Lead Opinion
Opinion
Plaintiff was a comedy writers’ assistant who worked on the production of a popular television show called Friends. The show revolved around a group of young, sexually active adults, featured adult-oriented sexual humor, and typically relied on sexual and anatomical language, innuendo, wordplay, and physical gestures to convey its humor. Before plaintiff was hired, she had been forewarned that the show dealt with sexual matters and that, as an assistant to the comedy writers, she would be listening to their sexual jokes and discussions about sex and transcribing the jokes and dialogue most likely to be used for scripts. After four months of employment,
The Court of Appeal reversed the trial court’s order granting summary judgment on plaintiff’s sexual harassment action. We granted review to address whether the use of sexually coarse and vulgar language in the workplace can constitute harassment based on sex within the meaning of the FEHA, and if so, whether the imposition of liability under the FEHA for such speech would infringe on defendants’ federal and state constitutional rights of free speech.
Here, the record discloses that most of the sexually coarse and vulgar language at issue did not involve and was not aimed at plaintiff or other women in the workplace. Based on the totality of the undisputed circumstances, particularly the fact the Friends production was a creative workplace focused on generating scripts for an adult-oriented comedy show featuring sexual themes, we find no reasonable trier of fact could conclude such language constituted harassment directed at plaintiff because of her sex within the meaning of the FEHA. Furthermore, to the extent triable issues of fact exist as to whether certain offensive comments were made about women other than plaintiff because of their sex, we find no reasonable trier of fact could conclude these particular comments were severe enough or sufficiently pervasive to create a work environment that was hostile or abusive to plaintiff in violation of the FEHA. Accordingly, we remand the matter with directions to affirm the summary judgment order insofar as it pertains to plaintiff’s sexual harassment action, without addressing the potential of infringement on defendants’ constitutional rights of free speech.
Factual and Procedural Background
After receiving a right to sue letter from the Department of Fair Employment and Housing, plaintiff Amaani Lyle filed this action against organizations and individuals involved in the production and writing of the popular adult-oriented Friends television show, including Warner Bros. Television Production (WBTV), NBC Studios (NBC), Bright, Kauffman, Crane Productions (BKC), and producers-writers Adam Chase, Gregory Malins, and Andrew Reich. Her first amended complaint alleged causes of action under the FEHA for race and gender discrimination, racial and sexual harassment, and retaliation for opposing race discrimination against African-Americans in the
After engaging in discovery, defendants moved for summary judgment and summary adjudication. The trial court granted the motion, ruling; (1) NBC and BKC were not plaintiff’s employers and therefore were not liable on any FEHA cause of action; (2) plaintiff’s FEHA harassment claims were time-barred; (3) plaintiff could not, in any event, factually establish her FEHA claims of race and gender discrimination, retaliation, or harassment as to any defendant; and (4) plaintiff could not establish her common law causes of action for wrongful termination in violation of public policy. The court entered judgment for all defendants and awarded them $21,131 in costs. In a postjudgment order, the court awarded defendants $415,800 in attorney fees on grounds that plaintiff’s FEHA causes of action were “frivolous, unreasonable and without foundation.”
The Court of Appeal affirmed the judgment in part and reversed it in part. Among other things, the court found defendants entitled to summary adjudication on plaintiff’s FEHA and common law causes of action for termination based on race, gender, and retaliation, but concluded triable issues of fact existed as to her FEHA causes of action for sexual and racial harassment against defendants WBTV, BKC, Chase, Malins, and Reich. Accordingly, the court reversed the attorney fees award and vacated the award of costs for recalculation by the trial court to reflect the partial reversal of the judgment.
Both sides petitioned for review. We denied plaintiff’s petition, but granted defendants’ petition and ordered briefing and argument limited to the following issues; (1) Can the use of sexually coarse and vulgar language in the workplace constitute harassment based on sex within the meaning of the FEHA? and (2) Does the imposition of liability under the FEHA for sexual harassment based on such speech infringe on defendants’ rights of free speech under the First Amendment to the federal Constitution or the state Constitution?
Discussion
A. Sexually Coarse and Vulgar Language
There is no dispute that sexually coarse and vulgar language was used regularly in the Friends writers’ room. But the use of sexually coarse and vulgar language in the workplace is not actionable per se. Rather, we must look to the specific facts and circumstances presented to determine whether
1. The Facts Presented in the Summary Judgment Proceeding
Our first task is to determine whether the facts presented in the summary judgment proceeding were sufficient to establish a prima facie case of sexual harassment under the appropriate legal standards. We begin by reviewing the rules governing the summary judgment procedure.
