*1
913
to
”)
company
F.2d
contracted maintain
Ratchford, 942
locksmith
(quoting
from fraud’
deposit
(“The
safety
boxes can be
the bank’s
Prater,
705);
at 1446
805 F.2d
at
656);
§
charged
States v.
under
United
clearly
has
indicated
Eleventh Circuit
(8th Cir.1991)
966,
Coney, 949 F.2d
967
any capacity’
in
‘connected
phrase
(employee
company
of armored car
re-
broadly to
construed
effectuate
should be
currency
for transporting bank’s
sponsible
federal-
congressional
by protecting
intent
by §
captured
language);
656’s broad
Ed-
fraud.”);
lenders from
United
ly insured
ick,
(employee
corpora-
man service have that it otherwise
for Bank
would
One
his
provide for
Because of
had to
itself.
INTERNATIONAL,
PIVOT POINT
behalf,
granted
Bank One
work on its
INCORPORATED, Plaintiff-
including its
property,
to its
Jones access
Appellant, Cross-Appellee,
access provided
That special
ATM vaults.
v.
fed
opportunity to steal the
him with the
funds
erally
PRODUCTS,
therein.
insured
CHARLENE
INCOR-
Yau,
and Peter
Defen-
PORATED
passing on
that other circuits
We note
Cross-Appellants.
dants-Appellees,
found
unanimously
have
similar
facts
01-3888,
Nos.
02-1152.
any
capacity”
§ 656’s broad “connected
language
encompass contractors whose
Appeals,
Court of
United States
possible
made
the services
theft was
Circuit.
Seventh
Gillett,
they provided to the banks. See
6,
June
2003.
Argued
of Brinks ar-
(employee
banc. Neal, in hair stylists competi- Ger- involved (Argued), E. Robert Browne IL, Plain- Chicago, Passage then worked with a Ger- Eisenberg, & tions. ber Cross-Appellee. tiff-Appellant, Horst Heerlein to create man artist named original sculpture female human (Argued), Meyer & Meyer B. James *3 Although Passage discussed his vi- head. (Ar- IN, H. Gary, Martin Redish Wyatt, Heerlein, Passage give sion with did Maw, Brown, Rowe Chi- Mayer, & gued), any specific require- dimensional Heerlein IL, Defendants-Appellees, for cago, description, From Passage’s ments. Heer- Cross-Appellants. plaster a in entitled sculpture lein created RIPPLE, DIANE KANNE and Before “Mara.” WOOD, Judges. P. Circuit molds of were and sent Wax Mara made Hong Pivot manufacturer in Point’s RIPPLE, Judge. Circuit created exact re- Kong. manufacturer (“Pivot International, Point Inc. Pivot in polyvinyl of Mara chloride productions Point”), of action brought this cause (“PVC”). The the manufacturer filled Products, Inc., its and against Charlene with that and liquid expands form a PVC (collectively Yau “Char- Peter president process into of creat- hardens foam. lene”), infringement pursu- for copyright of ing sculpture developing the Mara and 501(b). § The district to 17 ant U.S.C. the mannequin sculpture the on took based summary judgment for the granted court months. approximately eighteen copied ground on the that the defendants head, matter, subject mannequin a 1988, February In when Point of Pivot Copyright the Act of under copyrightable Mara, it inspected first the PVC forms of (“1976 Act”), seq. § 17 U.S.C. 101 et mannequin’s hairline discovered following in the reasons set forth For high etched too on the forehead. had been judgment of we reverse opinion, corrected the mistake The manufacturer court remand the case and district second, Al- adding a lower hairline. by opinion. with this proceedings consistent first, higher hairline was visible though im- inspection, it was covered with upon I early reproduc- hair. The PVC planted Mara, ship- Pivot Point’s first tions of and BACKGROUND in mannequins May of ment A. Facts hairlines. possessed double edu- develops Pivot Point and markets that it its the same time received About hair techniques and tools for the cational Point shipment mannequins, of Pivot first in 1965 industry. It was founded design registration for the obtained internationally re- Passage, Leo Mara, specifically barehead- Pi- designer. aspect hair One nowned makeup with no human head ed female de- is the vot Point’s business in assigned rights all his hair. Heerlein heads, “slip-ons” velopment mannequin Pivot sculpture to Pivot Point. the Mara (facial mannequin slip forms that over a copyright notice displayed Point head) pieces. hair component mannequin. Pivot on each name of Point mid-1980s, Passage desired enjoyed great Point success with Pivot develop a imitate mannequin would respond To to cus- mannequin. new its runway “hungry high-fashion, look” demand, began Point market- tomer Pivot believed that such Passage models. with mannequin the Mara different ing premi- as a mannequin could be marketed hair, skin lengths of different types cutting-edge hair-stylists um item to however, subject is, If makeup; variations matter. there tones and then must were made to the facial fea- no alterations question a trial on the whether Liza ais mannequin. For customer tures of knock off of Mara.” R.401 at 1. The district identification, changed Pivot Point ease explained court although mannequin on the name based copyrightable works are under 17 U.S.C. color; instance, hair and skin Mara 102(a)(5), may § sculptures copy- implanted yak hair was mannequin righted language are limited of 