Tyne v. Time Warner Entertainment Co.Tyne v. Time Warner Entertainment Co.
Erica Tyne, Billie-Jo Francis Tyne, Dale R. Murphy, Jr.,
Because we are unsure of the proper reach of
I. BACKGROUND
In October, 1991, a rare confluence of meteorological events led to a “massively powerful” weather system off the New England coast. The fishing vessel known as the Andrea Gail was caught in this storm and lost at sea. All six of the crewmembers on board the Andrea Gail, including Billy Tyne and Dale Murphy, Sr., were presumed to have been killed. Newspaper and television reports extensively chronicled the storm and its impact. Based on these reports, and personal interviews with meteorologists, local fishermen, and family members, Sebastian Jun-ger penned a book, entitled The Perfect Storm: A True Story of Men Against the Sea, recounting the storm and the last voyage of the Andrea Gail and its crew. The book was published in 1997.
That same year, Warner Bros, purchased from Junger and his publisher the rights to produce a motion picture based on the book. Warner Bros, released the film, entitled The Perfect Storm, for рublic consumption in 2000. The Picture depicted the lives and deaths of Billy Tyne and Dale Murphy, Sr., who were main characters in the film. It also included brief portrayals of each individual that is a party to this appeal. Nonetheless, Warner Bros, neither sought permission from the individuals depicted in the picture nor compensаted them in any manner.
Unlike the book, the Picture presented a concededly dramatized account of both the storm and the crew of the Andrea Gail. For example, the main protagonist in the Picture, Billy Tyne, was portrayed as a down-and-out swordboat captain who was obsessed with the next big catch. In one scene, thе Picture relates an admittedly fabricated depiction of Tyne berating his crew for wanting to return to port in Gloucester, Massachusetts. Warner Bros, took additional liberties with the land-based interpersonal relationships between the crewmembers and their families. .
While the Picture did not hold itself out as factually acсurate, it did indicate at the
On August 24, 2000, the Tyne and Murphy children, along with Tigue and Kosko, filed suit against Warner Bros, seeking recompense under Florida’s commercial misappropriation law and for common law false light invasion of privacy. In a May 9, 2002 Order, the district court granted Warner Bros.’s motion for summary judgment on all counts. The court found that (A) the term “commercial purpose” in
II. DISCUSSION
A. Commercial Purpose
The Tyne Plaintiffs first allege error in the district court’s determination that Loft v. Fuller,
(1) Nо person shall publish, print, display or otherwise publicly use for purposes of trade or for any commercial or advertising purpose the name, portrait, photograph, or other likeness of any natural person without the express written or oral consent to such use given by:
(a) Such person; or
(b) Any other person, firm or corporation authorized in writing by such person to license the commercial use of her or his name or likeness; or
(c) If such person is deceased, any person, firm or corporation authorized in writing to license the commercial use of her or his name or likeness, or if no person, firm or corporation is so authorized, then by any one from among a class composed of her or his surviving spouse and surviving children.
(2) In the event the consent required in subsection (1) is not obtained, the person whose name, portrait, photograph, or other likeness is so used, or any person, firm, or corporation authorized by such person in writing to license the commercial use of her or his name or likeness, or, if the person whose likeness is used is deceased, any person, firm, or corporation having the right to give such consent, as provided hereinabove, may bring an action to enjoin such unauthorized publication, printing, display or other public use, and to reсover damages for any loss or injury sustained by reason thereof, including an amount which would have been a reasonable royalty, and punitive or exemplary damages.
(3) The provisions of this section shall not apply to:
*1290 (a) The publication, printing, display, or use of the name or likeness of any person in any newspaper, magazine, book, news broadcast or telecast, or other news medium or publication as part of any bona fide news report or presentation having a current and legitimate public interest and where such name or likeness is not used for advertising purposes;
(b) The use of such name, portrait, photograph, or other likeness in connection with the resale or other distribution of literary, musical, or artistic productions or other articles of merchandise or property where such person has consented to the use of her or his name, portrait, photograph, or likeness on or in connection with the initial sale or distribution thereof.
The issue before this Court is whеther the Picture’s admittedly unauthorized use of the Tyne Plaintiffs’, and their relatives’, names and likenesses was “for trade, commercial, or advertising purposes,” as that phrase is used in
In reaching its conclusion, the Loft court held that
The Tyne Plaintiffs argue that Loft is distinguishable because, in that case, the depiction accorded with the newspaper reports of Loft’s “reappearances” on other flights, thereby clearly entitling it to First Amendment protection. In this case, however, the Tyne Plaintiffs assert that the Picture’s depiction of the events at sea, and the relationships between the crew members and their children, had never been reported in the press and were intentionally fabricated. Thus, they argue, the Picture’s representations were “knowingly false” and, therefore, not protected by the First Amendment.
The Tyne Plaintiffs also point out that applying Loft to this case presents several problems with regard to
The Tyne Plaintiffs also contend that if
Similarly, there would be no need for the second, “artistic works,” exemptiоn. See
“Substantial doubt about a question of state law upon which a particular case turns should be resolved by certifying the question to the state supreme court.” Jones v. Dillard’s, Inc.,
To what extent does Section 510.08 of the Florida Statutes apply to the facts of this case?
In order to assist the court’s consideration of the case, the entire record, along with the briefs of the parties, shall be transmitted herewith to the Florida Supreme Court.
B. “Relational” Right of Privacy
Erica and Billie-Jo Tyne (“the Tynes”), separate and apart from the other Tyne
Because the Tynes assert their right to recover for a “relational” invasion of privacy under the common law of the State of Florida, that state’s law controls our inquiry. See Erie R. Co. v. Tompkins,
The sole exception to the general rule against the descendibility of false light claims “occurs when plaintiffs experience an independent violation of their own personal privacy rights other than the violatiоn alleged to have occurred indirectly by virtue of the publicity given to the deceased. ...” Williams v. City of Minneola,
Based on the foregoing standard, we concur with the district court that the Picture’s portrayal of Billy Tyne was not sufficiently egregious to warrant invocation of the “relational” right of рrivacy doctrine. The Florida Courts have made it plain that this exception was not crafted to provide a derivative cause of action for minor technical inaccuracies, or even major ones. See id.; Williams,
QUESTION CERTIFIED to the Florida Supreme Court regarding the scope of
Notes
. The two Tyne childrеn bring this appeal both in their individual capacities and on behalf of their deceased father, Frank William "Billy” Tyne, Jr. Similarly, Murphy appeals in his individual capacity and on behalf of his deceased father, Dale R. Murphy, Sr.
. The statute also extends the right to sue under this prohibition to relatives of decedents. See
. We review de novo the district court’s grant of summary judgment, applying the same legal standard as the district court. See Royal Ins. Co. of Am. v. Whitaker Contr. Corp.,