UMG Recordings, Inc. v. Veoh Networks, Inc.UMG Recordings, Inc. v. Veoh Networks, Inc.
ORDER DENYING UMG’S MOTION FOR PARTIAL SUMMARY JUDGMENT
I. INTRODUCTION
Plaintiffs, members of Universal Music Group (collectively “UMG” or “Plaintiff’), control the rights to millions of copyrighted sound recordings and musical compositions. Defendant Veoh Networks, Inc. (‘Veoh”) operates an internet-based service that allows users to share videos with others, free of charge. Like many companies that have developed such services in recent years, Veoh describes its software as a means for democratizing the distribution of user-generated content. Plaintiff contends that Veoh has benefited from, and is liable for, infringement of its copyrights. It has sued Veoh and Veoh’s investors for direct, contributory, and vicarious copyright infringement, and for inducement of copyright infringement. Veoh, in turn, has asserted an affirmative defense under the Digital Millennium Copyright Act’s (“DMCA”) “safe harbor” provisions.
UMG now moves for partial summary judgment that Veoh is not entitled to an affirmative defense under one of those safe harbors, codified at
UMG contends that Veoh does not qualify for
Other courts have held that
For the reasons stated below, the Court holds that the four software functions at issue
do
fall within the scope of the
II. FACTUAL BACKGROUND 1
Like a number of internet-based services, Veoh operates a publicly accessible service that enables users to share videos freely with other users. SUF ¶¶ 1-3. If a user wishes to share a video, he can transfer it to Veoh’s system. SUF ¶ 5. When a different user learns that the uploaded video is accessible — perhaps by searching for key terms in the video’s description, or by following a hyperlink — he can view it on his own computer. SUF ¶¶ 2-3.
The Court now describes how Veoh’s software enables the public to share and access videos.
A. Accessing Veoh’s Service
There are two ways for people to use Veoh’s video sharing service: through a website that users access through a standard web browser, or through a standalone
B.Sharing a Video via Uploading and Agreeing to the Terms
A user of Veoh’s service can share videos with other members of the public by transferring, or “uploading,” a video to Veoh’s system. But before a user uploads a video she must state that she has read and agreed to Veoh’s “Publisher Terms and Conditions.” SUF ¶ 8. This required “agreement” gives Veoh a license to, among other things, “publicly display, publicly perform, transmit, distribute, copy, store, reproduce and/or provide” the uploaded video “through the Veoh Service, either in its original form, copy or in the form of an encoded work.” SUF ¶ 9. Veoh’s Publisher Terms and Conditions also instruct users that they “may not submit [material] ... that contains any ... infringing ... or illegal content. You may only upload and publish [material] on the Veoh Service to which You have sufficient rights and licenses to permit the distribution of your [material] via the Veoh Services.” Ledahl Deck, Ex. C.
A user who uploads a video must also agree to Veoh’s “Terms of Use,” a separate written pronouncement that gives Veoh a license “to use, reproduce, modify, distribute, prepare derivative works of, display, publish, perform and transmit” the video. SUF ¶ 11. The Terms of Use state that “In connection with [material] that you make available on the Veoh Service, you expressly represent and warrant that you own or have the necessary licenses, rights, consents, and permissions to use and authorize Veoh to use all ... copyright or other proprietary rights in and to any and all [uploaded material] .... ” Ledahl Deck, Exh. D. Users must also agree “not to (a) take any action or (b) upload, download, post, submit or otherwise distribute or facilitate distribution of any [material] ... through the Veoh Service, that ... infringes any ... copyright ...” Id.
C. Automated “Chunking” of Shared Video
When a user agrees to these terms and then uploads a video to Veoh’s system, Veoh’s software automatically breaks down the video file into 256-kilobyte “chunks.” For various technical reasons, this process makes it easier for Veoh to make the video accessible to other users who wish to view it. SUF ¶¶ 14, 24.
D. Automated Conversion of Shared Video into Flash Format
A user may upload videos produced in a variety of different formats, but Veoh’s software also automatically converts, or “transcodes,” shared videos into a format known as “Flash 7.” SUF ¶¶ 15, 23, 25. This process is designed to enable other users to access the shared videos, as the vast majority of internet users have software that can play videos in Flash format. Papa Deck ¶ 7. Videos converted into the Flash 7 format are given a uniform frame rate and size predetermined by Veoh and not adjustable by the user. SUF ¶ 16. If the user is a “Pro” user, Veoh’s software will also convert uploaded video into formats known as “Flash 8” (a newer version of the Flash format) and MPEG-4 (playable on some portable devices). SUF ¶¶ 18, 26.