“A trial court properly grants a motion for summary judgment only if no issues of triable fact appear and the moving party is entitled to judgment as a matter of law. (Code Civ. Proc., § 437c, subd. (c); see also id., § 437c, subd. (f) [summary adjudication of issues].) The moving party bears the burden of showing the court that the plaintiff ‘has not established, and cannot reasonably expect to establish, a prima facie case . . . .’ [Citation.]” (Miller v. Department of Corrections (2005)
“On appeal from the granting of a motion for summary judgment, we examine the record de novo, liberally construing the evidence in support of the party opposing summary judgment and resolving doubts concerning the evidence in favor of that party. [Citation.]” (Miller, supra,
Defendants’ summary judgment motion relied on declarations from defendants Chase, Malins, Reich, and others, and other facts developed during discovery. These declarations and the deposition testimony of the parties and others disclosed that Chase, Malins, and Reich worked for defendant WBTV and were writers on the sixth production season of Friends. In June 1999, Malins and Chase, who also served as executive producers on the production,
In her deposition, plaintiff testified she had no recollection of any employee on the Friends production ever saying anything sexually offensive about her directly to her. No one on the production ever asked her out on a date or sexually propositioned her. Likewise, no one ever demanded sexual favors of her or physically threatened her.
Plaintiff testified, however, that a number of offensive discussions and actions occurred in the writers’ meetings she was required to attend. The writers regularly discussed their preferences in women and sex in general. Chase spoke of his preferences for blonde women, a certain bra cup size, “get[ting] right to sex” and not “mess[ing] around with too much foreplay.” Malins had a love of young girls and cheerleaders. Some of the sex-based discussions occurred outside the writers’ room, that is, in the breakroom and in the hallways.
Also during the writers’ meetings, Malins constantly spoke of his oral sex experiences and told the group that when he and his wife fought, he would “get naked” and then they would never finish the argument. Malins had a “coloring book” depicting female cheerleaders with their legs spread open; he would draw breasts and vaginas on the cheerleaders during the writers’ meetings. The book was left on his desk or sometimes on writers’ assistants’ desks. Malins frequently used a pencil to alter portions of the name “Friends” on scripts so it would read “penis.” Malins also spoke of his fantasy about an episode of the show in which the Friends character “Joey” enters the bathroom while the character “Rachel” is showering and has his way with her. And, during each of the four months plaintiff worked on the Friends production, some writers made masturbatory gestures.
In addition, plaintiff heard the writers talk about what they would like to do sexually to different female cast members on Friends. Malins remarked to Chase that Chase could have “fucked” one of the actresses on the show a couple of years before, and the two constantly bantered about the topic and how Chase had missed his chance to do so. Chase, Malins, and Reich spoke demeaningly about another actress on the show, making jokes about whether she was competent in sexually servicing her boyfriend. They also referred to her infertility once and joked she had “dried twigs” or “dried branches in her vagina."
These writers and others also testified that, both before and after plaintiff was hired, sexually coarse and vulgar language was used in the writers’ room in group sessions with both male and female participants present, and both male and female writers discussed their own sexual experiences to generate material for the show. Episodes of the show often featured sexual and anatomical language, innuendo, wordplay, and physical gestures to convey humor concerning sex, including oral sex, anal sex, heterosexual sex, gay sex, “talking dirty” during sex, premature ejaculation, pornography, pedophiles, and so-called threesomes.
In opposing defendants’ summary judgment motion, plaintiff likewise relied on the parties’ deposition testimony. She also submitted two of her own declarations, in which she reiterated and more particularly described the graphic nature of the writers’ alleged comments and conduct.
In this court, defendants argue the facts shown in the summary judgment proceeding do not establish actionable harassment under the FEHA because: (1) use of sexual speech, standing alone, does not violate the FEHA’s prohibition against harassment because of sex; and (2) the conduct did not amount to severe or pervasive conduct that altered the terms or conditions of plaintiff’s employment.
2. The FEHA and Its Prohibitions
We now mm to a review of the FEHA and its prohibitions.
With certain exceptions not implicated here, the FEHA makes it an unlawful employment practice for an employer, “because of the . . . sex . . . of any person, ... to discriminate against the person in compensation or in terms, conditions, or privileges of employment.” (§ 12940, subd. (a).) Likewise, it is an unlawful employment practice for an employer, “because of . . . sex, ... to harass an employee.” (§ 12940, subd. (j)(l).) Under the statutory scheme, “ ‘harassment’ because of sex” includes sexual harassment and gender harassment. (§ 12940, subd. (j)(4)(C).) These prohibitions represent a fundamental public policy decision regarding “the need to protect and safeguard the right and opportunity of all persons to seek and hold employment free from discrimination.” (Brown v. Superior Court (1984)
As we recently explained, “the prohibition against sexual harassment includes protection from a broad range of conduct, ranging from expressly or impliedly conditioning employment benefits on submission to or tolerance of unwelcome sexual advances, to the creation of a work environment that is hostile or abusive on the basis of sex.” (Miller, supra,
According to regulations interpreting and implementing the FEHA, the prohibition against discrimination in employment because of sex is intended to guarantee that members of both sexes will enjoy equal employment benefits. (Cal. Code Regs., tit. 2, § 7290.6, subd. (b).) For purposes of the FEHA, an “[ejmployment benefit” specifically includes “provision of a discrimination-free workplace” (id., § 7286.5, subd. (f)), which in turn is defined as “provision of a workplace free of harassment” (id., § 7286.5, subd. (f)(3).)
