ORDER RE: MOTIONS TO DISMISS
Re: Dkt. No. 9, 12
Plaintiff Stephanie Ford ■ Stewart (“Plaintiff’) alleges that Defendants wrongfully withheld publishing royalties to the song “Daydream Believer,” which Plaintiffs late husband, John Stewart (“Stewart”), wrote. The claims arise out of a 1967 songwriter’s agreement between Stewart and Screen Gems-EMI Music, Inc. (“Screen Gems-EMI”).
To that end, Plaintiff contends that Defendants have been deducting from the song’s foreign receipts fees Screen Gems-EMI paid to affiliated foreign sub-publishers that are alter egos of Screen Gems-EMI and operate with Screen Gems-EMI as part of a single enterprise; that is, that Screen Gems-EMI is effectively paying itself and then deducting those payments from the receipts to reduce the “net receipts” and thus the royalty amount paid to Plaintiff. Plaintiff also complains that the fees Screen Gems-EMI pays to its foreign sub-publishers are grossly above market rate and that Screen Gems-EMI is improperly deducting agency fees from the revenue from domestic sales, undercutting Plaintiffs royalties in this context as well.
Presently before the Court are Defendants’ motions to dismiss. All three Defendants move to dismiss for failure to state a claim upon which relief can be granted (Dkt. Nos. 9, 12), and Defendants EMI and EMI North America move to dismiss for lack of personal jurisdiction (Dkt. No. 12). Having considered the parties’ submissions and having had the benefit of oral argument on February 5, 2015, the Court GRANTS EMI and EMI North America’s 12(b)(2) motion and GRANTS IN PART and DENIES IN PART Screen Gems-EMI’s 12(b)(6) motion. At bottom, the Court concludes that the case may proceed against Screen Gems-EMI.
BACKGROUND
A. Complaint Allegations
Plaintiff Stephanie Ford Stewart (“Plaintiff’) is the widow of John Stewart (“Stewart”), a songwriter who penned the song “Daydream Believer.” (Dkt. No. 1-1 ¶ 1.) Daydream Believer initially became a hit in 1967 when the Monkees recorded and released the song, and it was later recorded on other albums, including 2009’s top-selling album of the year. (Id. ¶¶ 17, 20-21.) Stewart passed away in 2008, so Plaintiff brings this action on behalf of her
In 1967, Stewart entered a songwriter’s agreement (“the Agreement”) with music publishing company Screen Gems-Columbia Music, Inc.; among other things, the Agreement governs payment of royalties. (Id. ¶¶6, 18.) Defendant Screen Gems-EMI is the successor-in-interest to Screen Gems-Columbia Music (id. ¶ 7), and does business, along with all related companies, as “EMI Music Publishing.” (Id. ¶ 11.) Pursuant to the Agreement, Stewart assigned his rights in Daydream Believer to Screen Gems-EMI in exchange for Screen Gems-EMI’s agreement to pay royalties to Stewart. (Dkt. No. 1-1 ¶ 19.) Paragraphs 3d and 3e of the Agreement provide in relevant part:
3. In consideration for and in full payment of the aforesaid sale, the Publisher hereby agrees to pay the following royalties jointly to the Composers with respect to the musical composition:
d) FIFTY (50%) percent of any and all net sums actually received by the Publisher from the mechanical rights, electrical transcription and reproducing rights, motion picture synchronization and television rights, and all other rights (except as otherwise specifically provided for herein) therein in the United States and Canada, except that the Composers shall not be entitled to share in any sum or sums received by the Publisher from ASCAP or BMI or any public performance rights organization which pays performance fees directly to songwriters.
e) FIFTY (50%) percent of any and all net sums actually earned and actually received by the Publisher from the sales and uses (other than public performance! ] uses for which Composers are paid by any public performance rights organization) of the musical composition in countries outside of the United States and Canada.
(Dkt. No. 1-1 at Ex. A ¶ 3 (emphasis added).)
Screen Gems-EMI collects song royalties generated outside of the United States and Canada through sub-publishers. Screen Gems-EMI uses affiliated foreign sub-publishers that are “alter egos of one and another and form a single enterprise.” (Id. ¶ 34.) EMI Music Publishing permits its own alter ego foreign sub-publishers to retain 50% of the collected foreign royalties (instead of the market rate of 10%), and thus only remits 50% of the amount collected to Screen Gems-EMI. (Id. ¶¶ 29, 31.) Because the foreign sub-publishers are essentially one and the same as Defendants, Defendants have an incentive to shift more revenue to the foreign affiliates so that Screen Gems-EMI’s “net amount actually received” — ie., the amount that it must split equally with Plaintiff pursuant to the Agreement — becomes much smaller. (See id. ¶ 27.) As a result, Plaintiff has lost out on hundreds of thousands of dollars of revenue from foreign sales.