Thus, when a Pro user uploads a video, Veoh creates and retains four copies: the “chunked” file, Flash 7 file, Flash 8 file, and MPEG-4 file. SUF ¶ 19. These automated conversions do not affect the content of the videos. Papa Deck ¶ 5. 2
Veoh’s system allows users to access shared videos in two ways. The first is by a method known as “streaming.” When a user “streams” a shared video, her web browser can begin displaying the video almost immediately, before the entire video file has been transmitted to her computer. Depending on whether the user stops her web browser from streaming the full video, a partial or full copy of the video is stored temporarily on the viewer’s computer. SUF ¶¶ 28-29; Papa Decl. ¶ 14.
F. Accessing a Shared Video via Downloading
The second way a user can access a video is to “download” the full copy from Veoh’s servers using Veoh’s free client software, known as “VeohTV.” When a user downloads a video using this software, Veoh transfers to the user’s computer the “chunked” copy that Veoh made of the original video file, and the software reassembles the chunks into a complete copy. SUF 1188. Users may also download a complete copy of a shared video file through Veoh’s website. SUF ¶ 43.
G. UMG’s Copyrighted Works
Both sides agree that users of Veoh’s service have been able to download videos containing songs for which UMG owns the copyright, and that Veoh did not obtain UMG’s authorization to make those works available. SUF ¶¶ 44-54. Veoh asserts, however, and UMG does not deny, that until the filing of the instant motion UMG had not identified to Veoh any specific infringing video available on Veoh’s system. Simon Decl. ¶ 4. It is apparent from the record and from the briefs that UMG believes that it is not obligated under the DMCA “to identify each instance in which Veoh is displaying unauthorized content ....” Golinveaux Deck, Ex. B.
Veoh also notes that by the time UMG had filed this motion all five of the allegedly infringing videos identified in the motion had been removed from Veoh’s site. Two were terminated in response to notices Veoh received from a trade organization pursuant to the DMCA’s “notice and take-down” procedure, which is explained below, and the other three were taken down independently. Simons Deck ¶ 6.
Veoh also states that it has voluntarily implemented “state of the art filtering technology to automatically identify suspected infringing content and prevent users from sharing it with other Veoh users. This filtering occurs even if Veoh has never received a DMCA notice regarding such content.” Papa Deck ¶ 4. In addition, Veoh has signed — along with major copyright holders such as Disney, Viacom, Fox, CBS, Microsoft, and NBC Universal — a statement of “Principles for User Generated Content Services.” Simons Deck, Ex. 1. That statement is a result of a collaboration between “[Heading commercial copyright owners ... and services providing user-uploaded and user-generated audio and video content ... to foster an online environment that promotes the promises and benefits of [user-generated content] Services and protects the rights of Copyright Owners.” Id.
UMG contends that these efforts are too little too late, and were undertaken only after Veoh harbored infringing material for its own benefit. • .
III. SUMMARY JUDGMENT STANDARDS
“When the party moving for summary judgment would bear the burden of proof at trial, it must come forward with evidence which would entitle it to a directed verdict if the evidence went uncontroverted at trial. In such a case, the moving party has the initial burden of establishing the absence of a genuine issue of fact on each issue material to its case.”
C.A.R. Transp. Brokerage Co., Inc. v. Darden Rests., Inc.,
When the moving party meets its burden, the “adverse party may not rest upon the mere allegations or denials of the adverse party’s pleadings, but the adverse party’s response, by affidavits or as otherwise provided in this rule, must set forth specific facts showing that there is a genuine issue for trial.”
“[I]n ruling on a motion for summary judgment, the nonmoving party’s evidence ‘is to be believed, and all justifiable inferences are to be drawn in [that party’s] favor.’ ”
Hunt v. Cromartie,
Simply because the facts are undisputed does not make summary judgment appropriate. Instead, where divergent ultimate inferences may reasonably be drawn from the undisputed facts, summary judgment is improper.
Braxton-Secret v. A.H. Robins Co.,
IV. DISCUSSION
Title II of the DMCA is the “Online Copyright Infringement Liability Limitation Act.” This Act created four “safe har
(1) In general. — A service provider shall not be liable for monetary relief ... for infringement of copyright by reason of the storage at the direction of a user of material that resides on a system or network controlled or operated by or for the service provider, if the service provider—
(A)(i) does not have actual knowledge that the material or an activity using the material on the system or network is infringing;
(ii) in the absence of such actual knowledge, is not aware of facts or circumstances from which infringing activity is apparent; or
(iii) upon obtaining such knowledge or awareness, acts expeditiously to remove, or disable access to, the material;
(B) does not receive a financial benefit directly attributable to the infringing activity, in a case in which the service provider has the right and ability to control such activity; and
(C) upon notification of claimed infringement as described in paragraph (3), responds expeditiously to remove, or disable access to, the material that is claimed to be infringing or to be the subject of infringing activity.
