'This is an action by a motion picture actress, employed by defendant, to recover for an alleged wrongful discharge, alleged to have occurred about twenty-one weeks before the expiration of the term of her employment.' Prom a judgment for plaintiff for $2,123.60, based on the verdict of a jury, defendant appeals.
*399 The only controversy between the parties is whether the discharge was wrongful, and, if not, whether the damages awarded plaintiff were excessive. In the main, the questions presented by this appeal are concerned with certain instructions to the jury.
Plaintiff and defendant entered into a written contract, which, so far as material to our purpose, is as follows: “The party of the first part [defendant] hereby engages the party of the second part [plaintiff] as motion picture actress to enact roles in the motion picture productions of the party of the first part in its company and such companys as the party of the first part may hereafter form, for a period of one year, commencing June 16, 1915, and ending June 16, 1916, for a salary of $75.00 weekly. . . . The party of the second part agrees to abide by. the rules and regulations of the producing company to which she may be assigned, and to report for rehearsals promptly after notification to do so, and to direct or act in such parts and at such places as she may be instructed.” The contract, as modified by a subsequent written agreement, likewise provides that the “party of the second part [plaintiff] further, for the consideration of $1300.00, which is to be paid in weekly installments of $25.00 by the party of the first part, does hereby grant an option to the party of the first part [defendant] to continue this contract for the following year at a salary of $125.00 weekly, commencing June 16, 1916, and ending June 16, 1917.”
Plaintiff commenced work for defendant on June 16, 1915, at defendant’s camp or studio at Inceville, in Los Angeles County, about three and a half miles from the city of Santa Monica, and continued in its employ until discharged on January 27, 1916. During all this time plaintiff made her home at Santa Monica. The last day she worked for defendant was December 24, 1915. On that day defendant finished a picture in which plaintiff had been cast, and in which she had worked for some weeks. Except when specifically notified and sent for, plaintiff never went to the camp or studio, except weekly to draw her weekly pay check. Witnesses for defendant testified that prior to December 24, 1915, and during the time when plaintiff was acting parts in which she had been cast, she frequently arrived on the ground so late that her tardiness caused ex *400 asperating delays that threw the whole working organization out of joint, causing defendant considerable financial loss. Other actors and actresses, and persons employed in connection with rehearsals and work before the camera, arrived on the ground, as a rule, not later than 8:30 o ’clock in the morning; while, according to defendant’s witnesses, plaintiff frequently was as late as 10 and 11 o’clock in arriving on the scene of her duties. When not actually working for defendant, plaintiff did not remain in her home at Santa Monica all day long, so that she might' readily be communicated with by telephone or other convenient means- of communication, in the event that she might be needed at the studio to enact some role. Upon a number of occasions, according to defendant’s witnesses, when plaintiff’s presence at the camp or studio was urgently needed .in order that she might take part in a scene in which she had been cast, she could not be reached by telephone, although defendant’s employees called up her Santa Monica residence in vain attempts to communicate with her. Defendant’s manager testified that in December “there was a scene which required Miss May’s presence in order to rephotograph it, and it was spoiled, and Mr. Swiekert, the director, was unable to proceed for a period of at least two days endeavoring to get Miss May out to the grounds.” Defendant’s superintendent of production testified that on very many occasions plaintiff was late in arriving at the studio, and that on one occasion she failed to appear after she had been notified over the telephone. Clearly, the absence of one actor or actress necessarily deranges the work of the entire organization. The effect of the absence of even one actor or actress is graphically described by defendant’s superintendent as follows: “One actor is a wheel. It is a wheel within .wheels. And if one of the wheels is missing, we cannot go on with the machine; that is all. ’ ’ Needless to say, the testimony of defendant’s witnesses respecting plaintiff’s tardiness did not go entirely uncontradicted. Plaintiff testified that she reported promptly for all rehearsals ivTien notified so to do. Our sole purpose in calling attention to defendant’s evidence respecting plaintiff’s tardiness and the difficulties experienced in communicating with her by telephone is to show that, if the situation was as described by defendant, the order given to plaintiff on January 22, 1916, *401 and presently to be referred to, was a reasonable order, made necessary by the conduct of plaintiff herself.
On January 7, 1916, defendant’s manager sent for plaintiff and told her the company was cutting down expenses, that defendant might not be able to continue giving her leading parts, that she might have to take second parts, and suggested to her that she might think it to her advantage to take her two weeks’ salary and return to New York. The next day plaintiff wrote defendant’s manager that she fully realized that the written contract required her to act in such parts as might be assigned her, and that she expected to comply with her agreement in all particulars.
On January 22, 1916, defendant caused to be delivered to plaintiff a letter—written and signed on the 13th—which is as follows:
“Miss Lola May:
“In the future it will be absolutely necessary that you report at the studio every morning not later than 8:30 A. M., irrespective of whether, you are cast or not, and not absenting yourself when you think you are not cast, as you have taken upon yourself to do in the past.
“Yours very truly,
“E. H. Allen, Manager.”
This order we shall designate as the order of January 22, 1916,—the date of its delivery—though it was written and signed on the 13th. Whether this order is consistent with the written contract of employment, and whether it is a reasonable order, are the principal questions presented on this appeal.
It was stipulated at the trial that defendant had no printed general rules or regulations. Nor is there any evidence to show that defendant had any kind of general rules or regulations applying to actresses in its employ, enacting roles or parts in the producing company such as plaintiff was employed to enact, and requiring such actresses to report at defendant’s studio every morning irrespective of whether they were cast in a part or not. Indeed, defendant does not claim ever to have promulgated any such general rule or regulation. On January 24, 1916, plaintiff wrote defendant a letter acknowledging receipt of defendant’s order of January 22, 1916. In this letter to defendant *402 plaintiff said: “I stand ready to comply with all reasonable requirements, as prescribed by your rules and regulations, applicable to persons employed to perform the same class of work for which I am engaged. ’ ’
Plaintiff did not report at defendant’s studio on the twenty-fourth, twenty-fifth, or twenty-sixth days of January, 1916. She was discharged on January 27th. On January 24th she had been cast in a play called “Beatrice of St. Cecile,” but had not been notified thereof before her discharge on January 27th; although, according to defendant’s director, he would have liked to see her as early.as January 18th or 20th, in order to go over her part with her, but, according to the manager’s assistant, she could not be reached on the telephone at that time.
On cross-examination plaintiff testified that she did not make any attempt to go to defendant’s studio after, receiving the order of January 22, 1916, for the reason that, as she claims, her contract did not require her to report at the studio if she was not cast for a part. On January 27, 1916, defendant discharged plaintiff by delivering to her a letter which reads:
“Dear Miss May:
“This is to notify you that you have automatically discharged yourself by refusing to report to work for the past three days. You can obtain the salary due you by applying to our cashier.
“Yours truly,
“New York Motion Picture Corp.,
“By B. H. Allen.”
The court instructed the jury that it was for them “to consider whether the order for her to appear at 8:30 A. M. after the 22d, when she received that notice, was within the terms of the contract, and was a reasonable order under the circumstances.” This instruction was, we think, erroneous and clearly prejudicial.
The questions, then, are, first, is the order of January 22, 1916, consistent with the contract between the parties? And, second, if it is, is it, under the circumstances that were detailed by defendant’s witnesses, clearly a reasonable order ? If these two questions must be answered in the affirmative, then it follows that their submission to the jury, in the form in which they were submitted in the instruction complained of, was prejudicial error.
Judgment reversed.
Sloane, J., and Thomas, J., concurred.
