The plaintiff, Yoko Ono Lennon, brings this action against the defendant, Frederic Seaman, for copyright infringement, declaratory judgment, fraud on the copyright office, recovery of chattels, “trespass,” 1 tortious interference with contract, prima facie tort, unjust enrichment, breach of contract, as well as for injunctive relief. Presently before the Court is the defendant’s motion to a) dismiss various claims in the complaint for failure to state a claim upon which relief may be granted due to i) statute of limitations; ii) laches; iii) preemption of state law claims by the Copyright Act of 1976, § 101 et seq. (“the Copyright Act”); and iv) failure to state an essential element; b) to dismiss the complaint for failure to comply with service requirements; c) to dismiss the state law claims for lack of subject matter jurisdiction; d) to dismiss the complaint due to failure to comply with Fed.R.Civ.P. 8(a); e) to strike matters from the complaint; and f) for an award of fees and costs. All of the defendant’s motions are denied, except as follows: the plaintiffs claims for tortious interference with contract and pri-ma facie tort are dismissed; the plaintiffs claims for recovery of chattels and “trespass,” are dismissed to the extent that these claims relate to the photographs contained in the book The Last Days of John Lennon: A Personal Memoir by Frederic Seaman (Carol Publishing Group, 1991) {“The Last Days of John Lennon”)-, and the plaintiffs unjust enrichment cause of action is dismissed because it is preempted by federal copyright law. Furthermore, the plaintiff is instructed to submit briefing to the Court relating to the issue of copyright registration, as described below; and the parties are instructed to submit briefing on the issue of ripeness in relation to the fraud on the Copyright Office claim. All papers should be submitted to the Court within sixty days from the date of this Opinion.
BACKGROUND
The plaintiff is the widow of the late John Lennon. In the late 1970s and early 1980s the defendant was an employee of the Lennon household. At the center of this dispute lie various photographs and other depictions of the Lennons, presumably taken by the defendant, that were created during the defendant’s employment. The plaintiff contends that she is the owner of the copyrights to the items pursuant to the work-for-hire doctrine, as well the owner of the actual photographs themselves. The defendant, on the other hand, claims that he owns the items and the copyright to those items. Out of this difference of opinion arise thirteen causes of action.
The complaint alleges that the defendant unlawfully removed photographs, videotapes and other depictions of the Lennons from the Lennon household from December of 1980 to December of 1981. The plaintiff seeks the return of these items, and damages for “trespass.”
The plaintiff also claims that the defendant infringed her copyright in many of the photographs through his unauthorized publication of the items by, among other allegations, appearing and showing the photographs on the Fox Family Channel special entitled “Famous Families: the Kennedys and the Lennons” in February 1999, and on Court TV’s program, “Pro and Con,” in May 1999. The plaintiff seeks a declaratory judgment that she is and has always been the rightful owner of the photographs, as well as injunctive relief. She also asserts that the defendant has been unjustly enriched by virtue of his exploitation of the photographs.
Recently, the plaintiff entered into a contract with Capitol Records, Inc. (“Capi
As a condition of the defendant’s employment with the Lennons, he purportedly signed a contract (“Confidentiality Agreement”) whereby he agreed “not to divulge, exploit, commercially or otherwise, or publicize, in any manner whatsoever, any information, facts, or anecdotes or otherwise relating to [the Lennons] in any manner” without prior written permission from the Lennons. (Second Amend. Compl. at ¶ 5, quoting Confidentiality Agreement.) The plaintiff contends that the defendant has breached this contract by disclosing information about the Len-nons through his dissemination of the photographs and other confidential information to others. She seeks both damages and injunctive relief in regards to the defendant’s ongoing breach of the Confidentiality Agreement.
On this motion to dismiss, the defendant argues that the plaintiff is barred by lach-es as well as the statue of limitations from asserting her various claims. In response, the plaintiff contends that the defendant is equitably estopped from asserting both the defense of laches and the statute of limitations as a result of the defendant’s prior behavior. In particular, the plaintiff claims that the defendant’s representation that he had complied with his obligations under a plea agreement — which arose in connection with the defendant’s conviction for larceny of Mr. Lennon’s journals — to return all items wrongfully taken from the Lennon household, even though he had not, constitutes fraudulent concealment and makes the asserted defenses by the defendant inapplicable.