The second set of allegations pertains to the royalty payments from sales in the United States and Canada (“domestic” revenue) as it relates to Paragraph (d) of the Agreement. That provision requires Screen Gems-EMI to remit to Plaintiff 50% “of any and all net sums actually received” from certain enumerated rights “and all other rights (except as otherwise specifically provided for herein)” from domestic revenue. (Dkt. No. 1-1 at Ex. A ¶ 3.) The Agreement does not address whether Defendants “may delegate their obligation to collect [domestic] mechanical royalties to third party collection agents, such as Harry Fox Agency and the Cana
Finally, Defendants have also “been deducting phony ‘collection agency fees’ from mechanical royalties paid directly to Defendants by record labels such as” SONY/ ATV, when these fees were not collected by an agent at all. (Id. ¶ 39.)
Defendants concealed the above practices by sending Plaintiff royalty statements that were “confusing at best and misleading at worst” and “did not clearly disclose that the foreign affiliates were deducting 50% of the foreign income before sending the money” to Screen Gems-EMI. (Id. ¶ 40.) Plaintiff discovered Defendants’ wrongdoing on or about August 10, 2014, when she retained an accountant to review Defendants’ source record. (Id. ¶ 41.)
C. Jurisdictional Allegations
Screen Gems-EMI and EMI North America are both Delaware corporations with their principal places of business in New York City. (Id. ¶¶ 6, 9; Dkt. No. 13 ¶ 7.) EMI is a multinational company headquartered in London, United Kingdom. (Dkt. No. 1-1 ¶ 8; Dkt. No. 13 ¶ 3.) EMI does business exclusively in the United Kingdom and Germany. (Dkt. No. 13 ¶ 3.) Neither EMI nor EMI North America maintains an office or employees in California, has a bank account or telephone number in California, owns, administers, or exploits any musical compositions in California. (Dkt. No. 13 ¶¶4-5, 7, 9.) Further, EMI has no agent for service of process in California, nor does it own real or personal property in the state. (Id. ¶ 5.) Defendants also offer evidence that neither EMI nor EMI North America “transact any business in California.” (Dkt. No. 13 ¶¶ 4, 7.)
Screen Gems-EMI and EMI North America share an office in New York, and have the same President, CEO, and Secretary: David Johnson. (Dkt. No. 13 ¶ 1; Dkt. No. 22-1 ¶¶4-6 & Exs. B-D.). The same person, Francis Crimmins, serves as CFO of Screen Gems-EMI and a director of EMI and EMI North America. (Dkt. No. 22-1 ¶¶ 4-6 & Exs. B-D.) These two individuals, Johnson and Crimmins, are the sole directors of EMI. (Id. ¶ 6 & Ex. D.)
Plaintiff contends that Defendants are all part of a single enterprise doing business as “EMI Music Publishing” (Dkt. No. 1-1 ¶ 11), which Defendants note is not an existing legal entity, but rather a name used to refer to the collection of over 100 companies formerly owned by a single entity. (Dkt. No. 11 ¶ 1 n.l (noting that “EMI Music Publishing” is a “shorthand name used to refer to the music publishing companies that were formerly owned by EMI-Group, Pic, which was an United Kingdom public company and which are currently owned by a consortium of investors including Sony Corporation of America.”).) The evidence indicates that a variety of EMI-related entities, including Defendants in this case, use the name “EMI Music Pub
In accordance with that practice of referring to EMI entities collectively, Audrey Ashby, the individual responsible for maintaining EMI Music Publishing’s business records, avers that she used to work for “EMI music publishing companies” and now maintains their records, without referring to particular companies. (Dkt. No. 11 ¶¶ 1-2.) To that end, SONY/ATV, which is among the “consortium of investors” that acquired the EMI companies (and for whom Ms. Ashby works), provides administrative business services for the EMI companies, including Screen Gems-EMI, EMI, and EMI North America. (Dkt. No. 11 ¶ 1 & n.l; Dkt. No. 13 ¶ 2.)
Royalty statements that Plaintiff received for sales of Daydream Believer contain the names of various EMI entities: from the general “Emi Music Publishing,” to “Screen Gems/Colgems,” “Screengems,” and or EMI North America, in some cases all on the same royalty statement. (Dkt. No. 1-1 ¶ 33.) The cover letter accompanying the royalty statements are from executives of “North American Operations/EMI Music Publishing” or “Global Services, North American Operations, EMI Music Publishing.” (See, e.g., Dkt. No. 21-2 at 4.) Each recent royalty statement has the name “EMI MUSIC PUBLISHING NORTH AMERICA”.in the footer, along with address, phone number, and the email usa.royaltydept@ emimusicpub.com.” (See, e.g., Dkt. No. 21-2 ¶ 2 & Ex. A.) However, Thomas F.X. Foley, Vice President for Royalty Administration and Analysis, North America, for Sony/ATV Publishing LLC (“SATV”), asserts that the reference to EMI Publishing North America on the statements “has nothing to do with [EMI North America]” but is “simply a geographic designation, for the United States music publishing business.” (Dkt. No. 33 ¶ 23.)
Finally, Plaintiffs royalty payments are sent from a bank account listed as either “EMI Ent WI” or “EMI Ent World.” (Dkt. No. 21-2 ¶ 3 & Ex. A.) The company referred to is EMI Entertainment World, Inc., a Delaware corporation located at the same New York address as Screen Gems-EMI and EMI North America. (Dkt. No. 22-1 ¶ 10 & Ex. H.) The more than 100 EMI companies in the United States, including Defendants Screen Gems-EMI and EMI North America (but not EMI, which is based in the U.K.), all use EMI Entertainment World Inc.’s central bank account. (Dkt. No. 32 ¶ 8; Dkt. No. 34 ¶¶ 4-6.) Although their banking and administrative services are consolidated, each EMI company is charged a certain amount for services provided on its behalf and receives its own financial statements reflecting its individual income and expenses. (Dkt. No. 34 ¶¶ 4, 6.)
