ORDER GRANTING PLAINTIFF’S MOTION FOR PRELIMINARY INJUNCTION
Background
Plaintiff Toho Co., Ltd. (“Toho” or “Plaintiff’) brings this action against Defendant *1209 William Morrow and Company, Inc. (“Morrow” or “Defendant”) alleging various causes of action for alleged infringement of Toho’s intellectual property rights in the fictional character “Godzilla,” and subsequent derivative works based thereon.
Toho is a Japanese corporation and motion picture studio with its principal place of business in Tokyo, Japan. Complaint, ¶ 2. William Morrow is alleged to be a New York corporation with its principal place of business in New York. Id, ¶ 3.
In or about 1954, Toho alleges that it created the fictional character “Godzilla”, a giant prehistoric monster brought to life in the modern world. Id, ¶ 5. At the same time, Toho produced and distributed a feature-length motion picture entitled Godzilla, based upon the reawakening of Godzilla by the detonation of an atomic bomb. The film was allegedly released in the United States in or about 1956 under the title Godzilla, King of the Monsters. Id. Toho alleges that it has subsequently produced and distributed throughout the world a series of motion pictures based upon the further adventures of Godzilla, including such purported “classics” as Godzilla vs. Mothra, and Son of Godzilla. Id. Toho contends that it is the owner of the exclusive rights and privileges in and to the copyright in its original motion, picture Godzilla and in the subsequent Godzilla motion pictures. Id, ¶ 6.
Toho alleges that as a result of its success and popularity, it has continuously engaged in the business of merchandising the Godzilla character. Id, ¶ 8. Toho alleges that it licenses others to use the name and likeness of Godzilla on and in the connection with toys, clothing, books, games, records, posters and various other types of merchandise. Id.
Beginning in about 1981, Tohó alleges that it duly registered the name “Godzilla” as a service mark and trademark under the Lan-ham Act, 15 U.S.C. § 1051, and that Toho remains to this date the owner .of said trademark and service mark. Id, ¶ 9.
On May 20, 1998, Toho contends that TriStar pictures plans to release a big-budget style motion picture featuring the Godzilla character. The motion picture is entitled Godzilla and is being produced with Toho’s permission. Toho avers that in connection with the impending release of the Godzilla motion picture, Toho and its authorized merchandising agent are engaged in an extensive licensing and merchandising campaign. Id, 12. Among the licensees are Random House, Inc. (“Random House”), who was allegedly granted the exclusive right to publish a wide variety of books concerning Godzilla, including compendium books. Id, ¶ 13. Pursuant to this license, Toho alleges that Random House is publishing a compendium book of Toho’s Godzilla films entitled “The Official Godzilla Compendium” (hereinafter the “Random House Book”). Id, ¶ 14.
Toho alleges that Morrow is currently advertising and publishing, and plans to make available to the public beginning on April 1, 1998, a 227-page Godzilla compendium book entitled “Godzilla!” (hereinafter the “Morrow Book”). Id, ¶ 15. Toho contends that the cover of the Morrow Book features an illustration of Toho’s copyrighted Godzilla character, and the title is written in the distinctive lettering style used by Toho and its licensees in their merchandising activities. Id Toho asserts that the Morrow Book will contain more than ninety (90) photographs from or concerning Toho’s copyrighted films, and that several of these photographs will comprise full pages in said Book. Id Toho alleges that Morrow’s unauthorized-Book is substantially similar to the Toho authorized Random House Book. Id., ¶ 16
Toho contends that neither Morrow nor the author of the Morrow Book ever sought or obtained permission from Toho to write, publish, or distribute the Morrow Book. Id, ¶ 17. Because of Morrow’s alleged failure to cease and desist from its unauthorized publication and planned distribution of the Morrow Book, the instant lawsuit was commenced. Id.
Procedural History
On February 6, 1998, Toho filed its Complaint alleging causes of action for:
(1) Violation of the Lanham Act, Section 43(a); ’
(2) Statutory Trademark Infringement;
(3) Common Law Trademark Infringement;
*1210 (4) Violation of Federal Anti-Dilution Law, 15 U.S.C. § 1125(c);
(5) Injunction for Violation of California’s Anti-Dilution Law, California Business and Professions Code § 14330;
(6) Common Law Unfair Competition;
(7) Unjust Enrichment;
(8) Copyright Infringement;
(9) Injunctive Relief; and
(10) Injunction and Restitution under California Unfair Competition Statute, California Business and Professions Code § 17200.
