DECISION AND AMENDED ORDER
On August 20, 2002, plaintiffs TVT Records and TVT Music, Inc. (collectively “TVT”) commenced this action against defendants The Island Def Jam Music Group and its principal Lyor Cohen (“Cohen,” and collectively “IDJ”), alleging copyright infringement and related state law claims. In an earlier proceeding in this litigation, the Court, after an evidentiary hearing on September 23, 24, and 30, 2002, granted in part and denied in part TVT’s motion for a preliminary injunction directing IDJ not to interfere with the delivery of certain recordings at issue here. IDJ now moves for summary judgment pursuant to Rule 56 of the Federal Rules of Civil Procedure and, in the alternative, for partial summary judgment under Rule 56 and for judgment on the pleadings pursuant to Rule 12(c) of the Federal Rules of Civil Procedure. In an Order dated February 4, 2003 this Court granted in part and denied in part IDJ’s motion and indicated that its findings, conclusions, and reasoning would be detailed in a subsequent decision. Accordingly, the Order of February 4, 2003 is amended to incorporate the discussion set forth below.
I. BACKGROUND
This case arises from a licensing dispute between TVT and its principal Steve Gott-lieb (“Gottlieb”) and IDJ concerning the distribution and exploitation of musical works created by Jeffrey Atkins, who is professionally known as Ja Rule (“Ja Rule”), and Irving Lorenzo, who is professionally known as Irv Gotti (“Gotti,” and together with Ja Rule, the “Artists”).
1
Under an agreement dated March 2, 1998 (the “Ja Rule Agreement”) between IDJ’s predecessor-in-interest, Rush Associated Recordings, and Ja Rule, IDJ is entitled to Ja Rule’s exclusive services as a recording artist. Pursuant to an agreement dated February 11, 1999, which was extended by
In an agreement entitled “Heads of Agreement Between Murderers Inc./Irv Gotti And Jeffrey Atkins (p/k/a ‘Ja Rule’) And Tee Vee Toons, Inc. (‘TVT’)” dated July 2, 2001 (the “Heads of Agreement”), TVT contracted with Ja Rule and Gotti to record, produce, and exploit an album (the “CMC Album”) featuring the performances of Ja Rule, Christopher Bristole (“Bristole”), and Otha Miller (“Miller,” and collectively the “CMC Artists”). 2 Under the Heads of Agreement, four previously recorded CMC tracks would be reworked and supplemented with at least eight newly recorded tracks featuring the CMC Artists, including Ja Rule, to comprise the CMC Album. The Heads of Agreement, through various guarantees and indemnities, charges the Artists with securing any approvals, consents, and permissions necessary for them to satisfy their obligations under this contract.
The delivery date for the new recordings as contemplated by the written Heads of Agreement was November 1, 2001. This delivery date was later changed to reflect the schedules of the Artists and the timing of other contemplated album releases. TVT and the Artists ultimately agreed that the new tracks would be supplied to TVT in time for release in November 2002. In the interim, the Artists continued to work on the new recordings for the CMC Album, and by May 2002, approximately eleven new tracks had been recorded. In May 2002, Ja Rule and Gotti announced a forthcoming release of the CMC Album. In the summer of 2002, IDJ included a promotional card in a compilation disc produced by Gotti which announced the forthcoming release of the CMC Album. Also in the summer of that year, Universal Music Publishing Group, an affiliate of IDJ, announced on its internet site the CMC Album’s forthcoming release.