The defendant also contends that the plaintiffs causes of action pursuant to state law are preempted by the Copyright Act, and that various claims should be dismissed for failure to state an essential element of those claims. The defendant also moves to dismiss the complaint for failure to comply with Fed.R.Civ.P. 8(a); to strike portions of the complaint; to dismiss for lack of proper service; to dismiss for lack of subject matter jurisdiction, assuming the copyright claims are dismissed, and for an award of fees and costs
DISCUSSION
As a preliminary matter, we note that the Court has subject matter jurisdiction pursuant to 28 U.S.C. §§ 1331, 1338, and 1367. Registration of copyright is a jurisdictional prerequisite for infringement actions. 17 U.S.C. § 411(a). This requirement can be met by filing an application for registration.
See
2 Melville B. Nimmer & David Nimmer,
Nimmer on Copyright
§ 7.16[B][l][a], n. 39. The plaintiff alleges that she has been issued copyright registration in the 42 photographs appearing in
The Last Days of John Lennon,
and that she had filed with the Copyright Office an application and fee for registration of the 332 other photographs for which she is suing for infringement.
2
{See
Second Amend.Compl. at ¶ 26). The Court does note, however, that some of the plaintiffs copyright claims mention not only the
I. Motion to Dismiss Relating to Service
The defendant moves to dismiss the second amended complaint for reasons related to service. The Court’s best assessment of the defendant’s motion is that the defendant seeks to dismiss the action because the plaintiff failed to file the Affidavit of Service of the original summons and complaint at the time the plaintiff filed those documents. The plaintiff states that the Affidavit of Service was inadvertently omitted when the papers were filed with the Court on April 16, 1999, but that the Affidavit was filed the next business day. A review of the Court file indicates that such an Affidavit of Service was so filed with the Court on April 19, 1999. The Court also notes that a failure to make proof of service does not affect the validity of the service. See Fed.R.Civ.P. 4(1). Accordingly, this portion of the defendant’s motion is denied.
II. Motion to Dismiss for Failure to State an Essential Element
The defendant asserts that the plaintiff has failed to state the essential elements of the following claims: tortious interference with contract; prima facie tort; and unjust enrichment. The plaintiff disputes this assertion.
The plaintiffs ninth claim alleges that the defendant tortiously interfered with her contract with Capitol to release the box set. The defendant argues that the claim has failed to state the essential element of an actual breach. Under New York law, the elements of a claim for tortious interference with contractual relations are: i) the existence of a valid contract between the plaintiff and a third party; ii) defendant’s knowledge of the contract; iii) defendant’s intentional inducement of the third party to breach the contract or otherwise render performance impossible; and iv) damages to the plaintiff.
See Kronos, Inc. v. AVX Corp.,
The plaintiff, however, contends that where there is no breach, a plaintiff can still maintain a cause of action for tortious interference with contract by alleging “culpable conduct” or “wrongful means” on the part of the defendant. Plaintiff then cites to
NBT
and
Guard-Life Corp. v. S. Parker Hardivare Mfg. Corp.,
The plaintiff has alleged tortious interference with an existing contract, rather than a prospective contract. Lacking an actual breach, the plaintiff attempts
The defendant moves to dismiss the plaintiffs tenth claim, prima facie tort, on the theory that the plaintiff has failed to state a necessary element. In particular, the defendant argues that although the plaintiff alleges that the defendant acted without legal or social justification, the defendant did have such justification, and that the defendant did not seek to injure the plaintiff, but merely to protect his own interests. The plaintiff, not surprisingly, has a different viewpoint. On a motion to dismiss for failure to state a necessary element, the defendant’s contention that he only acted to protect his own interests is not sufficient to require dismissal.
Nevertheless, plaintiffs claim does lack an essential element. Under New York law, the elements of a prima facie tort claim are intentional infliction of harm, resulting in special damages, without excuse or justification, by an act that would otherwise be lawful.
