No. 2280 | C.C.P.A. | Feb 9, 1924

Martin, Presiding Judge,

delivered tbe opinion of tbe court:

Tbe merchandise now upon appeal consists of designs in water colors on paper, intended to serve as models in tbe printing of wall paper and cretonnes in tbis country. They represent leaves, flowers, and similar objects, in more or less natural shapes and colors.

The collector assessed tbe merchandise with duty at the rate of 25 per cent ad valorem under tbe enumeration of manufactures of paper, in paragraph 332 of tbe tariff act of 1913.

. The importers protested, claiming free entry under the provisions in paragraph 652 of tbe act for original drawings and sketches in pen and ink or pencil and water colors, or alternatively an assessment of only 15 per cent ad valorem under tbe enumeration of works of art, including paintings in oil or water colors, in paragraph 376 thereof.

The protests, three in number, were submitted upon testimony to the Board of General Appraisers, and were severally overruled.

The importers have appealed from that decision.

The law in relation to such importations has been discussed in the following cases among others, to wit, American Colortype Co. v. United States (9 Ct. Cust. 212" court="C.C.P.A." date_filed="1919-06-03" href="https://app.midpage.ai/document/american-colortype-co-v-united-states-6827941?utm_source=webapp" opinion_id="6827941">9 Ct. Cust. Appls. 212; T. D. 38046); Macloughlin v. United States (10 id. 37; T. D. 38261); and Tower & Sons v. United States (11 id. 291; T. D. 39125).

In this case in order to sustain the claim for free entry under paragraph 652, it was necessary for the importers to prove that the imported designs were not only drawings or sketches in pen and ink or pencil and water colors, but also that they were original with the artist who produced them. In respect to one of the protests the board found that the designs covered by it were not shown by the evidence to be original; and with respect to the other two protests the board found that the designs referred to therein were not draw*86ings or sketches at all but were paintings in water colors. We think that these findings were not contrary to the evidence in the case, and that they are sustained, moreover, by the exhibits.

In order to bring the importations within the alternative claim of the importers, namely, that the designs were works of art, including paintings in oil or water colors under paragraph 376 of the act, it was necessary for the importers to prove by the evidence that they answered to the description of works of art heretofore set out in the decisions. —United States v. Olivotti & Co. (7 Ct. Cust. 46" court="C.C.P.A." date_filed="1916-03-28" href="https://app.midpage.ai/document/united-states-v-olivotti-6827636?utm_source=webapp" opinion_id="6827636">7 Ct. Cust. Appls. 46; T. D. 36309); Reardon v. United States (11 id. 233; T. D. 38992). Upon the testimony in this case, however, the board held against the importers upon that issue also. And again we think that upon the exhibits and the oral testimony in the record the board's decision should not be disturbed.

The judgment is therefore affirmed.

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