B. Procedural History
Plaintiff initially filed this action in Marin County Superior Court, but Defendants removed the case to federal court pursuant to 28 U.S.C. § 1446(a). (See Dkt. No. 1 ¶ 4.) Plaintiffs FAC alleges five causes of action against all Defendants. In the first cause of action, Plaintiff alleges breach of contract, contending that Defendants’ (1) practice of allowing foreign sub-publishers that are actually the alter egos of Defendants to retain 50% of foreign fees and (2) the practice of deducting agency commission fees before calculating and remitting the songwriter’s share of domestic royalties breaches the parties’ Agreement. (Dkt. No. 1-1 ¶¶ 42-50.) Plaintiffs second cause of action, for breach of the implied" covenant of good faith and fair dealing, at bottom challenges Defendants’ practice of not engaging in
After removing the matter to federal court, Defendants filed motions to dismiss: all Defendants contend that the FAC fails to state a claim upon which relief may be granted, while EMI and EMI North America contend that the Court lacks personal jurisdiction over them. (See Dkt. Nos. 9, 12.) With respect to the sufficiency of the FAC, Defendants all contend that Plaintiff fails to state a claim for breach of contract because the Agreement specifically allows for the practices that Plaintiff laments, which Defendants contend is evidenced by the plain language of the contract, the parties’ decades-long course of performance, and what Defendants characterize as multiple courts’ rejection of Plaintiffs argument. Defendants contend that the remaining causes of action should meet the same fate,' as they are entirely redundant of, and rise and fall with, Plaintiffs breach of contract claim.
In their separate motion, EMI and EMI North America contend that the Court lacks personal jurisdiction over them because they do not do any business in California — let alone enough to justify haling them into court here — and that no grounds exist to impute to them Screen Gems-EMI’s activities in and contacts with this state.
LEGAL STANDARDS
A. Legal Standard on a 12(b)(2) Motion to Dismiss
When a defendant moves to dismiss for lack of'personal jurisdiction, the plaintiff bears the burden of demonstrating that the court has jurisdiction over the defendant. See Harris Rutsky & Co. Ins. Servs., Inc. v. Bell & Clements Ltd.,
“Where, as here, no federal statute authorizes personal jurisdiction, the district court applies the law of the state in which the court sits.” Mavrix Photo, Inc. v. Brand Techs., Inc.,
B. Legal Standard on a 12(b)(6) Motion to Dismiss
A Rule 12(b)(6) motion challenges the sufficiency of a complaint as failing to allege “enough facts to state a claim to relief that is plausible on its face.” Bell Atl. Corp. v. Twombly,
Even under the liberal pleading standard of Federal Rule of Civil Procedure 8(a)(2), under which a party is only required to make “a short and plain statement of the claim showing that the pleader is entitled to relief,” a “pleading that offers ‘labels and conclusions’ or ‘a formulaic recitation of the elements of a cause of action will not do.’ ” Iqbal,
If a Rule 12(b)(6) motion is granted, the “court should grant leave to amend even if no request to amend the pleading was made, unless it determines that the pleading could not possibly be cured by the allegation of other facts.” Lopez v. Smith,
DISCUSSION
A. Extra-Pleading Materials
As a preliminary matter, before the Court can address the substance of Defendants’ motions to dismiss, the Court must rule on the admissibility of the myriad extra-pleading materials that have been submitted to the Court in support of, and in opposition to, Defendants’ motions. When adjudicating a motion to dismiss brought pursuant to Federal Rule of Civil Procedure 12(b)(2), a court may consider extrinsic evidence — that is, materials outside of the pleadings, including affidavits submitted by the parties. Unocal Corp.,
When a defendant files a motion on 12(b)(2) and 12(b)(6) grounds, the court may consider extra-pleading material when determining whether it has personal jurisdiction over defendants but exclude the same evidence from consideration of whether the complaint states a claim, even when the two questions turn on the same issue. See, e.g., High v. Choice Mfg. Co., No. C-11-5478- EMC,
In support of both the 12(b)(2) and 12(b)(6) motions, Defendants have submitted several affidavits with attached exhibits. Plaintiff objects to the Court’s consideration of much of this evidence in
Defendants urge that because their 12(b)(2) and 12(b)(6) motions are essentially predicated on the same foundation — ie., Plaintiffs allegation that Defendants and their foreign affiliated sub-publishers are all alter egos of each other and form a single enterprise — the Court should consider the evidence with respect to both motions. {Id. at 2.) At oral argument, however, Defendants appeared to concede that certain materials were only appropriate for consideration in the context of the 12(b)(2) motion and not the 12(b)(6) motion.
