SHAME ON YOU PRODUCTIONS, INC., a California corporation v. ELIZABETH BANKS, an individual; MAX HANDELMAN, an individual; STEVEN BRILL, an individual; BRILLCO, INC., a California corporation; SIDNEY KIMMEL ENTERTAINMENT, LLC, a California limited liability company; FILMDISTRICT PICTURES, LLC, a Delaware limited liability company; LAKESHORE ENTERTAINMENT CORP., a Delaware corporation; LAKESHORE ENTERTAINMENT GROUP, LLC, a California limited liability company; FOCUS WORLD, A DIVISION OF FOCUS FEATURES, LLC, a California corporation; BROKEN ROAD PRODUCTIONS, INC., a California corporation, as Doe 1; TODD GARNER, an individual, as Doe 2; DOES 3–10, inclusive
No. 16-55024
No. 16-56311
United States Court of Appeals, Ninth Circuit
June 21, 2018
Argued and Submitted April 13, 2018 Pasadena, California
FOR PUBLICATION
UNITED STATES COURT OF APPEALS FOR THE NINTH CIRCUIT
Appeal from the United States District Court for the Central District of California Margaret
2 SHAME ON YOU PRODUCTIONS V. BANKS
OPINION
Appeal from the United States District Court for the Central District of California Virginia A. Phillips, Chief District Judge, Presiding
SHAME ON YOU PRODUCTIONS V. BANKS 3
Argued and Submitted April 13, 2018 Pasadena, California
Filed June 21, 2018
Before: MARY M. SCHROEDER, RICHARD R. CLIFTON, and MILAN D. SMITH, JR., Circuit Judges.
Opinion by Judge Milan D. Smith, Jr.
SUMMARY*
Copyright / Attorneys’ Fees
The panel affirmed the district court‘s orders awarding attorney‘s fees to defendants under
The panel held that the district court did not abuse its discretion in awarding attorneys’ fees because the copyright claim was objectively unreasonable, and other factors, although mixed, did not combine to outweigh the objective unreasonableness of the claim under Kirtsaeng v. John Wiley & Sons, Inc., 136 S. Ct. 1979 (2016). The district court did not err in holding that the copyright claim and a contract claim were interrelated and declining to apportion fees. Further, the district court did not abuse its discretion in determining the amount of the fees.
* This summary constitutes no part of the opinion of the court. It has been prepared by court staff for the convenience of the reader.
4 SHAME ON YOU PRODUCTIONS V. BANKS
COUNSEL
Charles M. Coate (argued), Abrams Coate LLP, Los Angeles, California, for Plaintiff-Appellant.
Stephen R. Mick (argued) and Devin Stone, Barnes & Thornburg LLP, Los Angeles, California, for Defendants-Appellees.
OPINION
M. SMITH, Circuit Judge:
Plaintiff-Appellant Shame On You Productions (SOYP) brought an unsuccessful suit for copyright infringement and breach of implied contract against Defendants-Appellees (Defendants) associated with the film Walk of Shame, alleging that it was copied from a screenplay given to two of the Defendants seven years prior to the film‘s release. After both claims were dismissed, Defendants moved for attorney‘s fees and costs, which the district court granted. SOYP appeals, arguing that the district court erred in awarding fees. We affirm.
FACTUAL AND PROCEDURAL BACKGROUND
Defendants created and distributed the film Walk of Shame, which was released in May 2014. In April 2014, SOYP‘s counsel sent two letters to Defendants alleging that Walk of Shame included many elements copied from a screenplay titled Darci‘s Walk of Shame, which was written by SOYP president Dan Rosen. The letters alleged that Rosen‘s screenplay was sent to Elizabeth Banks, the star of Walk of Shame, in 2007, and that Rosen met with Banks and her husband and producing partner Max Handelman to
SHAME ON YOU PRODUCTIONS V. BANKS 5
discuss the project. According to the letters, Rosen wanted Banks to star in his movie, but Banks and Handelman never followed up with Rosen about the project after the meeting. SOYP‘s counsel requested that Defendants produce “all drafts of the subject screenplay, development notes, electronic notes or email communications regarding the same.” When Defendants did not do so, SOYP filed suit on May 7, 2014, alleging claims for copyright infringement and breach of implied contract.