TVT recognized that IDJ’s assent to the project envisioned by the Heads of Agreement (the “CMC Project”) was necessary, and it accordingly endeavored to negotiate for IDJ’s consent in mid-to-late 2001. In the process, Cohen and Gottlieb outlined a profit sharing arrangement. In a letter dated October 22, 2001, William Leibowitz (“Leibowitz”), outside counsel for TVT, sent IDJ execution copies of what TVT understood to be the written embodiment of an agreement in which IDJ assented to the CMC Project, termed the Side Letter Agreement (the “Side Letter”), and asked that they be signed and returned. TVT maintains that IDJ agents repeatedly assured Leibowitz that IDJ assented to the CMC Project and that executed copies of the Side Letter would be supplied. In a letter dated November 15, 2001, Leibowitz again asked IDJ to supply executed copies of the Side Letter, indicating that TVT had relied on representations of consent and assurances that executed copies would be forthcoming. In the spring of 2002, Lei-bowitz spoke with Brian Robinson of IDJ (“Robinson”) about the Side Letter and IDJ’s assurances, and Robinson indicated that he would inquire into the matter and then contact Leibowitz with an update. Executed copies of the Side Letter were
In or around June 2002, TVT granted IDJ’s request for a license to use a musical composition and a TVT sound recording entitled “Get Tha Fortune” in a digital video disc entitled “Irv Gotti Presents: The Inc.” TVT asserts that it relied on representations that IDJ had assented to the CMC Project, believing the publicity from IDJ’s video disc would benefit the market performance of the CMC Album contemplated for release later that year. TVT granted IDJ permission to utilize this material prior to IDJ’s written renunciation of the Side Letter.
II. DISCUSSION
A. STANDARD OF REVIEW
A motion for summary judgment should be granted where “the pleadings, depositions, answers to interrogatories, and admissions on file, together with the affidavits, if any, show that there is no genuine issue as to any material fact and that the moving party is entitled to a judgment as a matter of law.” Fed.R.Civ.P. 56(c).
See Rodriguez v. Hahn,
The standard for granting a Rule 12(c) motion for judgment on the pleadings is the same as that governing review of a Rule 12(b)(6) motion for failure to state a claim upon which relief can be granted. In either case, the Court “must accept all allegations in the complaint as true and draw all inferences in the non-moving party’s favor.”
Patel v. Contemporary Classics of Beverly Hills,
B. COPYRIGHT INFRINGEMENT
TVT alleges copyright infringement in IDJ’s use of “Get Tha Fortune,” which TVT owned, in the “Irv Gotti Presents: The Inc.” video. IDJ asserts in defense that it received a license from TVT for its use of this material. TVT responds that this license was fraudulently obtained by IDJ and therefore invalid. Gottlieb, TVT’s principal, testified at the preliminary injunction hearing that TVT would not have granted IDJ this license in the absence of IDJ’s representations of assent to the CMC Project and assurances that execution copies of the Side Letter would be produced. (Declaration of Pamela Gurley dated January 17, 2003 (“Gurley Decl.”), Ex. A at 300-301, 313-314.)
A fraudulently induced copyright license is invalid.
See, e.g., Topps Chewing Gum, Inc. v. Imperial Toy Corp.,
1. Reliance On The Asserted Representations
Assuming for purposes of argument that IDJ in fact did make certain representations amounting to assent to the CMC Project, IDJ argues that the evidence compels a finding that TVT did not rely on any such representations when it granted IDJ permission to use “Get Tha Fortune.” IDJ points to testimony by Leibowitz who stated that when structuring the terms of the Heads of Agreement, he included certain strong guarantees and indemnification clauses that imposed on the Artists the obligation to secure any necessary permissions and approvals. (Declaration of Robert J. Eddington dated November 18, 2002 (“Eddington Decl.”), Ex. I at 56-57.) IDJ argues that because the onus was on Ja Rule and Gotti to obtain any necessary permissions and produce the musical works, TVT’s decision to license “Get Tha Fortune” did not depend on assurances by IDJ that it consented to the CMC Project.
While the Artists may have been responsible to TVT for any losses of investment if the CMC Project were it to fail, such indemnification is clearly riot the reason TVT entered into the Heads of Agreement. Rather, TVT’s goal was to distribute and exploit the CMC Album; any indemnification owed to TVT by the Artists is quite obviously a fallback safety provision. Accordingly, assuming representations and assurances amounting to IDJ’s assent were made, a reasonable jury could conclude that TVT relied on them in pursuit of this superior result, namely, the exploitation of the CMC Album. -
In light of these added potential benefits, the Court concludes that IDJ’s argument, that the obligations imposed upon the Artists by certain indemnification and guarantee provisions of the Heads of Agreement preclude a finding that TVT relied on the asserted representations and assurances by IDJ, must be rejected.
