A plaintiff may think that as the initiator of a lawsuit he is the lord and master, of where the litigation will be tried and under what law. But if he is a party to a contract that contains forum selection and choice of law clauses his view of himself as ruler of all he surveys may, like an inflated balloon, suffer considerable loss of altitude. Such is the situation plaintiff faces in the appeal before us, where we revisit an issue last addressed by us 15 years ago: what is the effect of a forum selection clause on a complaint that asserts claims arising under the Copyright Act?
See Corcovado Music Corp. v. Hollis Music, Inc.,
Plaintiff Peter Phillips, professionally known as Pete Rock (plaintiff or appellant), is a musician who in 2002 entered into a recording contract with defendant Audio Active Limited t/a Barely Breaking Even (BBE), a music company. This contract gave fruit to two albums in 2004 and 2005. The first album all agree was governed by the recording contract and, except for Phillips’ contention that BBE owes him money, it appears to have been produced, released and distributed according to plan. The second album is the source of the principal controversy between the parties.
In his complaint against BBE and defendants Studio Distribution (Studio), Navarre Corporation (Navarre), HipHop-Site.com and Sandbox Automatic, Inc. (Sandbox) (collectively defendants), Phillips averred that the recording contract contemplated the first album only, and that the release of the second album, over *382 his objections, infringed his copyrights in the 15 songs comprising the album. BBE and Studio moved to dismiss plaintiffs complaint on the basis of a forum selection clause in the contract pursuant to which the parties had agreed to litigate in England any proceeding arising out of the contract.
The United States District Court for the Southern District of New York (Daniels, J.) held the forum clause governed Phillips’ action, including his copyright claims relating to the second album. Phillips appeals from the district court’s November 30, 2005 decision and order and its December 8, 2005 judgment granting BBE and Studio’s Rule 12(b)(3) motion to dismiss his complaint for improper venue. Plaintiff contends that the district court erred in reading the forum clause to require — rather than permit — proceedings to be brought in England, that his copyright claims did not arise out of the recording contract and should have been exempted from operation of the forum clause, and that the clause should be set aside because its enforcement would be unreasonable.
We agree with the district court’s interpretation of the clause as mandatory and its holding that enforcement of the clause would not be unreasonable and affirm the dismissal of Phillips’ breach of contract claim. However, plaintiffs remaining claims predicated on defendants’ alleged infringement of his copyrights were improperly dismissed under the forum selection clause.
BACKGROUND
A. The Recording Contract
Phillips entered into the recording contract with BBE in September 2002 under the terms of which he agreed to provide his services as a recording artist and producer to create musical compositions, and BBE agreed to pay the costs of production and to pay royalties to Phillips, including a $90,000 advance payable in two installments.
The contract required Phillips to produce “no less than ten (10) newly recorded and previously unreleased tracks ... of no less than sixty (60) minutes” and defined these tracks as the “master recordings.” The minimum number of tracks was not paired with a maximum anywhere in the contract, but the master recordings were later defined as the album, which was provisionally entitled “Soul Survivor 2.” BBE acquired the right to exploit all products of Phillips’ services under the contract and the entire copyright in the master recordings. The final paragraph of the recording contract contains a choice of law and forum clause that reads: “[t]he validity!,] construction!,] and effect of this agreement and any or all modifications hereof shall be governed by English Law and any legal proceedings that may arise out of it are to be brought in England.” Phillips also signed a letter agreement, which is attached to the recording contract, authorizing Soul Brother Records, Inc. to offer Phillips’ services under the contract and stating that the letter agreement “shall be subject to the same laws and exclusive jurisdiction as the above agreement.” Phillips received $55,000 from BBE in a first installment of his advance on royalties. Pursuant to the contract, the balance of the advance was payable upon delivery to BBE of the last of the master recordings.