17 “Sonja,” called and the Mara provides U.S.C. which relevant hair implanted with blonde was called “Ka- part: rin.” works shall include Such works artis- 1989, Charlene, At a trade show *4 craftsmanship tic insofar their form as products beauty by of founded wholesaler but their mechanical or utilitarian Yau,2 displayed Mr. its own “Liza” manne- aspects concerned; are design the of a quin, very appearance was close in which article, section, useful as in this defined to Pivot Mara. to the Point’s addition graphic shall be considered a pictorial, features, similar Liza strikingly facial also if, only work and to early a exhibited double hairline that the the extent such design incorporates mannequins possessed. Mara pictorial, graphic, or sculptural features 24, 1989, September On Pivot Point no- from, separately that be identified copyright infringement. ticed Charlene for of capable existing independent- and stop importing When Charlene refused of, ly aspects the utilitarian of the arti- selling mannequin, and the Liza Pivot cle. Point filed this action.3 court, According to the district there Proceedings B. Court District question sculp- no that Mara a was complaint Pivot Point filed a multi-count However, ture. in the district court’s in against district court Charlene. It al- view, sculpture served utilitarian ends. leged copyright violations federal law as beauty styl- “Students practice schools claims; well as state-law Charlene both hair on ing may practice Mara’s head and answered the complaint and counter- by makeup other skills applying Mara’s After discovery, claimed. extensive Pivot lips, eyes, and cheeks. parties dispute comprehensive Point filed a motion which primary.” functions are R.401 at 2. summary judgment complaint on its The district then explored court whether Charlene’s counterclaims. Charlene filed the artistic and utilitarian aspects Mara several for summary judg- cross-motions “separable” were purposes ment well. The district court tentative- piece’s copyrightability: statutory “The ly on July ruled these motions in 2001 and separability requirement copy- confines final ruling issued a in October 2001. protection to
right those 1. Merits apart that exist from its utilitarian value, and that could be removed without opinion, In its the district court stated reducing the principal dispute that: is usefulness of the item.” Id. “[t]he whether human is copyrightable head at 3. The court district observed that eventually 2. Mr. Yau was not unfamiliar Pivot Charlene obtained Shortly founding Point. registration before Charlene Liza mannequin. for its Yau Products Mr. had worked for Pivot Point. is conceptually useful article particularly this trouble- drawing line separable if it can on stand its own some. conceived, traditionally work of art and if statute, court, the district continued article in it is useful which embodied recognized suggest two generally equally would without it.” R.401 be useful physical separability separability: types Goldstein, Copyright: at 5 Paul (quoting The district conceptual separability. 2.5.3, Law & Practice at 109 Principles, separability explained physical court (1989)). The district court believed nature of when the ornamental occurs of this from strength definition “comes from can be removed object physically little, all, fact that differs object physical separability test of embraced [conceptual separability differs from by Esquire D.C. Circuit asking physical [Inc., v. Econ- majority Carol Barnhart copyrighted the features be whether omy Corp., F.2d Cover display, for separate off could sliced Cir.1985) this Applying Id. test led ].” whether one can conceive this but district court to conclude that Relying on comment process. because, cannot copyrighted Mara amendments, Report House on *5 though even one can conceive of Mara as [v. the second circuit Kieselstein-Cord art, displayed a as it not sculpture would Pearl, Inc., F.2d 989 632 Accessories if the that equally useful features (2d Cir.1980),] adopt to con- purported re- Pivot Point want to were separability as the exclusive test ceptual long So as a utilitarian function moved. (632 992, contrasting ap- F.2d that at makeup tutoring practice is and and Esquire Ringer, with 591 proach [v. fact Pivot sells Mara without that Points (D.C.Cir.1978)], opted F.2d 796 which a eye this is lip coloring shows that F.2d 591 physical separability, for not, Point’s function even Pivot 803-04). repair a court to Why should view, “primary” one—the unclear; history legislative removing value would be diminished identify any circuit did not ambi- second that Point the aesthetic features Pivot §in that to be re- guity 101 needed protect by copyright. wants to solved, and in the House a statement appears that on the face of Report what Id. require- to statutory text be two matter, dis- As final the district court a separa- (physical conceptual and
ments
cases,
tinguished two
Hart v. Dan Chase
just
as
bility) should be administered
Co., 86
Taxidermy Supply
F.3d
in today’s
not
that
proposition
one is
a
Builders,
Cir.1996),
Superior
and
Form
indulged.