2. Reasonableness of TVT’s Reliance
Turning to the question of the reasonableness, IDJ relies on the Second Circuit’s decision in
Reprosystem, B.V. v. SCM Carp.,
In
Reprosystem,
the Second Circuit began its pertinent analysis by referencing the well-settled tenet of New York contract law holding that “the mere fact that the parties contemplate memorializing their agreement in a formal document does not prevent their informal agreement from taking effect prior to that event.... These rules, placing the emphasis on intention rather than form, are sensible and reasonable.”
Reprosystem,
In finding that no contract for the sale in fact existed, the Reprosystem court reaffirmed the principles enunciated in V’Soske, see727 F.2d at 261 , and ... did not undermine them. Far from elevating contract formalism over the parties’ intent, the court relied on specific evidence that the parties intended not to be bound before execution of a formal contract. Id., at 261-61. Here, both sides apparently agree that the mere fact that they contemplated memorializing their agreement in a formal document does not, without more, prevent the agreement from binding them in the interim. Reprosystem is thus inapposite.
Washington Heights-West Harlem-In-wood Mental Health Council, Inc. v. Dist. 1199, Nat’l Union of Hosp. and Health Care Employees, RWDSU, AFL-CIO,
IDJ has offered no evidence that compels the conclusion that IDJ and TVT agreed not to be bound until written contracts were executed. IDJ references language in letters sent to IDJ by Leibowitz
As you know, for some weeks now, I have been awaiting from you copies of the agreement pertaining to [the CMC Album project].... It would be most appreciated if you would take the time to get these copies back to me so that I can close this matter out and not have to continue to follow-up.... I look forward to receiving the copies this week so that we can be finished.
(Memorandum Of Law In Support Of Motion For (1) Summary Judgment On The Copyright Infringement Claim And Dismissal Of The State Law Claims For Lack Of Subject Matter Jurisdiction Or, In The Alternative, (2) Partial Summary Judgment And Judgment On The Pleadings On Certain Of The State Law Claims dated December 20, 2002 (“IDJ Br.”) at 9 (quoting Eddington Deck, Ex. M) (former emphasis added; latter emphasis in original)). This excerpt appears in a letter dated November 15, 2001, and, according to TVT, was sent after a period of several months during which not only did TVT reach an oral agreement with IDJ but also during which it received repeated assurances that a formal, written version of what the parties had arranged would be forthcoming. (Gurley Decl., Ex. A at 189-91, 298; id., Ex. B at 70.) This letter also was sent following at least one other written request of its kind from Leibowitz to IDJ dated October 22, 2001. (Eddington Deck, Ex. L.) With this backdrop, the highlighted language can reasonably be interpreted as Leibowitz’s efforts to tie up a loose end in the otherwise completed arrangement; the term, “close out,” does not necessarily mean the written contract was a condition to the parties’ agreement as IDJ suggests. The question of agreement being conditioned on the execution of a formal, written contract is therefore a disputed issue of fact about which reasonable people may differ, and thus a question for a jury to resolve.
IDJ also references a telephone call between Robinson and Leibowitz that took place during the spring of 2002 in which Leibowitz again attempted to followup on the execution copies of the Side Letter and during which he asked Robinson, “What ever happened to my signed document?” (IDJ Br. at 10; Eddington Deck, Ex. A at 194-95.) IDJ interprets this question as evidence that TVT, through Leibowitz, “was fully aware that IDJ was not going to honor its alleged assurance that it would return a signed copy of the Side Letter” [before TVT granted IDJ a license for “Get Tha Fortune.”] 3 (IDJ Br. at 10.) With this knowledge, the argument goes, reliance on TVT’s claimed representations and assurances by IDJ was unreasonable.