Like the FEHA, title VII of the federal Civil Rights Act of 1964 (Title VII) (42 U.S.C. § 2000e et seq.) prohibits sexual harassment, making it an unlawful employment practice for an employer, among other things, “to discriminate against any individual with respect to his compensation, terms, conditions, or privileges of employment, because of such individual’s . . . sex[.]” (42 U.S.C. § 2000e-2(a)(l).) Because the workplace environment is one of the terms, conditions, or privileges of employment, a plaintiff may establish a violation of Title VII by showing that discrimination because of sex has created a hostile or abusive work environment. (See Meritor Savings Bank v. Vinson (1986) 477 U.S. 57, 64-66 [
In light of these similarities, California courts frequently seek guidance from Title VII decisions when interpreting the FEHA and its prohibitions against sexual harassment. (Miller, supra,
Under Title VII, a hostile work environment sexual harassment claim requires a plaintiff employee to show she was subjected to sexual advances, conduct, or comments that were (1) unwelcome (see Meritor, supra, 477 U.S. at p. 68); (2) because of sex (Oncale v. Sundowner Offshore Services, Inc. (1998)
Defendants argue the evidence shown in the summary judgment proceeding, even when liberally construed in plaintiff’s favor, was insufficient to establish either that the alleged offending conduct was undertaken because of plaintiff’s sex, or that the conduct was sufficiently severe or pervasive to alter the conditions of her employment. We address these two elements, and the sufficiency of the related facts, below.
a. Harassment Because of Sex
In Oncale, supra,
For FEHA claims, the discrimination requirement has been phrased similarly: “To plead a cause of action for [hostile work environment] sexual harassment, it is ‘only necessary to show that gender is a substantial factor in the discrimination, and that if the plaintiff “had been a man she would not have been treated in the same manner.” ’ [Citation.]” (Accardi v. Superior Court (1993)
The Fair Employment and Housing Commission (FEHC) is the agency charged with administering the FEHA. Consistent with the FEHA’s public policy objective.to safeguard the right and opportunity of all persons to employment “without discrimination or abridgement on account of . . . sex” (§ 12920), the FEHC declares: “Employment practices should treat all individuals equally, evaluating each on the basis of individual skills, knowledge and abilities and not on the basis of characteristics generally attributed to [protected groups].” (Cal. Code Regs., tit. 2, § 7286.3.) According to the FEHC, “[t]he purpose of the law against discrimination in employment because of sex is to eliminate the means by which individuals of the female sex have historically been relegated to inferior jobs and to guarantee that in the future both sexes will enjoy equal employment benefits.” (Cal. Code Regs., tit. 2, § 7290.6, subd. (b).)
In the context of sex discrimination, prohibited harassment includes “verbal, physical, and visual harassment, as well as unwanted sexual advances.” (Cal. Code Regs., tit. 2, § 7291.1, subd. (f)(1).) In this regard, verbal harassment may include epithets, derogatory comments, or slurs on the basis of sex; physical harassment may include assault, impeding or blocking movement, or any physical interference with normal work or movement, when directed at an individual on the basis of sex; and visual harassment may include derogatory posters, cartoons, or drawings on the basis of sex: (Cal.
Both FEHA and Title VII cases recognize that evidence of hostile, sexist statements is relevant to show discrimination on the basis of sex. (See Accardi, supra, 17 Cal.App.4th at pp. 348-349; accord, Oncale, supra,
The FEHC concluded in a precedential decision that a FEHA hostile work environment sexual harassment claim may be established where, among other things, a male employee constantly referred to a female employee using demeaning, gender-specific terms. (Dept. Fair Empl. & Hous. v. Nulton (Sept. 16, 2003) FEHC Dec. No. 03-10 [
On the other hand, a hostile work environment sexual harassment claim is not established where a supervisor or coworker simply uses crude or inappropriate language in front of employees or draws a vulgar picture, without directing sexual innuendos or gender-related language toward a plaintiff or toward women in general. (E.g., Brown v. Henderson (2d Cir. 2001)
Moreover, “comments that have the ‘sexual charge of an Abbott and Costello movie’ and that ‘could [easily] be repeated on primetime television’ are not the type that trigger Title VII liability. [Citation.]” (Jackson v. Racine County (E.D.Wis. Sept. 19, 2005 Nos. 02-C-936, 02-C-1262, 02-C-1263)
b. Conduct Sufficiently Severe or Pervasive to Create a Sexually Hostile Work Environment
As the United States Supreme Court has recognized, “[t]he prohibition of harassment on the basis of sex requires neither asexuality nor
In determining the severity of harassment, “[t]he United States Supreme Court has warned that the evidence in a hostile environment sexual harassment case should not be viewed too narrowly: ‘[T]he objective severity of harassment should be judged from the perspective of a reasonable person in the plaintiff’s position, considering “all the circumstances.” [Citation.] . . . [T]hat inquiry requires careful consideration of the social context in which particular behavior occurs and is experienced by its target.. .. The real social impact of workplace behavior often depends on a constellation of surrounding circumstances, expectations, and relationships which are not fully captured by a simple recitation of the words used or the physical acts performed. Common sense, and an appropriate sensibility to social context, will enable courts and juries to distinguish between simple teasing or roughhousing . . . and conduct which a reasonable person in the plaintiff’s position would find severely hostile or abusive.’ (Oncale v. Sundowner Offshore Services, Inc. (1998)
With respect to the pervasiveness of harassment, courts have held an employee generally cannot recover for harassment that is occasional, isolated, sporadic, or trivial; rather, the employee must show a concerted pattern of harassment of a repeated, routine, or a generalized nature. (Aguilar, supra,
To be actionable, “a sexually objectionable environment must be both objectively and subjectively offensive, one that a reasonable person would find hostile or abusive, and one that the victim in fact did perceive to be so.” (Faragher v. Boca Raton (1998)
One issue of particular relevance to this case concerns the parties’ disagreement over whether or not plaintiff was a “victim” of the defendant writers’ harassing conduct. As set forth below, a plaintiff may be a victim of sexually harassing conduct, even though it is not directed at her and instead is aimed at other women in the workplace, but the absence of direct harassment affects the showing she is required to make.