On February 27, 1998, Toho filed a Motion for Preliminary Injunction, which is before this Court today.
Discussion
A. Standard
To prevail on a motion for preliminary injunction, the plaintiff is required to show that it will suffer irreparable injury and that it is likely to prevail on the merits, or serious questions regarding the merits exist and the balance of hardships tips sharply in Plaintiffs favor.
Chalk v. U.S. District Court,
B. Analysis
1. Toho Has Demonstrated a Likelihood of Success on the Merits of Its Trademark Claim.
Toho has brought trademark and unfair competition claims against Morrow under 15 U.S.C. § 1114(a) and 1125(a). When trademark and unfair competition claims are based on the same infringing conduct, courts apply the same analysis to both claims.
E. & J. Gallo Winery v. Gallo Cattle Co.,
(1) ownership of the trademark at issue;
(2) use by defendant, without authorization, of a copy, reproduction, counterfeit or colorable imitation of the moving party’s mark in connection with the sale, distribution or advertising of goods or services; and
(3) that defendant’s use of the mark is likely to cause confusion, or to cause mistake or to deceive.
15 U.S.C. § 1114(a);
Gallo,
a. Nominative Fair Use by Defendant.
Defendant asserts that its use of the Godzilla trademark is protected by the nominative fair use defense. In
New Kids on the Block v. News America Publishing, Inc.,
First, the product or service in question must be one not readily identifiable without use of the trademark; second, only so much of the mark or marks may be used as is reasonably necessary to identify the product or service; and third, the user must do nothing that would, in conjunction with the mark, suggest sponsorship or endorsement by the trademark holder. New Kids on the Block v. News America Publishing Inc.,971 F.2d 302 (9th Cir.1992).
Plaintiff initially argues that nominative fair use only applies if the trademark is used to describe the goods or services of a party.
New Kids,
Turning to the requirements of the three part test, this Court finds that the first prong of the test is satisfied. The product (the Godzilla character) is one not readily identifiable without the use of the trademark. A “giant sized pre-historie dragon-like monsters” may be an adequate description of Plaintiffs product, but use of the “Godzilla” mark is required to readily identify Plaintiffs product. The second prong, “only so much of the mark or marks may be used as is reasonably necessary to identify the product or service,” appears to derive from a concern that confusion as to affiliation may result if the defendant’s use of the plaintiffs mark exceeds its legitimate referential purpose. The cover of the Morrow Book contains Toho’s trademark in bold orange lettering prominently displayed. This prong of the test does not appear to be satisfied because Morrow’s use exceeds its legitimate referential purpose.
The third prong of test, “the user must do nothing that would, in conjunction with the mark, suggest sponsorship or endorsement by the trademark holder,” essentially goes to consumer confusion as to the source of Toho’s mark, as well as the actions and intent of Morrow in utilizing the mark. The issue thus becomes whether “a reasonable consumer of average intelligence and experience would be confused as to the source” of the product.
New West Corp. v. NYM Co.,
i Morrow’s First Amendment Defense is Unavailing.
Morrow contends that there is a significant First Amendment interest associated with choosing an appropriate title for a book or other work.
E.g. Rogers v. Grimaldi,
ii. Morrow’s Disclaimers Are Ineffective.
Prior to an analysis of the
Sleekcraft
factors, this Court must also decide the issue of the effectiveness of Morrow’s disclaimers. If a court determines that a disclaimer is adequate to alleviate potential confusion, that ends the inquiry; there is no need to proceed through the multi-factor
Sleekcraft
test.
Sardi’s Restaurant Corp. v. Sardie,
Morrow initially argues that the Second Circuit has held that “[disclaimers are a favored way of alleviating consumer confusion as to source or sponsorship.”
Consumers Union v. General Signal Corp.,
In the present case, Morrow contends that its disclaimers on the front and back covers negate any potential for confusion. Plaintiff contends that the disclaimers are totally ineffective. Toho argues that the placement of
*1213
the word “UNAUTHORIZED” at the extreme top edge of the cover would not alert consumers, considering that its lettering size is small relative to the title.