While Leibowitz’s question speaks to the return of the written Side Letter in executed form, it does not speak, one way or another, to the dispute over whether the Side Letter itself was simply a written memorialization of an otherwise existing oral agreement or whether the Side Letter’s execution was a precondition to any such agreement. Additionally, to the ex
IDJ references other aspects of the events surrounding this protracted series of transactions as evidence compelling a conclusion that TVT’s alleged reliance was unreasonable. In this vein, IDJ asserts that the negotiations surrounding the Side Letter and the “Get Tha Fortune” license were distinct, that they were separated by several months, and that the bulk of the assurances and representations TVT alleges occurred prior to November 15, 2001. Each of these details, while arguably tending to lend some support to IDJ’s argument that TVT’s rebanee was unreasonable, cannot be viewed as so persuasive as to compel a conclusion as a matter of law that no genuine issue of disputed fact ex- • ists in light of the evidence concerning the progress of the CMC Project discussed in the preceding paragraph.
For these reasons, the Court concludes that on this record there exist disputed issues of fact concerning TVT’s reliance and reasonableness. A jury must resolve these issues as it considers IDJ’s defense of its having obtained TVT’s permission against TVT’s allegation of copyright infringement in regards to “Get the Fortune,” a defense that cannot be sustained if TVT’s permission in fact was fraudulently procured.
C. TORTIOUS INTERFERENCE WITH CONTRACT
IDJ next challenges TVT’s tortious interference with contract claim and raises three arguments. First, IDJ argues that any breach of the Heads of Agreement occurred on November 1, 2001 when the Artists failed to deliver material for the CMC Album for reasons TVT references as the Artists’ “busy schedules.” IDJ argues that because the breach occurred in November 2001, any subsequent interference alleged by TVT cannot form the basis for tortious interference. Second, IDJ argues that any interference was justified by IDJ’s superior economic interest. Third, IDJ claims that it (IDJ) was a party to the Heads of Agreement and cannot, therefore, be liable for allegedly interfering with its own contract. The Court addresses these arguments in turn.
1. Timing Of The Breach
To state a claim for tortious interference under New York law, a plaintiff must establish the following elements: (1) the plaintiff was a party to a valid contract; (2) the defendant knew of this contract; (3) the defendant improperly and intentionally procured a breach of this contract; and (4) the plaintiff suffered damages as a result of the -breach.
See, e.g., Albert v. Loksen,
Additional evidence supports TVT’s assertion. For example, an insert announcement circulated within the Irv Gotti compilation disc, distributed by IDJ in the summer of 2002, promotes a November 2002 release date for the CMC Album, (Gurley Decl., Ex. I at 3), and the Universal Music Group’s website announced a November 2002 release as well, (Gurley Decl., Ex. K). The record also indicates that Ja Rule announced the upcoming release of a CMC Album during an interview with MTV News in May 2002. (Gurley Decl., Ex. E.) Also in May 2002, the Artists took part in a photo shoot, paid for by TVT, to promote the CMC Album. (Gur-ley Decl., Ex. H.) Furthermore, TVT cites to language in paragraph B.4 of the Ja Rule / Recording Agreement Amendment dated August 5, 2002 as evidence that IDJ believed and knew as of August 2002 that TVT and the Artists were proceeding with the CMC Project. 4 (Gurley Decl., Ex. N; see also Eddington Deck, Ex. D, ¶ 18.) This evidence is more than adequate to refute IDJ’s claim, that no interference is possible with a contract that has already been breached, because a jury could reasonably find that it supports TVT’s contention that the Heads of Agreement in fact remained in effect beyond November 2001. It renders the matter a genuine issue of disputed fact.