Given the early stage of this litigation, the Court declines to convert Defendants’ 12(b)(6) motion to a motion for summary judgment. In the context of deciding EMI and EMI North America’s 12(b)(2) motion to dismiss for lack of personal jurisdiction, the Court will consider all of the testimonial and documentary evidence that the parties submitted. See Schwarzenegger,
Taking this approach — ie., considering the materials for the purposes of the 12(b)(2) motion but excluding the very same materials from the 12(b)(6) context— is particularly apt given that the alter ego analysis is slightly different in each context. As will be explained in further detail below, the question in the 12(b)(2) context is whether failing to treat all Defendants as a single entity would unfairly leave her without recourse to challenge Defendants’ billing practices whereas, in the 12(b)(6) context, the question is whether Defendants have acted as a single entity such
B. Motion to Dismiss for Lack of Personal Jurisdiction
The Court will address the jurisdictional challenge first, since if there is no jurisdiction over a defendant, the Court need not consider whether the complaint states a claim against that defendant.
Defendants concede that the Court has personal jurisdiction over Screen Gems-EMI. Indeed, Screen Gems-EMI (or more precisely, its predecessor-in-interest), was party to the Agreement, which was signed in California, and has been sending Plaintiff royalty statements and directing money into Plaintiffs California-based bank account for the decades since the 1967 Agreement was executed. See, e.g., Plaspro GMBH v. Gens, No. C 09-04302 RS,
1. General Jurisdiction by Alter Ego or Agency Theory
Plaintiff first argues that the Court has jurisdiction over EMI (a resident of the United Kingdom) and EMI North America (a citizen of Delaware) by imputing Screen Gems-EMI’s contacts to those entities.
Generally, the existence of a parent-subsidiary or mere sister-sister entity relationship “is not sufficient to establish personal jurisdiction over the parent on the basis of the subsidiaries’ minimum contacts with the forum.” Unocal Corp.,
a. Alter Ego Theory
When assessing whether there is unity of interest for the purposes of alter ego liability courts consider “the commingling of funds and other assets of the entities, the holding out by one entity that it is liable for the debts of the other, identical equitable ownership of the entities, use of the same offices and employees, use of one as a mere shell or conduit for the affairs of the other, inadequate capitalization, disregard of corporate formalities, lack of segregation of corporate records, and identical directors and officers.” Sandoval v. Ali,
i. Unity of Interest Factors
The first unity of interest factor is whether the entities have commingled their assets. Courts find that a plaintiff has sufficiently demonstrated commingling where the evidence shows that the related companies transfer assets among themselves for no ascertainable reason. See, e.g., Bank of Montreal v. SK Foods, LLC, No. 5:11-mc-80133-EJD,
Defendants dispute that the bank statements suggest comingling, and, to that end, have submitted evidence that all related EMI companies use a central bank account — that of EMI Entertainment World, Inc. — rather than using their own separate accounts. (Dkt. No. 32 ¶ 8; Dkt. No. 34 ¶¶4-6.) EMI Entertainment World maintains records to ensure that each EMI entity is charged a certain amount for the services it. incurs and that each entity is liable only for the payments it is contractually obligated to pay. (Dkt. No. 34 ¶ 5.) Based on the current record, then, this factor weighs against a finding a unity of interest.
Under the second factor, courts consider evidence that one entity is holding itself out as responsible for the debts of the other entities. Plaintiff does not argue that any of the Defendants held themselves out as responsible for the debts of the others, so this factor weighs against a finding of alter ego liability.
The third factor is identical equitable ownership. The parties agree that the ultimate owners of all companies under the EMI Music Publishing umbrella, including Screen Gems-EMI, EMI, and EMI North America, are the same: the consortium of investors including SONY/ATV. (See Dkt. No. 31 at 12.) Thus, this factor weighs in favor of an alter ego finding with respect to both EMI and EMI North America.
The fourth factor pertains to whether the entities use the same offices and employees. Screen Gems-EMI and EMI North America share the same office in New York. (Dkt. No. 13 ¶ 1.) In addition, common employees of SONY/ATV — the entity responsible for providing administrative services for all EMI companies in the United States — provide administrative services for both Screen Gems-EMI and EMI North America. (Dkt. No. 11 ¶ 1; Dkt. No. 34 ¶ 6.) By contrast, EMI shares neither common offices nor common employees with the U.S.-based Defendants. (See Dkt. No. 32 ¶¶ 8, 10-11.) This factor weighs in favor of an alter ego determination with respect to EMI North America, but not with respect to EMI.
Under the fifth factor, courts must assess whether one entity is merely the shell or conduit for the other. Plaintiff does not advance any particular evidence in support of this factor. Rather, she contends that the other factors support an inference that Defendants were using each other as mere shells or conduits. Because there is no particular evidence in support of this factor, it weighs against an alter ego determination.
The next factor considers whether the entity from which Plaintiff seeks to recover is inadequately capitalized. Plaintiff does not argue that Screen Gems-EMI is inadequately capitalized. To the contrary, Defendants note that Screen Gems-EMI is well-capitalized given that it owns a large catalogue of copyrights that generate millions of dollars annually, and that Screen Gems-EMI has been able to pay Plaintiff millions of dollars over the years. (Dkt. No. 33 ¶¶ 29-30; Dkt. No. 34 ¶3.) This factor thus weighs against a finding of alter ego liability.
