OPINION
In this action for copyright infringement, the plaintiff, Eddie Palmieri, alleges that in 1981 he wrote and recorded a song “Pagi-nas De Mujer,” to which he holds the copyright, and which was released in the United States by Barbaro Records the same year. Defendants Estefan, Casa and Ostawald claim that they composed the song “Oye Mi Canto,” in 1989. Plaintiff alleges that “Oye Mi Canto” infringes on his copyright to “Paginas De Mujer,” and that “Oye Mi Canto” was commercially exploited by
JURISDICTIONAL FACTS
Sony Music, the successor in interest to CBS Records Inc. (hereinafter “CBS Records”), 2 is a record company which produces, manufactures and distributes recordings. See Transcript of Deposition of Stuart Bonded, Vice President of Business Affairs of Sony Music at 23, attached as Exhibit B to Affidavit of Brian Caplan, attorney for plaintiff (hereinafter “Bonded Dep.”). Sony Corp. owns Sony Music and other entities, which in turn own the moving defendants. 3
The moving defendants argue that they are not subject to jurisdiction in the Southern District of New York. Each moving defendant alleges that it is incorporated under the laws of a country other than the United States and operates under the laws of the country in which it is located.
See
Affiliate Affs. at II2.
4
Each moving defendant alleges that it maintains an office only within its own territory and that it produces, manufactures and distributes musical recordings only within this territory.
See
Affidavit of Stuart Bonded, Vice President of Business Affairs of Sony Music, 11 3 (hereinafter “Bonded Aff.”); Affiliate Affs. II3.
5
No moving defendant maintains .an office or telephone number in New
The moving defendants state that they sign contracts with local recording artists and release their recordings only in their respective countries. See Bondell Aff. 114; Affiliate Affs. 11 6. 7 They state that they are financially independent. See Bondell Aff. If 3; Affiliate Affs. HU 7-8. Bondell concedes that as “the designee of the owner,” he gives advice and assistance to the moving defendants in a small percentage of their contracts with recording artists. See Bondell Aff. U 4. Bondell has assisted the affiliates in their negotiations with artists, as well as in the formulation of various business policies. See Bondell Dep. at 13-14. Some of the moving defendants’ artists record in New York, and employees of the moving defendants occasionally accompany them on these trips. Sony Music’s administration department has assisted the foreign affiliates with booking studio time in New York on some of these occasions. See Bondell Dep. at 60-61.
Each moving defendant made a “matrix” agreement with CBS Records, the predecessor of Sony Music. A matrix agreement grants each moving defendant the exclusive right to manufacture and distribute within its territory any recording in the repertoire of Sony Music and any other party to a matrix agreement with Sony Music. See Bondell Aff. U 5; Affiliate Affs. U 6. Each moving defendant in turn grants to Sony Music and any other party to a matrix agreement the exclusive right to manufacture and distribute within their respective territories any selection from that moving defendant’s repertoire.
Each moving defendant has the power to decide whether to release a selection from Sony Music or another moving defendant’s repertoire, and the matrix agreement does not obligate a moving defendant to do so. If the moving defendant does decide to release a selection, it pays a fee to the moving defendant from whose repertoire the selection comes. See Bondell Aff. U 6. According to defendants, any sales made by a moving defendant which derive from the rights acquired under a matrix agreement are made for that affiliate’s own account and not on behalf of Sony Music or the affiliate from whose repertoire the selection originated. See Bondell Aff. U 7. When both requesting and originating moving defendants are located in Europe, the fee is paid directly to the originating affiliate from the requesting affiliate. Otherwise, the requesting moving defendant pays the fee to Sony Music, which then pays the originating affiliate. In these cases, Sony Music provides the moving defendants with an accounting of the money owed to the affiliates. See Bondell Aff. U 6.
The parties agree that the moving defendants earn profits from the sale of musical recordings obtained through the matrix agreements. Plaintiff claims that in the fiscal year ending January 31, 1991, a substantial percent of the moving defendants’ profits were derived from rights granted in matrix agreements.
8
See
Plaintiff’s Mem. of Law at 5-6; Caplan Aff. ¶ 11. A significant percent of their profits were derived from recordings of artists signed directly to Sony Music in New York. According to plaintiff, this represents many millions of dollars of sales. Plaintiff also claims that the fees paid to moving defendants for sales by Sony Music in New York of recordings from their own territories “substantially contributed” to the moving defendants’ royalty income of several million dollars in the fiscal year ending January 31,1991.
See
Plaintiff’s’ Mem. of Law at 6. However, the moving defendants dispute these figures.