2. Economic Justification
IDJ next argus that, assuming it did interfere with TVT’s contract, any such interference was justified by its superior economic interest in the marketability of the Artists. TVT acknowledges the economic justification defense under New York Law, (Plaintiffs’ Memorandum In Opposition To Defendants’ (1) Motion For Summary Judgment On Plaintiffs’ Copyright Infringement Claim And Dismissal Of The State Law Claims For Lack Of Subject Matter Jurisdiction Or, In The Alternative, (2) Partial Summary Judg
To begin, it is clear that fraud does preclude the economic justification defense to a tortious interference claim. The three cases to which the parties devote the bulk of their attention regarding this issue all indicate as much.
See, e.g., Blanchard v. Eisenpress,
Furthermore, IDJ’s assertion that it had a superior economic interest justifying interference assumes that there is no dispute as to whether IDJ assented to the agreement embodied in the Side Letter. If IDJ did assent, as TVT maintains, then the activities that TVT alleges constitute a procurement of a breach of the Heads of Agreement cannot be excused by a claim of economic justification because IDJ’s economic interest would no longer be superior to TVT’s interest in the CMC Album’s exploitation. This conclusion follows, assuming TVT establishes assent, not only because IDJ’s assent would carve out for TVT an exception to the exclusivity of IDJ’s rights to the Artists’ services, on which IDJ’s superiority claim is based, but also because TVT’s allegations include a profit-sharing agreement benefitting IDJ and thus rendering IDJ’s economic interests in the CMC Album inextricably linked with, rather than superior to, those of TVT. For these reasons, the Court concludes that a disputed issue of fact exists concerning the superiority of the parties’ economic interests and, in turn, the availability of the economic justification defense to IDJ.
3. Parties To The Heads Of Agreement
IDJ’s third argument is that, taking TVT’s assertion that IDJ assented to the agreement embodied in the Side Letter as true, IDJ itself became a party to the Heads of Agreement. Therefore, the argument goes, IDJ cannot be found to have tortiously interfered with its own contract.
The evidence indicates that TVT negotiated the Heads of Agreement with the Artists before negotiating the Side Letter
D. FRAUD
IDJ also argues that TVT’s claims for fraud must be dismissed on the pleadings as duplicative of its breach of contract claim. TVT responds that it has alleged independent grounds for fraud that are collateral to the underlying agreements. The Court agrees with TVT.
To state a claim for fraud under New York law, a plaintiff must establish that “(1) the defendant made a material false representation, (2) the defendant intended to defraud the plaintiff thereby, (3) the plaintiff reasonably relied upon the representation, and (4) the plaintiff suffered damage as a result of such reliance.”
Bridgestone/Firestone, Inc. v. Recovery Credit Servs., Inc.,
The Second Circuit has also cautioned that “ ‘simply dressing up a breach of contract claim by further alleging that the promisor had no intention, at the time of the contract’s making, to perform its obligations thereunder, is insufficient to state an independent tort claim.’ ”
Telecom Int’l Am., Ltd. v. AT & T Corp.,
we find dispositive the New York Court of Appeals’ distinction between ... “promissory statements as to what will be done in the future,” which give rise only to a breach of contract claim, and ... false “representations of present fact,” which give rise to a separate claim of fraudulent inducement.
In this case, TVT’s allegations against IDJ are more consistent with the fact patterns at issue and the courts’ reasoning in Stewart, Sabo, and Graubard because TVT claims that IDJ’s actions reflected IDJ’s ulterior motives independent of the bargain comprising the putative contract. TVT alleges that IDJ did more than simply fail to satisfy its putative obligations under the agreement embodied in the Side Letter. TVT claims that IDJ also concealed its intent not to follow through with these alleged obligations for a threefold purpose: to placate Gotti while IDJ negotiated for an extension of Gotti’s employment contract with IDJ; to induce TVT to grant IDJ permission to use “Get Tha Fortune” in IDJ’s video release entitled “Irv Gotti Presents: The Inc.”; and ultimately to acquire for itself the CMC Album, content produced by the Artists for TVT. 6 Such concealment and ulterior motives are certainly related to the basis for TVT’s claim for breach of contract, namely, IDJ’s nonperformance of its putative commitment to authorize the CMC Project to go forward, in exchange for which IDJ would receive a share of the profits from CMC Album sales. Nonetheless, these additional benefits reflect sufficiently collateral purposes behind IDJ’s putative representations and assurances so as to sustain an independent claim for fraud.