“To state that an employee must be the direct victim of the sexually harassing conduct is somewhat misleading as an employee who is subjected to a hostile work environment is a victim of sexual harassment even though no offensive remarks or touchings are directed to or perpetrated upon that employee.” (Fisher, supra,
To meet this burden, the plaintiff generally must show that the harassment directed at others was in her immediate work environment, and that she personally witnessed it. (Fisher, supra,
In Fisher, supra,
3. Sufficiency of Plaintiff’s Factual Showing
We now apply the governing legal principles to the record before us.
As indicated, a defendant moving for summary judgment meets its burden of showing that a cause of action has no merit by establishing that one or more elements of the cause of action cannot be established. (Code Civ. Proc., § 437c, subds. (a), (o)( 1).)
Here, defendants met that burden in their moving papers. First, they pointed to plaintiff’s concessions that none of the three male writers’ offensive conduct involved or was aimed at her. Second, considering the totality of the circumstances, especially the nature of the writers’ work, the facts largely forming the basis of plaintiff’s sexual harassment action—(1) the writers’ sexual antics, including their pantomiming of masturbation, their drawing in the cheerleader coloring book, their altering words on scripts and calendars to spell out male and female body parts, (2) their graphic discussions about their personal sexual experiences, sexual preferences, and preferences in women, and (3) their bragging about their personal sexual exploits with girlfriends and wives—did not present a triable issue whether the writers engaged in harassment “because of. . . sex.” (§ 12940, subd. (j)(l).)
There is no dispute Friends was a situation comedy that featured young, sexually active adults and sexual humor geared primarily toward adults. Aired episodes of the show often used sexual and anatomical language, innuendo, wordplay, and physical gestures to create humor concerning sex, including oral sex, anal sex, heterosexual sex, gay sex, “talking dirty” during sex,
Here, the record shows that the instances of sexual antics and sexual discussions identified above did not involve and were not aimed at plaintiff or any other female employee. It further confirms that such “nondirected” conduct was undertaken in group sessions with both male and female participants present, and that women writers on the Friends production also discussed their own sexual experiences to generate material for the show. That the writers commonly engaged in discussions of personal sexual experiences and preferences and used physical gesturing while brainstorming and generating script ideas for this particular show was neither surprising nor unreasonable from a creative standpoint. Indeed, plaintiff testified that, when told during her interview for the Friends position that “the humor could get a little lowbrow in the writers’ room,” she responded she would have no problem because previously she had worked around writers and knew what to expect. Although plaintiff contends the writers “sorely understated the actual climate” of the writers’ room in her interview, these types of sexual discussions and jokes (especially those relating to the writers’ personal experiences) did in fact provide material for actual scripts.
Moreover, although plaintiff contended in her deposition that much of the three writers’ vulgar discussions and conduct wasted her time, there was no indication the conduct affected the work hours or duties of plaintiff and her male counterparts in a disparate manner. Accordingly, while the conduct certainly was tinged with “sexual content” and sexual “connotations,” a reasonable trier of fact could not find, based on the facts presented here, that
The circumstances surrounding the nondirected sexual antics and sexual talk are plainly distinguishable from the circumstances concerning somewhat similar conduct found actionable in Ocheltree v. Scollon Productions, Inc. (4th Cir. 2003)
Unlike the situation presented in Ocheltree, the record here reflects a workplace where comedy writers were paid to create scripts highlighting adult-themed sexual humor and jokes, and where members of both sexes contributed and were exposed to the creative process spawning such humor and jokes. In this context, the defendant writers’ nondirected sexual antics and sexual talk did not contribute to an environment in which women and men were treated disparately. Moreover, there was nothing to suggest defendants engaged in this particular behavior to make plaintiff uncomfortable or self-conscious, or to intimidate, ridicule, or insult her, as was the case in Ocheltree.