Plaintiff does not discuss the seventh factor — disregard of corporate formalities — other than by referencing the common royalty payments, which are more appropriately addressed below. (See Dkt. No. 22 at 16.) Thus, this factor weighs against a finding of alter ego liability.
The eighth factor considers whether the entities fail to segregate their corporate records. Plaintiff relies upon the fact that single umbrella entities are responsible for banking and administrative services for all
The next factor considers whether the entities have identical officers and directors. The evidence indicates that Johnson is the President, CEO, and Secretary of Screen Gems-EMI and EMI North America, as well as a director of EMI. Frank Crimmins is the CFO of Screen Gems-EMI, and the sole director of EMI North America and one of two EMI directors (the other being Johnson). Thus,. the same two people are officers and directors of all three corporations. (Dkt. No. 13 ¶ 1; Dkt. No. 22-1 ¶¶ 4-6 & Ex. BD.) Nonetheless, it is well-settled that common ownership is not dispositive. See Square 1 Bank v. Lo, No. 12-CV-05595-JSC,
Here, three factors weigh in favor of finding a unity of interest among the EMI entities: equitable • ownership, use of the same offices and employees (for EMI North America only), and identical officers and directors. These factors, even when considered together, are not sufficient to support a finding of unity of interest among these entities.
ii. Inequitable Result
Even if Plaintiff had met its prima facie burden, however, she has not established that an inequitable, fraudulent, or unjust result will follow if either EMI or EMI North America does not appear in this matter. See Unocal Corp.,
Plaintiffs insistence that the inequitable result of failing to assert personal jurisdiction over EMI and EMI North Americans the potential for the continued unfair billing conduct alleged in the complaint misses the mark. Assuming for the purposes of this argument that Screen Gems-EMI’s billing conduct is, in fact, improper — even if EMI and EMI North America do not
b. Agency Theory
Nor has Plaintiff made a pri-ma facie showing that Screen Gems-EMI is the agent of EMI or EMI North America for the purposes of asserting personal jurisdiction over either entity. “The agency test permits the imputation of contacts where [one entity] was either established for, or is engaged in, activities that, but for the existence of [the first entity, the second entity] would have to undertake itself.” Harris,
Here, Plaintiff argues that Screen Gems-EMI’s contacts should be imputed to EMI North America and EMI because the FAC alleges that each Defendant acts as “the agent” of the others. (Dkt. No. 1-1 ¶ 13.) This broad and conclusory allegation falls far short of the showing needed to meet both prongs of the agency test. Indeed, Plaintiff has nowhere alleged that but for the existence of Screen Gems-EMI, EMI and EMI North America would have performed the activities in entering a copyright contract with Plaintiff, hiring foreign sub-publishers, and paying Plaintiff. Under the circumstances presented, Plaintiff has not made a sufficient showing that Screen Gems-EMI is the agent of either EMI or EMI North America. Thus, the Court cannot exercise personal jurisdiction over EMI North America or EMI by imputing Screen Gems-EMI’s contacts to it under an agency theory.
2. Specific Jurisdiction Directly Over EMI North America Based on Minimum Contacts
In the alternative, Plaintiff argues that EMI North America itself— though not EMI — has sufficient “minimum contacts” with California such that the Court may assert specific jurisdiction. (Dkt. No. 22 at 20.)
1) The non-resident defendant must purposefully direct his activities or consummate some transaction with the forum or resident thereof; or perform some act by which he purposefully avails himself of the privilege of conducting activities in the forum, thereby invoking the benefits and protections of its laws;
2) the claim must be one which arises out of or relates to the defendant’s forum-related activities; and
3) the exercise of jurisdiction must comport with fair play and substantial justice, i.e., it must be reasonable.
Yahoo! Inc. v. La Liguè Contre Le Racisme,
The first prong of the minimum contact test “ensures that a defendant will not be haled into a jurisdiction solely as a result of random, fortuitous, or attenuated contacts,' or of the unilateral activity of another party or a third person.” Burger King,
Plaintiff highlights the royalty statements that Plaintiff received from 2009 through 2012, all of which contain the following footer at the bottom of each page: “EMI MUSIC PUBLISHING NORTH AMERICA, 75 NINTH AVENUE, 4TH FLOOR, NEW YORK, NY 1001 Tel. (212) 492-1716E-mail: usa. royaltydept@emimusicpub.com.” (See, e.g., Dkt. No. 21-2 at 5-7.) From this evidence Plaintiff argues that EMI North America “created a continuing obligation to Plaintiff, which by definition it knew to be a California resident, by not only providing Plaintiff with notifications pertaining to the royalty statements, thereby performing the Contract in California, but by inviting Plaintiff to contact it by providing its address, phone number, and email on every page of the statements.” (Dkt. No. 22 at 21.)
