LUIS ADRIÁN CORTÉS-RAMOS, Plaintiff, Appellant, v. ENRIQUE MARTIN-MORALES, a/k/a RICKY MARTIN, Defendant, Appellee, JOHN DOE, RICHARD DOE, and their respective insurance companies, Defendants.
No. 19-1358
United States Court of Appeals For the First Circuit
April 13, 2020
Before Torruella, Dyk,* Barron, Circuit Judges.
APPEAL FROM THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF PUERTO RICO [Hon. Daniel R. Domínguez, Senior U.S. District Judge]
Juan R. Rodríguez, with whom Rodríguez López Law Offices, P.S.C. was on brief, for appellant.
David C. Rose, with whom Pryor Cashman LLP, Jorge I. Peirats, and Pietrantoni Méndez & Álvarez LLC, were on brief, for appellee.
We conclude that the district court correctly held that the complaint failed to state a copyright claim because it did not allege registration. But we also conclude that the district court erred in holding that the complaint otherwise failed to state a copyright claim and dismissing the complaint with prejudice. We remand so that the district court may consider, whether, in light of this opinion, to dismiss the copyright claim or whether Cortés-Ramos should be allowed to supplement his complaint under
I.
This controvеrsy concerning Cortés-Ramos‘s music video comes back to this court for the fourth time. This appeal requires us to determine the sufficiency of Cortés-Ramos‘s complaint.
A.
Cortés-Ramos‘s claims concern a songwriting contest that he entered in 2014. The complaint alleges the following. In August 2013, “[Martin] and Sony . . . claimed that they were sponsors” of and advertised the “SuperSong” contest. ¶ 11. The contest was a competition; each participant was required to compose a song with lyrics in English, Portuguese, or Spanish. ¶ 14. The participants were required to submit their songs in “video format showcasing the performance of the composer” by January 6, 2014. ¶¶ 14, 23. The winning composition was to be sung by Martin at the grand opening of the 2014 Fédération Internationale de Football Association (“FIFA“) World Cup in Brazil. ¶¶ 12, 16.
After seeing the contest advertisement, Cortés-Ramos composed a song and recorded a music video in his hometown in Puerto Rico with several musicians, dancers, and chorus singers. ¶ 20. On January 2, 2014, Cortés-Ramos uploaded his music video to the contest‘s website. A few days later, he was selected as one of the top-twenty finalists. ¶¶ 22, 25. On January 15, 2014, he signed “several documеnts (releases)” from Sony Brazil. ¶¶ 25-26. Eventually, another participant was selected as the winner in February 2014. ¶ 30.
In April 2014, Martin released his song Vida. ¶ 32. Martin‘s “music video was almost identical to the one that [Cortés-Ramos] composed and created.” Id.
Based on these factual allegations, Cortés-Ramos‘s complaint asserted: (1) a federal claim under the Copyright Act (
The complaint also alleged a federal trademark claim, but that claim was dismissed. Cortés-Ramos does not rаise that claim on appeal.
B.
This is not Cortés-Ramos‘s first effort to secure relief. Cortés-Ramos earlier filed an action against various companies affiliated with Sony Music Entertainment (“Sony“) and Martin on July 28, 2014, alleging various claims including copyright violation. Cortés-Ramos voluntarily dismissed Martin early in that proceeding. Eventually, the district court dismissed all claims against Sony on the ground that the clаims were subject to the arbitration provision of the SuperSong contest participation agreement. This court affirmed in Cortés-Ramos v. Sony Corp. of Am., 836 F.3d 128 (1st Cir. 2016). Later, this court reversed an award of attorney fees in Cortés-Ramos v. Sony Corp. of Am., 889 F.3d 24 (1st Cir. 2018), holding that Sony was not a prevailing party under the Copyright Act where the case was dismissed because Cortés-Ramos was compelled to arbitrate. Id. at 25-26.
On February 8, 2016, Cortés-Ramos filed this second action against Martin. The district court initially ruled that Cortés-Ramos‘s clаims against Martin, like his claims against Sony, were subject to the contest‘s arbitration provision and dismissed the case. This court reversed, holding that the arbitration provision did not extend to Martin because he was neither a party to the contest participation agreement nor a third-party beneficiary. Cortés-Ramos v. Martin-Morales, 894 F.3d 55, 58-60 (1st Cir. 2018).
C.