See
Affidavit of Roger Romano, Controller of the International Divi
Each affiliate maintains its own offices, bank accounts, and financial records. See Affiliate Affs. ¶ 7. Defendants state that each affiliate makes independent business decisions about the recordings it will produce and the manufacture of those recordings, as well as most personnel decisions. Id. However, each affiliate must seek approval from Sony Music for major financial decisions, including artist advances, and for the “hiring and personnel decisions regarding locally well-compensated employees.” See id. at ¶ 9. Sony Music has guaranteed the obligations of at least one foreign affiliate. See Bonded Dep. at 55-56. Sony Music monitors the performance and reviews the budget of each affiliate, and the affiliates provide financial and management reports regularly. See Affiliate Affs. ¶ 9; Bonded Dep. at 47-48. Sony Music management and the management of the affiliates meet “quasi-regularly.” See Bonded Dep. at 47, 50.
DISCUSSION
Standard of Review
The burden of establishing personal jurisdiction over a defendant ultimately is upon the plaintiff.
Marine Midland Bank, N.A. v. Miller,
Here the parties have had the opportunity to conduct jurisdictional discovery. While the moving defendants have contested some of plaintiffs factual allegations, their motion is directed to a challenge of the sufficiency, not the credibility of those allegations. Upon examining the record, we determine that the jurisdictional issue can be resolved on the basis of undisputed facts.
New York CPLR § 301 and “Doing Business”
In a diversity action, a federal court must look to the law of the forum state to determine whether personal jurisdiction exists over a nonresident defendant.
Savin v. Ranier,
Plaintiff asserts jurisdiction over the moving defendants on the basis of New York Civil Practice Law & Rules § 301.
See
Plaintiffs Mem. of Law at 11. Section 301 provides that “[a] court may exercise jurisdiction over person, property, or status as might have been exercised heretofore.” N.Y.C.P.L.R. § 301.. Section 301 incorporates the caselaw prior to its enactment which provided that a corporation may be subject to jurisdiction in New York for any cause of action even if unrelated to contacts in New York if it is “doing business” and therefore “present” in New York.
Hoffritz for Cutlery, Inc. v. Amajac, Ltd.,
Plaintiff does not contend that the moving defendants have sufficient direct contacts with New York to meet the “doing business” standard. Rather, plaintiff argues that the moving defendants satisfy two tests under which a foreign corporation may be found to be “doing business” in New York based solely on a relationship with another entity that is “present” in New York. The presence of a local corporation does not necessarily create jurisdiction over a related foreign company.
See Delagi v. Volkswagenwerk AG of Wolfsburg,
“Mere Department”
A corporate entity will be considered a “mere .department” of its parent only if the foreign parent’s control is “pervasive enough that the corporate separation is more formal than real.”
H. Heller & Co. v. Novacor Chemicals Ltd.,
While not all of the moving defendants are owned directly by Sony Music, they all share with Sony Music the ultimate ownership by Sony Corp. Thus, the first and essential element of the Beech test, common ownership, is satisfied here. There is no question that Sony Music exercises some control over the activities of the moving defendants. As discussed supra, Sony Music does require approval of major financial decisions of the moving defendants, reviews their budgets and is provided with regular financial reports by them. Sony Music has on occasion guaranteed at least one of the affiliates’ financial obligations. See Bonded Dep. at 55-56. Sony Music also approves key personnel decisions, and assists the affiliates in strategy for negotiations with artists, and in formulating various business policies.
However, we find that this level.of involvement by Sony Music does not make the moving defendants “mere departments” under the New York standard. The moving defendants are not "wholly dependent upon [the related entity’s] financial support to stay in business,”
Beech Aircraft,
This relationship is far less intimate than that which existed in one of the leading New York cases finding jurisdiction on the basis of “mere department” status. In
Taca Int’l Airlines,
the foreign parent company, owned through an intermediary all of the stock of a New York subsidiary, whose sole business was to sell and service products manufactured by the parent company.
Taca Int’l Airlines, S.A. v. Rolls-Royce of England, Ltd.,
Further, the subsidiary owned no cars, their product, but ordered them from the parent only when a sale was made to a customer. The price paid by the subsidiary was lower than that ultimately charged to the customer, and the warranty was issued directly from the parent to the customer. The parent paid the subsidiary a fixed annual fee to service the cars under these warranties.
Id.
at 101,
Cases in this Circuit also demonstrate that a closer level of corporate intimacy than that which exists in this case must be present in order to find jurisdiction on a “mere department” basis. In applying its
In
Titu-Serban Ionescu v. E.F. Hutton & Co.,
In
Morse Typewriter v. Samanda Office Communications Ltd.,
[U]nder New York law a parent of a multinational corporate enterprise may make broad policy decisions for its subsidiaries. Such control is inherent in the parent-subsidiary relationship and does not justify labeling a subsidiary a ‘mere department’ of the parent.
