CHICAGO BUILDING DESIGN, P.C., and Jeremiah Johnson, Plaintiffs-Appellants, v. MONGOLIAN HOUSE, INC., Ryan Golden, Mark Perres, and John A. Wilson, Defendants-Appellees.
No. 12-3037.
United States Court of Appeals, Seventh Circuit.
Argued Feb. 13, 2013. Decided Oct. 23, 2014.
770 F.3d 610
The order of the Board of Immigration Appeals is vacated and the case remanded to the Board.
Nathaniel T. Cutler, Attorney at Law, Thomas D. Carroll, Fuksa Khorshid, LLC, Chicago, IL, for Plaintiffs-Appellants.
Mark Perres, an Individual, Chicago, IL, pro se.
Ty D. Laurie, Kendall Elizabeth Woods, Attorney, Laurie & Brennan, LLP, Shelly B. Kulwin, Kulwin, Masciopinto & Kulwin, Chicago, IL, for Defendants-Appellees.
Before BAUER, SYKES, and HAMILTON, Circuit Judges.
SYKES, Circuit Judge.
This case involves claims of copyright infringement arising out of a failed business relationship between a Chicago architectural firm and its client. Chicago Building Design, P.C. (“CBD“), specializes in the design and construction of restaurants. Its client, Mongolian House, Inc., wanted to renovate an upscale restaurant in Chicago known as “Plan B.” CBD de-
Sometime in 2008 a CBD employee visited the City‘s offices on other business and chanced upon a set of blueprints for Plan B that appeared to be copies of the firm‘s designs but were labeled with another architect‘s name. CBD asked the City for a copy of the blueprints to determine if they were in fact copies of its own. The City denied the request, saying the blueprints were exempt from disclosure. In the meantime, Mongolian House defaulted on payments due CBD for the 2006-2007 work. On May 8, 2009, the City issued a new building permit for Plan B based on the 2008 blueprints. On February 13, 2012-not quite three years later-CBD sued Mongolian House, its owners, and its architect alleging copyright infringement and assorted state-law claims.
The defendants moved to dismiss the federal claims as time-barred under the Copyright Act‘s three-year statute of limitations. See
I. Background
The plaintiffs are Chicago Building Design, P.C., an architectural and construction firm, and Jeremiah Johnson, its president. We refer to them collectively as “CBD” unless the context requires otherwise. The defendants are Mongolian House, Inc., a restaurant company; Ryan Golden and Mark Perres, its owners; and John A. Wilson, its outside architect. We refer to the defendants collectively as “Mongolian House” unless it‘s necessary to distinguish between them. The case was dismissed for failure to state a claim under Rule 12(b)(6) of the Federal Rules of Civil Procedure, so we take the following facts from the latest iteration of the complaint, accept them as true, and draw reasonable inferences in CBD‘s favor. Larson v. United Healthcare Ins. Co., 723 F.3d 905, 908 (7th Cir. 2013).
In 2006 Mongolian House retained CBD to design Plan B, an upscale restaurant in Chicago that it sought to renovate. Mongolian House promised to pay CBD $15,000 for architectural services. After receiving CBD‘s design, Mongolian House awarded the firm the corresponding construction work. Under the construction contract, Mongolian House promised to compensate CBD in two ways: a cash payment of $259,100, plus 15% of the profits earned by Plan B.
In June 2006 CBD filed blueprints for the Plan B renovation with the City in order to obtain a “repair and replace” building permit for the project. The City issued the permit authorizing the work to begin, and CBD completed the renovation in March 2007. CBD registered its copyright in the blueprints on May 1, 2009.
The complaint alleges that sometime in 2008, Golden and Perres, Mongolian House‘s owners, copied CBD‘s blueprints and distributed them to Wilson, who placed his name on the copies and filed them with the City with the intention of passing the blueprints off as his own. The purpose was to obtain a “full” building permit for Plan B. In contrast to a “repair and replace” permit, a “full” permit authorizes certain additional interior alterations and an increase in occupancy on the premises. On May 8, 2009, the City issued the full permit, and in accordance with customary practice, distributed two copies of the approved 2008 blueprints to Mongolian House. To comply with the City‘s regulations, Mongolian House was required keep the blueprints on the premises. Golden, Perres, and Wilson thereafter used the infringing blueprints to pass an inspection on or about July 27, 2009, and used them again in other periodic inspections through January 2012.
Sometime in 2008, a CBD employee visited the City‘s offices on unrelated zoning business and happened to see documents that looked like the firm‘s blueprints but bore Wilson‘s name. At this point CBD “did not know ... whether the Blueprints were the ones Plaintiffs filed with the City of Chicago to secure a repair and replace permit for the Premises, some modified version of the Blueprints submitted for other purposes, or a wholly different non-
Meanwhile, Mongolian House defaulted on payments due CBD under the parties’ contracts. To date, Mongolian House has paid CBD $11,000 on the design contract and just $45,000 on the construction contract.