The difficulty with this argument is that Defendants offer evidence the “EMI MUSIC PUBLISHING NORTH AMERICA” in the royalty statement footer is not the “EMI Music Publishing Group North America, Inc.” sued in this action.. (Dkt. No. 31 at 7.) Instead, “EMI MUSIC PUBLISHING NORTH AMERICA” “is simply a geographic designation, for the United States music publishing business.” (Dkt. No. 33 ¶ 23.) This statement is consistent with some of the cover letters which accompanied the royalty statements. For example, the cover letter dated March 1, 2010, on “EMI Music Publishing” letterhead, identifies the sender as SCREEN GEMS/COLGEMS (the EMI entity indisputably a party to the contract) and is signed by “EMI Music Publishing” “Vice President, Global Services, North American Operations.” (Dkt. No. 33-1 at 1.) In light of this evidence, the vague reference to “EMI MUSIC PUBLISHING NORTH AMERICA” in and of itself is insufficient to create a factual conflict that must be resolved in Plaintiffs favor. See Pebble Beach Co.,
3. Jurisdictional Discovery
The district court has discretion to allow a plaintiff to conduct jurisdictional discovery. Wells Fargo & Co. v. Wells Fargo Exp. Co.,
B. Motion to Dismiss for Failure to State a Claim
Screen Gems-EMI contends that each cause of action in the complaint fails to state a claim upon which relief may be granted.
1. First Cause of Action: Breach of Contract
Plaintiffs first cause of action alleges that Screen Gems-EMI’s royalty
а. The FAC Sufficiently Alleges that Screen Gems-EMI and its Foreign Affiliated Sub-Publishers Are Part of a Single Enterprise
In contrast to the alter ego determination in the 12(b)(2) context, which hinged on the relationship between Screen Gems-EMI, EMI, and EMI North America, the sufficiency of Plaintiffs claims turns on whether Plaintiff has alleged enough facts to set forth a plausible claim that Screen Gems-EMI and its foreign affiliated sub-publishers are part of a single enterprise. “If that [allegation] is true, then the FAC states a claim for breach of contract against [Defendants] since the ‘Publisher,’ i.e., the single enterprise EMI Music Publishing, of which Screen Gems-EMI is one arm, is contractually obligated to pay Plaintiff 50% of ‘any and all net sums actually earned and actually received’ by it,” which, based on the single enterprise allegation, includes sums that the foreign sub-publishers received, as well.” (Dkt. No. 21 at 14.) Thus, the impropriety of Screen Gems-EMI’s conduct — and therefore the sufficiency of the FAC — rises and falls on whether Plaintiff has adequately alleged that Defendants and their foreign affiliates are alter egos of each other and are operating as a single enterprise.
In determining whether a complaint has adequately pleaded alter ego liability, courts start from the premise that “[a]lter ego is a limited doctrine, invoked only where recognition of the corporate form would work an injustice!.]”. Moreland v. Ad Optimizers, LLC, No. C13-00216 PSG,
Plaintiff cites pre-Iqbal and Twombly cases for the proposition that a plaintiff need only allege the elements of alter ego liability without supporting the allegations with facts. (Dkt. No. 21 at 15 (citing Smith v. Simmons, No. 1:05-CV-01187-OWW-GSA,
With respect to the unity of interest element, Plaintiff points to allegations that Screen Gems-EMI and all EMI affiliates have all been doing business collectively as “EMI Music Publishing” (Dkt. No. 1-1 ¶ 11); that the foreign affiliates are all “wholly owned and/or controlled subsidiaries of EMI Music Publishing” {id. ¶ 25); that the foreign affiliates use the name “EMI Music Publishing” with the name of the territory appended (id.); and that EMI Music Publishing exercises total control over these subsidiaries {id. ¶ 26). The FAC alleges further that Screen Gems-EMI and the sub-publishers commingle funds “by arbitrarily allocate[ing] funds between and among themselves and the affiliates!.]” {Id. ¶ 32.)
Screen Gems-EMI nevertheless urges the Court to reject the vast majority of these allegations in their entirety because they are alleged on “information and belief.” (Dkt. No. 30 at 14.) Although conclusory allegations based solely on information and belief may be insufficient to state a claim for alter ego, see, e.g., Sandoval,
To establish inequity in the absence of alter ego liability, a plaintiff must plead facts sufficient to demonstrate that “conduct amounting to bad faith makes it inequitable for the corporate owner to hide behind the corporate form.” Sonora Diamond Corp. v. Sup.Ct.,
Accordingly, the Court concludes that Plaintiff has alleged sufficient facts to
b. Screen Gems-EMI’s Cases do not Require Dismissal
Screen Gems-EMI insists that Plaintiffs contract claim must fail because numerous courts have rejected the same arguments she now advances. (Dkt. No. 9 at 17 (“An unbroken line of decisional authority bars Plaintiffs claims.”).) It cites a number of courts that have addressed “net receipt” publisher agreements and have found that publishers can work with affiliated foreign sub-publishers without breaching the contracts. See Ellington v. EMI Music, Inc.,
In Ellington v. EMI Music, Inc., a New York state court reviewed a similar agreement regarding royalty payments between a songwriter and publisher.
Likewise, in Jobim v. Songs of Universal, Inc., a New York federal district court addressed a similar challenge to a foreign royalty provision in a songwriter agreement.
Screen Gem-EMI’s reliance on Berns v. EMI Music Publishing fares no better. In Bems, the plaintiffs similarly brought suit challenging EMI’s royalty payment practice.