Su-
legal climate
Co.,
Taxidermy Supply
Inc. v. Dan Chase
permit
the use of
Court does
preme
(4th Cir.1996),
Inc.,
which
the art of
places
the record
points to various
A
statutory language.
We return to
pur-
that Mara is used for this
establish
article falls within the definition
useful
is, therefore, a
pose and
useful article sub-
“only
pictorial, graphic or
works
§
ject
limiting language
of 101.
to
if,
to
the extent
strongly disputes
incorporates pictorial, graphic,
sculp-
Pivot Point
argues
sepa-
a use and
that can be
record establishes such
tural features
identified
rately from,
existing
on
capable
that the district court’s rebanee
Char-
and are
independently of,
resolves an
the utilitarian
alleged proof improperly
lene’s
It is com-
against
non-moving party
of fact
the article.” 17 U.S.C.
101.6
issue
eye
heavily on this fact
it also sells Mara without
or cheek
5. The district court relied
concluding
object:
coloring,
beauty-school
that Mara
a useful
is
so that
students can
own.)
add their
"applied
Mara is a work of
art” and dis-
plays
craftsmanship”
R.401 at 2.
"artistic
Point
—Pivot
sculptor
to
commissioned
man-
language
Prior
the addition of this
in the
nequin head that emulates features of run-
Act, Congress
explicitly
had
way
author-
models—but serves utilitarian ends:
beauty
styling
register
practice
Copyright
Students in
schools
ized the
"useful
Office
Indeed,
may practice
hair
Congress
on Mara's head and
other
articles.”
when
first ex-
by applying makeup
eyes,
skills
to Mara's
copyright protection
tended
to three-dimen-
lips,
parties dispute
and cheeks. The
which
copyright protec-
sional works of art in
primary.
functions are
Charlene Products
art;
objects
objects
tion was
fine
limited
says
primarily
practic-
that Mara is used
applied
protected.
art still were not
See
ing makeup;
pri-
Pivot Point insists that its
Goldstein, Copyright §
Paul
2.5.3 at 2:58
mary
styling.
use is hair
This factual dis-
(2d ed.2004).
changed
adop-
with the
This
pute might
legal significance
have
if Pivot
("1909
Copyright
tion of the
Act of 1909
contending
Point were
that Mara's sole use
Act”);
explains:
Professor Goldstein
styling;
(barely) possible
hair
then
Act,
protection
The 1909
which continued
*8
imagine
a suitable
head devoid
art, dropped
for three-dimensional works of
(The legal significance
of human features.
they
requirement
that
constitute fine art
below.)
possibility
explicated
of this
But
opened
protection
and thus
the door to
of
only
"pri-
Pivot Point contends
that Mara's
1948,
Copyright
useful works of art.
In
mary”
styling;
deny
use
hair
it does not
(if
view,
scope
protection for
Office broadened the
of
only,
secondary
that a use
in its
a
one)
three-dimensional works of art
to cover
application makeup
is the
of
and other
arts,
craftsmanship
"works of artistic
insofar as
beauty-school
and the evidence would
aspects
their form but not their utilitarian
permit
jury
a reasonable
to conclude
are concerned.” The United States Su-
that Mara has no utilitarian value for make-
(Pivot
preme
upheld
interpretation
up practice.
says
"gen-
Court
this
Point
that it
201,
Stein,
213,
erally”
painted-on makeup,
U.S.
74 S.Ct.
[347
sells Mara with
v.