Over the following months, a number of discovery disputes arose between the parties. Before the suit was filed, counsel for Defendants asked SOYP for a copy of Rosen‘s script, but did not receive it. At a scheduling conference in September 2014, the court ordered the parties to exchange screenplays by October 14, 2014. Defendants turned over a copy of the Walk of Shame script later in October, but despite repeated requests, SOYP refused to produce
6 SHAME ON YOU PRODUCTIONS V. BANKS
In February 2015, Defendants filed a motion for judgment on the pleadings. Along with its opposition to this motion, SOYP filed an amended complaint that added two new defendants. The new defendants moved to dismiss the complaint, and on August 14, 2015, the court granted this motion and the other Defendants’ motion for judgment on the pleadings. The court held that as a matter of law there was no substantial similarity between the two works, dismissed the federal copyright claim with prejudice, and dismissed the state law contract claim without prejudice, declining to exercise supplemental jurisdiction. We affirmed this merits order in a two-sentence memorandum. Shame on You Prods., Inc. v. Banks, 690 F. App‘x 519 (9th Cir.), cert. denied, 138 S. Ct. 323 (2017).
In late August 2015, Defendants filed a motion for attorney‘s fees and costs. A hearing on the motion was held on December 7, 2015, before District Judge Margaret Morrow, who had adjudicated the merits of the case. Before the hearing, Judge Morrow issued an unsigned tentative order awarding Defendants $314,669.75 in fees and $3,825.15 in costs, and after the hearing she issued a minute order stating that Defendants’ motion was granted in part and denied in part, and that a final order would issue. However, Judge Morrow retired from the bench the following month without issuing a final order fixing the amount of attorney‘s fees. In July 2016, Defendants requested a final order. The case then came before Chief Judge Virginia Phillips, who issued a final order on August 14, 2016, that awarded Defendants the same amount in fees
SHAME ON YOU PRODUCTIONS V. BANKS 7
as Judge Morrow‘s earlier tentative order. SOYP timely appealed.1
JURISDICTION AND STANDARD OF REVIEW
We have jurisdiction pursuant to
ANALYSIS
I. Defendants’ Entitlement to Fees
Pursuant to
8 SHAME ON YOU PRODUCTIONS V. BANKS
position, but also tak[e] into account all other relevant factors.” Kirtsaeng v. John Wiley & Sons, Inc., 136 S. Ct. 1979, 1985, 1989 (2016).
SOYP argues that Judge Phillips‘s decision, which was issued about two months after Kirtsaeng was handed down, improperly failed to take that opinion into account, and did not cite it. However, Kirtsaeng did not effect a significant change in the law, and we have upheld pre-Kirtsaeng decisions on the basis that Kirtsaeng did not require a different result. See Williams v. Gaye, 885 F.3d 1150, 1177 (9th Cir. 2018); Choyce v. SF Bay Area Indep. Media Ctr., 669 F. App‘x 863 (9th Cir. 2016). Prior to Kirtsaeng, Ninth Circuit case law held that
A district court may consider (but is not limited to) five factors in making an attorneys’ fees determination pursuant to
§ 505 . These factors are (1) the degree of success obtained, (2) frivolousness, (3) motivation, (4) reasonableness of losing party‘s legal and factual arguments, and (5) the need to advance considerations of compensation and deterrence.
Wall Data Inc., 447 F.3d at 787. After Kirtsaeng, district courts should continue to consider the same factors, but accord substantial weight to the fourth factor. Id. at 1989.
A. Objective unreasonableness
When a court weighs whether to grant attorney‘s fees, a legal argument that loses is not necessarily unreasonable. See, e.g., VMG Salsoul, LLC v. Ciccone, 824 F.3d 871, 887 (9th Cir. 2016); Seltzer v. Green Day, Inc., 725 F.3d 1170,
SHAME ON YOU PRODUCTIONS V. BANKS 9
1181 (9th Cir. 2013). In this case, the district court based its determination that SOYP‘s claim was objectively unreasonable on the distinct lack of similarity between the two works. SOYP alleged facts suggesting that at least some of the Defendants had direct access to Rosen‘s screenplay, so substantial similarity was the remaining crucial element for its claim. See Williams, 885 F.3d at 1163; Three Boys Music Corp. v. Bolton, 212 F.3d 477, 481 (9th Cir. 2000).