Saraceno v. S.C. Johnson and Son, Inc.,
Most important, in all three Southern District cases which have involved the predecessors of the companies concerned here, the courts have held that the affiliates are not subject to jurisdiction in New
Importantly, there is no evidence that CBS’ subsidiaries are financially depend: ent on CBS. They are separately incorporated and keep their own books, records, and bank accounts. The subsidiaries’ profits are their own and are not counted by CBS on its books. CBS does file a consolidated financial statement with the Securities and Exchange Commission and in its Annual Report to its shareholders. For the most part, the subsidiaries select their own employees, except that key personnel, such as the subsidiaries’ managing directors and others who report directly to them, must be approved by CBS.
The evidence further suggests that the subsidiaries generally make their own independent decisions about signing artists within their territories and which songs to release. Major expenditures, however, including artist advances, must be approved by CBS.
Thus, CBS’ subsidiaries are sufficiently independent to avoid mere department status.
Id.
at 707 (citations omitted);
see also Federal Record Manufacturing Co. v. CBS Inc.,
No. 81 Civ. 5092 (S.D.N.Y. May 4, 1982) (Griesa, J.) (CBS subsidiary in Holland not a mere department of CBS Inc.);
Intersong-USA Inc. v. CBS Inc.,
No. 84 Civ. 0998,
Agency
In
Frummer v. Hilton Hotels Int’l,
the New York Court of Appeals held that an agency relationship existed for jurisdictional purposes where one corporation “does all the business which [the other corporation] could do were it here by its own officials.”
Frummer,
to mean that a foreign corporation is doing business in New York ‘in the traditional sense’ when its New York representative provides services beyond ‘mere solicitation’ and these services are sufficiently important to the foreign corporation that if it did not have a representative to perform them, the corporation’s own officials would undertake to perform substantially similar services.
Gelfand,
The moving defendants argue that they do no business in New York, because their only business is to produce, manufacture, promote and sell records within their own territories. Nor is there any business which they would do in New York were Sony Music not located here. According to the defendants, since there is no’New York business for an agent to perform, Sony Music cannot possibly function as an agent for them. See Defendants’ Mem. of Law at 10.
The moving defendants contend that the existence of the matrix agreements does not alter this view of their “business.” While the parties do not dispute the terms of the agreements, they differ widely as to the agreements’ significance. According to the moving defendants, these agreements are licensing arrangements which do not constitute “doing business” in New York.
Id.
at 10-11. Under these arrangements, each affiliate licenses its repertoire to Sony Music for use outside its own territory and
Plaintiff points out, however, that a record company requires a product to market and sell, which it can get only by obtaining the rights to commercially exploit the compositions of recording artists. See Plaintiffs Mem. of Law, at 16. Sony Music provides a large part of the affiliates’ product by procuring new acts and producing master recordings of these acts. Under the matrix agreements, the affiliates then have the right to exploit these recordings commercially in their territories. Id. Through Sony Music’s matrix agreements, each affiliate also gains access to the repertoires of all other affiliates. Further, each affiliate receives a fee fpr the use of one of its own recordings by other affiliates or Sony Music.
According to the plaintiff, sales in the moving defendants’ territories of acts procured by Sony Music make up a significant percent of the moving defendants’ annual revenue. See Plaintiff’s Mem. of Law, at 16; Exhibit E to Affidavit of Brian D. Caplan, attorney for plaintiff (explanation of sales data of affiliates for fiscal period February 1, 1990 through January 31, 1991). The moving defendants dispute the accuracy of the plaintiff’s analysis of this data. See Defendants’ Reply Mem. of Law, at 4-6; Romano Aff. For the purpose of deciding this motion, we do not need to resolve this factual dispute. Even assuming defendants’ arguments regard: ing the data to be correct, it is clear that the defendants derive hundreds of millions of dollars in profits from sales due to acts signed by Sony Music. 10 Sony Music spends millions of dollars procuring new acts in the United States, signed to Sony Music in New York, which the moving defendants have the right to release in their territories. It is Sony Music which creates the master recordings used by the moving defendants to manufacture the records. Moreover, Sony Music distributes the recordings owned by each affiliate in New York and throughout the United States, and, through its matrix agreements with the other affiliates, Sony Music grants sub-licenses for their distribution elsewhere. See Plaintiff’s Mem. of Law, at 16. The moving defendants receive additional millions in fees derived from the exploitation, of their own acts by Sony Music and the other affiliates through the matrix agreements. See Exhibit D to Affidavit of Brian D. Caplan (Chart “Sales Analysis for the Fiscal Period February 1, 1990 Through January 31, 1991”). Thus, according to plaintiff, the worldwide network of affiliates and Sony Music is very important to the business of each affiliate, and Sony Music’s activities benefit the affiliates.