TVT’s claims for fraud are not simply “dressed up” breach of contract claims. This is not a case where the defendant is alleged simply to have intended to derive the benefit of a bargain while, in the end, refusing to satisfy his own obligations. A reasonable jury could conclude that the activities TVT attributes to IDJ are indicative foremost of fraud, in the course of which a putative contract was utilized.
E. THE COVENANT OF GOOD FAITH AND FAIR DEALING
IDJ next argues that TVT’s claim for breach of the covenant of good faith and fair dealing under New York law must be dismissed on the pleadings as duplicative of TVT’s breach of contract claim. TVT responds that its claim for breach of the covenant exists as a separate cause of action distinct from its breach of contract claim and not based on the same allegations. The Court agrees with IDJ.
The New York Court of Appeals has instructed that
[i]mplicit in all contracts is a covenant of good faith and fair dealing in the course of contract performance.... Encompassed within the implied obligation of each promisor to exercise good faith are any promises which a reasonable person in the position of the promisee would be justified in understanding were included.... This embraces a pledge that neither party shall do anything which will have the effect of destroying or injuring the right of the other party to receive the fruits of the contract.... The duty of good faith and fair dealing, however, is not without limits, and no obligation can be implied that would be inconsistent with other terms of the contractual relationship.
Dalton v. Educ. Testing Serv.,
As this Court has previously ruled, a claim for breach of the covenant “will be dismissed as redundant where the conduct allegedly violating the implied covenant is also the predicate for breach ... of an express provision of the underlying contract.”
EUA Cogenex Corp. v. North Rockland Cent. Sch. Dist.,
124 F.Supp.2d
In this case, the parties agree that IDJ ultimately withheld its written consent to the CMC Project. The issue to be determined by the jury is whether IDJ, before doing so, made representations and gave assurances of assent to the agreement embodied in the Side Letter, as TVT alleges in its Complaint. If a jury concludes that no such representations or assurances were given, in other words, that no contract between the parties, oral or otherwise, was created, then Robinson’s letter to Leibowitz dated August 14, 2002,
7
expressing IDJ’s lack of consent, is nothing more than a rejection of TVT’s offer as embodied in the Side Letter. In this case, a claim for breach of the covenant of good faith and fair dealing cannot lie because no contract to which such good faith and fairness would relate would exist.
See, e.g., Murphy,
On the other hand, if a jury were to conclude that an agreement as embodied in the Side Letter was formed through the assertions, representations, and actions manifesting belief in the existence of valid agreements as alleged by TVT, then IDJ’s letter of August 14, 2002, as well as other actions by IDJ inconsistent with the terms of any such agreement, would amount to a breach of this commitment. In this context, because IDJ’s rejection letter would clearly constitute a repudiation or breach, TVT would have to point to other obligations reasonably understood and implied by the agreement embodied in the Side Letter, that IDJ’s actions violated, as a basis to assert a breach of the covenant.
See EUA Cogenex Corp.,
The time and resources TVT devoted to the CMC Project are the byproducts of IDJ’s putative assent and alleged breach of contract, as is any perceived harm to reputation and business standing. However, these potential damages do not constitute an independent basis for a violation of the presumed agreement embodied in the Side Letter. Accordingly, such losses cannot sustain a claim for breach of the covenant because they are not independent of the putative breach of contract.