See, e.g., Burns Jackson Miller Summit & Spitzer v. Lindner,
We do not reach the defendant’s claim that the unjust enrichment cause of action lacks an essential element because, as described below, we find the unjust enrichment claim to be preempted by federal copyright law.
III. Preemption
The defendant moves to dismiss the plaintiffs seventh through thirteenth causes of action on the theory that these state law claims are preempted by the Copyright Act. The plaintiff argues that the state law claims are all independent of the Copyright Act.
When Congress amended the Copyright Act in 1976, it included a provision that provided for preemption of state law claims in certain situations. See 17 U.S.C. § 301. The relevant portion of the statute reads as follows:
(a) On and after January 1, 1978, all legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright as specified by section 106 in works of authorship that are fixed in a tangible mediumof expression and come within the subject matter of copyright as specified by sections 102 and 103, whether created before or after that date and whether published or unpublished, are governed exclusively by this title. Thereafter, no person is entitled to any such right or equivalent right in any such work under the common law or statutes of any State, (b) Nothing in this title annuls or limits any rights or remedies under the common law or statutes of any State with respect to—
(1) subject matter that does not come within the subject matter of copyright as specified by sections 102 and 103, including works of authorship not fixed in any tangible medium of expression; or ...
(3) activities violating legal or equitable rights that are not equivalent to any of the exclusive rights within the general scope of copyright as specified by section 106.
17 U.S.C. § 301.
Thus, a court
analyzing
whether a state claim is preempted by federal copyright law must engage in a two-part inquiry. The Court must determine if the state law creates rights that are equivalent to the rights protected by federal copyright law under 17 U.S.C. § 106.
See Nat’l Basketball Ass’n v. Motorola, Inc.,
A. Claims Seven and Eight — Recovery of Chattels and Trespass
Plaintiffs seventh and eighth claims are entitled “Recovery of Chattels” and “Trespass,” The defendant argues that these claims are preempted, while the plaintiff contends that the claims are not preempted because they relate to the tangible Photographs, other photographs, videotapes, and depictions of the Lennons that the defendant allegedly possesses, rather than the copyright in those works.
Thus, the issue in dispute is whether the “general scope” requirement is met. It is clear- that if the gravamen of plaintiffs claims were the unauthorized publication of the items, then the right the plaintiff would be seeking to enforce would be “coextensive with an exclusive right already safeguarded by the Act — namely, control over reproduction of and derivative use of copyrighted material,” and the claim would be preempted.
Harper & Row, Publishers, Inc. v. Nation Enter.,
B. Claim Eleven — Unjust Enrichment
In her eleventh claim, the plaintiff alleges that the defendant has been and may continue to be unjustly enriched by his exploitation of the Photographs and by his claim of ownership in those Photographs.
The first step in the two-step inquiry is whether the state law rights on which the plaintiff is suing are equivalent to the rights protected by federal copyright law.
See Altai,
C. Claim Twelve — Breach of Contract
The plaintiff alleges that the defendant signed a contract (“Confidentiality Agreement”) whereby he agreed “not to divulge, exploit, commercially or otherwise, or publicize, in any manner whatsoever, any information, facts, or anecdotes or otherwise relating to [the Lennons] in any manner” without prior written permission from the Lennons.
(See
Second Amend. Compl. at ¶ 5, quoting Confidentiality Agreement.) The plaintiffs twelfth claim alleges that the defendant has breached this contract during the past six years, through public dissemination of the Photographs, other material, and private information regarding the Lennons. The thirteenth claim seeks to enjoin the defendant from disseminating this information any
At the outset, the Court notes that while there is not consensus among courts and commentators on whether breach of contract claims should be preempted by § 301, the greater weight of the authority indicates that breach of contract actions are generally found not to be preempted by the Copyright Act.