3
Toho also asserts that a disclaimer that is not in close proximity to the use of the infringing mark is generally considered ineffective.
See Adray v. Adry-Mart, Inc.,
This Court finds that the disclaimers do not alleviate the potential for consumer confusion. The word “UNAUTHORIZED” on the front cover only conveys a limited amount of information. It is not necessarily clear that alerting the average consumer to the word “UNAUTHORIZED” would negate consumer confusion as to Toho’s sponsorship or endorsement of the Morrow Book. As the court in
Twin Peaks Productions v. Publications Intern.,
Hi The Sleekcmft Factors Favor Toho.
Turning to the Ninth Circuit’s multi-factor test to determine whether “likelihood of confusion” exists in a given case, the factors to be considered include:
(a) strength of the mark;
(b) proximity or relatedness of the goods;
(c) similarity of appearance, sound, and meaning of the marks;
(d) evidence of factual confusion;
(e) degree to which the marketing channels converge;
(f) type of goods and degree of care consumers are likely to exercise in purchasing them;
(g) intent of defendant in selecting the allegedly infringing mark; and
(h) likelihood that the parties will expand their product lines.
Sleekcraft,
a. Strength of the Mark
To determine the validity of the service mark, a court will look to its strength. The strength of a mark and the degree of protection to which it is entitled are evaluated under the “distinctiveness” framework. Two tests are commonly used to measure the strength of a mark, the “imagination” test and the “need test.” The “imagination test” focuses on the amount of imagination required in order for a consumer to associate a given mark with the goods or services it identifies. If a consumer must use more than a small a amount of imagination to make the association, the mark is suggestive and not descriptive.
Rodeo Collection, Ltd. v. West Seventh,
b.Proximity of the Goods
Morrow contends that the two books are not related. Morrow argues that its Book is an adult-oriented book that is directed to baby-boomers who first saw the Godzilla movies as children in the 1960s and 1970s. Morrow contends that the Toho Book is a children’s book akin to the “Berenstein Bears”. This Court finds this argument implausible. Both Books contain numerous pictures, detailed plot summaries and other tidbits of information. While the Morrow Book may also have some irreverent satire, both Books are seeking to capitalize on the Godzilla marketing blitz that always accompanies a blockbuster film. This factor weighs for Toho.
c.Similarity of the Marks
This factor clearly weighs for Toho as the marks are identical. Morrow’s Book utilizes the trademark “Godzilla” in bold letters prominently displayed in bright orange lettering on its front cover.
d.Evidence of Actual Confusion
At this point, Toho admits that it has not commissioned any poll to determine likelihood of confusion. Although not dispositive, this factor weighs for Morrow.
e.Marketiny Channels Used
Because this Court has found that the products are the same, likewise the marketing channels are identical. Both parties utilize bookstores and internet marketing to sell the Books. This factor weighs for Toho.
f.Type of Goods and Consumer Care in Purchasing
The less care consumers take in purchasing a product, the greater the likelihood that similar marks will confuse consumers as to the source or sponsorship of the product.
Sleekcraft,
g.Defendant’s Intent
This Court finds this factor militates toward Toho. While the Morrow Book includes disclaimers and contains often critical commentary of the films (which suggests an intent to distance itself from Toho), the cover of the Morrow book could arguably have been intended to resemble the lettering utilized by Toho’s other licensees. What concerns the Court with respect to this factor is the release of the Morrow Book, i.e. April 1, 1998, with the timing of the release of the movie, i.e. May 20, 1998. Accordingly, this factor weighs in favor of Toho.
The Sleekcraft Factors Favor Toho
The multi-factors tests in trademark cases are not to be treated as a scorecard, with the prevailing party being determined by which side “wins” on more of the factors.
Rodeo,
b. Conclusion
Toho avers that its ownership of a valid trademark in the name “Godzilla” is not in dispute. Toho has also attached copies of the registration certificates from the United States Patent and Trademark Office, arguing that certificates are prima facie evidence of mark ownership and validity. Ina Deck, Exhibit “B”. It is also clear to this Court that Morrow has impermissibly used Toho’s trademark “Godzilla” in connection with the sale of its Book. Toho has also shown a likelihood of confusion as to sponsorship of the Morrow Book. Toho is therefore likely to prevail on the merits of its trademark infringement and unfair competition claims. A showing of a reasonable likelihood of success on the merits raises a presumption of irreparable harm. Apple
Computer, Inc. v. Formula International Inc.,
2. Toho Has Demonstrated That it is Likely to Prevail on the Merits of its Copyright Claim.
To prove its copyright claims, Toho must present evidence of two basic elements — that it owns the copyright in the works at issue and that Morrow copied from those works in such a manner to fall outside fair use.