III. CONCLUSION AND AMENDED ORDER
For the reasons discussed above, it is hereby
ORDERED that the Court’s Order dated February 4, 2003 is amended to incorporate the discussion set forth herein; and it is further
ORDERED that the portion of IDJ’s motion seeking summary judgment dismissing TVT’s copyright infringement claims is DENIED; and it is further
ORDERED that the portion of IDJ’s motion seeking summary judgment dismissing TVT’s tortious interference with contract claims is DENIED; and it is further
ORDERED that the" portion of IDJ’s motion seeking judgment on the pleadings dismissing TVT’s fraud claims is DENIED; and it is further
ORDERED that the portion of IDJ’s motion seeking judgment on the pleadings dismissing TVT’s claim for breach of the covenant of good faith and fair dealing is GRANTED.
SO ORDERED.
Notes
. This factual recitation is derived primarily from the parties' respective statements submitted pursuant to Local Rule 56.1. Additional citations to the record appear as necessary.
. In 1994, Ja Rule, Bristole, and Miller performed together as a group known as Cash Money Click ("CMC”) under contract with TVT. The group discontinued recording soon thereafter when Bristole was incarcerated. In 2001, after Bristol's release from prison, Ja Rule, allegedly in part to assist Miller's and Bristole’s career development, opted to record a new album comprised of performances of these artists reunited again as CMC. Miller and Bristole had remained under contract with TVT.
. This telephone call occurred before TVT granted IDJ permission to use "Get Tha Fortune.”
. This evidence may allow a reasonable jury to conclude that IDJ knew of the continuation of the Heads of Agreement, as required for TVT to maintain a tortious interference claim. IDJ argues that, in addition to knowledge of the continuation of the Heads of Agreement, TVT must show that IDJ consented to the new release date, arguing that TVT's tortious interference claim must be dismissed because TVT has neither alleged as much nor offered any evidence to that effect. IDJ’s argument fails, however, because IDJ does not explain why, beyond its assent to the CMC Project generally, its assent to this specific detail, namely, the CMC Album's release date, is essential to the agreement embodied in the Side Letter. For example, the Court notes that the Side Letter reads in relevant part: "In consideration for your agreement to comply with and honor all of the terms and conditions set forth in the [Heads of] Agreement (as same pertains to or affects you) and to permit 'Ja Rule’, Murderers Inc. and Irv Gotti to perform for us and grant to us the rights set forth in the Agreement, you and we hereby agree as follows ...." (Reply Declaration of Michael T. Mervis dated January 29, 2003 ("Mervis Decl.”), Ex. A.) The Side Letter contains no explicit reference to the CMC Album’s release date, and, while it does reference the terms of the Heads of Agreement which specified a release in November 2001, IDJ has not shown how this term "pertains to or affects” IDJ in any material way.
. The Heads of Agreement is dated as of July 2, 2001. (Eddington Decl., Ex. R.) According to Gottlieb, the negotiations with Cohen concerning the terms of the agreement embodied in the Side Letter occurred in August and early September 2001, (Gurley Decl., Ex. A at 70), and the Side Letter is dated as of September 24, 2001, (Eddington Decl., Ex. L).
. These allegations are rooted generally in TVT’s complaint dated August 20, 2002 (the "Complaint"),
(see, e.g.,
Complaint, ¶¶ 1, 4, 6, 18, 22, 34, 44, 60, and 63), and were developed and articulated more fully during the preliminary injunction hearing and subsequent conferences before the Court. Because IDJ challenges TVT’s fraud claims as precluded by law in light of TVT’s assertion of breach of contract, and not on either factual sufficiency or Rule 8 notice grounds, the Court need not convert IDJ’s motion for judgment on the pleadings into a motion for summary judgment. Instead, the Court will address IDJ’s argument as a challenge to the legal, rather than factual, sufficiency of TVT's claims for fraud as presently developed.
See, e.g., Villante v. Dep't of Corr. of the City of New York,
. This letter is referenced in paragraphs 23 and 33 of the Complaint.
. This letter is referenced in paragraphs 14, 31, and 36 of the Complaint.
. Gottlieb testified that he would not have permitted IDJ to use TVT's “Get Tha Fortune'' material had he not understood IDJ to have assented to the agreement embodied in the Side Letter. (Gurley DecL, Ex. A at 300-301, 313-14.)