Mazer
460,
(1954),]
by negative
holding
implication
reveals
that
921 and, Approach Copyright in- gested parties between ground mon Useful (1983). Articles, exam- deed, 707, courts that have among the 67 Minn. L.Rev. issue, added language, that this short, myri- ined no of the doubt well-aware Act, intended to distin- was by the policy of factual scenarios to which its ad enjoy protection guish creative works guidance applied, would have to be Con- design that do of industrial from elements wisely only general gress provide chose 94-1476, at 55 H.R.Rep. No. not. See guidance implemented to be on a policy (1976), 1976 U.S.C.C.A.N. reprinted in case-by-case through Copyright basis (stating purpose that the behind Office and the courts. a line “to draw as clear language this though the the statute do Even words of works of copyrightable possible as between answer, yield a definitive we believe works of uncopyrighted art and applied statutory language nevertheless Although the Con- design”). industrial evident, provides significant guidance our task. application goal was gressional courts presented the shall examine in more detail language this has We therefore Indeed, one difficulty. us, significant and language what that has to tell we many fine lines noted: “Of the scholar has necessary starting point to the return Act, none through Copyright that run task, § 101. our the line between troublesome than is more statutory language provides The sculptural and pictorial, graphic protectible ... of a useful article shall be “the utilitarian ele- unprotectible and works pictorial, graphic, sculptur- a or considered Paul Gold- design.” of industrial ments if, only al work to the extent 2.5.3, stein, § at 2:56 Copyright incorporates pictorial, graphic, ed.2004). can be identi- features that of this difficulty application in the capable separately fied come, in not have all likeli- language would of, the utilitarian existing independently hood, Congressional a to the surprise Although the itali- aspects of the article.” by Con- language employed drafters. phras- operative cized clause contains two bright-line language not the gress is separately es—“can be from” identified Indeed, the application. rule of universal existing independently capable and “are interpre- that have addressed the circuits believe, have the other courts of”—we uniformly problem tative now before us issue,7 that that have with this grappled wording that the recognized have statute, intend- amending Congress, di- supply categorical does not statute single, phrases two to state ed these rection, Copyright requires but rather to determine when integrated standard their the courts “to continue Office and between separateness is sufficient there art and in- distinguish applied efforts to Denicola, the utilitarian artistic Ap- design.” dustrial Robert C. justify copyright protection. Sug- A work to Design: AH Industrial
plied & permit registration of features of utilitari- in issue were intended fact that statuettes separately "can be identified an article that for use in articles of manufacture —electric copy- existing independently capable lamp not bar them from and are bases—did later, Copy- right. years Five as a work of art.” 207.8(a) (1949) promulgated that if “the right (quoting Office a rule C.F.R. Id. *9 202.10(c) (1959); is § function of an article its footnotes omit- sole intrinsic 37 C.F.R. unique utility, ted). work is the fact that the attractively shaped qualify it as a will not did, however, See note 8. regulation 7. art.” The work of infra 922 approach really is not of much use when the
Certainly, one
to deter
item
Denicola,
question is two-dimensional. See
can
mine whether material
be “identified
Indeed,
supra,
provi-
at 744.
because this
obvious,
separately,” and the most
is to
sion,
words,
to
very
its
was intended
rely
capacity
on the
artistic material
material,
apply to
is
two-dimensional
from the
physically
to be severed
industri
physical separability
clear that a
test can-
Stein,
v.
See Mazer
design.
al
347 U.S.
determining
not be the exclusive test for
(1954)
201,
460,
74
most
precedent
related
to the case
the issue of conceptual separability in
Appellees’
at bar.”
Br. at 26.
Pearl,
Kieselstein-Cord v. Accessories
Inc.,
Cir.1980).
In articulating a meaningful approach to “primary” “subsidiary” elements of conceptual separability, we note that we the article and concluded: are not the court appeals first to deal in appellant’s We see problem. with this belt buckles con- The work of our col- ceptually separable elements, leagues in the other provides sig- circuits apparently nificant insights into our have the buckles’ understanding of wearers Congressional Indeed, who have used them intent. as ornamentation even when judges parts those of the disagreed body have on other than the appro- priate application waist. Congressional primary ornamental aspect them, mandate to the case Vaquero before their and Winchester buckles insight yield a bountiful conceptually harvest for separable those from their of us who now walk the same interpreta- subsidiary utilitarian function. This tive path. conclusion is not at variance with the e.g., decorating props signs with- intent to distin- congressional expressed un- applied art and copyrightable any clothing or While guish out accessories. *12 design. Pieces industrial copyrightable may this indicate that the forms are art, may buckles be applied these valuable,” “aesthetically satisfying and jewelry, the form of which considered to show that the forms is insufficient protection. subject copyright aesthetic or artistic features possess omitted).9 (internal citations Id. at 993 conceptually sepa- physically that are from the forms’ use as utilitarian rable b. objects display clothes. On the con- revisited issue The Second Circuit trary, possess the forms extent in Carol Barnhart conceptual separability features, aesthetically even pleasing Corp., 773 F.2d Economy Inc. v. Cover when these features are considered Cir.1985). case, In that Carol Barn- aggregate, they conceptu- cannot be items, hart, display provider of retail existing independently of their alized as consisting of developed mannequins four function. utilitarian of shirts and display for the human torsos (internal omitted). citations The Id. at 418 registra- copyright It jackets. obtained rejected argument court also of the forms.10 When tions for each The controlling. Kieselstein-Cord was Cover, Economy copied competitor, majority explained distinguished that what infringe- Barnhart claimed designs, Carol Cir- from the copyright. ment of that Second the Kieselstein-Cord buckles copy- designs cuit held that the were “that ornamented Barnhart forms was rightable. explained: It any not in surfaces of the buckles were
[Wjhile
has increas-
copyright protection
functions;
required by their
respect
cover articles
ingly been extended to
thus
artistic and aesthetic features would
dimension, Congress
having a utilitarian
to, or
having
conceived as
been added
be
protec-
explicitly
has
refused
utilitari-
superimposed upon, an otherwise
art or industri-
applied
tion for
works
an article.” Id. at 419.