B. Release of Second Album
In 2004 BBE released an album comprised of Phillips’ musical compositions entitled, as foreseen in the contract, Soul Survivor 2. While Phillips was preparing the songs that were released on Soul Survivor 2, he composed and recorded addi *383 tional music. Plaintiff alleges that in 2004, BBE and Studio, a second recording company, sought his permission to release the additional songs, but Phillips, believing the tracks were not ready for release, denied their request. BBE, Studio and Navarre, a distribution company, nonetheless proceeded to release a second album in August or September of 2004 containing 15 additional songs created by Phillips. Phillips asserts that Sandbox and HipHop-Site.com, both Internet-based distributors of digital media, sold copies of the allegedly infringing album. Plaintiff settled his claims against HipHopSite.com and these were dismissed with prejudice by the district court on May 3, 2005.
C. Prior Legal Proceedings
Plaintiff commenced the instant action in the Southern District of New York on January 26, 2005. His second amended complaint contained five counts against the defendants. Count One stated that BBE had breached the recording contract by failing to pay the second installment of the royalties advance. Counts Two and Three were for direct and contributory copyright infringement under the Copyright Act, 17 U.S.C. § 101 et seq., and requested remedies provided by the Act. Counts Four and Five asserted alternative state law claims for unjust enrichment and unfair competition on the basis of defendants’ exploitation of the additional tracks.
On May 27, 2005 BBE and Studio moved to dismiss under Rules 12(b)(1), (3) and (6) on the grounds that the forum selection clause in the recording contract required Phillips to bring his suit in England. In a decision and order dated November 30, 2005 and a final judgment dated December 8, 2005, the trial court granted BBE and Studio’s motion to dismiss for improper venue under Fed.R.Civ.P. 12(b)(3). The district court classified the forum selection clause as mandatory rather than permissive, and it held that Phillips had failed to show that enforcement of the clause would be unreasonable. With respect to plaintiffs copyright claims, Judge Daniels determined that any dispute concerning the defendants’ rights to exploit this music was primarily contractual because the defendants had acquired possession of the music legitimately under the contract. Phillips appeals the November 30, 2005 decision and order and the December 8, 2005 final judgment.
DISCUSSION
I Forum Selection Clause
A. Dismissal
Determining whether to dismiss a claim based on a forum selection clause involves a four-part analysis. The first inquiry is whether the clause was reasonably communicated to the party resisting enforcement.
See, e.g., D.H. Blair & Co. v. Gottdiener,
If the forum clause was communicated to the resisting party, has mandatory force and covers the claims and parties involved in the dispute, it is presumptively enforceable.
See id.
at 1362-63. The fourth, and final, step is to, ascertain whether the resisting party has rebutted the presumption of enforceability by mak
*384
ing a sufficiently strong showing that “enforcement would be unreasonable or unjust, or that the clause was invalid for such reasons as fraud or overreaching.”
M/S Bremen v. Zapata Off-Shore Co.,
B. Standard of Review
Where the district court has relied on pleadings and affidavits to grant a Rule 12(b)(3) motion to dismiss on the basis of a forum selection clause, our review is
de novo. See Asoma Corp. v. SK Shipping Co.,
C. Impact of Choice of Law Clause
In the absence of an applicable choice of law provision, it is well established in this Circuit that the rule set out in
M/S Bremen
applies to the question of enforceability of an apparently governing forum selection clause, irrespective of whether a claim arises under federal or state law.
AVC Nederland B.V. v. Atrium Inv. P’ship,
Here, where the parties have agreed that the validity, construction and effect of the recording contract is to be governed by English law, we confront a different legal issue. In analyzing a forum selection clause, what effect should we give to a choice of law provision contained in the same contract? Largely for the reasons we hold parties to their contractual promises to litigate in a specified forum, federal courts give substantial weight to choice of law provisions.
See Roby,
Despite the presumptive validity of choice of law clauses, our precedent indicates that federal law should be used to determine whether an otherwise mandatory and applicable forum clause is enforceable under
Bremen,
i.e., step four in our analysis. This is because enforcement of forum clauses is an essentially procedural issue,
Jones,
We find less
to
recommend the invocation of federal common law to interpret the meaning and scope of a forum clause, as required by parts two and three of our analysis. Little discussion of the issue can be found in federal court decisions.