See, e.g., ProCD, Inc. v. Zeidenberg,
While many courts have held certain contract claims not to be preempted by federal copyright law, it is important to note that not all of these holdings are based on the same principles. For example, some cases, such as
Architectronics,
appear to stand for the broad proposition that it is the promise inherent in contract arrangements that is the “extra element” that saves contract claims from preemption. Under this theory, “a breach of contract claim is not preempted even if the contract involves the rights granted to copyright owners under the Copyright Act” because, unlike claims for copyright infringement, claims based on a contract will involve the extra element of a promise by one party to another.
Architectronics,
This Court as well finds that it is not necessary to determine whether a claim based on a contract between the parties that encompasses solely the exclusive rights under copyright law would be preempted. Instead, we find that the claim is not preempted because it involves rights that are not the equivalent of those under the copyright laws.
By signing the agreement in question, 4 the defendant, in sum, consented that, as a condition of his employment, he would not disclose information about the Lennons to others without prior written permission. The contract therefore creates a right that the plaintiff not have information about the Lennons divulged to the public by the defendant, who was in her employ. Thus, we read the breach of contract claim to be seeking to enforce the plaintiffs bargained-for right not to have certain information disclosed to others, rather than, as the copyright law provides, to enforce an exclusive right to reproduce, distribute and display certain works. 5 As such, the contract claim seeks to enforce rights that are qualitatively different from those created by the federal copyright laws.
We also note that the gravamen of plaintiffs breach of contract is the breach of a contractual duty of confidentiality, which has been held to qualitatively distinguish such a claim from a claim of copyright infringement.
See Brignoli,
Thus, because the breach of contract claim seeks to enforce rights that are qualitatively different than those created under the copyright laws, it is not preempted. Furthermore, because we find that the breach of contract claim is itself not preempted by federal copyright law, we also find that the plaintiffs thirteenth claim seeking to enjoin the defendant from further breaching the Confidentiality Agreement is similarly not preempted.
IV. The Defense of Laches
The defendant asserts the defense of laches in his motion to dismiss
This is not such a case, however. As the Court noted to the parties at oral argument, in the instant action, a ruling on the defendant’s defense of laches would necessarily involve a fact-intensive analysis and balancing of equities that would require the Court to consider matters outside of the pleadings that are in dispute. For example, the plaintiff argues that the defendant’s fraudulent concealment of the material at issue bars the defendant from asserting a defense of laches since such a defense is often unavailable to those who have “unclean” hands. The defendant, on the other hand, denies fraudulently concealing the Photographs, and the other material at issue. The instant action is so replete with allegations from both sides, many of which would bear on the applicability of the defense of laches if found to be accurate, that the defendant’s assertion of laches is inappropriate for adjudication at this stage of the litigation. Therefore, the defendant’s motion is denied.
V. Defendant’s Motion to Dismiss Based on the Statutes of Limitations
A. Legal Standard
The defendant asserts that claims three through eight, twelve and thirteen are barred by the relevant statute of limitations. “While a statute-of-hmitations defense may be raised in a motion to dismiss under Fed.R.Civ.P. 12(b)(6), such a motion should not be granted unless ‘it appears beyond a doubt that the plaintiff can prove no set of facts in support of his claim which would entitle him to relief.’ ”
Ortiz v. Cornetta,
B. Recovery of Chattels and “Trespass”
The plaintiffs seventh and eighth causes of action, entitled “recovery of chattels” and “trespass,” respectively, relate to the defendant’s alleged removal of certain materials from the Lennons’ apartment in the early eighties. The defendant claims that the statute of limitations on these claims ran numerous years ago.
The statute of limitation in New York for “recovery of chattels” is three years.
See
N.Y.C.P.L.R. § 214(3). When the claim is brought against the alleged “thief’ of the goods, the statute “ ‘runs from the time of the theft ... even if the property owner was unaware of the theft at the time that it occurred.’ ”
Johnson v. Smithsonian Inst.,
The statute of limitations applicable to the plaintiffs eighth claim, entitled “trespass,” requires a review of the essence of the plaintiffs assertions. Although the claim bears the title of trespass, in analyzing a statute of limitations argument, we must look beyond the title to the true substance of the claim.
