STATE OF OREGON, Respondent, v. SCOTT WAYNE HOUSE, Appellant.
(82-0265; CA A25766)
Court of Appeals of Oregon
Argued and submitted April 27; resubmitted In Banc December 1, 1983, reversed February 8, reconsideration allowed, affirmed as modified May 9 (68 Or App 360, 681 P2d 173), petition for review allowed July 31, 1984 (297 Or 546)
676 P2d 892
See 299 Or 78, 698 P2d 951 (1985)
Stephen F. Peifer, Assistant Attorney General, Salem, argued the cause for respondent. With him on the brief were Dave Frohnmayer, Attorney General, and William F. Gary, Solicitor General, Salem.
Rex Armstrong, Portland, filed a brief amicus curiae for American Civil Liberties Union Foundation of Oregon, Inc.
NEWMAN, J.
Rossman, J., dissenting.
Defendant was convicted, after a jury trial, of engaging in sexual conduct in a live public show and sentenced to pay a fine. The indictment charged that defendant
“* * * on or about the 7th day of January, 1982, in Washington County, Oregon did unlawfully and knowingly engage in sexual conduct, to wit: by touching his genitals, pubic area and buttocks against female spectators and customers, whose names are unknown and by allowing the abovesaid female spectators and customers, whose names are unknown, to touch the said defendant dancer‘s genitals, pubic area and buttocks, in an act of apparent sexual stimulation or gratification, in a live public show at the Chase Restaurant and Lounge located at 9242 SW Beaverton-Hillsdale Highway, Beaverton.”
Defendant assigns as error that the trial court overruled his demurrer to the indictment. He argues that the statute upon which the indictment is based is void for vagueness under
Defendant was a male dancer at the Chase Lounge. He removed his cowboy outfit and danced in front of an all-female audience wearing only a “male G-string,” which a witness described:
“* * * It is a nylon, small, less-than-bikini underwear. I mean, there is hardly anything there. It was very thin material. It was narrow-banded on the hips, very thin band down between the buttocks area. The front was—Well, the genitals were covered but barely. It was kind of stretchy material, so, uh, all the shapes visible. It was just the minimum amount you could use to cover your genital area.”
“(1) It is unlawful for any person to knowingly engage in * * * sexual conduct in a live public show.
“* * * * *
“(5) As used in
ORS 167.002 ,167.007 ,167.087 and this section unless the context requires otherwise:“(a) ‘Live public show’ means a public show in which human beings, animals, or both appear bodily before spectators or customers.
“(b) ‘Public show’ means any entertainment or exhibition advertised or in some other fashion held out to be accessible to the public or member of a club, whether or not an admission or other charge is levied or collected and whether or not minors are admitted or excluded.”
Sexual conduct is defined in
“* * * human masturbation, sexual intercourse, or any touching of the genitals, pubic areas or buttocks of the human male or female, or the breasts of the female, whether alone or between members of the same or opposite sex or between humans and animals in an act of apparent sexual stimulation or gratification.”2
Accordingly,
So interpreted, however, the statute is overbroad.4 It prohibits expression that is protected by
In ballets, operas, musicals and dramas, whether tragic, comic or satirical, one performer, either in human or animal costume, may touch the buttocks, breasts or genitals of another performer. The other person touched may, as part of the performance, respond so that a reasonable person in the audience will perceive that the performer touched is sexually stimulated or gratified. To a reasonable person, the touching is “in an act of apparent sexual stimulation or gratification.” That is the message that the performers seek to convey. It is touching that the statute makes criminal. It is also expression that is protected by
Because the statute is overbroad and prohibits expression protected by
Reversed.
The majority has concluded that
I begin by noting that our mission in a case like this one is not to pass judgment on the wisdom of the legislature‘s attempt to regulate morality. Approval or disapproval of the legislature‘s motive is irrelevant. Rather, we are to concern ourselves solely with whether the challenged statute is constitutional and we are obligated to uphold its validity if at all possible. See City of Portland v. Derrington, supra, 253 Or at 292; City of Portland v. White, 9 Or App 239, 495 P2d 778, rev den (1972). This obligation to uphold legislative acts requires this court to literally rescue a statute from unconstitutionality by adopting a narrowing construction if it can be done “without departing too far from what the legislature sought to accomplish or what the statute itself can convey to a reader.” State v. Robertson, supra, 293 Or at 412.
“A narrowing construction similarly may save a statute attacked as ‘overbroad,’ unless the constitutional guarantee invoked against the statute forbade its very enactment as drafted. * * *”
The initial question therefore is whether
Having passed that initial test, the statute is now open to a narrowing construction to avoid overbreadth. State v. Robertson, supra, 293 Or at 412. In this case, a principled construction limiting the scope of the statute to conduct which lacks constitutional protection is not difficult to achieve. We begin by examining the kind of conduct which the legislature sought to discourage as it is described by the language of the statute.
The former category is comprised of shows in which sexual conduct is engaged in as an end in itself. “Sexual conduct” is the justification for the existence of these shows, it dominates the performance, attracts people and sells tickets. Defendant‘s performance clearly constituted a “live public show” of the type
On the other hand, performances of Shakespeare, “Swan Lake” and “South Pacific” are valued for more than their sexual aspects. The “sexual conduct” in which Romeo and Juliet might engage is incidental to the main point of the play. It is merely part of an overall performance, the many parts of which are simply means to an end, i.e., the depiction of realistic characters in a believable story. Anyone who has seen “South Pacific” knows that any similarity between Ezio Pinza‘s performance and defendant‘s is purely coincidental. Moreoever, Romeo‘s acting was never intended to motivate members of the audience to stuff monetary trinkets into his leotards and fondle his private parts. In fact, one of the most striking differences between defendant‘s performance and all the theatrical productions referred to in the majority opinion is that none of the latter rely on audience participation for their sexual content.
Accordingly, I would construe
Even assuming that the majority is correct, I still see no reason to strike down the entire statute. The only part of
“* * * any touching of the genitals, pubic areas or buttocks of the human male or female, or the breasts of the female, whether alone or between members of the same or opposite sex or between humans and animals in an act of apparent sexual stimulation or gratification.”
Apparently, it concedes that the rest of the statute lacks constitutional problems. This is not surprising. I have been
Notes
In State v. Blocker, 291 Or 255, 260, 630 P2d 824 (1981), the court stated that:
“‘Vagueness’ means that a penal law is stated in terms from which those to whom it is addressed—potential defendants, prosecutors, courts, and jurors cannot discern what conduct the lawmaker did or did not mean to include in the prohibition. Such a failure of communication in penal laws has been held to contravene
“No ex post facto law * * * shall ever be passed. * * *”
As stated in State v. Frink, supra:
“* * * we would be inviting legislation proscribing free expression, leaving it to the courts to protect that freedom in individual cases. We may not do that.” 60 Or App at 216.