A “service provider,” as that term is used in the
Under
(A) has adopted and reasonably implemented, and informs subscribers and account holders of the service provider’s system or network of, a policy that provides for the termination in appropriate circumstances of subscribers and account holders of the service provider’s system or network who are repeat infringers; and
(B) accommodates and does not interfere with standard technical measures.
Most cases that have addressed the
A. The Allegedly Infringing Functions
As noted above, UMG alleges that four functions performed by Veoh’s software give rise to infringement for which
It is undisputed that all of these software functions are directed toward facilitating access to materials stored at the direction of users. Nevertheless, UMG contends that “[n]one of these activities [actually] constitutes ‘storage at the direction of a user.’ ”
5
The question is therefore whether the
B. The Statute’s Text
For a service provider to qualify for the
UMG contends that
Veoh does not disagree that at least some of the four software functions at issue do not constitute “storage.” Instead it asserts that it “is not disqualified because of its automated processing of user uploaded material so that other users are able to
view
and
access
such material.” Opp. at 11 (emphasis in original). Veoh supports this analysis with two arguments that are rooted in the language and structure of
To assess the meaning of a statute the Court must “look to the particular statutory language at issue, as well as the language and design of the statute as a whole.”
McCarthy v. Bronson,
Under UMG’s interpretation,
Although Veoh correctly observes that the language of
Finally,
C. The Legislative History
The legislative history of the DMCA safe harbors, and of
Congress enacted the DMCA “to facilitate the robust development and worldwide expansion of electronic commerce, communications, research, development, and education in the digital age.” S. Rep. 105-190, at 1-2 (1998);
see also Perfect 10, Inc. v. Visa Int’l Serv. Ass’n,
Congress explained the need to limit service providers’ liability by noting that “[i]n the ordinary course of their operations service providers must engage in all kinds of acts that expose them to potential copyright infringement liability.... [B]y limiting the liability of service providers, the DMCA ensures that the efficiency of the Internet will continue to improve and that the variety and quality of services on the Internet will continue to expand.” S. Rep. 105-190, at 8.
It is very difficult to see how the DMCA could achieve these goals if service providers otherwise eligible for limited liability under
Congress was well aware of the risks to copyright holders’ interests “[d]ue to the ease with which digital works can be copied and distributed worldwide virtually instantaneously .... ” S. Rep. 105-190, at 8. To protect those interests, Title II was meant to “preserve! ] strong incentives for service providers and copyright owners to cooperate to detect and deal with copyright infringements that take place in the digital networked environment.” S. Rep. 105-190, at 20, 40; H.R. Rep. 105-551(11), at 49-50. The primary mechanism for cooperation in Title II, and in
For all of the reasons stated above the Court concludes that the legislative history supports the application of
D. Relevant case law
The parties fiercely dispute the importance of
Io Group, Inc. v. Veoh Networks, Inc.,
The Court does note that
Io Group’s
application of
UMG relies on
Perfect 10, Inc. v. CCBill LLC,
V. CONCLUSION
The four software functions that UMG challenges fall within the scope of
For the foregoing reasons, the Court DENIES UMG’s motion for partial summary judgment. 10
Notes
. The key facts are undisputed.
. In addition, when a user uploads a video to Veoh’s system, Veoh's software automatically
. The ruling on this motion therefore has no bearing on whether Veoh has satisfied the other requirements enumerated in
. Veoh does not concede that these four acts actually constitute infringement, and the Court does not decide whether they do.
. Although the record is incomplete on whether each function is necessary to provide access, UMG agrees that they are all directed at providing access. As to the creation of Flash versions and "chunked” copies, UMG itself asserts that these functions enable access. See Motion at 6 (“Veoh transcodes videos to ensure it has copies that can then facilitate and support Veoh’s ability to stream and provide downloads of videos to members of the public.”); SUF ¶ 24 ("Veoh reformats videos into 256-kilobyte 'chunks' copies so that Veoh can more easily distribute ... copies of the videos to viewers.”). With respect to downloading and streaming it is difficult to see how any user could access stored materials if at least one of those software functions, or a similar function, were not available.
. UMG argues that under Veoh’s analysis of the statute "acts that would never be permissible outside the online context would be somehow immunized from liability as long as they were done with a computer.” Motion at 15-16. However, in enacting the definition of "service provider” for purposes of
. A different subsection of
. All of these cases apply
. UMG also relies on a number of cases that the Court will not discuss because they do not involve the DMCA safe harbors.
See Fair Housing Council of San Fernando Valley
v.
Roommates.com, LLC,
. Docket No. 133. Veoh asks that the Court grant Veoh summary judgment “with respect to its eligibility for