The individual defendants, Samuel and Albert Ratner, ran a large scale mail order business in allegedly obscene magazines and films. They operated through a California corporation, Wyn-gate & Bevins, Inc. The corporation mailed sexually explicit advertisements to persons on various mailing lists who had not solicited the material, mailed similar advertisements with each order, and advertised in various magazines. The United States indicted the two Rat-ners and Wyngate & Bevins for violations of the federal obscenity statute, 18 U.S.C. § 1461. A jury found the defendants guilty. The trial court sentenced the individual defendants to five years imprisonment on each of seven counts, the sentences to run concurrently. The court fined Wyngate & Bevins $35,000, $5,000 for each count. All the defendants appeal. We affirm.
We withheld decision of this appeal pending the progress through the courts of another obscenity case, in which some of the issues were identical and some related to those raised by the appellants here. That case was United States v. Groner, 5 Cir. 1972,
Shortly after this Court decided
Groner
on remand, the Supreme Court decided Hamling v. United States, 1974,
The test of obscenity governing at the time of the trial was that set forth by the plurality in Memoirs v. Massachusetts, 1966,
“. . . three elements must coalesce: it must be established that (a) the dominant theme of the material taken as a whole appeals to a prurient interest in sex; (b) the material is patently offensive because it affronts contemporary community standards relating to the description or representation of sexual matters; and (c) the material is utterly without redeeming social value.”
The appellants do not contend that the charge given by the district court was inconsistent with that definition. Rather, they contend that the United States failed to establish the obscenity of the materials in question. We have examined the record and exhibits and find that the jury could reasonably find, as it did, that the materials were obscene under the Memoirs standard.
After the appellants had been convicted, however, and while this appeal was pending, the Supreme Court decided Miller v. California, 1973,
“The basic guidelines for the trier of fact must be: (a) whether ‘the average person, applying contemporary community standards’ would find that the work, taken as a whole, appeals to the prurient interest, (b) whether the work depicts or describes, in a patently offensive way, sexual conduct specifically defined by the applicable state law, and (c) whether the work, taken as a whole, lacks serious literary, artistic, political, or scientific value.”
The appellants further contend that their conviction as to Count 6 must be reversed because there is a fatal variance between the allegations made in that count and the proof offered by the government at trial. They did not raise this objection at trial. They are barred from raising it on appeal under Rule 51, Fed.R.Crim.P., unless it constitutes
*1303
“plain error”. See United States v. Hyde, 5 Cir. 1971,
The appellants raise other points on this appeal. We have considered all of the appellants’ contentions. We conclude that they do not merit discussion.
Affirmed.
Notes
. Paris Adult Theatre I v. Slaton, 1973,
. The court liad instructed the jury that it might consider evidence of pandering in determining whether the materials mailed were obscene. This instruction was proper under Ginzburg v. United States, 1966,
. In general, the effect of the
Miller
standard is to relax appellate review of the jury’s findings. This is implicit in the court’s emphasis that what “appeals to the prurient interest” and what is “patently offensive” are “essentially questions of fact”, which the jurors may resolve by reference to the standards of their
local
community, rather than to “some hypothetical standard of the entire United States of America.”
The
Miller
standard is also less stringent to the extent that it discards the “utterly without redeeming social value” test of
Memoirs
in favor of a test requiring only that “the work, taken as a whole, lacks serious literary, artistic, political, or scientific value.”