See Dolmetta v. Uintah Nat’l Corp.,
The plaintiff claims that the defendant, without authorization, took the materials in question from the Lennons’ apartment between December 1980 and December 1981, and refuses to return them. {See Second Amend. Compl. at ¶ 87.) Such taking, particularly for a prolonged period of time, is not merely an interference with property rights, but rather, a denial of the plaintiffs dominion and possession of the property. The plaintiffs possessory rights have allegedly been completely usurped, not merely interfered with, by the defendant’s actions for over seventeen years. Indeed, even the complaint, in the recovery of chattels claim, alleges that the defendant converted the items. {See Second Amend. Compl. at ¶ 78.) Thus, the plaintiffs claim is actually one for conversion and not one for trespass.
The distinction between a claim for trespass and a claim for conversion is of particular import in determining whether the claim is time barred. A claim for trespass may be considered a continuing offense, whereby “each day the rightful possessor’s use and enjoyment of the chattel is impaired,” a new claim accrues.
Weisman v. Rosenker,
No. 84 Civ. 2258,
The plaintiff, acknowledging that the actions in question occurred numerous years ago, argues that the defendant’s fraudulent concealment of the fact that the defendant took the items in question should equitably estop the defendant from asserting the time bar. The plaintiff is correct in asserting that an intentional
At this stage of the litigation, such pleading of concealment is generally sufficient to survive the motion to dismiss due to the running of the statute of limitations, since we view the pleadings in the light most favorable to the plaintiff. The defendant, however, makes a valid argument in regards to the photographs that were published in the 1991 publication of The Last Days of John Lennon. 8 The defendant argues that the plaintiff must have known about the book in 1991, and, therefore, realized that the defendant was in possession of the photographs published in the book. The defendant points to a “cease and desist” letter from the plaintiffs lawyer to the publishers of the book as evidence that the plaintiff knew of the book. (See Crouch Aff, Exh. 1.) Furthermore, the 1991 book states “all photos courtesy of Fred Seaman.” (See LiCalsi Aff. in Opp., Exh. E.)
The Court agrees with the proposition inherent in the defendant’s position, which is that the plaintiff cannot rely on the defendant’s alleged concealment of his possession of the photographs if she nevertheless was clearly aware that he possessed them as of 1991. Furthermore, where the conduct relied upon for equitable estoppel “ceases to be operational after the expiration of the period of limitations ... the preferred analysis ... holds that due diligence on the part of the plaintiff in bringing his action is an essential element of the applicability of the doctrine.”
Simcuski v. Saeli
Thus, the first question we must answer is when the plaintiff became aware of the essential facts surrounding her cause of action, or, in other words, when the fraudulent concealment ceased to be operational. The second question that must be addressed is how long the plaintiff delayed in filing her suit after she was aware of all the essential facts relating to her cause of action, and whether that time lag was reasonable.
See id.
Evidence of the plaintiffs knowledge of the book and, therefore, the defendant’s possession of the photographs appearing in that book, is compelling. However, this evidence lies outside the four corners of the complaint, and is not properly considered by the Court on a motion to dismiss.
See Amaker,
Summary judgment is proper only if “there is no genuine issue as to any material fact and when, based upon facts not in dispute, the moving party is entitled to judgment as a matter of law.”
Hayes v. New York City Dep’t of Corrections,
The plaintiff herself does not contend that she was unaware of the publication of the book. Indeed, she argues that she did not pursue legal remedies in 1991 because she feared bringing greater attention to the book. (See PL’s Mem. of Law in Opp. at 9.) Embedded in that argument is the acknowledgment that she was aware of the content of the book. In light of the documentary evidence that the plaintiff was aware of the book’s publication, the plaintiffs own argument indicating that she knew of the book’s publication in 1991, and that the book states “all photos courtesy of Fred Seaman,” we determine that there is no dispute of material fact relating to the plaintiffs knowledge that the defendant had the photographs in his control by 1991. We find that no rational jury could find that the publication of the book failed to put the plaintiff on notice that the defendant had control of these photographs. Thus, the latest that the recovery of chattels and conversion claims began to accrue, as they relate to the photographs contained in the book, is 1991.