See Yavuz v. 61 MM, Ltd.,
The Tenth Circuit recently discussed the novel question posed by contracts containing choice of law and forum provisions.
Yavuz,
In light of the Supreme Court’s invocation of compelling reasons to uphold contractual choice of law — like choice of forum — provisions,
Yavuz
held that “under federal law the courts should ordinarily honor an international commercial agreement’s forum-selection provision
as construed under the law specified in the agreement’s choice of law provision,” id.
at 428-30;
see also Abbott Labs. v. Takeda Pharm. Co.,
*386
Without the benefit of briefing by the parties on this issue, we cannot understand why the interpretation of a forum selection clause should be singled out for application of any law other than that chosen to govern the interpretation of the contract as a whole.
See Yavuz,
II The Forum Clause Requires that any Covered Proceeding Be Brought in England
Forum selection clauses may serve two distinct purposes. Contracting parties may intend to agree on a
potential
situs for suit so as to guarantee that at least one forum will be available to hear their disputes. A so-called permissive forum clause only confers jurisdiction in the designated forum, but does not deny plaintiff his choice of forum, if jurisdiction there is otherwise appropriate.
See Boutari,
Our inquiry is one of contract interpretation. Hence, our initial focus is on the language of the contract. Here that language provides that “any legal proceedings that may arise out of [the agreement] are to be brought in England.” A forum selection clause is viewed as mandatory when it confers exclusive jurisdiction on the designated forum or incorporates obligatory venue language.
See Boutari,
The district court found this clause mandatory. We agree. The parties’ use of the phrase “are to be brought” establishes England as an obligatory venue for proceedings within the scope of the clause. The reference to a particular location, although lacking the specificity of a particular court or city, adequately distinguishes the parties’ language from the clause we reviewed in
Boutari.
Our distinct treatment of jurisdiction and venue in this context is clear. Because jurisdiction may be properly conferred on two or more fora, the fact that the contract in
Boutari
conferred jurisdiction on the courts of Greece did not preclude the parties from commencing litigation in a court outside of Greece.
Ill Scope of the Forum Selection Clause In the Instant Case
We turn now to decide whether the language in the recording contract mandating that any legal proceedings that may arise out of it be brought in England encompasses Phillips’ suit. However important a forum selection clause is to the efficient functioning of international business,
see, e.g., Scherk v. Alberto-Culver Co.,
A. Breach of Contract Claim
We dispose of the contract claim quickly. Phillips asserts BBE breached the recording contract by failing to pay the second installment on his advance on royalties due upon delivery of the master recordings. He makes no argument that the forum selection clause, if found mandatory and enforceable, does not apply to his contract claim. The contract claim for money owed and due falls squarely under the forum selection clause: the contract establishes Phillips’ right to receive, and BBE’s duty to pay, the installment and sets forth the relevant conditions.
B. Federal Copyright Infringement Claims
The effect of the forum selection clause on Phillips’ copyright claims presents a more difficult question. The language of that clause frames our question: Do Phillips’ copyright claims arise out of the recording contract?
Plaintiff implicitly offers a straightforward argument of mutual exclusivity: Because his copyright infringement claims arise under the Copyright Act, they cannot arise out of the contract. In
T.B. Harms Co. v. Eliscu,
The relevance of Harms to the present inquiry is where we part from appellant. Despite its surface appeal, we are not persuaded by Phillips’ suggestion that a claim arising under the Copyright Act for jurisdictional purposes cannot also “arise out of’ a contract for purposes of interpreting a forum selection clause.
1. Federal Courts Have Repeatedly Found Statutory Claims to “Arise out of’ Contract in Interpreting Scope of Contractual Provisions
Insofar as
Harms
relies on the law invoked by the plaintiff to state his claims, it is anchored in doctrines that have long governed our exercise of “arising under” jurisdiction under 28 U.S.C. § 1331, whereby “[a] suit arises under the law that creates the cause of action,”
Am. Well Works Co. v. Layne & Bowler Co.,
Looking to cases involving similar contractual provisions and claims under other laws of the United States, we see that federal courts have routinely rejected Phillips’ suggestion that a claim arising under a law of the United States is exempt from provisions governing disputes between contracting parties.