have aesthetic or artistic
al
which
and com-
Perhaps the most theoretical
sepa-
features that cannot be identified
sepa-
“conceptual
prehensive discussion
rately
the useful article. Such
separabili-
rability,”
opposed
physical
regardless
copyrightable
are not
works
dissenting opinion
found in the
ty,
be
they may
“aesthetical-
of the fact that
Barnhart,
Newman
Judge
and valuable.”
ly satisfying
possible
reviewing
419. After
F.2d at
principles,
per-
these
we are
Applying
conceptual separability,
ways to determine
the aesthetic and ar-
suaded that since
forth his choice
Judge Newman set
Barnhart forms are
tistic features of the
rationale:
use as utili-
inseparable from the forms’
How, then,
“conceptual separateness”
copy-
tarian articles the forms are
view, the an-
my
to be determined?
....
stresses
rightable
[Barnhart]
“conceptu-
the word
derives from
swer
responded to as
forms have been
“con-
features to be
al.” For the
forms,
and have been used
clothes,
from the
ceptually separate”
modeling
than
purposes other
four,
were un-
forms
(silting by designation)
two of the
Judge
dis-
Weinstein
Kieselstein-Cord,
clothed,
layer
case involved the work of an David Levine; specifically, Levine had created a “separateness” of the utilitarian thick, sculpture of interwoven A wire. concepts engendered and non-utilitarian cyclist friend of Levine’s realized the design a perplex- article’s is itself could, modification, sculpture with function think ing requisite I concept. “sepa- the bicycle put as a rack and thereafter Levine design rateness” exists whenever the International, in touch Brandir Inc. ordinary in the mind of creates the ob- (“Brandir”). The artist and the Brandir concepts server two different that are engineers modify worked then to the inevitably entertained simultaneous- sculpture produce to and mar- workable ly. Again, example the of the artistical- bicycle rack. ketable Their work culmi- ly designed displayed chair in a museum Rack,” nated in the “Ribbon which Brandir may helpful. ordinary observer began marketing in Shortly 1979. thereaf- expected apprehend the ter, (“Cas- Cascade Pacific Lumber Co. object chair of a whenever the is viewed. cade”) began selling and, product, similar addition, may, in He entertain the con- response, applied in Brandir for copyright art, but, cept of a work of if this second protection began placing copyright no- concept engendered in the observer’s Office, Copyright tices on its racks. The simultaneously concept mind with the of however, rejected registration on the function, req- the article’s utilitarian ground any that the rack did not contain “separateness” uisite does not exist. “capable element that independent The test is not whether the observer copyrightable pictorial, existence as a object recognize fails to as a chair graphic apart work from the concept whether but shape of the useful article.” Id. at 1146. displaced utilitarian function can be in possible The court first considered the the mind some concept. other That conceptual separability light tests occur, ordinary does not at least for the and, past notably, attempted decisions observer, viewing when even most attempts: to reconcile its earlier artistically designed may It chair. oc- cur, however, viewing Perhaps when some other the differences between the object if majority the utilitarian function of the and the dissent Carol Barn- object all; perceived may might is not also hart they have been resolved had occur, even when the utilitarian function had them the on before Denicola article observation, perceived by perhaps Applied Design: aid- Art and Industrial A by explanation, concept ed Suggested Approach Copyright Articles, displaced utilitarian function can be [67 Minn. L.Rev. 707 Useful (1983) argues the observer’s mind while he entertains Denicola ].... “the separate concept statutory requires of some non-utilita- directive a distinction on the influence of utilitarian concerns design and of industrial works between ... design process may help the de- “allevi- origins lie outside whose works envi- despite against the utilitarian ate the de facto discrimination sign process, they appear.” He nonrepresentational regret- in which art that has ronment copy- statutory limitation much of tably accompanied the current views identify attempt as “an rightability analysis.” Id. at 745. appearance form elements whose (footnotes omitted). Id. at 1145 perspective of the unconstrained
reflect Professor Denicola’s test Applying artist,” being the such features not Rack, the court found that the the Ribbon design. Id. at of industrial product copyrightable. The court rack was therefore, turn should “Copyrightability, merely adopted Brandir “[h]ad stated prof- between the relationship on the existing sculptures bicycle as a one industrial process and the fered work rack, to a utilitarian application neither the suggests He Id. at 741. design.” commercialization of that use end nor characteristic of industri- “the dominant object to forfeit its would have caused nonaesthetic, is the influence of al *14 Id. at 1147. copyrighted status.” Howev- and hence con- utilitarian concerns” er, compared Rack was when the Ribbon “ultimately copyrightability cludes that court, continued the sculptures, to earlier the extent to which depend on should essentially prod- “in its form final un- expression artistic the work reflects