The district court‘s merits order summarized the plot of both screenplays. See Shame on You Prods., Inc. v. Banks, 120 F. Supp. 3d 1123, 1133–40 (C.D. Cal. 2015), aff‘d, 690 F. App‘x 519 (9th Cir. 2017), cert. denied, 138 S. Ct. 323 (2017). In finding them not to be substantially similar, the court held that the concept of a “walk of shame,” upon which both plots are based, “is not itself protectable.” Id. at 1151. It held that many of the similarities that SOYP alleged, such as the main character losing her cell phone and wallet, were “[s]cenes-à-faire, or situations and incidents that flow necessarily or naturally from a basic plot premise, [which] cannot sustain a finding of infringement.” Id. at 1148 (first alteration in original) (quoting Cavalier v. Random House, Inc., 297 F.3d 815, 823 (9th Cir. 2002)); see id. at 1151. Other alleged similarities were, upon closer inspection, not so similar: while acknowledging that “both
10 SHAME ON YOU PRODUCTIONS V. BANKS
flown to her final destination by helicopter.” Id. at 1152–53. Overall, however, the court held that “the two works at issue tell fundamentally different stories” with different plots, themes, dialogues, moods, settings, paces, and characters. Id. at 1151–68. There was “virtually no overlap in dialogue,” id. at 1156, and “the only similarities between the characters . . . are abstract and generalized,” id. at 1168.
The district court did not find the substantial similarity issue to be close. It found that the two screenplays had only isolated plot elements in common, and that in all other regards they differed markedly. SOYP argues that this finding was “inherently subjective,” and while its claim may have been incorrect as a matter of law, it could not have been unreasonable to perceive the two screenplays as similar. “We employ a two-part analysis in this circuit—an extrinsic test and an intrinsic test—to determine whether two works are substantially similar.” Cavalier, 297 F.3d at 822. “The ‘extrinsic test’ is an objective comparison of specific expressive elements,” whereas “[t]he ‘intrinsic test’ is a subjective comparison that focuses on ‘whether the ordinary, reasonable audience’ would find the works substantially similar in the ‘total concept and feel of the works.‘” Id. (quoting Kouf v. Walt Disney Pictures & Television, 16 F.3d 1042, 1045 (9th Cir. 1994)). The district court recognized in its merits order that “[i]f plaintiff satisfies the extrinsic test, the intrinsic test‘s subjective inquiry must be left to the jury and [any dispositive motion] must be denied.” Shame on You Prods., Inc., 120 F. Supp. 3d at 1148–49 (alterations in original) (quoting Smith v. Jackson, 84 F.3d 1213, 1218 (9th Cir. 1996)). Accordingly, the district court‘s holding that the two works were not substantially similar was based entirely on the objective extrinsic test, and not on the subjective intrinsic test. Because this test is objective, SOYP‘s subjective beliefs regarding its outcome are no more
SHAME ON YOU PRODUCTIONS V. BANKS 11
relevant to the reasonableness determination than a party‘s subjective belief regarding any other legal test.
B. Remaining factors
Under Kirtsaeng, a district court must give “substantial weight” to the reasonableness of SOYP‘s litigating position, but it also takes into account the other factors identified in our case law. 136 S. Ct. at 1989. These factors, although mixed, do not combine to outweigh the objective unreasonableness of SOYP‘s claim.
SOYP concedes that the “degree of success” factor favors Defendants, but it argues that their success was only partial because, while the federal copyright claim was dismissed with prejudice, the state law implied contract claim was dismissed without prejudice, and has in fact been refiled in state court. The focus in the fees determination is whether “successful prosecution or successful defense of the action furthers the purposes of the Copyright Act.” Perfect 10, Inc. v. CCBill LLC, 488 F.3d 1102, 1120 (9th Cir. 2007). Accordingly, the district court did not abuse its discretion in placing greater emphasis on the outcome of the Copyright Act claim.
