87 F. 871 | U.S. Circuit Court for the District of Northern California | 1898
This is a suit in equity for infringement of letters patent No. 536,591, dated March 17, 1896, issued to Freeman A. Taber, for “improvements in methods of producing embossed photographs,” It is conceded that the patent was assigned to the Taber Bas-Relief I’hot.ograpli Company, and that the Taber Photographic Company is the licensee of the former. The only parly defendant is Theodore O. Marcean, the other defendants being fictitious parties. The defendant, Theodore C. Marceau, denies, in his answer, any infringement of the Tabor patent, but admits that be lias been engaged in the production and sale of photographs in bas-relief, and in that connection avers that he is the inventor and patentee of a novel process and method of producing such photographs, which is protected by letters patent No. 567,748, dated December 15, 1896, issued to him, for a “process in producing photographs in relief.'’ At the hearing the complainants introduced the let ters patent under which they claim an infringement, and several exhibits, to illustrate their method of producing embossed pictures or "photographs. They also introduced the deposition of a witness as expert testimony in their behalf. The defendant presented no evidence, beyond introducing in bis behalf the lile wrapper of his patent. No specific act of infringement has been shown. In fad, the question of infringement resolves itself into a consideration of whether or not the defend
“The method of embossing photographs, which consists in transferring a print to the surface of a block, forming an embossing mold in said block in conformity with said print, providing the block with a frame to form the register for the prints and mold, trimming the prints to fit within said frame, and pressing the print into the mold, substantially as set forth.”
The claims of the Marceau patent are as follows:
“(1) The method herein described for preparing- intaglio blocks for the purpose of forming relief pictures, consisting in cutting an outline of the picture to be thrown up in relief, pasting the same upon the inner surface of the glass or other smooth-surfaced mold, filling the mold with a plastic substance which will afterwards set and harden, then removing the hardened material from the mold, disengaging the picture from its surface, and engraving the surface to correspond with the portions of the picture which are to be thrown up into relief. (2) The method of throwing photographic pictures up into relief, consisting- in cutting out one of the set of pictures, fixing- it upon the inner-surface of a mold, filling the mold with a plastic material which will afterward set and harden, removing the hardened block from the mold and disengaging the picture therefrom, engraving an intaglio to correspond with the outline left by the removed picture, then using the outer portion from which the picture has been cut as an outline by which the other pictures are accurately registered upon the engraved block, and pressing the portions coincident with the engraved surface thereinto so as to throw them up into relief when removed from the block. (3) The method of forming- photographic pictures in relief, consisting in cutting out one of a set of pictures, and outlining it upon a block formed by hardening a plastic mass within a mold, engraving an intaglio upon the block to correspond with said outline, then registering the other pictures upon the block, and pressing the portions coincident with the engraved surface thereinto.”