During the discovery process, plaintiff testified her FEHA claim additionally was predicated on what the writers said they would like to do sexually to the different female cast members on Friends, and jokes that defendant Chase had missed a sexual opportunity with one of the actresses. The writers also made demeaning comments about another of the actresses, asking whether she was competent in sexually servicing her boyfriend and remarking she probably had “dried twigs” or “dried branches” in her vagina.
Unlike the writers’ nondirected conduct, these particular comments support at least an inference that certain women working on the production of
The evidence in the summary judgment proceeding showed that plaintiff named the two actresses as the only women on the production about whom the writers specifically made these offensive sex-based comments. As far as the two actresses were concerned, the conduct was not severe or pervasive: no sexual assault, threat of assault, sexual propositioning, or unwelcome physical contact occurred; nor did the conduct amount to verbal abuse or harassment, inasmuch as the actresses were not even present to hear the writers’ offensive remarks and, apparently, had no awareness of what had been said.
Because the derogatory comments did not involve plaintiff, she was obligated to set forth specific facts from which a reasonable trier of fact could find the conduct “permeated” her direct workplace environment and was “ ‘pervasive and destructive.’ ” (Fisher, supra,
Plaintiff acknowledged the writers made references to the one actress’s fertility and the “dried branches in her vagina” on only one occasion. Plaintiff did not, however, offer specific facts regarding how often or on how many occasions the writers engaged in the graphic sexual jokes and talk about the other actress. Although plaintiff testified that, in the four months she worked on Friends, Malins and Chase constantly bantered about Chase’s missed sexual opportunity with that actress, her declarations indicated that some of
In opposing defendants’ summary judgment motion, plaintiff offered additional evidence of offensive gender-related language. Specifically, she submitted two declarations in which she claimed to have heard defendants Chase, Malins, and Reich refer to women who displeased them or made them mad as “cunts” and “bitches.” (See Steiner v. Showboat Operating Co., supra, 25 F.3d at pp. 1463-1464; Burns v. McGregor Electronic Industries, Inc., supra, 989 F.2d at pp. 964-965; Andrews v. City of Philadelphia, supra,
Even when we consider this belated presentation of epithets in the workplace, we find it insufficient to warrant reversal of the summary judgment order. Plaintiff made only three brief references to the topic in her declarations,
Plaintiff’s showing regarding her subjective perceptions of the epithet incidents also appeared deficient. Specifically, she acknowledged the writers refrained from using the word “cunt” around one woman, Kauffman, who expressly disapproved its use. Although Kauffman was an executive producer who wielded authority plaintiff did not have, plaintiff offered no facts showing that plaintiff (or others) ever complained about the epithets, or that she felt she could not complain (even to Kauffman), or that any complaint she made was ignored. (Cf. Walker v. Ford Motor Co., supra,
Considering the totality of the circumstances, whether we view the epithet evidence by itself, or in conjunction with the evidence of the actress-related comments, we are unable to conclude a reasonable trier of fact could, on the meager facts shown, find the conduct of the three male writers was sufficiently severe or pervasive to create a hostile work environment. (See Kortan v. California Youth Authority (9th Cir. 2000)
In urging affirmance of the Court of Appeal judgment, plaintiff contends there is a triable issue of material fact as to whether the writers’ offensive conduct was part of the creative process leading to scripts and a necessary part of their work, or whether it was undertaken purely for their own personal sexual gratification. In support of this point, she cites the evidence that defendants engaged in vulgar behavior outside of the writers’ room, for example, in the hallways or near her desk. Additionally, some of the derogatory comments concerning the actresses occurred in the writers’
We agree with this passage insofar as it suggests the circumstances pertaining to an employer’s type of work and to the job duties and responsibilities of a plaintiff and her alleged harassers are properly considered in determining whether the harassers said or did things because of the plaintiff’s sex and whether the subject conduct altered the terms or conditions of employment. But summary judgment was proper here because, as demonstrated above, none of the offensive conduct complained of meets both the “because of sex” and “severe or pervasive” requirements for establishing a hostile work environment sexual harassment claim. (See Oncale, supra,
Kotcher v. Rosa and Sullivan Appliance Center, Inc., supra,
Lipsett v. University of Puerto Rico, supra,
In Robinson v. Jacksonville Shipyards, Inc., supra,
A case plaintiff relies on, White v. New Hampshire Dept. of Corrections (1st Cir. 2000)
Nor does Fisher, supra,
B. Constitutional Rights of Free Speech
In affirming the grant of summary judgment in favor of defendants, we have concluded plaintiff’s factual showing of the writers’ sexually coarse and vulgar language does not establish a prima facie case of hostile work environment sexual harassment. In light of that conclusion, we have no occasion to determine whether liability for such language might infringe on defendants’ rights of free speech under the First Amendment to the federal Constitution or the state Constitution. (Accord, DeAngelis v. El Paso Mun. Police Officers Ass’n (5th Cir. 1995)
Conclusion and Disposition
When we apply the legal principles governing sexual harassment claims, and give plaintiff the benefit of the rules governing review of summary
In reaching this conclusion, we do not suggest the use of sexually coarse and vulgar language in the workplace can never constitute harassment because of sex; indeed, language similar to that at issue here might well establish actionable harassment depending on the circumstances. Nor do we imply that employees generally should be free, without employer restriction, to engage in sexually coarse and vulgar language or conduct at the workplace. We simply recognize that, like Title VII, the FEHA is “not a ‘civility code’ and [is] not designed to rid the workplace of vulgarity.” (Sheffield v. Los Angeles County Dept. of Social Services (2003)
We remand the matter to the Court of Appeal with directions to affirm the summary judgment insofar as it pertains to plaintiff’s sexual harassment cause of action and for further proceedings consistent with the views expressed herein. In this regard, we observe the Court of Appeal concluded defendants’ challenges to plaintiff’s racial harassment cause of action were lacking in merit at least partly for the reasons it concluded their sexual harassment contentions were lacking in merit. We direct the Court of Appeal to reconsider and decide all issues in a manner consistent with the instant opinion, including those related to the racial harassment cause of action and those respecting the attorney fees award.