On February 13, 2012, CBD sued Mongolian House, Golden, Perres, and Wilson alleging various forms of copyright infringement under the Copyright Act. See
The defendants moved to dismiss the copyright claims under Rule 12(b)(6), invoking the Copyright Act‘s three-year statute of limitations. See
CBD argued in the alternative that the infringing acts constituted a “continuing violation” that extended into the three-year limitations period. The judge rejected this argument as well, holding that the “post-2008 acts” did not amount to infringement because distributing an architectural work to a building inspector is a “limited publication” not covered by the Copyright Act.
Having dismissed the copyright claims, the court relinquished jurisdiction over the state-law claims. See
II. Discussion
When a defendant charges noncompliance with the statute of limitations, “[d]ismissal under Rule 12(b)(6) [is] irregular, for the statute of limitations is an affirmative defense.” United States v. N. Trust Co., 372 F.3d 886, 888 (7th Cir. 2004). Because “complaints need not anticipate and attempt to plead around defenses,” id., a motion to dismiss based on failure to
The Copyright Act provides that “[n]o civil action shall be maintained under the provisions of this title unless it is commenced within three years after the claim accrued.”
The issue in Petrella was “whether the equitable defense of laches may bar relief on a copyright infringement claim brought within § 507(b)‘s three-year limitations period.” 134 S. Ct. at 1967. To answer that question, the Court first examined “how the Copyright Act‘s limitations period works” and “when a copyright infringement claim accrues.” Id. at 1969. This part of Petrella affects the analysis here.
The Court began its opinion in Petrella by noting the generally applicable rule of accrual in limitations law: A cause of action accrues, and the limitations period begins to run, “when [a] plaintiff has a complete and present cause of action.” Id. (quoting Bay Area Laundry & Dry Cleaning Pension Trust Fund v. Ferbar Corp. of Cal., 522 U.S. 192, 201, 118 S. Ct. 542, 139 L. Ed. 2d 553 (1997) (alteration in original)). For copyright cases in particular, the Court explained that an infringement claim accrues “when an infringing act occurs.” Id. More specifically, the Court held that the Copyright Act‘s statute of limitations establishes a “separate accrual rule” for each violation:
Under that rule, when a defendant commits successive violations, the statute of limitations runs separately from each violation. Each time an infringing work is reproduced or distributed, the infringer commits a new wrong. Each wrong gives rise to a discrete “claim” that “accrue[s]” at the time the wrong occurs. In short, each infringing act starts a new limitations period.
Id. (footnote & citation omitted). Put more succinctly,
In an important footnote with potential implications for this case, the Court noted that although copyright claims generally accrue when the infringing act occurs, most circuits “have adopted, as an alternative to the incident of injury rule, a ‘discovery rule,’ which starts the limitations period when ‘the plaintiff discovers, or with due diligence should have discovered, the injury that forms the basis for his claim.‘” Id. at 1969 n. 4 (quoting William A. Graham Co. v. Haughey, 568 F.3d 425, 433 (3d Cir. 2009)). The Court did not comment further on the subject, but simply ob-
The Court did, however, specifically distinguish the separate-accrual rule established in
That understanding is confirmed by the Court‘s summary of this part of its opinion:
Under the [Copyright] Act‘s three-year provision, an infringement is actionable within three years, and only three years, of its occurrence. And the infringer is insulated from liability for earlier infringements of the same work. See 3 M. Nimmer & D. Nimmer, Copyright § 12.05[B][1][b], p. 12-150.4 (2013) (“If infringement occurred within three years prior to filing, the action will not be barred even if prior infringements by the same party as to the same work are barred because they occurred more than three years previously“). Thus, when a defendant has engaged (or is alleged to have engaged) in a series of discrete infringing acts, the copyright holder‘s suit ordinarily will be timely under
§ 507(b) with respect to more recent acts of infringement (i.e., acts within the three-year window), but untimely with respect to prior acts of the same or similar kind.
Petrella, 134 S. Ct. at 1969-70 (footnote omitted).
Petrella significantly changes the focus of analysis in this case. As the parties framed the issue, the dispute hinges on the start date for the statute of limitations-more particularly, the date on which CBD either actually or “constructively” discovered the copyright infringement. Actual discovery is just what it sounds like; “constructive” discovery refers to the date on which CBD as a reasonably diligent plaintiff should have discovered that the defendants were violating its rights. See Gaiman, 360 F.3d at 653. The district court held that the statute of limitations began to run when CBD had “inquiry notice,” i.e., knowledge that would have led a reasonable person to start investigating the possibility that his rights had been violated.