See, e.g., Scherk,
Moreover, it is inappropriate in the present context to depend solely on the legal labels used by plaintiff to decide if his case arises out of the contract. When the question is one of federal jurisdiction, we recognize the plaintiff is in charge of deciding what law he will rely upon in bringing suit,
Bell,
Instead, when ascertaining the applicability of a contractual provision to particular claims, we examine the substance of those claims, shorn of their labels.
Id.
at 1361. This approach is consistent with the focus on factual allegations rather than on
*389
the causes of action asserted when deciding whether an arbitration clause applies to particular claims.
See JLM Indus., Inc. v. Stolt-Nielsen SA,
Because we cannot presume that the parties intended to exclude all statutory claims, or even all copyright claims, from the forum selection clause, we examine the substance of Phillips’ claims as they relate to the precise language of the clause.
See New Moon,
2. Meaning of “Arise Out Of’
To “arise out of’ means “to originate from a specified source,” Webster’s Third New International Dictionary 117 (1981);
see Coregis Ins. Co. v. Am. Health Found., Inc.,
We do not understand the words “arise out of’ as encompassing all claims that have some possible relationship with the contract, including claims that may only “relate to,” be “associated with,” or “arise in connection with” the contract.
See Mitsubishi Motors Corp. v. Soler Chrysler-Plymouth, Inc.,
In the same vein, we decline to ascribe to these three words the expansive connotations set out in
Omron Healthcare, Inc. v. Maclaren Exps. Ltd.,
The scope attributed by the Seventh Circuit to the words “arise out of’ was adopted from its interpretation of arbitration clauses.
Id.
at 603. Like the Seventh Circuit, typically we view phrases similar to “arise out of’ in arbitration clauses to cover collateral matters that implicate issues of contract construction.
See Lotus Dreyfus,
Our assessment of the scope of arbitration clauses is governed by the Federal Arbitration Act, 9 U.S.C. § 1,
et seq.,
which establishes “as a matter of federal law” that “any doubts concerning the scope of arbitrable issues should be resolved in favor of arbitration,” including where “the problem at hand is the con
*390
struction of the contract itself.”
Mitsubishi,
While we do not overlook the Supreme Court’s emphatic endorsement of freely negotiated and reasonable forum selection clauses,
see, e.g., M/S Bremen,
Specifically, we see no reason to presume the parties meant anything other than the dictionary definition of the term: to originate from a specified source. Webster’s Third New International Dictionary 117 (1981). This meaning is especially likely where parties wishing to designate a mandatory forum to hear a broader category of disputes are free to do so.
See, e.g., M/S Bremen,
Further, we approve of the approach outlined by the Third Circuit, which highlights the language-specific nature of this inquiry and discounts the precedential weight of cases that deal with dissimilarly worded clauses.
Wyeth,
3. Phillips’ Federal Copyright Claims
With the preceding discussion on the scope of the forum selection clause as background, we turn now to ascertain whether Phillips’ copyright claims originate from the recording contract. The substance of Phillips’ claims for direct and contributory copyright infringement is that the defendants impermissibly manufactured and distributed songs to which Phillips retained a valid copyright. To succeed on a claim for direct infringement under the Copyright Act, a plaintiff must show that (a) he owned a valid copyright to the songs and (b) defendants copied original constituent elements of these songs.
See Fonar Corp. v. Domenick,
To decide whether Phillips’ copyright claims arise out of the agreement, we are therefore required to determine if Phillips’ rights — here predicated on valid ownership of the copyrights to the 15 songs — originate from the recording contract. We hold they do not. Appellant does not rely on the recording contract to establish his ownership of the relevant copyrights, but on his authorship of the work, a status afforded him as the composer who translates an idea into a fixed, tangible musical expression entitled to copyright protection.