According to the analysis endorsed in
Simcuski,
the relevant question then becomes whether the plaintiffs delay in bringing the recovery of chattels and conversion claims was reasonable.
See Simcuski,
The question then arises whether the discovery that the defendant possessed some of the plaintiffs property obligated the plaintiff to make inquiries as to what other items may be in the defendant’s possession, or in some manner placed her on notice that he had other items from the
The parties have not briefed this issue, however. Information, such as how the photographs (other than those in the book), the videotapes and other depictions were actually discovered, as well as the nature of these items, and whether they are closely related in kind to the photographs in the book, are all among the issues that may bear on the question of whether the recovery of chattels and conversion claims are timely. For these reasons, the Court declines at this time to grant the defendant’s motion to dismiss the claims of recovery of chattels and conversion as they relate to items other than the photographs contained in the 1991 publication. The Court, however, grants the defendant leave to raise the issue at the appropriate time.
C. Claims Based on the Copyright Act
Plaintiffs third claim is entitled “Copyright infringement” and alleges that the defendant has, in the three years preceding the filing of the instant action, copied, published, displayed and distributed Photographs, other photographs, depictions and videotapes of the Lennon family in violation of 17 U.S.C. §§ 501, 106. The defendant, however, argues that this claim, as well as the fourth and sixth claims, is actually a claim for ownership in the items, rather than a claim for infringement.
The applicable statute of limitations under the copyright laws is three years. 17 U.S.C. § 507(b). (“No civil action shall be maintained under the provisions of this title unless it is commenced within three years after the claims accrued”) Generally, a claim begins to accrue when the party asserting the claim knows or should have known of the injury on which the claim is based.
See Merchant v. Levy,
Thus, it would appear that plaintiffs third claim, which relates to infringements that allegedly occurred in the three years prior to the filing of the action, would be timely. Defendant, however, construes plaintiffs third claim as one of ownership, not infringement. Defendant then cites to
Netzer v. Continuity Graphic
Assocs.,
Inc.,
When a plaintiff brings an “infringement” action where the plaintiff is asserting that he is a co-owner of a copyright, such an action is not considered an infringement action because “an action for infringement between joint owners will not lie because an individual cannot infringe his own copyright. The only duty joint owners have with respect to their joint work is to account for profits.”
Weissmann v. Freeman,
Plaintiff, however, does not contend that she is a co-owner of the copyrights to the Photographs. Rather, she contends that she is the sole owner, the material having been produced as works for hire, and that the defendant infringed her rights as such an owner. Thus, the immediate rationale for determining that a claim of co-ownership accrues not at the time of infringement, but rather at the time of a repudiation of co-ownership, namely, that co-owners cannot infringe each other, is not present in the instant case.
Oddly, although the defendant cites to Netzer, the language in his briefs indicates that he is not seeking to draw an analogy to the copyright co-ownership line of cases, but rather appears to rests his argument on the notion that the plaintiffs infringement claims are actually claims seeking to vindicate a property right in the Photographs themselves rather than a copyright, and therefore the statute of limitations should begin to run at the time the plaintiff knew that the defendant had the Photographs. {See Defend’s Reply at 3.) That argument is without merit, since the third cause of action clearly states a claim based on copyright infringement, not on a possessory right to the Photographs.
Nevertheless, the defendant could urge the court to draw an analogy between cases involving disputes of copyright ownership in employer/employee relationships and the line of co-ownership in copyright cases. The Court does not decide whether such an argument, if made, would have merit because the parties have not fully briefed the issue, and because even if the Court were to find it meritorious, the defendant would still not have met his burden on his motion because a disputed issue of fact exists. Namely, the plaintiff argues that she was not aware that the defendant was asserting exclusive copyright ownership over the disputed materials until 1999 when the defendant allegedly infringed the copyright. (See Oral Arg. of June 24, 1999, Tr. at 17.)