12 SHAME ON YOU PRODUCTIONS V. BANKS
filed, SOYP stated that it would produce the script with its initial disclosures as required by
SOYP argues, however, that Defendants cannot complain they lacked access to the screenplay because they were in possession of it since 2007. On July 31, 2007, Banks was emailed a copy of the screenplay. The district court surmised that Banks may not have remembered that she received the script in an email seven years prior to this suit, but the initial letter sent by SOYP‘s counsel to Defendants (including Banks) included this allegation, and Banks retained the script in her email. Furthermore, before SOYP produced the screenplay, Defendants’ counsel at one point referred in open court to the fact that Darci‘s Walk of Shame is set in Hawaii, a fact that had not been alleged in the complaint. While Defendants’ possession of Rosen‘s screenplay does not excuse SOYP‘s failure to obey
SHAME ON YOU PRODUCTIONS V. BANKS 13
good faith, it does call into question the idea that SOYP‘s tactics were purely dilatory and intended to stave off adjudication of what it knew to be a meritless claim. Overall, although the evidence of bad faith is not conclusive, the district court did not abuse its discretion in finding that the factor nonetheless weighed in favor of Defendants.
The district court also held that the factor of deterrence weighed in favor of an award of fees to Defendants. It acknowledged that Defendants had not demonstrated a need for specific deterrence, as there was no evidence that SOYP or Rosen had filed baseless or frivolous claims in the past, but held that the purpose of general deterrence would be served by awarding fees against a party who had litigated an objectively unreasonable claim, or who had brought a claim in bad faith. In similar cases, we have held that this reasoning does not constitute an abuse of discretion. See, e.g., Inhale, Inc. v. Starbuzz Tobacco, Inc., 755 F.3d 1038, 1042–43 (9th Cir. 2014).
Finally, the district court held that the overall goals of the Copyright Act would be served by a fee award because it would “reward artists and others who defend against meritless claims, and [would] encourage artists to continue producing original works without fear of having to defend
14 SHAME ON YOU PRODUCTIONS V. BANKS
abused its discretion in determining that Defendants were entitled to fees, regardless of the validity of its reasoning with regard to the overall goals of the Copyright Act. As such, we need not resolve the question raised by the district court‘s determination that a fee award would further the goals of the Copyright Act.
The district court also placed weight on the fact that Defendants’ successful defense “nudged copyright law in the direction of ‘free expression’ by appealing to basic principles about the unprotectability of ideas, instead of relying on ‘technical defense[s], such as the statute of limitations, laches, or the copyright registration requirements.‘” In Kirtsaeng, the Supreme Court expressed skepticism about relying on a lawsuit‘s impact on the law in determining a fee award; this factor‘s incentive effect on litigants is uncertain, and it is less easily administrable than other factors. 136 S. Ct. at 1987–88. However, the Court did not explicitly bar district courts from considering a suit‘s impact on copyright law. We need not decide whether the district court erred in taking this factor into account, as the outcome is the same either way.
Overall, the district court did not abuse its discretion in weighing the remaining factors, which together do not outweigh the objective unreasonableness of SOYP‘s litigating position. The district court therefore did not abuse its discretion in determining that Defendants were entitled to fees.
II. SOYP‘s State Law Claim
“Controlling precedent establishes ‘that a party entitled to attorney‘s fees as a prevailing party on a particular [copyright] claim, but not on other claims in the same lawsuit, can only recover attorney‘s fees incurred in
SHAME ON YOU PRODUCTIONS V. BANKS 15
defending against that one claim or any ‘related claims.‘” Traditional Cat Ass‘n, Inc. v. Gilbreath, 340 F.3d 829, 833 (9th Cir. 2003) (quoting Entm‘t Research Grp., Inc. v. Genesis Creative Grp., Inc., 122 F.3d 1211, 1230 (9th Cir. 1997)). “To determine whether the claims are related, the district court should focus on whether the claims on which [the party] did not prevail ‘involve a common core of facts or are based on related legal theories.‘” Thomas v. City of Tacoma, 410 F.3d 644, 649 (9th Cir. 2005) (quoting Webb v. Sloan, 330 F.3d 1158, 1168 (9th Cir. 2003)).