Cmty. for Creative Non-Violence v. Reid,
In reasoning that Phillips’ copyright claims do not arise out of the contract because Phillips has asserted no rights or duties under that contract, we find support in our decision in
Corcovado.
Here too, while the defendants are expected to invoke the contract, Phillips denies that the contract has any role or relevance whatever with respect to his copyright claims.
See Cheever v. Acad. Chicago Ltd.,
In
Corcovado,
neither party had signed the contract containing the forum clause.
The recording contract, as already noted, mandates that any legal
proceedings
that may arise out of it be
brought
in England. We do not construe the reference to proceedings, as opposed to claims, as requiring us to take into consideration the source of rights or duties asserted on defense.
But see Wyeth,
Moreover, the proceedings on the copyright infringement claims here do not originate from the recording contract; the pro *392 ceedings may begin in court without any reference to the contract. The only nexus between the proceedings and the contract arises when the defendants raise their defenses. Given this sequence of events, one cannot say that the origins of the proceedings were in the recording contract.
Our focus on the source of the rights or duties sought to be enforced by the complaining party allows us to distinguish the only precedent cited by defendants where we addressed a similarly worded forum clause.
Bense,
C. Phillips’ State Law Claims
Phillips has asserted two alternative causes of action under state law for unjust enrichment and unfair competition. Both are premised on defendants’ allegedly improper exploitation of the 15 songs. For the reasons just discussed in relation to appellant’s federal copyright claims, his state law claims do not originate from the recording contract and are exempt from operation of the forum selection clause.
On remand, the district court should determine whether one or both of Phillips state law claims are preempted by the Copyright Act.
See generally Briarpatch Ltd. v. Phoenix Pictures, Inc.,
The district court may of course properly exercise supplemental jurisdiction over any state law claim surviving preemption, but the decision to decline such jurisdiction pursuant to 28 U.S.C. § 1367(c) is left to its discretion,
see Briarpatch,
IV Enforcement of the Forum Selection Clause to Dismiss Contract Claim Was Not Unreasonable
Under
M/S Bremen,
dismissal of Phillips’ breach of contract claim is proper unless appellant makes a prima facie showing that the clause should be set aside.
Phillips does not contend the first three circumstances are present here. His *393 argument, under the fourth factor, is that none of his witnesses, documents, or any parties to the action are located in England, rendering litigation in that country impossible. Appellant also notes that defendants have proffered no evidence that their relevant documents or witnesses are located in England.
The gap in Phillips’ reasoning is that his averments suggest that litigation in England may be more costly or difficult, but not that it is impossible. He has not alleged any circumstances — whether affecting him personally or a component of his case or prevailing in England generally— that would prevent him from bringing suit in England.
See Effron v. Sun Line Cruises, Inc.,
In light of our holding that only Phillips’ breach of contract claim, which is levied against defendant BBE, is subject to the forum clause, we do not address Phillips’ contention that the clause is inoperative against the remaining defendants who were not signatories to the recording contract.
V Separate Treatment of Separate Claims Is Appropriate Where Some But Not All Claims Are Subject to the Clause
Analyzing separately each claim asserted by Phillips, we have held that Phillips’ federal copyright claims and state law claims are outside the ambit of the forum clause, while his contract claim is subject to it. We address finally whether it is proper in these circumstances to dismiss one claim and retain jurisdiction over others.
We are aware that the commencement of separate proceedings in two countries is a likely inconvenience to the parties and that they, in choosing to refer to proceedings instead of claims, may have intended to bundle all claims constituting any proceeding to avoid fractured litigation. We have considered that the parties’ intent and continued interests may lie in treating Phillips’ five claims uniformly, but our twin commitments to upholding forum selection clauses where these are found to apply and deferring to a plaintiffs proper choice of forum constrain us in the present context to treat Phillips’ claims separately.
Cf. Dean Witter Reynolds, Inc. v. Byrd,
CONCLUSION
Accordingly, for the foregoing reasons, we affirm the dismissal of Phillips’ breach of contract claim, reverse the dismissal of his remaining claims, and remand the case to the district court for further proceedings consistent with this opinion.
