Opinion
Libel action for $2,000,000 by Samuel W. Yorty against Otis Chandler, Los Angeles Times, The Times-Mirror Company (sued as Times Mirror Corporation), and Paul Conrad, in which plaintiff complains of a cartoon drawn by Conrad and published on the editorial page of the Los Angeles Times. The trial court ruled on demurrer that the cartoon was not defamatory and entered judgment for defendants.
The cartoon was published under the following circumstances: in mid-November 1968 Richard M. Nixon, having been elected President of the United States, was engaged in the selection of nominees for appointment to his cabinet. At a press conference Samuel W. Yorty, Mayor of the City of Los Angeles, publicly expressed interest in such an appointment, and, in particular, appointment as Secretary of Defense. According to the allegations of plaintiff’s complaint, President-elect Nixon was then considering Mayor Yorty for appointment to a cabinet post, and that fact was known to defendants.
*470 On 19 November 1968 the Los Angeles Times published on its editorial page the following cartoon and caption:
“I’ve got to go now . . . I’ve been appointed Secretary of Defense and the Secret Service men are here!”
*471 The cartoon depicts Mayor Yorty seated at his office desk talking on the telephone. Four white-coated medical orderlies with doleful expressions on their faces stand beside the desk. One orderly is holding a straight jacket behind his back while another beckons to Mayor Yorty with his finger. The caption reads, “Fve got to go now . . . I’ve been appointed Secretary of Defense and the Secret Service men are here!”
In claiming that the cartoon was defamatory, the complaint asserts:
“In publishing said cartoon, Defendants and each of them, intended to mean and convey to the readers of the editorial page of the Los Angeles Times, that Plaintiff was claiming that he had been appointed Secretary of Defense by President-elect Richard Nixon, and that he was further claiming that he was qualified to serve in such capacity; and that in making such a claim, he was insane and should be placed in a straight jacket. The defendants, in publishing said cartoon, intended to insinuate to [their] readers that plaintiff was unfit to serve as Secretary of Defense and, that in believing he was so qualified, he was mentally ill.” Plaintiff thus interprets the cartoon as a factual report that Mayor Yorty suffered from the delusion that he had been appointed Secretary of Defense and that because of his delusion he was insane and needed to be placed in a straight jacket.
The sole question is whether the cartoon is reasonably susceptible to the interpretation placed upon it in plaintiff’s complaint. The trial court concluded it was not, ruled as a matter of law that the cartoon was not libelous, and dismissed the complaint. Plaintiff appeals.
First, some consideration of the subject matter of this suit, the political cartoon. Ever since stone-age man began to draw on the walls of his cave, caricature has been used as a device to express opinion on matters of current interest. Examples of the art of caricature in ancient Egyptian and Roman times still abound. With the advent of printing, caricature became a form of social and political commentary, and in one of its aspects began to manifest itself as critical opinion on public issues and public figures. Thus the political cartoon was born. In America the first political cartoon was designed by Benjamin Franklin, and by the time of the Civil War the political cartoon had become a standard adjunct to public fife. In the 1870’s Thomas Nast proved the effectiveness of the political cartoon by a devastating series of drawings which helped break the corrupt political regime of “Boss” Tweed and the Tammany Ring. From Daumier and Tenniel to Low and Herblock the political cartoon has occupied a central position in the presentation of critical comment on events and personages of the times.
The genius of a well-conceived political cartoon lies in its ability to communicate in graphic form a statement of editorial opinion which might other *472 wise require paragraphs of written material to express. To say so much with so little, the political cartoonist makes extensive use of symbolism, caricature, exaggeration, extravagance, fancy, and make-believe. For example, if a federal official made a “fact-finding” trip to a vacation spot at public expense, a political cartoonist might criticize that official’s conduct by drawing a distorted likeness of the official taking money from the pocket of an unwary Uncle Sam. Because the use of symbolism in political cartooning is well-understood, the drawing would be interpreted by its viewers as editorial comment on the waste of public funds involved in the trip, and no reasonable viewer would consider it a factual report that the official had picked someone’s pocket, much less that of an elderly gentleman with a wispy white beard who was dressed in an American flag.
A cartoon, of course, remains subject to the law of libel (Civ. Code, § 45), and, like any other form of depiction or representation, it may be found libelous if it maliciously presents as fact defamatory material which is false. For example, a political cartoon which falsely depicts a public official selling franchises for personal gain, or a judge taking a bribe, or an attorney altering a public record, or a police officer shooting a defenseless prisoner, will not be exempt from redress under the laws of libel merely because the charge is depicted graphically in linear form rather than verbally in written statement.
(Snively
v.
Record Publishing Co.,
The present cartoon is said by plaintiff to have made two basic assertions: First, an assertion that the mayor was unqualified for high national office. Second, an assertion that the mayor, in believing he was qualified for high national office, demonstrated mental incompetency to such a degree that he required the restraint of a straight jacket. Defendants concede the first assertion and defend their right to make it. Defendants deny the second assertion and deny that any reasonable viewer would interpret the cartoon as having made such a statement.
