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515 P.3d 1
Cal.
2022
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Background

  • Vera Serova bought Michael, a posthumous Michael Jackson album, after album packaging and a promotional video stated it contained “9 previously unreleased vocal tracks performed by Michael Jackson.”
  • Some listeners disputed the authenticity of three Cascio-origin tracks; Serova alleges Sony and the estate misrepresented Jackson as the vocalist and concealed contrary information.
  • Serova sued on behalf of California purchasers under the Consumers Legal Remedies Act (CLRA) and the Unfair Competition Law (UCL), seeking injunctive and monetary relief for deceptive marketing.
  • Sony moved to strike under California’s anti‑SLAPP statute, stipulating the court should decide only two issues: whether the challenged statements were noncommercial (thus protected) and whether they were sufficiently false or misleading.
  • Trial court treated the album back and video as commercial speech but the Court of Appeal held the statements were noncommercial and immune; the California Supreme Court granted review and reversed the appellate decision.

Issues

Issue Plaintiff's Argument Defendant's Argument Held
Whether Sony’s album-back statement and promotional video are commercial or protected noncommercial speech for anti‑SLAPP purposes Serova: marketing statements promising Jackson vocals are commercial advertising aimed at purchasers and regulable under CLRA/UCL Sony: statements concern an expressive work and public controversy; thus they are noncommercial and entitled to heightened First Amendment protection Held: Commercial — album packaging and video are product-promoting advertising and subject to consumer protection laws
Whether the speaker’s lack of knowledge or the difficulty of verification makes the statements noncommercial Serova: even if hard to verify, commercial classification stands; scienter is irrelevant to speech category Sony: because falsity was disputed and not readily verifiable, statements lack the Kasky “personal knowledge” element and are noncommercial Held: Knowledge/verifiability do not convert otherwise commercial promotion into noncommercial speech; no personal-knowledge requirement for commercial categorization
Whether the album’s expressive elements (title/artwork/music) render the promotional statements "inextricably intertwined" with protected speech Serova: promotional attribution of vocals can be separated from the expressive content and regulated Sony: promotional identification of Jackson is adjunct to expressive work and should share its protection Held: Not inextricably intertwined here — the attribution is separable commercial advertising and not cloaked by the album’s expressive content
Whether federal copyright law preempts Serova’s state-law CLRA/UCL claims or divests courts of jurisdiction Serova: consumer-deception claims require an extra element (misrepresentation) and thus are distinct from copyright claims Sony: (raised belatedly) copyright preempts and deprives state courts of jurisdiction Held: Rejected — CLRA/UCL deception claims are not equivalent to copyright claims and can coexist; no preemption or jurisdictional bar here

Key Cases Cited

  • Central Hudson Gas & Electric Corp. v. Public Serv. Comm’n, 447 U.S. 557 (U.S. 1980) (commercial speech that is false or misleading may be regulated or prohibited)
  • Kasky v. Nike, Inc., 27 Cal.4th 939 (Cal. 2002) (framework for determining commercial speech: speaker, audience, content)
  • Dastar Corp. v. Twentieth Century Fox Film Corp., 539 U.S. 23 (U.S. 2003) (distinguishing origin-of-goods claims from misrepresentation claims about a work’s content)
  • Rogers v. Grimaldi, 875 F.2d 994 (2d Cir. 1989) (titles of expressive works can have commercial component and be regulable when explicitly misleading)
  • Riley v. Nat’l Fed. of the Blind, 487 U.S. 781 (U.S. 1988) (disclosure required by law can be "inextricably intertwined" with protected solicitation)
  • Board of Trustees v. Fox, 492 U.S. 469 (U.S. 1989) (discussing when commercial and noncommercial speech may be inseparable)
  • Charles v. City of Los Angeles, 697 F.3d 1146 (9th Cir. 2012) (promotional advertising for an expressive program is commercial and not necessarily intertwined with the program’s protected speech)
  • Bates v. State Bar of Arizona, 433 U.S. 350 (U.S. 1977) (commercial speech regulation to ensure truthfulness is permissible)
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Case Details

Case Name: Serova v. Sony Music Entertainment
Court Name: California Supreme Court
Date Published: Aug 18, 2022
Citations: 515 P.3d 1; 297 Cal.Rptr.3d 253; 13 Cal.5th 859; S260736
Docket Number: S260736
Court Abbreviation: Cal.
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