Robert Muzikowski has devoted years of his life to coaching Little League Baseball teams in economically depressed areas of Chicago — an activity for which he deserves great credit. His commitment eventually attracted national attention, which led to a book about the 1992 season of the league Muzikowski co-founded, and later to a movie produced by defendant Paramount Pictures entitled Hardball, which was based on the book. Muzikowski regarded the movie as defamatory, on the theory that one particular character easily identifiable as himself (played by Keanu Reeves) was portrayed in a negative way, and that this amounted to disseminating falsehoods about him and about his league. The district court granted Paramount’s motion to dismiss the complaint. In so doing, however, it relied not only on Illinois substantive law (which was proper), but also on Illinois pleading rules (which was not). We therefore reverse and remand for further proceedings.
*922 I
Since 1991, Muzikowski, a licensed securities broker and insurance salesman, has been active in founding and coaching inner-city Little League Baseball programs, including the Near North Little League (NNLL) (centered in Chicago’s Cabrini-Green area) and the Near West Little League (NWLL), which Muzikowski founded in 1995 for children living on the near west side. Especially at the time, both these neighborhoods were among Chicago’s poorest. Muzikowski and his work have been featured nationally on programs such as ABC’s Nightline.
In 1991, author Daniel Coyle volunteered to coach with the NNLL. The next season, 1992, Coyle took a leave of absence from his job as an editor at Outside magazine so that he could continue his work as an assistant coach of one of Near North’s teams and at the same time write a book about the experience. The end result was Hardball: A Season in the Projects, which G.P. Putnam’s Sons published in 1994. The book, which bills itself as a work of non-fiction, focuses primarily on the children Coyle coached, although it also devotes some attention to the coaches. Prominent among those coaches is Muzi-kowski; sprinkled throughout the book are passages mentioning Muzikowski and various personal details about Muzikowski’s life. Paramount acquired the motion picture rights to Coyle’s book in 1993 and seven years later produced the movie Hardball, which tells the story of a coach named Conor O’Neill. No character in the movie is named Robert or Muzikowski and there are no references to Little League Baseball. The credits of Hardball state, “While this motion picture is in part inspired by actual events, persons and organizations, this is a fictitious story and no actual persons, events or organizations have been portrayed.”
Despite this disclaimer, Muzikowski contends that O’Neill is in fact a portrayal of him. He focuses on numerous facts revealed in Coyle’s book about his own life. After his father died, Muzikowski dropped out of college for lack of funds. He later became an alcoholic and illegal drug user. One night Muzikowski was arrested for his involvement in a bar fight, which left a permanent scar on his hand. After being bailed out, Muzikowski began to turn his life around. Later, he became active in Little League. As a coach, Muzikowski drove a blue station wagon, made'frequent use of profanity, and sometimes “los[t] it.” On one occasion, Muzikowski learned that one of his players had been killed in a gang-related shooting. He later spoke at the boy’s funeral.
The O’Neill character in the movie version of Hardball experiences almost exactly the same things as the real Muzikowski. The only differences, in Muzikowski’s opinion, are unflattering and false as applied to the real man. O’Neill never breaks his drinking habit, while Muzikowski has not taken a drink for 17 years. O’Neill, unlike Muzikowski, scalps tickets and gambles. He commits such crimes as battery, theft, criminal destruction of property, disorderly conduct, and drinking on the public way. From a professional standpoint, O’Neill falsely represents himself as a broker, even though he has no license. O’Neill uses his father’s death to deceive others into giving him money, and he is portrayed as having no interest in children or their well-being in contrast to Muzikowski’s deep commitment to young people. In fact, Muzikowski became involved in Little League solely out of that genuine concern for children, while the O’Neill character does so only to pay off a gambling debt.
In the spring of 2000, Paramount announced to the public that it was going to make the movie Hardball. It issued press *923 releases and other information describing the movie generally. Around the same time, Muzikowski began getting telephone calls from all over the country from friends and acquaintances telling him that Paramount was about to make a movie about him. Paramount’s publicity continued throughout the year; it made it clear that Hardball was to be based on Coyle’s book and that it was about an inner-city baseball team based on a team located in the Cabrini-Green housing projects. At least one news story about the up-coming film mentioned Muzikowski by name: an October 26, 2000, article prepared by the Associated Press said that Keanu Reeves “plays Bob Muzikowski, a former addict turned devout Christian, who coaches a Little League baseball team.” Most of the other advance publicity also emphasized the fact that the movie was based on the true account found in Coyle’s book.
Although a preview copy of Hardball was released in January 2001, and reviews based on that exhibition were disseminated around the country, the formal date of release was set for September of that year. On May 10, 2001, Muzikowski filed a complaint in the Central District of California invoking the court’s diversity jurisdiction and alleging libel and various other claims. Three months later, Muzikowski sought a preliminary injunction to prevent Hardball ’s release. On August 24 Muzikowski voluntarily dismissed the California action and filed this suit in the Northern District of Illinois, asserting claims of defamation and false light invasion of privacy under Illinois law. Muzikowski also moved for a temporary restraining order to prevent release of the film, which the district court denied. The film thus found its way into the theaters as scheduled. On November 28, 2001, the district court granted Paramount’s motion to dismiss based on Fed. R. Civ. P. 12(b)(6).
II
Before we discuss the merits, we must consider an issue of appellate jurisdiction. The district court dismissed Muzikowski’s claims without prejudice and “in the usual case, such a dismissal does not qualify as an appealable final judgment because the plaintiff is free to re-file the case.”
Larkin v. Galloway,
We are satisfied that Muzikowski cannot amend and re-file his complaint. In the first place, at this point any new claim would be barred by the statute of limitations. A dismissal without prejudice is treated for statute of limitations purposes as if suit had never been filed.