On the first point, it is settled law that mere expression of opinion or severe criticism is not libelous, even though it adversely reflects on the
*473
fitness of an individual for public office.
(Howard
v.
Southern Cal. etc. Newspapers,
On the second point, plaintiff contends that the Los Angeles Times, in expressing its views on Mayor Yorty’s fitness for a cabinet post, published a false report that he was in fact insane and needed the physical restraint of a straight jacket. If in fact defendants had published such a report unquestionably the publication could be found libelous. For example, in
Goldwater
v.
Ginzburg
(S.D.N.Y. 1966)
The popular usage of words denoting mental incompetency, such as
insane, mad,
or
crazy,
to express the idea of excessive optimism, extravagant expectation, overweaning ambition, foolish hope, distraction with eager desire, goes back in the English language to the time of Milton and Shakespeare.
1
Clearly, it was the latter idea which the cartoon intended to and did
*475
convey. In
Correia
v.
Santos,
Plaintiff, however, while conceding that the cartoon might be interpreted as charging him with no more than foolish and unrealistic expectations, argues that the cartoon is also susceptible to a literal interpretation which charges him with mental disorder, and he contends that since the cartoon is susceptible of two interpretations—one innocent, one defamatory —it is for a jury and not a court to make the choice between conflicting interpretations
(Mellen
v.
Times-Mirror Co.,
In Greenbelt Publishing Assn. v. Bresler, supra, plaintiff Bresler was seeking to obtain from the City Council of Greenbelt a zoning variance on land owned by him, and at the same time the city was seeking to buy a different tract of land from him on which to construct a new high school. Bresler refused to agree to sell the high school property unless he were given a zoning variance on his other land, and at a city council meeting he was charged by persons from the community with “blackmail.” Defendant, a weekly newspaper, reported these charges. In reversing a jury verdict for plaintiff and holding as a matter of constitutional law that the references to “blackmail” were not defamatory, the Supreme Court said: “For the reasons that follow, we hold that the imposition of liability on such a basis was constitutionally impermissible—that as a matter of constitutional law, the word ‘blackmail’ in these circumstances was not slander when spoken, and not libel when reported in the Greenbelt News Review. ... It is simply impossible to believe that a reader who reached the word ‘blackmail’ in either article would not have understood exactly what was meant: it was Bresler’s public and wholly legal negotiating proposals that were being criticized. No reader could have thought that either the speakers at the meeting or the newspaper articles reporting their words were charging Bresler with the commission of a criminal offense. On the contrary, even the most careless reader must have perceived that the word was no more than rhetorical hyperbole, a vigorous epithet used by those who considered Bresler’s negotiating position extremely unreasonable. ... To permit the infliction of financial liability upon the petitioners for publishing these two news articles would subvert the most fundamental meaning of a free press, protected by the First and Fourteenth Amendments.” (Greenbelt Publishing Assn. v. Bresler, 398 U.S. at pp. 13-14 [26 L.Ed.2d at pp. 14-15].)
These comments in Bresler have a parallel application to the cause at bench, and we paraphrase them thus: It is simply impossible to believe that a viewer of the cartoon would not have understood exactly what was meant: it was Mayor Yorty’s public aspiration for appointment as Secretary of Defense which was being ridiculed. No reader could have thought that either the cartoonist or the editor of the Los Angeles Times was charging Mayor Yorty with mental derangement or mental incompetency. On the contrary, even the most careless reader must have perceived that the cartoon was no more than rhetorical hyperbole, a vigorous expression of opinion *477 by those who considered Mayor Yorty’s aspiration for high national office preposterous. To penalize defendants for publishing this political cartoon would subvert the most fundamental meaning of a free press, protected by the First and Fourteenth Amendments.
We conclude that under both state and federal law the trial court correctly determined that the cartoon was not reasonably susceptible to a defamatory meaning and that consequently plaintiff had failed to state a cause of action.
The judgment of dismissal is affirmed.
Roth, P. J., concurred.
I concur in the result reached by Justice Fleming in his very scholarly and learned analysis of the subject matter at hand, but for somewhat different reasons.
Because of what appears to me to be a continuing escalation in the frequency and viciousness of both physical and verbal attacks on duly elected public officials, I feel compelled to add some comments of my own.
The Los Angeles Times’ right to express, in cartoon form, its opinion concerning the mayor’s qualifications for public office is protected by the First Amendment to the United States Constitution. On the other hand, as Justice Fleming points out, the political cartoon is not protected if it is libelous and maliciously presents false and defamatory material. In other words, a cartoonist or an artist who undertakes, in pictorial form, to criticize an individual must be held to the same standards as though he used the printed word.
I am persuaded also that in determining whether or not a matter is defamatory, the fact that it is presented as a subjective opinion rather than a statement of fact is not completely controlling.