design.” uct of industrial Id. by functional considerations.” inhibited Rack, de- creating In the RIBBON the test in the To state the Denicola Id. clearly adapted original ... the signer if conceptual separability, language to accommodate and aesthetic elements merger of reflect a design elements These al- purpose. further a utilitarian considerations, functional and aesthetic of the RIBBON tered features cannot aspects of work be the artistic Rack, including spacesaving, open the conceptually separable said to be by widening upper the design achieved Conversely, elements. the utilitarian ..., straightened vertical ele- the loops identified design elements where above-ground in- and ments allow judg- reflecting designer’s artistic rack, ability to fit of the installation of func- independently ment exercised and the bicycles mopeds, all and types influences, conceptual separability tional heavy-gauged tubular construction exists. steel, are all fea- rustproof galvanized Denicola’s that Professor We believe safe, for a to make tures combine for con- provides the best test approach secure, system of maintenance-free and, accordingly, ceptual bicycles mopeds. parking First, reasons. adopt it here for several the hold- is consistent with approach may Rack ... the RIBBON While In Kiesel- ings previous of our cases. for its aesthetic worthy of admiration stein-Cord, example, the artistic as- alone, it nonetheless qualities remains purely reflected pects of the belt buckles design. Form product of industrial choices, independent of the aesthetic inextricably intertwined function are function, Barn- while buckles’ rack, design being as its ultimate of the tor- the distinctive features hart pressures of utilitarian much result design and accurate anatomical sos—the .... Thus there re- choices as aesthetic shirts and collars-—showed sculpted the RIB- element of mains no artistic of functional con- clearly the influence identified as Rack that can be Second, BON emphasis the test’s cerns .... 928 “capable existing forms is their
separate portrayal inde- usefulness of, pendently, aspects of the of animals.” appearance “by the article.” mannequin definition forms are not useful articles.” Id. at 1146-47. Superior Id. at 494 (quoting Form Build- d. Co., Taxidermy Supply ers v. Dan Chase experience We believe that Inc., (E.D.Va.1994)). F.Supp. 223 Second Circuit also reflected in the more however, court, also considered recent of the Fourth encounter Circuit whether, useful, the utilitarian and problem. Superior
with the same aesthetic mannequin were Builders, Form Inc. v. Dan Chase Taxi- separable: Inc., (4th Co., dermy Supply F.3d 488 argument To the extent that an can be Cir.1996), the court considered whether mannequins made that this case mannequins qualified animal for copyright perform a utilitarian function —other protection. The Fourth Circuit first con- portraying by sup than themselves — mannequins sidered whether the were use- skins, porting the mounted we believe §by ful articles as defined and con- conceptually separable function to be not: they cluded that were from the works’ features. provides A mannequin the creative Int’l, Inc. See Brandir v. Cascade Pac. expression form and of the ultimate ani- Co., Lumber F.2d mal Even display.... though covered Cir.1987) (“Where design elements can skin, with a is not invisi- reflecting be identified the designer’s conspicuous ble but the final display. *15 artistic judgment independent exercised head, The angle jux- of the animal’s the influences, ly of conceptual functional taposition body parts, of its and the exists.”); Kieselstein-Cord body shape parts of the in the final Pearl, Inc., v. by Accessories 632 F.2d display is more than portrayal little the Cir.1980) (2d (finding 993 of the underlying mannequin.... None element of conceptually belt buckle sep of expressive aspects these of a manne- function). arable from utilitarian quin by covering is mannequin lost the Thus, Id. Thus, specifically without any adopting with a one aspect skin. conceptual of separability, of the the tests of mannequin “merely por- exists tray of Fourth appearance” the animal. Circuit determined that artistic See 17 put U.S.C. work into the animal copyrightable; frame was the fact
... that a It is portrayal the animal’s skin placed was on the model body expression by and that the given the mannequin model, therefore, protectable display is thus under was useful Copy- right Act. of the agree negate We therefore skin did not artistic district court in this case because elements of design.11 “the 11. Notably, copyright v. Dan Taxidermy protection]?” in Hart Chase Id. at 321. The Sec- Co., Supply Cir.1996), 86 320 F.3d ond Circuit that it is: resolved shortly Second Circuit thereafter addressed agree We do not that Barnhart mandates question a fish whether was finding mannequins that fish are "useful copyrightable. Although the court did not undeserving copyright protec- articles” specifically address today, issue before us tion. ... believe that [W]e do not the Barn- analysis its helpful. Referring is nevertheless analogized hart torsos can be the fish in Barnhart, to its decision in Carol the Second Barnhart, headless, this case. In arm- posed question simplistical- Circuit rather less, styrene ly: backless torsos were little taxidermy purposes "Is [for different degree creativity.” minimal Feist
e.
