324 Mass. 594 | Mass. | 1949
This is an appeal from a final decree dismissing the bill brought by the plaintiff against certain officers of Boston Musicians’ Protective Association Local No. 9, American Federation of Musicians, a voluntary association, hereinafter called the union, to restrain the members of the union from interfering with his business, and for damages.
The plaintiff has been engaged for several years in the business of conducting orchestras and furnishing them to various organizations and individuals who required music for dances, banquets, weddings or other social affairs. Prior to the summer of 1943, a principal part of the plain
The union is comprised of persons who play various musical instruments and are engaged in the vicinity of Boston in furnishing music in theatres, hotels, radio broadcasting stations and halls which are let for social functions. It is a branch of the American Federation of Musicians, hereinafter called the federation, which in turn is affiliated with the American Federation of Labor. The union by-laws forbid its members to play in an orchestra or band with nonunion members, or to render musical services in a building or place classed as unfair. The by-l'aws of the federation forbid a member to accept an engagement from a booking agent who has not been licensed by the federation.
The plaintiff was a member of the union for a few months and resigned in June, 1942, after he had been found not guilty on certain charges and while a matter was pending for further investigation by the union. The evidence shows violation of the by-laws of the union by the plaintiff. His application filed in September, 1943, for readmittance to the union has never been finally acted upon by the union, and it is apparent that, by reason of considerable feeling manifested against him by officers of the union, the application will not be granted. As the plaintiff does not now seek readmittance to the union, we need not decide that matter. See Maguire v. Buckley, 301 Mass. 355; Walter v. McCarvel, 309 Mass. 260.
The principal hotels in Boston have for many years regularly employed orchestras or bands, comprised only of members of the union, in the dining rooms, dance halls or other places in the hotels which were under the immediate supervision of the hotels and where music was furnished for the entertainment of their guests. It was the practice of these hotels to let rooms to private parties to conduct various social affairs. The hotels merely let the space and
The plaintiff and others engaged in a business similar to his were competing with members of the union in furnishing musical services especially at these private functions sponsored by those who had hired rooms at a hotel. There was an open market for this work when the present controversy between the plaintiff and the union began. The conflict was precipitated by the desire of the union to secure this work for its members. Minor skirmishes occurred. The plaintiff, who had been hired by different parties to furnish music at the Copley Plaza Hotel in May, 1943, at the Bradford Hotel in May, 1943, and at the Hotel Sheraton in December, 1947, was prevented from doing so by the interference of the union, which compelled these third persons to discharge the plaintiff and to secure an orchestra of union members. The bitterness of the struggle and the attitude of the union toward the hotels may be illustrated by one of these instances. With reference to the episode at the Bradford Hotel, for example, the judge found that an officer of the union notified the person who hired the plaintiff that there would be no music at the contemplated social affair and, just before the affair began, this official “with several policemen about” appeared at the hotel with two orchestras comprised of members of the union. He told the manager of the hotel, “Get rid of Reeves and if you don’t you’ll get into trouble.” The manager told the person sponsoring the affair to discharge the .plaintiff “or out you’ll go unless you take the union band.” The union official then warned the hotel manager to “watch your step. Reeves will get his,” and “you’ll have no more music at the Bradford if you hire Reeves.” The management of the Hampshire House was threatened with picketing if it did not cease to employ the plaintiff and other nonunion orchestras. On another occasion, a member of the union was discovered playing in an orchestra which the plaintiff was conducting
The hotels controlled the places of employment of musicians at these private social functions and consequently were in a position to control this source of employment of those who competed with the union. Competition would be eliminated if the hotels refused to permit nonunion musicians to work at these social functions. The union, although it had no trade dispute with the hotels, passed a vote on April 1, 1943, that its members would refuse to render musical services at the hotels after July 1, 1943, “and request the A. F. of M.
The plaintiff had the right to engage in the business of furnishing musical services to those members of the public who desired them, and such a right has always been recognized in this Commonwealth as a property right protected by the common law and guaranteed by arts. 1 and 10 of the Declaration of Rights of the Constitution of Massachusetts and by the Fourteenth Amendment to the Constitution of the United States. The principle is too firmly established in this jurisdiction to require the citation of many decisions. See, for example, Goden v. Niebuhr, 236 Mass. 350, 351;
The judge made no finding that the hotels had freely and voluntarily entered into the agreement of July 8, 1943, and consequently it is our duty to examine the evidence and to decide for ourselves this question of fact. Lowell Bar Association v. Loeb, 315 Mass. 176, 178. Gordon v. O’Brien, 320 Mass. 739, 740. There is no evidence bearing directly upon the question. There is nothing to show that the hotels were not satisfied to leave the selection of the musicians to those who hired rooms for social functions, or that the hotels would not have continued to manage and conduct their business in this manner except for the action of the union. Leaving the selection of musicians to those who hired the rooms was apparently the most advantageous method for the hotels to adopt in conducting this branch of their business. When apprised of the vote of the union, the hotels were required to decide whether they could conduct their business without any musicians; or whether it would be better to substitute nonunion musicians for those belonging to the union and its affiliate, the federation, if that were possible, having in mind that twenty-eight hundred musicians residing in the vicinity of Boston belonged to the union, and whether such a substitution could be made without the hotels becoming involved in serious difficulties with other unions whose members were employed in the hotels. The record is barren of any possible advantage that would accrue to the hotels from the elimination of nonunion musicians at these private functions, and we are unable to discover any. The demand of the union that nonunion members be barred from working at these private functions takes color and meaning when considered in the light of the situation then prevailing. The hotels knew that they would “get into trouble” if the plaintiff were permitted to work at these private social affairs, and the inference is not unwarranted that they con
It is plain that the purpose and effect of the action of the union were to convert the hotels, which were strangers to the dispute between the plaintiff and the union, into allies upon the side of the union and to compel them to drive the plaintiff out of the market by refusing to let rooms to any of the plaintiff’s customers who desired to engage his services. Such an arrangement constituted a secondary boycott — a weapon that has long been outlawed here in an industrial struggle. Burnham v. Dowd, 217 Mass. 351. New England Cement Gun Co. v. McGivern, 218 Mass. 198. Cornellier v. Haverhill Shoe Manufacturers’ Association, 221 Mass. 554. Harvey v. Chapman, 226 Mass. 191. W. A. Snow Iron Works, Inc. v. Chadwick, 227 Mass. 382. Martineau v. Foley, 231 Mass. 220. Moore Drop Forging Co. v. McCarthy, 243 Mass. 554. Armstrong Cork & Insulation Co. v. Walsh, 276 Mass. 263. Keegan v. O’Donnell, 310 Mass. 346.
Enough appears from the evidence to indicate that damage to the plaintiff would naturally result from the conduct complained of and that he would be entitled to recover for whatever damage he could prove to have been sustained by the action of any of the defendants. Alden Bros. Co. v. Dunn, 264 Mass. 355, 363-364. Hubrite Informal Frocks, Inc. v. Kramer, 297 Mass. 530, 535. Simon v. Schwachman,
The final decree is reversed, and a final decree with costs is to be entered within thirty days of the date of the re-script enjoining the defendants from coercing, persuading, or attempting to coerce or persuade the owners or operators of hotels which are let for the holding of social functions to refuse to permit the plaintiff to furnish orchestras or bands to play or perform at such places; but if within such period a motion for the assessment of damages is allowed, then the
So ordered.
“A. F. of M.” is the American Federation of Musicians with which the union was affiliated.