George, C. J., Kennard, J., Werdegar, J., Chin, J., Moreno, J., and Corrigan, J., concurred.
Notes
In this opinion, we review the trial court’s order granting summary judgment only insofar as it pertains to plaintiff’s sexual harassment claims; we do not review the order with regard to her racial harassment claims. Accordingly, our analysis addressing whether summary judgment was proper in this case should be understood in this context.
For example, plaintiff’s declarations stated: Malins, Chase, and Reich “would say that what they liked was ‘a woman with big tits who could give a blow job’ the writers “would for hours on end make lewd and offensive drawings of women”; they “would also commonly sit around and bang their hands on the bottom of the desk to make it sound as though they were masturbating”; Malins would say “he gets to hang out with them [two of the actresses], get rich, dream about fucking them and yet nobody bothers him when he’s out in public”; Malins told a story “about a woman that when she had his penis down her throat had a gag reflex” and Malins thought she “was going to throw-up” on it; the writers made plaintiff sit “around waiting to go home” while they “were sitting around pretending to masturbate and continually talking about schlongs”; Reich “said that [one actress’s] pussy was full of dried up twigs and said that if her husband put his dick in her she’d break in two”; Chase told plaintiff “he could have ‘fucked’ ” one of die actresses but said it is “ ‘not like she asked me to bang her in the ass’ Chase mentioned on at least two occasions that “he would have liked to have anal sex with [the same actress]”; Chase “once rhetorically asked the group, of [one actress and her then boyfriend], ‘do you think they fuck in the dressing room’ and the “blatant use of obscene language and flagrant discussions about personal sex lives occurred at least four days per week while [she] worked on ‘Friends’ and continued up until at least two days before [her] termination.”
In their reply brief on the merits, defendants urge us to disregard these particular “facts” because, among other things, plaintiff did not mention them in her deposition but first raised them in a declaration, dated December 20, 2001, that she filed in opposition to defendants’ summary judgment motion. But defendants provide no information or record citations indicating what objections, if any, they made to that declaration or what evidentiary rulings the trial court made. Although defendants claim both the trial court and the Court of Appeal “properly disregarded” plaintiff’s December 20, 2001 declaration, they do so without reference to the record and without addressing the existence or significance of a second declaration plaintiff filed, dated March 19, 2002, in which she refers to the same “facts," as well as others. Because defendants’ evidentiary contentions in this court lack adequate argument and support, we shall not disregard the evidence concerning the reported use of gender-related epithets.
“Although the FEHA explicitly prohibits sexual harassment of employees, while Title VII does not, the two enactments share the common goal of preventing discrimination in the workplace. Federal courts agree with guidelines established by the Equal Employment Opportunity Commission (EEOC), the agency charged with administering Title VII, in viewing sexual harassment as constituting sexual discrimination in violation of Title VII. [Citation.] In language comparable to that found in the FEHA and in [Fair Employment and Housing Commission] regulations, federal regulatory guidelines define sexual harassment as including unwelcome sexual advances, requests for sexual favors, and other verbal or physical conduct of a sexual nature that has the ‘purpose or effect of unreasonably interfering with an individual’s work performance or creating an intimidating, hostile, or offensive working environment.’ (29 C.F.R. § 1604.11(a)(3) (2004).)” (Miller, supra,
E.g., Nichols v. Azteca Restaurant Enterprises, Inc. (9th Cir. 2001)
Oncale suggested a couple of other ways to show that harassing conduct constituted discrimination because of sex: (1) a plaintiff could offer evidence of “explicit or implicit proposals of sexual activity”; or (2) a plaintiff could “offer direct comparative evidence about how the alleged harasser treated members of both sexes in a mixed-sex workplace.” (Oncale, supra, 523 U.S. at pp. 80-81.)
