larson, Jr., Larson & Larson, PA, Largo, FL, James T. Hetz, Hetz Jones & Goldberg, LLC, Orlando, FL, Anthony Motta, Anthony Motta, Esq., New York, NY, Jonathan L. Gaines, Karen L. Stetson, Gray Robinson, Miami, FL, for Defendants-Appellees.
Before CARNES, HULL, and BLACK, Circuit Judges.
Tanya Tennyson, proceeding pro se, appeals the district court‘s dismissal of her amended complaint against several defendants, including the American Society of Composers, Authors & Publishers; The Harry Fox Agency, Inc.; The Royalty Network; MPL Communications; Universal Music Group, Inc.; Warner Music Group Corp.; Sony Music Entertainment; and EMI Music Publishing (collectively, the defendants).1 She contends that the district court erred by concluding that she lacked standing, and she also challenges the court‘s alternative holding that she failed to state a claim for fraud, copyright infringement, or breach of contract.
I.
According to Tennyson‘s amended complaint, her father William “Bill” Tennyson, Jr., was a songwriter who had “contracts with numerous music publishers in New York City” before his death in 1959.2 Tennyson‘s amended complaint claims that the defendants “committed antitrust activity against the estate” of her father. Among other things, she alleges that the defendants conspired to divert her father‘s royalty earnings from “his successors” and that they breached “songwriters contracts” to avoid paying the royalties to the successors. She claims that the defendants engaged in copyright infringement and that they “conspired against her so that she would not be able to recover her inheritance.” She seeks $350,000,000 in damages.
The defendants filed a motion to dismiss contending that Tennyson lacked standing to pursue any claims on behalf of her father‘s estate and that she failed to state a claim for relief. The district court determined that Tennyson‘s amended complaint alleged injury only to Bill Tennyson‘s estate. The court noted that Tennyson did not claim that she was the estate‘s personal representative or that she had any standing to represent the estate in court. As a result she had no standing to assert claims on the estate‘s behalf. The court also ruled that she lacked standing to assert a civil claim against the defendants for violating federal antitrust laws. Finally, the district court held under
II.
We review de novo a district court‘s dismissal for either lack of subject matter jurisdiction under
We liberally construe pro se pleadings, Albra v. Advan, Inc., 490 F.3d 826, 829 (11th Cir. 2007), and pro se briefs, Timson v. Sampson, 518 F.3d 870, 874 (11th Cir. 2008). But a pro se party must “follow the rules of procedure and evidence, and the district court has no duty to act as [her] lawyer.” United States v. Ly, 646 F.3d 1307, 1315 (11th Cir. 2011) (citation omitted).
III.
In her brief to this Court Tennyson contends that her family members, who are not parties to this appeal, have mishandled her father‘s estate:
The Plaintiff was further shocked to find that her brother who had been given power of attorney as proxy administrator of her father, Bill Tennyson‘s estate, by agreement of her other brother, her sister and her mother, had proceeded to represent the “Tennyson family” without notifying her, keeping all information secret from the Plaintiff. Decisions were made by the Plaintiff‘s brother and the rest of the “Tennyson Family” that adversely affected the Plaintiff, Tanya Tennyson because they had reached some type of satisfactory agreement amongst themselves, but refused to discuss Bill Tennyson‘s music with the Plaintiff Tanya Tennyson at all, while the Plaintiff‘s mother and brother shared information about Bill Tennyson and his music with the Plaintiff‘s daughter instead.
Appellant Br. at 2. Tennyson argues that she has standing to bring this lawsuit because:
The Plaintiff‘s Father‘s musical “properties” are partially owned by Plaintiff through inheritance. If the “administrator (Plaintiff‘s mother) and her proxy (Plaintiff‘s brother) failed or did not want to act in behalf of Bill Tennyson‘s “estate“, and/or excluded Plaintiff, it is the Plaintiff‘s responsibility and right to claim compensation for personal damages caused by the defendants, and to act in my own behalf in a separate case to collect my share of my Father‘s income, which is what I have done.”
Id. at 6. The allegations that Tennyson makes on her own behalf are based on her dispute with her family members over how the estate should be administered and divided, but none of her family members are defendants. Her claims against the defendants are based on the allegation that the defendants caused the estate of her father to suffer damages.
Only a real party in interest has the capacity to bring a lawsuit. See
To determine whether Tennyson has the capacity to bring this lawsuit, we look to the law of the state where the federal district court sits, which is Florida. See id. Under Florida law the only party who has the capacity to sue on behalf of an estate is the duly appointed legal representative of the estate. See Brake v. Murphy, 687 So.2d 842, 843 (Fla. 3d DCA 1996); see also
AFFIRMED.