Thus, none of the cases upon which Screen Gems-EMI relies involved allegations that the foreign affiliated sub-publishers are the alter egos of the publisher that was a party to the contract. See Ellington,
c. The Parties’ Course of Performance Does not Require Dismissal
Screen Gems-EMI’s last argument, that the parties’ decades-long course of performance dooms Plaintiffs claim, fares no better. Screen Gems-EMI argues that the parties’ course of performance shows that Screen Gems-EMI has regularly disclosed its use of foreign affiliated sub-publishers and their retention of 50% of the income earned in their territory. (Dkt. No. 9 at 20.) California law defines course of performance as:
a sequence of conduct between the parties to a particular transaction that exists if (1) the agreement of the parties with respect to the transaction involves repeated occasions for performance by a party; and (2) the other party, with knowledge of the nature of the performance and opportunity for objection to it, accepts the performance or acquiesces in it without objection.
Cal. Comm.Code § 1303(a); see also Emp’rs Reins Co. v. Sup.Ct.,
First, Plaintiff alleges that the royalty statements are unclear and that Plaintiff did not have knowledge of the nature of Screen Gems-EMI’s performance nor opportunity to object to it until her accountant finally discovered it after decades of performance. (Dkt. No. 1-1 ¶ 40; Dkt. No. 21 at 24.) Having viewed the royalty reports itself, the Court does not find that they “plainly refute” Plaintiffs allegation that the statements were unclear. Rather, accepting as true Plaintiffs allegation that she did not understand the royalty reports, as the Court must, the course of performance prior to Plaintiffs hiring an accountant reveals little about whether she acquiesced in Screen Gems-EMI’s payment practices.
Second, and relatedly, even if the royalty statements clearly indicated that Screen Gems-EMI was not paying Plaintiff royalties on amounts paid to the affiliated foreign sub-publishers, they do not in and of themselves reveal the alleged relationship between Screen Gems-EMI and the foreign affiliated sub-publishers. Thus, to the extent that — as Plaintiff alleges — they were in fact alter egos or part of a single enterprise, the course of performance does not defeat Plaintiffs claim at this stage.
The same result holds true for Plaintiffs claims that Screen Gems-EMI breached the Agreement by deducting phony “collection agency fees” for royalties paid directly to Screen Gems-EMI by entities including SONY — i.e., fees that were alleg
2. Second Came of Action: Breach of the Implied Covenant of Good Faith and Fair Dealing
Plaintiffs second cause of action alleges that Screen Gems-EMI breached the implied covenant of good faith and fair dealing. (Dkt. No. 1-1 ¶¶ 51-57.) EMI gives short shrift to this claim, arguing that it is simply derivative or duplicative of Plaintiffs breach of contract claim and that it cannot stand when there is a contractual provision in place that allows for the specific conduct being challenged.
Every contract contains an implied-in-law covenant of good faith and fair dealing. Foley v. Interactive Data Corp.,
A breach of the implied covenant “does not require subjective bad faith or a breach of [a] contract’s express terms.” Boland, Inc. v. Rolf C. Hagen (USA) Corp.,
The Agreement provides that Plaintiff will receive 50 percent of the revenue actually received by the Publisher from foreign publication. Screen Gems-EMI has a duty to execute the Agreement’s purposes in good faith. Plaintiff alleges that Screen Gems-EMI breached that duty by paying fees to its affiliated foreign sub-publishers “at grossly higher than market rates for such services[.]” (Dkt. No. 1-1 ¶ 54.) Such alleged conduct plausibly violates the rule that neither party to the contract “will do anything which will injure the right of the other to receive the benefits of the agreement. Careau & Co.,
Screen Gems-EMI nonetheless argues that such a claim is superfluous of Plaintiffs breach of contract claim and therefore must be dismissed. (Dkt. No. 9 at 22.) To be sure, California courts have held that “where breach of an actual term
Here, Plaintiffs claim for breach of the implied covenant of good faith and fair dealing is distinguishable from her breach of contract claim and consistent with the terms of the Agreement, and thus not superfluous. See id., at *7. Specifically, while Plaintiffs contract claim specifically arises out of violations of the 50 percent net receipts royalty payment provisions, the implied covenant claim asserts that Screen Gems-EMI has wronged Plaintiff by paying fees to foreign sub-publishers that are grossly above market rate, thereby depriving Plaintiff of the full benefit of the 50% net receipts royalty. (Dkt. No. 1-1 ¶ 54.) The Agreement does not contain any provisions that address the fees charged by sub-publishers (see id. at Ex. A); rather, the claim arises solely out of the implied covenant. To put it another way, Plaintiffs claim is that even if the affiliated foreign sub-publishers are not factually and legally part of a single enterprise with Screen Gems-EMI, the grossly high (according to Plaintiff) fees Screen Gems-EMI agreed to pay the affiliated sub-publishers violate the implied covenant. Thus, Plaintiffs breach of the implied covenant of good faith and fair dealing claim is not necessarily duplicative of the breach of contract claim.