Baxter v. MCA, Inc.,
A. Toho Oims Copyrights in the Films, the Character Godzilla, and Still Pictures of Scenes from Films.
(1) Toho has Demonstrated Prima Facie Ownership to Copyrights in the Films.
Morrow contends that Toho is incapable of proving copyright ownership of the films at issue in this action. This Court finds otherwise. The record is replete with registrations from the United States Copyright Office for the films at issue. Attached as exhibits to the Declaration of Masaharu Ina, are copyright registrations belonging to Toho including such films as: (1) All Monsters Attack; (2) Godzilla vs. Mecha-Godzilla II; (3) Godzilla vs. Destroyer; (4) Godzilla vs. Mothra; (5) Godzilla vs. Space Monster; (6) Godzilla vs. Mecha-Godzilla; (7) Godzilla vs. Megalon; 4 (8) Godzilla Versus the Sea Monster; (9) Godzilla vs. King Chidorah; (10) Godzilla vs. The Thing; and others.
The declaration from Mr. Ina also states that various images from the Morrow Book are taken directly from Toho’s copyrighted films. Mr. Ina states for example, “the image which appears at the bottom of page 135 of the [Morrow] Book is a scene from Toho’s copyrighted film “Godzilla vs. Megalon.” ” Ina Deck 11:17-19. The evidence goes on to demonstrate that the Morrow Book uses scenes directly from Toho’s copyrighted films to illustrate the Book. This Court finds that Toho has demonstrated prima facie ownership to copyrights in the films alleged to be used in the Morrow Book.
(2) Toho Has a Valid Copyright in the Godzilla Character.
Morrow argues that the Godzilla character is not delineated enough to merit copyright protection. Only those characters that are highly delineated with constant traits qualify for protection separate from the works in which they appear.
Nichols v. Universal Pictures Corp.,
Toho contends that where a character is visually depicted, and contains the requisite attributes of originality, a character is sufficiently delineated to receive copyright protection.
Walt Disney Productions v. Air Pirates,
(S) Toho Appears to Retain Copyrights in the Photographs Used in the Morrow Book.
Morrow contends that none of the illustrations in the Morrow Book are taken from any of the films. Instead, Morrow contends that they are either publicity stills, photographs taken by people on the set of a movie, photographs taken by the author, or movie posters. Morrow argues that if a published photograph before 1989, when the U.S. joined the Berne Convention, is distributed without copyright notice, the consequence is that it falls into the public domain and cannot be protected by anyone.
Toho argues convincingly that the Copyright Restoration Act restores any works inadvertently injected into the public domain. 17 U.S.C. § 104A. The Act provides that where foreign works may have fallen into the public domain in the United States because of their failure to comply with U.S. statutory formalities (such as publication without notice), the copyright is automatically restored as of January 1, 1996. Therefore, accepting as true that the photographs in the Morrow Book are publicity stills, Toho would still retain copyrights in them for any failure to affix a copyright notice.
B. Morrow’s Book Cannot Be Considered Fair Use of Toho’s Copyrights.
The copyright fair use doctrine is codified in 17 U.S.C. § 107, which provides in pertinent part, as follows:
“[T]he fair use of a copyrighted work ... for purposes of criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research is not an infringement of copyright.”
The Supreme Court has required a case-by-case analysis of fair use to be guided by the factors enumerated in 17 U.S.C. § 107:
(1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market for or value of the copyrighted work. 17 U.S.C. § 107.
I. The Purpose and Character of the Use.
Toho contends that under this factor courts traditionally examine the commerciality of the infringing work. If an infringing work is created for commercial purposes, as opposed to nonprofit purposes, this factor “tends to weigh against a finding of fair use.”