Beyda v. City of Los Angeles found that “a reasonable person may be affected by knowledge that other workers are being sexually harassed in the workplace, even if he or she does not personally witness that conduct.” (Beyda, supra,
In Fisher, the plaintiff’s allegations concerning the defendant’s acts included: “ ‘[Pjulling nurses onto his lap, hugging and kissing them while wiggling, making offensive statements of a sexual nature, moving his hands in the direction of [a] woman’s vaginal area, grabbing women from the back with his hands on their breasts or in the area of their breasts, picking up women and swinging them around, throwing a woman on a gurney, walking up closely behind a woman with movements of his pelvic area. [Ms. Fisher] saw him commit acts of sexual harassment against [three named] nurses. The acts were committed in hallways, the operating room, and the lunch room . .. from 1982 to 1986. None of the women welcomed the advances and indicated to [the defendant] they were offensive by moving away from him, avoiding him whenever possible, or telling him to stop. [The plaintiff] also was forced to hear [the defendant] make lewd remarks about the breasts of anesthetized female patients.’ ” (Fisher, supra, 214 Cal.App.3d at pp. 612-613.)
Of course, explicit sexual references typically were replaced with innuendos, imagery, similes, allusions, puns, or metaphors in order to convey sexual themes in a form suitable for broadcast on network television. For example, “motherfucker” was replaced with “mother kisser,” “testicles” with “balls,” and “anal sex” with “in the stem.”
In her brief on the merits, plaintiff refers to evidence that Reich “once” looked straight at her when he told a joke where a woman was the brunt of a tampon joke. But the record discloses no facts indicating what the particular joke was or whether it was sexist, lewd, or degrading. Without more, this evidence fails to raise a triable issue of fact that the writers’ coarse sexual talk and conduct involved, or was aimed at, plaintiff because of her gender.
Although plaintiff’s evidence also showed the writers regularly referred to women’s anatomies by certain vulgar terms, her evidence further disclosed the writers regularly referred to men’s anatomies with comparable vulgar terms. No disparity of treatment on this point appears.
The three references consisted of the following: “Greg Malins, Adam Chase and Andrew Reich would also use and refer to women as ‘cunts[,’] but Marta Kauffman didn’t approve of that word, so they wouldn’t use it when she was in the room.” “Adam Chase once called Mar[t]a Kauffman a cunt in a phone conversation with me on a weekend while I was at home.” “Throughout the time I worked on ‘Friends’ Greg Malins, Adam Chase and Andrew Reich regularly referred to women that had displeased them or made them mad as bitches or cunts.” In her deposition testimony, Kauffman affirmed that she hated the word “cunt,” and that people did not use that term when she was in the room.
Plaintiff points to evidence she was told to not take notes about these and the other discussions at issue, and the fact that none of her notes from the show reflects such discussions.
In support of this reasoning, the Court of Appeal relied on decisions that, in the specific context of determining who may be held liable for discrimination under the FEHA, described harassment as consisting “ ‘of conduct outside the scope of necessary job performance, conduct presumably engaged in for personal gratification, because of meanness or bigotry, or for other personal motives.’ ” (Reno v. Baird (1998)
Concurrence Opinion
I agree that the trial court properly granted summary judgment in favor of defendants under the relevant statutes. I write separately to explain that any other result would violate free speech rights under the First Amendment of the United States Constitution and its California counterpart, article I, section 2 of the California Constitution (hereafter collectively the First Amendment).
This case has very little to do with sexual harassment and very much to do with core First Amendment free speech rights. The writers of the television show, Friends, were engaged in a creative process—writing adult comedy— when the alleged harassing conduct occurred. The First Amendment
We have found that the First Amendment protects even threatening speech that does not rise to a criminal threat. (In re George T. (2004)
Balancing the compelling need to protect employees from sexual harassment with free speech rights can, in some contexts, present very difficult questions. For example, a potential, and sometimes real, tension between free speech and antiharassment laws exists even in the ordinary workplace. (See, e.g., Aguilar v. Avis Rent A Car System, Inc. (1999)
But the issue here is quite different. In Aguilar, supra,
Lawsuits like this one, directed at restricting the creative process in a workplace whose very business is speech related, present a clear and present danger to fundamental free speech rights. Even academics who generally defend antiharassment law against First Amendment attack recognize the importance of defending the First Amendment in a context like this. (E.g., McGowan, supra, 19 Const. Comment, at pp. 393, 425-31 [concluding, on p. 431, “In expressive workplaces that foster, support, and encourage debate, discussion, and plural opinions, the First Amendment insulates much more.”].)
For example, Professor McGowan contrasts two workplace situations involving the display of Playboy Magazine centerfolds: (1) at a shipyard where only one woman is employed as a welder, and (2) in a museum where centerfolds were displayed “to document changes in American visions of female beauty.” (McGowan, supra, 19 Const. Comment, at p. 391.) McGowan argues that free speech rights must yield to antiharassment law in the first case. But she agrees that the museum is an expressive workplace and, as such, is entitled to First Amendment protection. This case is like the second situation, not the first. As Professor Volokh explains, the free speech problem is especially serious “if the speech that creates the hostile work environment is an inherent part of the employer’s business.” (Volokh, supra, 39 UCLA L.Rev. at p. 1853.) “It seems clear that, say, a female employee of an art gallery—or a female employee of an adult bookstore—cannot claim that sexually explicit materials in the workplace are creating a hostile work environment.” (Id. at p. 1861.)