On remand of the 2016 action from this court, the district court granted Martin‘s renеwed motion to dismiss for failure to state a claim. The district court dismissed Cortés-Ramos‘s copyright claim with prejudice, concluding that Cortés-Ramos failed to allege “preregistration or registration of his copyright . . . to sustain a cause of action” as required by
Cortés-Ramos now appeals, challenging the district court‘s dismissal of his copyright claim and state-law claims. We have jurisdiction pursuant to
II.
A.
We first address the district court‘s dismissal of the copyright claim. A plaintiff who owns a copyrighted work has the ultimate burden to prove that (1) the defendant “actually copied the work as a factual matter” and (2) the “copying . . . rendered the infringing and copyrighted works ‘substantially similar.‘” T-Peg, Inc. v. Vt. Timber Works, Inc., 459 F.3d 97, 108 (1st Cir. 2006) (quoting Johnson v. Gordon, 409 F.3d 12, 17 (1st Cir. 2005)). One way to indirectly establish “actual copying” is to show that the defendant “enjoyed access to the copyrighted work” and “a sufficient degree of similarity” exists between the copyrighted work and the allegedly infringing work.5 Id. at 111 (quoting Johnson, 409 F.3d at 18). But, at the pleading stage, the plaintiff need not actually prove the elements of his claim but rather need only sufficiently allege facts that show the claim is plausible on its face. Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009); Bell Atlantic Corp. v. Twombly, 550 U.S. 544, 555 (2007).
Here, the district court concluded that Cortés-Rаmos had alleged a violation of copyright law and in support had sufficiently alleged that Martin had access to his music video. The district court held that it “may infer that [Martin] obtained access to Plaintiff‘s music video through the submission of the SuperSong Contest.” Op. 15. In this respect, the complaint included allegations that Cortés-Ramos submitted his music video to the SuperSong contest, which Martin wаs involved in and following which he would have sung the
Given that there is a reasonable inference that Martin had access to Cortés-Ramos‘s music video, we think that the “almost identical” allegation is sufficient to meet Cortés-Ramos‘s burdens of pleading both indirect actual copying and substantial similarity. Determining whether Cortés-Ramos‘s complaint supports a plausible claim for relief is “a context-specific task that requires the reviewing court to draw on its judicial experience and common sense.” Iqbal, 556 U.S. at 679. When viewing the complaint in the light most favorable to Cortés-Ramos, Ocasio-Hernández, 640 F.3d at 7, we conclude that it adequately supported a reasonable inference of similarity so as to render his claim plausible, Iqbal, 556 U.S. at 678, and provided Martin “fair notice of what the . . . claim is and the grounds upon which it rests,” Twombly, 550 U.S. at 555 (alteration in original) (quoting Conley v. Gibson, 355 U.S. 41, 47 (1957), abrogated on other grounds by Twombly, 550 U.S. at 561-63).
Therefore, aside from registration, Cortés-Ramos sufficiently alleged a copyright violation.
B.
Our inquiry does not end there as the district court also held that Cortés-Ramos‘s copyright complaint was defective because his complaint did not allege that he “preregistered or registered the music video [that] he submitted to the SuperSong contest.” Op. 14.
In Section 411(a) of Title 17, the copyright statute provides that “no civil action for infringement of the copyright in any United States work shall be instituted until . . . registration of the copyright claim has been made in accordance with this title.”6 In Fourth Estate Pub. Benefit Corp. v. Wall-Street.com, LLC, 139 S. Ct. 881 (2019), the Supreme Court addressed whether “registration” under section 411(a) occurs when the claimant completed his application or only after the Copyright Office registered the copyright (by issuing a certificate). Id. at 886. The Supreme Court held that the registration condition was satisfied only “when the [Copyright] Register has registerеd a copyright after examining a properly filed application.” Id. at 892.