Elmore v. Henderson,
Furthermore, the district court itself recognized that Muzikowski might be able to amend the complaint in some cases to itemize his damages more specifically, but Muzikowski stated on the record that he wished to forego that opportunity and bring an immediate appeal. This is akin to a voluntary dismissal of his claims. While a party cannot normally bring an appeal after a voluntary dismissal of some claims, see,
e.g., West v. Macht,
We also must address one other procedural issue. Muzikowski is proceeding on appeal
pro se
and purports to represent both himself and the NWLL. However, Muzikowski cannot represent the NWLL because he is not a lawyer. Nor can the NWLL, a non-profit corporation, represent itself
pro se. Rowland v. California Men’s Colony,
Ill
The parties agree that Illinois law applies to the substance of Muzikowski’s claim, and so (to the extent it is pertinent) we will confine our discussion accordingly. A defamatory statement is one that “tends to cause such harm to the reputation of another that it lowers that person in the eyes of the community or deters third persons from associating with him.”
Kolegas v. Heftel Broad. Corp.,
A
We begin with the defamation
per se
claim. In a
per se
action, Muzikowski may recover only if Paramount’s statements fit into one of the limited categories of statements or imputations that Illinois considers actionable
per se:
(1) commission of a criminal offense; (2) infection with a venereal disease; (3) inability to perform or want of integrity in the discharge of duties of public office; (4) fornication or adultery; or (5) words that prejudice a party in her trade, profession, or business.
Bryson,
Even if a statement falls into a recognized category, it will not be actionable
per se
if the statement “may reasonably be innocently interpreted or reasonably be interpreted as referring to someone other than the plaintiff.”
Chapski v. Copley Press,
Paramount provides two reasons why it is reasonable to construe the statements in question as referring to someone other than Muzikowski (namely O’Neill, an entirely fictional character). First, it points to material differences between Muzikow-ski and O’Neill, which Muzikowski himself identifies in his complaint. Second, it contends that because Hardball is a work of fiction, it cannot reasonably be interpreted to refer to Muzikowski.
The second contention is more easily dispensed with and so we turn to it first. “[SJimply because the story is labeled ‘fiction’ and, therefore, does not purport to describe any real person” does not mean that it may not be defamatory
per se. Bryson,
Paramount responds that its case is different from
Bryson
because Robert Muzi-kowski is never referenced by name in
Hardball,
and thus his pleading cannot be construed to support a claim for defamation
per se.
Before the Illinois Supreme Court decided
Bryson,
the Illinois Appellate Court had issued conflicting opinions on, this point. Compare
Barry Harlem Corp. v. Kraff,
*926
That may be the Illinois pleading rule, but it of course does not apply in a federal court. See
Mayer v. Gary Partners & Co.,
Notwithstanding those details, Paramount argues that Muzikowski has failed to plead a category of speech that is defamatory
per se.
Muzikowski in response asserts that he fits within two of the five possible categories. First, Muzikowski claims Paramount’s portrayal of O’Neill has injured him in his profession or business (number 5).
Id.
at 1215. In
Hardball,
O’Neill is lying when he tells people that he is a licensed securities broker. As a matter of substantive Illinois law, alleging or implying that a person is not a legitimate member of her profession is defamatory
per se. Lowe v. Rockford Newspaper, Inc.,
Furthermore, Muzikowski has adequately alleged that Paramount has imputed to him the commission of a crime of moral turpitude (number 1).
Bryson,
In the end, the most serious hurdle Muzikowski faces is the question whether he has in essence pleaded himself out of court, by showing that the federal trier of fact (whether judge or jury) would be compelled to find an innocent construction of the movie. Compare
Chapski,
*927 In our view, Muzikowski might be able to produce evidence showing that there is in fact no reasonable interpretation of the movie that would support an innocent construction. He may be able to show that no one could think that anyone but him was meant, and the changes to “his” character, far from supporting an innocent construction that O’Neill is a fictional or different person, only serve to defame him in the ways already discussed. We conclude that Muzikowski’s allegations, read in the light most favorable to him, entitle him to the chance to prove his claim under a defamation per se theory. As the case develops further, of course, it is entirely possible that Paramount will be able to produce enough facts to support its “innocent construction” argument. At this stage, however, we believe it was premature to reject Muzikowski’s case.
B
Muzikowski also urged that his complaint stated a claim for defamation
per quod.
In such an action, Muzikowski could have complained about any statements that caused him actual damage, not just those fitting into the narrow
per se
categories. In his opening brief before this court, however, Muzikowski raises no arguments contesting the district court’s dismissal of his defamation
per quod
count and has therefore waived the claim.
Anderson v. Hardman,
c
All that remains is Muzikowski’s claim for the tort of false light invasion of privacy. To prevail, Muzikowski must show that the publicity at issue is “of and concerning” him, that it placed him before the public in a false light, and that there was actual malice.
Schaffer,
Our analysis of the false light claim tracks our assessment of the claim for defamation
per se.
Muzikowski has not asserted special damages, and so the claim can succeed only on the statements to the effect that O’Neill (and hence, Muzikowski) is a thief and an unlicensed broker. The “of and concerning” requirement is basically the same as the innocent construction rule.
Id.
at 993 n. 2. If the statements can reasonably be construed as referring to somebody other than Muzikowski, then they are not “of and concerning him,” and cannot state a false light claim.
Harte v. Chicago Council of Lawyers,
IV
For the foregoing reasons, the judgment of the district court is ReveRsed and the case is Remanded for further proceedings consistent with this opinion.