Campbell v. Acuff-Rose Music, Inc.,
Upon review of Morrow’s Book, it appears that it does indeed contain commentary, critique, and trivia. However, the Morrow Book also contains extensive detailed plot summaries of each Godzilla film. Moreover, the numerous pictures from Toho’s films do not transform anything, they are merely aesthetically pleasing to the reader. If the Morrow Book was dominated by commentary and critique, than it would most likely fall into the realm of fair use. However, because of the purely commercial nature of the Morrow Book and the detailed plot summaries (which consists of Toho’s copyrighted material), this Court finds that the first factor weighs heavily in favor of Toho.
II. The Nature of the Copyrighted Work
Because the copyrighted material is a work of fiction, Morrow concedes that this factor favors Toho.
III. The Amount and Substantiality of the Use.
This factor asks what amount was taken from the copyrighted work. For each Godzilla film, the Morrow Book includes a detailed plot summary, as well as a commentary. The plot summaries are usually about two times the length of each commentary. Morrow contends that the Morrow Book contains summaries that can be described as “vague, fragmentary and superficial.”
G. Ricordi & Co. v. Mason,
“In Suruga Bay, a monster’s evil brow barely rises above industrial sludge. At a Japanese cabaret, a lounge singer warbles an eeo-song about animals and flowers going away and smog choking us; for the slower ones among us, she’s intercut with shots of polluted, trash-filled water.” Morrow Book, p. 120
This is a far cry from vague and fragmentary. This description conjures up vivid images that cannot be considered necessary for a critical commentary. Most, if not all of the films critiqued in the Morrow Book contain pages and pages of plot summary. This Court finds this to be outside the bounds of fair use. Morrow has crossed the line to the point where they are exploiting Toho’s copyrighted material without paying the customary price. This factor weighs in favor of Toho.
TV. Effect of the Use on the Potential Market.
The final factor assesses “the extent of market harm caused by the particular actions of the alleged infringer” and “whether unrestricted and widespread conduct of the sort engaged in by the defendant ... would result in substantially adverse impact on the potential market for the original.”
Campbell,
Toho contends initially that the Morrow Book contains detailed plot summaries, as well as the cover illustration of Godzilla, and images from various Godzilla films. On this basis alone, this Court agrees that the effect on the potential market would be adverse to Toho. To be sure, many consumers will purchase a Godzilla compendium solely to'get reacquainted with the improbable story lines that made Godzilla films so eccentric. Because Morrow’s Book and the Random House Book are attempting to capitalize on this market, there would be an adverse effect on the potential market for Toho. Due to the *1218 strong similarity between the two Books, the conclusion is inescapable that the Morrow Book will affect the potential market for Toho’s Book. 5
C. Toho Has Demonstrated that Irreparable Harm Will Result if the Injunction is Not Granted.
Morrow urges this Court to refrain from issuing the injunction because Morrow is a financially solvent company that will be able to satisfy any money judgment that could possibly be entered against it in this case. Toho argues however that in
Cadence Design Systems v. Avant! Corporation,
D. Conclusion
This Court finds that Toho has made a prima facie case for ownership of the copyrights at issue in this action, including copyrights in the Godzilla films, the Godzilla character apart from any film, and the scenes from Godzilla films. This Court also finds that Morrow will not likely prevail on its fair use defense. Therefore, Toho has made a strong showing of likelihood of success on the merits. This raises a presumption of irreparable harm.
Apple Computer, Inc. v. Formula International Inc.,
Plaintiff to post a bond in the sum of $25,000.00 on or before April 13, 1998 at 3:00 p.m.
IT IS SO ORDERED.
Notes
. See Court’s analysis of the Sleekcraft factors for likelihood of confusion in part 1(a)(iii) below.
. Morrow contends that this disclaimer catches the eye of the consumer because it appears in all capital letters. This is a distinction without significance because all of the words on the back cover are in capital letters.
. Toho also argues that even if a consumer were to see the disclaimer on the front cover, it is unclear what it means. Toho contends that it is certainly not a clear statement that Toho is unaffiliated with the Morrow Book.
. Toho has also included an assignment of the rights in "Godzilla vs. Mecha-Godzilla”, “Godzilla vs. Megalon", and "Terror of Mecha-Godzil-la” from Toho Eizo Co., Ltd. to Toho Co., Ltd. dated December 31, 1985.
. It need not be explained that a consumer who purchases one Godzilla compendium book is not likely to purchase another.