This precise issue was presented in two cases concerning affiliates of the predecessor to Sony Music, CBS. Facing virtually identical facts in
Larball
and
Intersong,
the courts split on the issue of whether the New York corporation functioned as an agent of the foreign affiliates for jurisdictional purposes.
11
Their disagreement was rooted in the different conceptions of the matrix agreements which divide the parties here. Like the present defendants, Judge Keenan in
Intersong
viewed these agreements simply as licensing arrangements.
Intersong,
In
Larball,
however, Judge Duffy found that the matrix agreements granted CBS the exclusive right to manufacture and distribute recordings made from the subsidiaries’ repertoire all over the world other than in the home territory of the subsidiary which had provided the recording.
Larball Pub. Co., Inc. v. CBS Inc.,
We believe that the view of the plaintiff here and the Court in
Larball
most accurately addresses the realities of the worldwide recording business of Sony Music and the Sony affiliates.
See Bulova Watch Company, Inc. v. K. Hattori & Co.,
The situation presented here is very different from that which confronted us in
Saraceno v. S. C. Johnson & Son, Inc.,
In the present case, much of the product marketed abroad derives from the recordings of artists signed by Sony Music in New York. Second, the foreign subsidiaries market their material in New York exclusively through Sony Music, the New York corporation. And it is through Sony Music and the interlocking matrix agreements that the foreign subsidiaries are able to market their products throughout the world. Unlike Saraceno, the subsidiaries are not foreign corporations with little contact or relationship to New York. For all of the above reasons, we find it appropriate to obtain jurisdiction over the foreign affiliates on the basis of their agency relationship with Sony Music.
While defendants cite the
Frummer
test, they argue that “to constitute an agent for jurisdictional purposes, the ‘alleged agent must have acted in this state for the benefit of and with the knowledge and consent of the non-resident and the non-resident must exercise some element of control over the agent.”
H. Heller & Co., Inc. v. Novacor Chemicals Ltd.,
However, the common ownership of two corporations may “give rise to a valid inference as to the broad scope of the agency.”
Frummer,
Moreover, the courts have found that a “parent” can serve as the agent of its subsidiary:
The relationship of parent and subsidiary, though not by itself jurisdiction-conferring, gives rise to an inference of a broad agency relationship between the two, even when, as here, it is the parent that is within the jurisdiction and not the subsidiary.
Jayne v. Royal Jordanian Airlines Corp.,
Clearly, in this situation, a subsidiary will not “control” a New York parent. In
Jayne,
for example, the court found that the close relationship between a Jordanian government-owned airline subject to jurisdiction in New York and a Jordanian air charterer created the inference that the airline served as agent for the charterer, thus permitting assertion of jurisdiction over the air charterer.
Jayne,
Ultimately, the important issue in evaluating jurisdiction is that of fairness. As Judge Weinstein has said:
Although the ‘agency’ and ‘mere department’ theories of jurisdiction are stated as separate principles, it should be clear from the mass of cases dealing with thisproblem that a line cannot be simply drawn between the two. The apparently distinct notions are metonyms for a jurisdictional balancing assessing the fairness of requiring an out-of-state party to defend itself in New York when it derives benefits from in-state activities. The factors to be weighed include the significance of the New York business to the defendant’s overall activities.
Bulova Watch Company, Inc. v. K. Hattori & Co.,
When their activities abroad, either directly or through an agent, become as widespread and energetic as the activities in New York conducted by [the nonresident corporation], they receive considerable benefits from such foreign business and may not be heard to complain about the burdens.
Frummer,
Constitutional Due Process
Of course, in order to establish personal jurisdiction, the plaintiff must show that the defendant has “certain minimum contacts with [the forum] such that the maintenance of the suit does not offend ‘traditional notions of fair play and substantial justice.’ ”
International Shoe Co. v. Washington,
CONCLUSION
For all of the reasons discussed above, we find that the moving defendants are subject to the personal jurisdiction of this Court. Therefore, their motion to dismiss is hereby denied. The parties are to submit a discovery schedule to the Court in writing no later than June 25, 1992.
SO ORDERED.