The writers here did at times go to extremes in the creative process. They pushed the limits—hard. Some of what they did might be incomprehensible
The creative process must be unfettered, especially because it can often take strange turns, as many bizarre and potentially offensive ideas are suggested, tried, and, in the end, either discarded or used. As the Writers Guild brief notes, “All in the Family pushed the limits in its day, but with race rather than sex.” The brief quotes Norman Lear, All in the Family's creator, and another of the individuals on whose behalf the brief was filed, as saying, “We were dealing with racism and constantly on dangerous ground. . . . We cleaned up a lot of what was said in the room, and some people still found it offensive.” It is hard to imagine All in the Family having been successfully written if the writers and others involved in the creative process had to fear lawsuits by employees who claimed to be offended by the process of discovering what worked and did not work, what was funny and what was not funny, that led to the racial and ethnic humor actually used in the show.
“[S]peech may not be prohibited because it concerns subjects offending our sensibilities.” (Ashcroft v. Free Speech Coalition (2002)
For this reason, it is meaningless to argue, as plaintiff does, that much of what occurred in this process did not make its way into the actual shows. The First Amendment also protects attempts at creativity that end in failure. That which ends up on the cutting room floor is also part of the creative process. An amicus curiae brief representing, among others, the American Booksellers Foundation for Free Expression explains: “To require the participants to justify after the fact the ‘necessity’ of minor segments of the creative process represents a misunderstanding of the creative process. That process usually includes many dead ends that are not reflected in the final work. But the dead ends are part of creating the final work; the fact that one approach or suggestion is not productive is part of the process of creatively reaching end result. In that sense the dead ends, as well as everything else in the creative process, are necessary.”
The Writers Guild brief explains it similarly. “[T]he creative person tr[ies] one notion after another before coming up with the final product. Writers are like scavengers and get their ideas wherever they can: ‘Ninety percent of everything doesn’t work,’ says Lear, ‘That’s why it’s so hard, that’s why you spend so much time there.’ . . . Lear puts it this way: ‘There were things we said we would never print. That’s true of racism or any touchy subject. That’s what it takes to make a great show: smart people sitting in a room, going wherever they want.’ ” As that brief notes, “It is impossible to imagine how writers, directors, and actors could work together if they had to worry about doing only what was ‘creatively necessary’ in order not to offend a worker on the set.”
Does this mean that anything that occurs while writing a television show is permissible? Do employees involved in that process receive no protection? Of course not. Just as criminal threats are not protected, just as no one has the right to falsely shout “fire” in a crowded theater, limits exist as to what may occur in the writers’ room. I agree with Professor Volokh that, even in this context, speech that is directed, or “aimed at a particular employee because of her race, sex, religion, or national origin,” is not protected. (Volokh, supra, 39 UCLA L.Rev. at p. 1846.) “The state interest in assuring equality in the workplace would justify restricting directed speech . . . .” (Ibid.) Speech directed towards plaintiff because of her sex could not further the creative process.
Accordingly, I agree with the general test proposed in the amicus curiae brief of the California Newspaper Publishers Association et al.: “Where, as
This test presents the proper balance. Often, free speech cases involve the very difficult balancing of important competing interests. But here, in the creative context, free speech is critical while the competing interest— protecting employees involved in the creative process against offensive language and conduct not directed at them—is, in comparison, minimal. Neither plaintiff nor anyone else is required to become part of a creative team. But those who choose to join a creative team should not be allowed to complain that some of the creativity was offensive or that behavior not directed at them was unnecessary to the creative process.
When First Amendment values are at stake, summary judgment is a favored remedy. “ ‘[BJecause unnecessarily protracted litigation would have a chilling effect upon the exercise of First Amendment rights, speedy resolution of cases involving free speech is desirable. [Citation.] Therefore, summary judgment is a favored remedy [in such cases] ....’” (Shulman v. Group W Productions, Inc., supra,
Indeed, cases like this, arising in a creative context, often can and should be decided on demurrer. (Winter v. DC Comics, supra, 30 Cal.4th at pp. 891-892.) Because even the taking of depositions could significantly chill the creative process, by destroying the mutual trust and confidentiality necessary to writing television shows like Friends, courts should independently review the allegations to ensure that First Amendment rights are not being violated. (See In re George T, supra, 33 Cal.4th at pp. 631-632 [independent judicial review necessary when First Amendment interests are at stake].) If the complaint does not allege that the offending conduct was pervasive and directed at the plaintiff, and include specific supporting facts
We must “[a]lways remember[] that the widest scope of freedom is to be given to the adventurous and imaginative exercise of the human spirit. . . .” (Kingsley Pictures Corp. v. Regents (1959)