In reaching its decision, the Supreme Court explained that “a copyright claimant generally must comply with [section] 411(a)‘s [registration] requirement” “[b]efore pursuing an infringement claim in court.” Id. at 887. This is because “registration is akin to an administrative exhaustion requirement that the owner must satisfy before suing to enforcе ownership rights.” Id. It also recognized that “Congress has maintained registration as prerequisite to suit, and rejected proposals that
would have eliminated registration.” Id. at 891. See also Thompson v. Hubbard, 131 U.S. 123, 150-51 (1889) (notice requirement of a predecessor copyright statute was a prerequisite
The legislative history of the copyright law discussed by the Suрreme Court is quite clear. The predecessor to section 411(a) provided that “[n]o action or proceeding shall be maintained for infringement . . . until the provisions . . . with respect to the deposit of copies and registration of such work shall have been complied with.”7 17 U.S.C. § 13 (1970). While changing the phrase “[n]o action . . . shall be maintained” in the earlier statute to “no civil aсtion . . . shall be instituted” in enacting section 411(a) in 1976, Congress made clear that registration was a prerequisite to a copyright lawsuit. Specifically, Congress recognized:
The first sentence of section 411(a) restates the present statutory requirement [in 17 U.S.C. § 13 (1970)] that registration must be made before a suit for copyright infringement is instituted. Under the bill, as under the law now in effect, a copyright owner whо has not registered his claim can have a valid cause of action against someone who has infringed his copyright, but he cannot enforce his rights in the courts until he has made
registration.
H.R. Rep. No. 94-1476, at 157 (Sept. 3, 1976) (emphasis added); S. Rep. No. 93-983, at 188 (June 27, 1974). Congress thus confirmed that registration is a prerequisite to enforcement of copyrights.
This interpretation of the copyright statute is consistеnt with interpretation of other statutes with similar language. For example, McNeil v. United States, 508 U.S. 106 (1993) addressed similar language of the Federal Tort Claims Act in
Here, Cortés-Ramos‘s complaint did not allege that registration had been obtained prior to suit. Cortés-Ramos has conceded that he had not secured registration before filing this action. We thus agree with the district court‘s decision on the sufficiency of the complaint with respect to registration. But since we determine that the complaint is insufficient as to only the registration ground, the district court should not have dismissed the copyright claim with prejudice. Generally, when a plaintiff‘s claim is dismissed for failing to satisfy a pre-suit requirement, the dismissal should be “without prejudice” when the plaintiff may able to satisfy the requirement in the future. See, e.g., Lumiere v. Pathe Exch., Inc., 275 F. 428, 430 (2d Cir. 1921) (addressing a predecessor copyright statutе and holding that dismissal without prejudice was proper because “the plaintiff may get a certificate of registration . . . and thereafter may maintain another action“). There appears to be no dispute that the Copyright Office registered Cortés-Ramos‘s music video after he filed his complaint with the district court, and thus he could allege registration in a new action.
At оral argument in this court, Cortés-Ramos urged that the district court should not have dismissed the action at all, but should have allowed him to amend the
In Gadbois, this court еxplained that “supplementation of pleading is encouraged ‘when doing so will promote the economic and speedy disposition of the entire controversy between the parties, will not cause undue delay or trial inconvenience, and will not prejudice the rights of any of the other parties to the action.‘” 809 F.3d at 4 (quoting 6A Charles Alan Wright et al., Federal Practice and Procedure § 1504, at 258-59 (3d ed. 2010)). Although this case appears to be a candidate for a
III.
Cortés-Ramos next argues that the district court‘s dismissal of his state-law claims was erroneous. We disagree.
As for his Puerto Rico trаdemark claim, Cortés-Ramos provides no argument at all as to why the district court was wrong. Cortés-Ramos‘s complaint was deficient because it failed to identify what he contends to be protected under Puerto Rico‘s trademark law. A complaint that merely cites to the statute without pleading factual allegations fails to state a claim. Iqbal, 556 U.S. at 678.
Cortés-Ramos‘s allegations concerning the other two state-law claims are similarly deficient. Cortés-Ramos merely contends that he invoked Articles 1802 and 1803 (which provide recovery of damages caused by fault or negligence) and that the Puerto Rico Supreme Court recognized that there is “a cause of action . . . against a tortfeasor third party (defendant) who interfered between contractors.” Appellant Br. 6, 28. But, the complaint did not even allege that Martin interfered with Cortés-Ramos‘s contractual relationship with another. Even if that had been pleaded, a “naked assertion” without “further factual enhancement” is insufficient to survive a motion to dismiss. Iqbal, 556 U.S. at 678 (quoting Twombly, 550 U.S. at 557). As for his claims under
IV.
Cortés-Ramos contends that the district court erred by not authorizing discovery before deciding on the
V.
Accordingly, we affirm the district court‘s dismissal without prejudice of the state-law claims. We remand to allow the district court to consider whether to dismiss the copyright сlaim without prejudice or to allow Cortés-Ramos to supplement his complaint under
Affirmed-in-part, vacated-in-part, and remanded.
Costs to neither party.