Notes
.While the Defendants’ Memorandum of Law in Support of Motion to Dismiss for Lack of Personal Jurisdiction (hereinafter "Defendants’ Mem. of Law”) refers to thirty-four moving defendants, only thirty-three are listed in the Notice of Motion, and in the Rule 9 statement. The moving defendants are:
Sony Music Entertainment (Argentina) S.A.I.F.
Sony Music Entertainment (Australia) PTY. LTD.
Sony Music Entertainment (Austria) GES. m.b.H.
Sony Music Entertainment (Belgium) S.D./ N.V.
Sony Music Entertainment (Canada) Inc.
Sony Music Entertainment (Chile) LTDA.
Sony Music Entertainment (Colombia) S.A.
Sony Music Entertainment (Costa Rica) INC.
Sony Music Entertainment (Denmark) APS.
Sony Music Entertainment (El Salvador) S.A.
Sony Music Entertainment (Finland) OY
Sony Music Entertainment (France) SA
Sony Music Entertainment (Germany) G.M.B.H.
Sony Music Entertainment (Greece) AEBE
Sony Music Entertainment (Guatemala) S.A.
Sony Music Entertainment (Holland) B.V.
Sony Music. Entertainment (Italy) S.P.A.
Sony Music Entertainment (Kenya) LIMITED
Sony Music Entertainment (Malaysia) SDN. BERHAD
Sony Music Entertainment (Mexico) S.A.
Sony Music Entertainment (New Zealand) LIMITED
Sony Music Entertainment (Nigeria) LTD.
Sony Music Entertainment (Norway) A/S
Sony Music Entertainment (Panama) S.A.
Sony Music Entertainment (Portugal) LTDA
Sony Music Entertainment (Singapore) (PTE.) LTD.
Sony Music Entertainment (Korea) INC.
Sony Music Entertainment (Spain) S.A.
Sony Music Entertainment (Sweden) A.B.
Sony Music Inc. (BAAR)
Sony Music Entertainment (Thailand) LTD.
Sony Music Entertainment United Kingdom Limited
Sony Music Entertainment (Venezuela) C.A.
See Rule 9 Statement of Moving Defendants.
. Sony Corp. bought CBS Records in 1988. See Affidavit of Marinus N. Henny, Senior Vice President of Sony' USA Inc. ¶2 (hereinafter "Henny Aff.’’).
. See Rule 9 Statement of Defendant Sony Music; Rule 9 Statement of the Moving Defendants; Plaintiff s Memorandum of Law in Opposition to Motion to Dismiss, at 4 n. 3 (hereinafter "Plaintiffs Mem. of Law"). A detailed exposition of the ownership structure among the various moving defendants is provided in the Affidavit of Marinus N. Henny.
. Officers of each of the moving defendants have submitted affidavits with identical paragraph structure, which will be hereinafter cited collectively as "Affiliate Affs.".
. The territory of Sony Music Entertainment (Costa Rica) INC. also includes El Salvador, Guatemala and Panama.
. One of the affiliates, Sony Music Entertainment (Mexico) S.A., does maintain accounts at a New York bank. See Defendants’ Mem. of Law at 3 n. 5.
. Sony Music Entertainment (Holland) B.V. does sign recording artists outside of Holland and employees of Sony Music sometimes negotiate these contracts on behalf of this affiliate. See Bondell Aff. ¶ 4.
.We refrain from citing specific percentages to accommodate the parties’ confidentiality stipulation. The precise figures do not alter the legal analysis.
. Most "mere department" cases involve a New York subsidiary and a foreign corporate parent. However, as we noted in
Saraceno v. S.C. Johnson & Son, Inc.,
. In their memorandum of law, defendants concede that a substantial percent of the sales of the moving defendants are attributable to product licensed to the moving defendants under the matrix agreements. See Defendants’ Mem. of Law, at 13.
. The third case concerning a CBS affiliate, Federal Record Manufacturing Co. Ltd. v. CBS Inc., No. 81 Civ. 5092 (S.D.N.Y. May 4, 1982), is an unpublished opinion which summarily concluded without discussion that CBS was not an agent for the Dutch affiliate.
. It is worth noting that though defendants share the Intersong Court's more narrow view of the matrix agreements, they do concede that "[t]he only plausible conclusion that could be drawn is that, if Sony Music was [sic] not in New York, the moving defendants would negotiate another ‘matrix’ agreement with another entity.” See Defendants' Reply Memorandum of Law in Further Support of Motion to Dismiss for Lack of Personal Jurisdiction, at 7 (hereinafter "Defendants' Reply Mem. of Law”). This implicitly acknowledges how integral the work of Sony Music is to the affiliates' business.