Publ’ns,
Co.,
Inc. v. Rural Tel. Serv.
case
final Second Circuit
There is one
340, 345, 111 S.Ct.
U.S.
Mattel, Inc. v.
comment.
that bears
(1991)-There
L.Ed.2d 358
are innu-
Co., 365
Manufacturing
Goldberger Doll
noses,
ways making upturned
merable
(2d Cir.2004), the Second Circuit
F.3d
lips,
widely spaced eyes.
and
Even
bow
expres-
particular
that a
rejected the idea
many
if the record had shown that
dolls
face
not
on a doll’s
was
sion of features
noses,
possess upturned
lips,
bow
The case
subject
copyright protection.
eyes, it
not
wide-spread
would
follow
copying of the
alleged
of the
arose out
assuming
it
each such
doll—
Barbie dolls
features of Mattel’s
facial
independently
copied
created and not
Manufacturing when cre-
Doll
Goldberger
enjoy protection
from others —would
doll. On Gold-
ating
“Rockettes 2000”
from copying.
summary judgment,
berger’s motion
(footnotes
parallel
citations
Id.
pro-
“copyright
court held that
the district
omitted). Additionally, the court noted the
eyes,
to Barbie’s
did not extend
tection
”
that the
scope
copyright protection
nose,
....
Id. at 134. The
and mouth
enjoyed:
Barbie dolls
it did
Although
Circuit reversed.
Second
ideas;
conceptu-
protect
specifically
copyright
in terms
does not
speak
reasoning
protects only
particularized
the author’s
the court’s
separability,
al
instructive;
Thus,
it stated:
of the idea.
Mattel’s
expression
nevertheless
visage
up-
in a doll
with an
copyright
com-
that standard or
proposition
nose,
widely
lips,
spaced
turned
bow
incon-
protected
are not
mon features
eyes
prevent
competitor
will not
from
law. To merit
sistent with
noses,
upturned
bow
making dolls with
need
copying,
a work
protection
widely
eyes, even if the
lips,
spaced
It
novel
unusual.
particularly
not be
taken the idea from Mat-
competitor has
“independently cre-
need
have been
competitor
example,
long
so
as the
“some
tel’s
possess
the author and
ated”
*16
perior
Builders v.
Chase Taxider-
glorified
used to dis-
Form
Dan
than
coat-racks
more
Co.,
(4th Cir.1996)
clothing
The torsos were
play
my Supply
in stores.
Conceptual *18 Passage did not ing sculpture, the Mara therefore, aspects an when the artistic dimensions provide specific Heerlein with “conceptualized existing article can be measurements; indeed, no there is evi- independently of their function.” judgment Barnhart, dence Heerlein’s artistic F.2d at 418. This necessarily by functional consider- independence is informed was constrained Passage require, respect did not for in- with to attorneys’ ations. fees must be stance, sculpture’s eyes that the be a cer- cross-appeal respect vacated. The tain width to accommodate standard-sized attorneys’ fees is moot. may Pivot Point eyelashes, that the at a brow be arched recover its costs this court. angle easy certain to facilitate make-up REVERSED AND REMANDED; CROSS-APPEAL application sculpture or that the as a whole Dismissed
not exceed certain dimensional limits so as
to fit
Pivot
existing packag-
within
Point’s
KANNE,
Judge, dissenting.
Circuit
considerations,
ing system.
they
Such
had
Writing
majority,
for the
Judge Ripple
present,
weigh against
been
would
a deter-
has applied
thorough
his usual
and schol-
mination that
purely
product
Mara was
arly approach to this difficult intellectual
contrast,
By
of an artistic effort.
after
however,
property problem;
join
I cannot
Passage met with Heerlein to discuss Pas-
majority opinion
because I am not
sage’s
“hungry-look” model,
idea for a
persuaded that the
mannequin
“Mara”
Heerlein
implement
had carte blanche to
copyrightable. All functional items have
that vision as he saw fit. Consequently,
aesthetic
If
qualities.
copyright provided
situation,
this
present-
is not
such as was
protection
simply
for functional items
be-
ed to the Second Circuit in Carol Barn-
qualities,
cause of their aesthetic
Con-
hart,
(“accurate
certain
which
features
gress’s policy
gives
choice that
protec-
less
sculpted
anatomical
and the
shirts
tion in patent
than
would be
collars”)
and
were included in
undermined. See American Dental Ass’n
Brandir,
purely
functional reasons.
