Lead Opinion
OPINION
Plaintiff-Appellant Aubrey Mayhew appeals an order of the district cоurt granting Defendants-Appellees Tommy and Karen Kelly Allsup summary judgment and dismissing Mayhew’s copyright infringement action. The disposition below turned on the interpretation of the term “publication” within the Coрyright Act of 1909. A recently enacted statute that is applicable to this pending-appeal supersedes the interpretation adopted by the district court. Accordingly, we REVERSE the judgment of thе district court and REMAND the case for further disposition.
I
Mayhew asserts that he owns the copyright to the song “A Big Ball in Cow Town” (“Song”) and that the Allsups infringed upon the copyright.
The Allsups provided evidence that the Song was recorded by Nix in 1949 and 1958. The district court found that a genuine issue of material fact existed as to whether the 1949 recording was made available for public distribution. The affidavit testimony of Ben Hall, a recording studio owner, that the 1958 recording was offered for sale, placed in jukeboxes, and distributed for radio airplay, was undisputed, however. Thus, the district court properly reached the legal question of whether such distribution constitutes publication оf the Song for the purposes of the 1909 Copyright Act.
The district court determined that the public distribution of a phonorecord does constitute publication and that the Song entered the publiс domain in 1958 when a phonorec-ord was distributed without a notice of copyright. Accordingly, on September 25, 1997 the district court granted summary judgment in favor of the Allsups. On October 9, 1997 Mayhew filed a motion to alter or amend the September 25 order. The district court denied that motion on November 21, 1997, and Mayhew filed a timely appeal in this court.
II
This court reviews de novo an order of the district court granting summary judgment. See Ercegovich v. Goodyear Tire & Rubber Co.,
This action is governed by the Copyright Act of 1909 (the “1909 Act”), which allowed a creator to “secure cоpyright for his work by publication thereof with the notice of copyright” affixed to each copy published. 17 U.S.C. § 10 (1909 Act). If a work was published without a valid copyright notice, however, the wmrk irretrievably еntered the public domain. The 1909 Act did not define “publication,” and the courts have split on the proper definition. See 2 NimmeR on Copyright § 7.02[C][1]; La Cienega Music Co. v. ZZ Top,
Relying on a Supreme Court case that had determined that a player рiano roll did not constitute a copy of the musical composition, see White-Smith Music Pub Co. v. Apollo Co.,
In granting summary judgment to the defendants, the district court below followed Leeds and La Cienega and concluded that the public distribution of phonorecords constitutes publication of the underlying composition for the purposes of the 1909 Act. May-hew, of course, disputes that interpretation, and he points to a statute, enacted after the district court’s order granting summary judgment, that apparently resolves the definitional question in his favor. By dictating that “[t]he distribution before January 1, 1978, of a phonorecord shall not for any purpose constitute a publication of the musicаl work embodied therein,” this statute definitively resolves the disputed interpretative question. See 17 U.S.C. § 303(b) (enacted November 13, 1997); see also Batjac Prods. Inc. v. GoodTimes Home Video Corp.,
As an initial matter, the Allsups argue that Mayhew had the opportunity to bring the new statute to the attention of the district court while that court was considering Mayhew’s motion to alter or amend the court’s order, that Mayhew’s failure to do so should be deemed a forfeiture, and that this court should not consider the applicability of the statute. This argument, based on the rule of Pinney Dock and Transport Co. v. Penn Central Corp.,
The rale that this court ordinarily does not consider issues not raised and passed on below is not jurisdictional and may be waived in exceptional cases or to avoid a miscarriage of justice. See id. Here, the issue allegedly forfeited is purely a matter of law, is dispositive, and, if applied, will result in reversal. Moreover, any neglect on the part of Mayhew in not raising the issue bеlow is minimal. See United States v. Chesney,
When Congress has unambiguously specified the temporal reach of a new statute, there is no conflict between the presumption against statutory retroactivity and the rule that a court should apply the law in effect at the time of its decision. See Landgraf v. USI Film Prods.,
Under 17 U.S.C. § 303(b), Nix’s distribution of phonorecords in 1949 or 1958 does not constitute publication of the underlying composition. The district court’s grant of summary judgment to the Allsups, which was based on the opposite legal conclusion, must be reversed. In the lower court and on appeal, the Allsups raised alternativе grounds for the invalidation of Mayhew’s copyright. See supra note 2. These avenues have not been pursued by the district court. Therefore, we remand the case for further disposition.
Ill
For the foregoing rеasons, we REVERSE the order of the district court granting summary judgment to the Allsups and REMAND the case for further disposition consistent with this opinion.
Notes
. The case against Defendant MCA Records, Inc. was voluntarily dismissed.
. The Allsups also argue that the Song was simply an arrangement of material already in the public domain and, thus, that the copyright obtained in 1968 by Mayhew’s predecessor in interest was invalid. The district court did nоt reach this question.
. We note that § 303(b) conforms copyright protection for works released on phonorecords before January 1, 1978 with the rule for works released on phonoreсords after that date. In neither case does, or did, such release place the work in the public domain. See 17 U.S.C. § 302.
Concurrence Opinion
concurring.
I concur in the court’s conclusion with respect to the applicability оf 17 U.S.C. § 303(b) (enacted November 13, 1997) to the facts and circumstances of this case.
I would reach the same result, however, with reference to the law which should have been applied even without this recent amendment to the Copyright law. See White-Smith Music Pub Co. v. Apollo Co.,
I concur in the REVERSAL of the judgment of the district court.
. As pointed out in the majority opinion, La Cienega is no longer good law, in any event.