But “inquiry notice” is not the same as actual or constructive discovery. In another context, the Supreme Court has explained that when a limitations period is keyed to the plaintiff‘s discovery of his injury, “inquiry notice” does not start the limitations clock. See Merck & Co., Inc. v. Reynolds, 559 U.S. 633, 651-53, 130 S. Ct. 1784, 176 L. Ed. 2d 582 (2010). In Merck the Court was asked to interpret the statute of limitations for securities fraud,
We conclude that the limitations period in
§ 1658(b)(1) begins to run once the plaintiff did discover or a reasonably diligent plaintiff would have “discover[ed] the facts constituting the violation“-whichever comes first. In determining the time at which “discovery” of those “facts” occurred, terms such as “inquiry notice” and “storm warnings” may be useful to the extent that they identify a time when the facts would have prompted a reasonably diligent plaintiff to begin investigating. But the limitations period does not begin to run until the plaintiff thereafter discovers or a reasonably diligent plaintiff would have discovered “the facts constituting the violation” ... irrespective of whether the actual plaintiff undertook a reasonably diligent investigation.
Merck involved a statutory discovery rule; in copyright cases the discovery rule is a common-law gloss. Still, Merck clarified that “inquiry notice” is not a substitute for actual or constructive discovery, and that clarification is instructive here. The concept of inquiry notice may help to identify the time at which a reasonable plaintiff can be expected to start investigating a possible violation of his rights, but it does not itself trigger the statute of limitations. Accordingly, the district court should not have used inquiry notice as the starting date for the statute of limitations.
More fundamentally, however, in light of Petrella, we now know that the right question to ask in copyright cases is whether the complaint contains allegations of infringing acts that occurred within the three-year look-back period from the date on which the suit was filed. Here, the answer to that question is plainly “yes.” The complaint alleges that Perres, Golden, and Wilson distributed the infringing blueprints to building inspectors during inspections in July 2009 and periodically thereafter, through January 2012. These acts fall within the three-year limitations period from the date of suit (February 13, 2012).
Mongolian House argues that these “post-2008 acts” do not constitute copyright infringement because distributing an architectural work to building inspectors is a “limited publication” that falls outside the Copyright Act. Mongolian House advances this argument in response to CBD‘s fallback position that the infringement alleged here should be construed as a continuous violation that stretched into the limitations period. As we have explained, however, the “continuing violation” doctrine is incompatible with the separate-accrual rule of
To the extent that the “limited publication” argument is addressed to the merits rather than the statute of limitations, it was misapplied here. The “limited publication” concept was developed under the copyright regime that existed between 1909 and 1978, when copyright was governed by both the federal Copyright Act of 1909 and state common law. See JANE C. GINSBURG & ROBERT A. GORMAN, COPYRIGHT LAW 108-09 (2012). At common law and under the 1909 Act, an author‘s ability to enforce his rights in a work depended in part on whether the work was published, whether it was marked with a copyright notice, and whether the copyright was registered. Id. The Copyright Act of 1976 abolished state copyright law and changed the rules governing the effect of registration and publication on the author‘s rights and remedies under the Act. Id. at 114-15.
Because the way in which an author published his work affected his rights and remedies under both the old and new copyright regimes, some courts developed the concept of “limited publication” to mitigate some of the harsher effects of these rules.
So the limited-publication principle protects authors against a forfeiture of their rights. But it‘s not at all clear what bearing it has on the question of infringement. Mongolian House has not explained how the principle applies to its own conduct as an accused infringer or provides a defense to copyright liability.
The Copyright Act provides that “[a]nyone who violates any of the exclusive rights of the copyright owner ... is an infringer.”
(1) to reproduce the copyrighted work in copies or phonorecords;
(2) to prepare derivative works based on the copyrighted work; [and]
(3) to distribute copies or phonorecords of the copyrighted work to the public by sale or other transfer of ownership, or by rental, lease, or lending[.]
The complaint alleges that Golden, Perres, and Wilson distributed the infringing blueprints to city building inspectors at periodic inspections from July 2009 through January 2012, in violation of CBD‘s rights under
As far as we can tell, this is a question of first impression in this circuit and apparently in other circuits as well. As a more general matter, the scope of the exclusive right to distribute under
The most we can say at this juncture is that the case should not have been dismissed on the pleadings based on the statute of limitations. CBD‘s complaint alleges that the defendants committed infringing acts within the three-year look-back period before suit. The limited-publication principle does not take these acts outside the Act as a categorical matter. The case can move forward, though much remains for further development, both legally and factually.
A final word on the statute-of-limitations: If on remand CBD continues to claim a right to recover for infringing acts that occurred in 2008, outside the three-year look-back period, the parties will need to address whether Petrella abrogates the discovery rule in copyright cases. We express no opinion on that question today. The parties have not briefed it,2 and it may not arise on remand. We note that CBD seeks statutory damages in lieu of actual damages; an award of statutory damages is cumulative in nature, covering “all infringements involved in the action, with respect to any one work.”
For the foregoing reasons, we REVERSE and REMAND for further proceedings consistent with this opinion.