Ass’n,
v.
Delta Dental Plans
126 F.3d
Furthermore,
Conclusion
of,
pendently
the utilitarian aspects of
subject
The Mara
copy-
the article.
right protection. We therefore must re-
added).
17 U.S.C.
101 (emphasis
As the
summary judgment
verse the
in favor of
noted,
district court
requires,
the statute
Yau;
Charlene Products and Mr.
the case
face,
on
features must
is remanded for a trial on Pivot Point’s
be separately identified from
infringement
Furthermore,
the utilitari-
claim.
be-
aspects
cause Charlene
of the article (“conceptual sepa-
Products and
Yau
Mr.
prevailed
have not
rability”)
they
on the merits at
must
independent-
this
exist
point,
judgment
ly
of the district court
from the utilitarian
of the article
*19
pur-
from their functional
cally separable
in
to receive
order
separability”)
(“physical
copyrightable.
both
As to whether
and are therefore
protection.
pose
copyright
are
separability
physical
conceptual
Next,
court considered vari-
the district
most courts
copyrightability,
required
meaning of “con-
restatements of the
ous
have concluded
and commentators
(whether
can
separability”
features
ceptual
appropriate.
test is
the other
only one or
separately
conceived of
identified or
be
here be-
presented
is not
But that
issue
applied
aspects)
from the utilitarian
regardless
copyrightable
Mara is
cause
one to Mara. Profes-
appropriate
the most
applied.
both or either
of whether
Goldstein,
treatise, Copyright:
sor
his
first,
separability
Taking physical
Practice, presents a
Principles, Law &
law
from case
examples
used
district court
statutory
explanation of
reasonable
features
sculptural
that the
to illustrate
incorporat-
“a ...
feature
text:
re
physically
items
be
many useful
article is
in the
of a useful
ed
object
separately
and sold
from the
moved
if it can
on its
conceptually separable
stand
functionality
affecting the
without
traditionally con-
a work of art
own as
Stein,
See,
v.
e.g.,
article.
Mazer
useful
ceived,
if the useful article which
(1954)
L.Ed. 630
U.S.
S.Ct.
equally useful with-
is embodied would be
of a dancer
sculpture
a
(holding that
conceptually separa-
it.” Mara has no
out
lamp may
be
base of
carved into the
protection
to which
ble features
v. Accesso
copyrighted); Kieselstein-Cord
incap-
are
granted. Her features
could be
Pearl, Inc.,
Cir.
Problematically,
majority’s test for
beauty).
aesthetic
conceptual separability seems to bear little
the statute.
resemblance to
The statute
majority,
as evidenced
its em-
Does the useful article
questions:
asks two
phasis on the fact that Charlene Products
“sculptural
incorporate
features that can
apparently copied
doll,
Mara with its
separately from the
be identified
utilitari-
“Liza,”
unduly
seems
concerned
this
of the article? And are
aspects”
these
context
questionable
with Charlene’s
busi-
existing
“capable
independent-
features
practices.
ness
This is immaterial to the
ly”
aspects?
from the utilitarian
determination of whether the Mara doll is
copyright statute is concerned
pro-
protected by copyright law.
Importantly,
only
tecting
non-utilitarian features of the
possible
other
legal protections for Pivot
To
copyrightable,
useful article.
Point’s intellectual property design pat-
requires
statute
the useful article’s
—
ent, trademark,
dress,
trade
and state un-
functionality remain intact once the copy-
fair competition law—are
available
ad-
rightable
separated.
material is
In other
majority’s
dress the
Copyright
concerns.
words, Pivot Point needs to show that
does not protect
functional products.
“aspect”
Mara’s face is not
utilitarian
free,
Charlene is
under
“Mara,”
its own brand
product
separate
but rather a
name,
copy
copies
and sell
of useful
majority, by
non-utilitarian “feature.” The
articles that do not
patent protection.
have
looking
to whether the features could
See, e.g.,
Devices,
conceptualized
also
as existing
“be
inde-
Inc. v. Market-
TrafFix
Inc.,
pendently
ing Displays,
23,
of their utilitarian
U.S.
S.Ct.
function”
ignoring
important
1255,
the more
question
(2001);
Moreover, judgment in favor of Charlene “process-oriented ap- proach,” Products and Mr. Yau. majority advocated drifts away even further Opin- the statute.
ion at 930. The statute looks to the useful exists,
article as it not to how it was creat-
ed. I simply believe it is irrelevant
inquire into origins eyes, of Mara’s
cheekbones, and If neck. such features fully
have been incorporated as functional
aspects of mannequin, then
does not provide protection. Even we