This is especially true where, as here, the issue is the imputation of mental illness. As a practical matter the question of an individual’s sanity under the present state of the art is always determined on the basis of opinion— whether it be the opinion of a psychiatrist or the opinion of a layman, as those opinions are accepted under our rules of evidence.
As Justice Fleming so clearly points out, if the defendants in this case had published a false report that the mayor was in fact insane and needed the physical restraint of a straight jacket, such a report could be found libelous. (See
Goldwater
v.
Ginzburg
(S.D.N.Y. 1966)
The question presented on this appeal is whether the cartoon in question is susceptible of a defamatory interpretation, i.e., and imputation of mental illness in the real sense. If the cartoon is so susceptible, it is defamatory whether it is viewed in terms of the Times saying “The Mayor is insane” or “In our opinion the Mayor is insane.”
It is one thing for the Los Angeles Times to express an opinion that the mayor because of a lack of administrative ability, a lack of experience or qualification, or for a myriad of other reasons, was not a qualified candidate for political office, but it is quite another thing to falsely opine that his lack of fitness for political office was premised on mental imbalance.
Our affirmance of the trial court’s decision deprives the plaintiff of an opportunity to have that question decided by a jury. For that reason we should be very careful about reaching the conclusion that “no reasonable viewer” could assume that the matter was defamatory.
Standing alone, the cartoon is susceptible of a defamatory meaning. Straight jackets and men in white coats are commonly associated in the popular mind with violent insanity. It is possible for a “reasonable viewer” to equate what was depicted in this cartoon with the type of words which were condemned in Goldwater v. Ginzburg.
In my view the cartoon in question is cured of any possible defamatory interpretation only when viewed in light of the retraction, by which the Times specifically disavowed any imputation of actual mental incompetency.
My concurrence in affirming the judgment is premised on the fact that the retraction sufficiently dispells the defamatory nature of the cartoon and that the plaintiff did not plead any special damages.
Justice Fleming points to a Currier and Ives lithograph of 1860 depicting President Lincoln on his way to an insane asylum as some precedent for reading out of the present cartoon any defamatory interpretation. Apparently that lithograph was never challenged. The fact that one libel goes unchallenged does not provide a sound basis for exculpating a second or similar libel.
Additionally, I discern a trend in the laws of libel comparable to the very frightening developments which we have witnessed in the obscenity field. Our courts have continued to pay lip service to the principle that obscenity does not enjoy First Amendment protection. At the same time, however, individual decisions holding matters not to be obscene have so raised the *479 threshold of what is obscene that the original principle has become a hollow shell.
Similarly, reiterating the principle that libel does not enjoy First Amendment protection while at the same time sanctioning progressively vicious and scurrilous false attacks upon public officials will render the laws of defamation meaningless.
The protection of the freedom of a responsible press does not require that we insulate from liability for libel the artists whose pens drip venom and whose skill in drawing and cartooning far exceeds their sense of responsibility, respect for the truth and the depth of their understanding of public issues.
In my opinion the defendants in this action escaped possible liability only because of a prompt and adequate retraction.
Appellant’s petition for a hearing by the Supreme Court was denied February 10, 1971.
Notes
Mad: Webster’s New International Dictionary, Second Edition, defines “mad” both as “exhibiting unsoundness or disorder of the mind,” and as “foolish, vain, especially, rashly or ruinously foolish.” The Oxford English Dictionary says: “1. Suffering from mental disease,” and “2. Foolish; unwise.” Shakespeare used the word in both senses in 1602.
Hamlet, Act V, scene 1, 165-170:
Hamlet: Ay, marry, why was he sent into England?
Clown. Why, because he was mad; he shall recover his wits there; or, if he do not, ‘tis no great matter there.
Hamlet: Why?
Clown: ‘Twill not be seen in him there;
there the men are as mad as he.
Crazy: Webster’s New International Dictionary, Second Edition, gives three current definitions: “Full of cracks or flaws,” “insane,” and “distracted with eager desire, excitement, or the like; inordinately desirous or obsessed.” The Oxford English Dic *475 tionary says “crazy” is often “used by way of exaggeration in sense: Distracted or ‘mad’ with excitement, vehement desire, perplexity.” In 1617 Chamberlain wrote of a man “noted to be crazy and distempered.” And in 1641 Milton wrote of “the floting carcas of a crasie and diseased Monarchy.”
Isane: Webster’s New International Dictionary, Second Edition, defines “insane” to mean not only “exhibiting unsoundness or disorder of the mind,” but also as “characterized by . . . the utmost folly; chimerical; unpractical; as an insane plan, attempt, etc.” The Oxford English Dictionary defines “insanity” both "as “unsoundness of the mind” and as “Extreme folly or want of sound sense.” Thus in 1862 Spencer wrote of the “insanities of idealism,” and in 1869 Coleridge wrote of an “insane and excessive passion for athletics.”