Screen Gems-EMI’s reliance on Bionghi v. Metropolitan Water District of Southern California,
Plaintiffs third cause of action alleging violations of California’s Unfair Competition Law (“UCL”), Cal. Bus. & Prof.Code § 17200, is adequately pled, in part. (Dkt. No. 1-1 ¶¶ 58-68.) To maintain a claim under the UCL, a plaintiff must allege that she has suffered (1) economic injury (2) as a result of the alleged unfair business practice. See Kwikset Corp. v. Sup.Ct.,
Among the standards that renders a business practice “unfair” for the purposes of the UCL is if the conduct “violates established public policy or if it is immoral, unethical, oppressive or unscrupulous and causes injury to consumers which outweighs its benefits.” McKell,
Here, Plaintiffs fraudulent prong UCL claim fails because she has not alleged sufficient facts showing that the public is likely to be deceived by Screen Gems-EMI’s conduct. The FAC is premised on the Agreement between Plaintiffs spouse and Screen Gems-EMI and does not specifically allege that Screen Gems-EMI engages in the same conduct as to other songwriters or how that conduct is fraudulent. Accordingly, the UCL claim is dismissed with leave to amend to. the extent it is premised on fraud.
4. Fourth Cause of Action: Declaratory Relief
In the fourth cause of action, Plaintiff seeks declaratory relief. (Dkt. No. 1-1 ¶¶ 69-72.) Defendant contends that this cause of action should be dismissed as derivative of her other claims. (Dkt. No. 9 at 22.) “A claim for declaratory relief is not a stand-alone claim, but rather depends upon whether or not Plaintiff states some other substantive basis for liability.” Nguyen v. JP Morgan Chase Bank, No. SACV 11-01908 DOC (ANx),
5. Fifth Cause of Action: Accounting
Plaintiffs final cause of action seeks an accounting. (Dkt. No. 1-1 ¶¶ 73-76.) The parties do not appear to dispute that if Plaintiff prevails on her breach of contract or implied covenant claims, an accounting may be an appropriate remedy. Accordingly, the Court will not dismiss the accounting claim although it is more akin to a remedy than a cause of action.
The Court notes that its conclusions as to the 12(b)(2) and 12(b)(6) motions are not inconsistent. First, they address alter ego allegations as to different entities: Screen Gems-EMI and EMI- and EMI North America on the personal jurisdiction motion versus Screen Gems-EMI and affiliated foreign sub-publishers on the failure to state a claim motion. Second, on the personal jurisdiction motion, the Court was required to consider Defendants’ evidence whereas on the 12(b)(6) motion the Court was prohibited from considering Defendants’ evidence. Third, the legal standards for each motion are different. And finally, the Court did not allow jurisdictional discovery because no inequitable result will occur if neither EMI nor EMI North America is required to appear in this lawsuit, and not because no amount of discov
CONCLUSION
For the reasons explained above, EMI and EMI North America’s motion to dismiss for lack of personal jurisdiction is GRANTED. The Court declines to allow jurisdictional discovery as to these defendants given that there is no dispute that the party to the Agreement at issue— Screen Gems-EMI — is defending this lawsuit and is able to satisfy any judgment.
Screen Gems-EMI’s motion to dismiss is DENIED except as to the fraudulent prong UCL claim. If Plaintiff chooses to amend her UCL claim, she shall do so on or before March 13, 2015. The Court will hold an initial case management conference on April 2, 2015 at 1:30 p.m.
This Order disposes of Docket Nos. 9 and 12.
IT IS SO ORDERED.
Notes
. As explained in further detail below, the Agreement was actually executed between Stewart and Screen Gems-EMI’s predecessor-in-interest, Screen Gems / Colgems. The Court will refer to Screen Gems-EMI as a party to the contract throughout this Order.
. Except where otherwise noted, the following facts are taken from the FAC.
. The following facts are taken from the FAC along with certain affidavits and documentary evidence submitted in support of, and in opposition to, EMI and EMI North America's motion to dismiss for lack of personal jurisdiction.
. It is unclear whether the parties' position is that the Court has general or specific jurisdiction over Screen Gems-EMI, but based on Plaintiffs reference to Screen Gems-EMI’s “continuous and systematic business contacts” with California, it appears that Plaintiff contends Screen Gems-EMI is subject to the Court’s general jurisdiction. (See Dkt. No. 22 at 12.) See Helicopteros Nacionales de Colombia, S.A. v. Hall,
. Plaintiff appears to argue that the Court has specific jurisdiction only over ■ EMI North America, although elsewhere in her briefing Plaintiff identifies certain examples of EMI’s business contacts with California. Specifically, Plaintiff points to EMI’s registered trademark in “IT’S POP IT’S ART” used for events in California (Dkt. No. 22-1 ¶ 7 & Ex. E), and possible participation in EMI Music Publishing’s acceptance of a “Music Publisher of the Year” award, as no specific EMI entity was identified (id. ¶ 3 & Ex. A). The Court need not consider these contacts in the context of determining whether to assert specific per
. The parties agree that California law applies to Plaintiffs alter ego claims, as it applies to Plaintiff's remaining common claims. See Schwarzkopf,
. Whether the heightened pleading requirements set forth in Federal Rule of Civil Procedure 9(b) "applies to pleadings of alter ego liability has been the subject of debate in district courts nationwide.” Risinger v. SOC LLC,