SOYP‘s breach of implied contract claim, which was not adjudicated on the merits, was nevertheless based on the allegation that Defendants agreed to pay for Rosen‘s script if they decided to use it. Like the copyright claim, the contract claim therefore turned on whether or not Defendants had copied Darci‘s Walk of Shame to make Walk of Shame. Furthermore, as the district court noted, SOYP itself conceded that “[t]he vast majority of this case including discovery concerned both of [p]laintiff‘s claims equally, in that the copyright infringement and contractual claim arose out of the same set of facts and circumstances.” Since the copyright and contract claims involve a common core of facts and are based on related legal theories,
III. The Size of the Fee Award
SOYP‘s arguments against the reasonableness of Defendants’ fee award include some of the same objections it made below. These objections were addressed by the district court, and SOYP offers no new arguments against the district court‘s thorough resolution of those objections.
16 SHAME ON YOU PRODUCTIONS V. BANKS
First, SOYP objects to the award of fees for 136.5 hours of time entries that contained redactions. We have held that such redactions in time entries to preserve secrecy of work product are permissible as long as they “do not impair the ability of the court to judge whether the work was an appropriate basis for fees.” Democratic Party of Wash. State v. Reed, 388 F.3d 1281, 1286 (9th Cir. 2004). In this case, the district court found that “some of the billing entries have been so heavily redacted that it [could not] assess the reasonableness of the time expended,” identified nine such entries, and accordingly deducted 4.2 hours from the fee award. SOYP has not shown that the district court abused its discretion in deducting only 4.2 of the requested 136.5 hours.
Second, SOYP objects to fees Defendants requested for preparation of responses to SOYP‘s discovery requests. The district court agreed with SOYP that the number of hours claimed was unreasonable in light of the “boilerplate objections” that were copied and pasted into all responses. It held that “Defendants spent approximately twice as long preparing the responses as was reasonable” and deducted 50% of the claimed hours. SOYP neither acknowledges this 50% deduction nor provides any argument that it was insufficient. Accordingly, it has not shown that the district court abused its discretion.
Third, SOYP objects to several categories of hours Defendants expended in connection with their oppositions to SOYP‘s motions to compel discovery and for sanctions and, after those motions were granted in part, on preparation of supplemental responses and production of documents. SOYP‘s primary arguments are that none of these hours would have been necessary if Defendants had “properly complied with their discovery obligations at the outset,” and
SHAME ON YOU PRODUCTIONS V. BANKS 17
that SOYP “effectively prevailed” on its motions to compel despite Defendants’ opposition. The district court rejected these objections because even losing motions may be compensable, see Cabrales v. County of Los Angeles, 935 F.2d 1050, 1052–53 (9th Cir. 1991), and furthermore Defendants’ oppositions did not entirely lose: the motions to compel were granted only in part. The district court did not abuse its discretion in holding that these hours contributed to Defendants’ success and were therefore reasonable and compensable.
Finally, SOYP argues that the hourly rates claimed by defendants’ attorneys and paralegals were excessive or unjustified. The district court examined each claimed hourly rate, compared it to rates deemed reasonable by other courts in other cases, and found the rates charged by one partner and two associates to be reasonable. However, it declined to award fees for work performed by two other attorneys which was not sufficiently justified, and it found two of the three paralegals’ claimed hourly rates to be excessive, reducing them to $250 each. SOYP neither acknowledges nor attacks the district court‘s careful resolution of these issues. Accordingly, it has not shown that the district court abused its discretion.
In general, motions for attorney‘s fees must be filed with the court no later than fourteen days after entry of judgment.
18 SHAME ON YOU PRODUCTIONS V. BANKS
struck that filing and instructed Defendants to refile the motion under the correct e-filing categories, which they did later that day.
We have repeatedly held that the fourteen-day deadline under
CONCLUSION
For the foregoing reasons, the district court‘s judgment is affirmed. SOYP shall bear costs on appeal.
AFFIRMED.