Plaintiff contends that she did not know or have reason to know that the defendant was asserting copyright ownership in the Photographs earlier than 1991 because she did not know, due to the defendant’s alleged fraudulent concealment, of the existence of the Photographs at that time. Furthermore, she claims that even when the defendant published the 1991 book The Last Days of John Lennon, he did not assert copyright ownership. Instead, she claims that in the 1991 book, he merely stated “All photos courtesy of Frederic Seaman,” and “All photos by Frederic Seaman, except where otherwise noted.” {See Pl.’s Mem. of Law in Opp. at 12; LiCalsi Aff., Exh. E.) Further, she claims that the certificate of copyright registration relating to the book did not alert her to the defendant’s intent to claim copyright ownership since that registration claimed a copyright only to the text of the book and not to the pictures. {See Pi’s Mem. of Law in Opp. at 12; Crouch Aff, Exh 2.)
Even if the Court were to view the third claim as it would view a claim for co-ownership in a copyright, the defendant’s motion would still be denied because it remains a disputed question of material fact when the plaintiff was put on notice of the defendant’s claim of copyright ownership in the Photographs.
9
Viewing the evidence in the light most favorable to the plaintiff, the defendant began asserting
The defendant also moves to dismiss the plaintiffs sixth claim seeking an injunction against future infringements on the theory that the claim is barred by the statute of limitations. We deny this motion for the same reasons that we deny the motion relating to the third claim.
The plaintiffs fourth claim is entitled “Declaratory Judgment” and seeks a declaration that the plaintiff “is and always has been the rightful owner of the copyrights to the Photographs, and all other photographs, videotapes, or depictions of or including the Lennon Family or any member thereof that defendant created while employed by Lennon and/or Mrs. Lennon,” and that the defendant “has no right to the copyrights to the Photographs or any other photographs, videotapes, or depictions of or including the Lennon Family or any member thereof that defendant created while employed by Lennon and/or Mrs. Lennon.” (Second Amend. Compl. at ¶ 62 (emphasis added).)
As with the third claim, the defendant appears to argue that this claim is barred by the statute of limitations because it is actually a claim for property rights in the Photographs to which the statute of limitations began to accrue at the time when the plaintiff became aware that the defendant possessed the Photographs. The defendant does not offer any support for the argument that the fourth claim is actually a claim for property rights in the actual Photographs. Indeed, the words in the complaint establish that this claim is one relating to copyright entitlements. Therefore, the plaintiff’s claim did not begin to accrue at the moment she knew of the defendant’s possession of the Photographs, as the defendant contends.
When exactly the plaintiffs fourth claim did begin to accrue is not an issue that the Court need decide here, 10 because, as discussed above, even if the claim began to accrue as early as the point when the plaintiff knew or should have known that the defendant was claiming copyright ownership in the Photographs, the plaintiff contends that she was not put on notice of the defendant’s claim of copyright ownership until 1999. This is a disputed issue which we construe in plaintiffs favor, as we must at this stage, that would prevent dismissal of the claim.
The defendant alleges that the plaintiffs fifth cause of action, alleging fraud on the copyright office, is barred by the statute of limitations. Since the complaint alleges that the defendant wilfully misstated and/or failed to state a material fact in his copyright registration application in April 1999, the defendant’s argument relating to his 1991 copyright application is baffling. There is no indication that the fifth cause of action is time-barred. Quite the contrary, the claim presents a possible question of ripeness. The claim alleges that as
Although the defendant has not raised the ripeness doctrine, the Court is entitled to do so sua sponte, regardless of whether the issue is one drawing from Article III or prudential concerns. '
See Reno v. Catholic Soc. Serv., Inc.,
D. Claim Relating to Breach of Confidentiality Agreement
Finally, the defendant argues that the plaintiffs breach of contract claim — which is based on a confidentiality agreement — is time barred. Specifically, the defendant argues that the claim began to accrue in 1991, at the time of publication of the defendant’s book, and is therefore untimely-
The applicable statute of limitations is six years.
See
N.Y.C.P.L.R. § 213(2). The general rule in New York is that the statute of limitations begins to run “when a contract is breached or when one party omits the performance of a contractual obligation.”
Airco Alloys Div., Airco Inc. v. Niagara Mohawk Power Corp.,
We note that the contract in question, if valid, may have imposed on the defendant a continuing contractual obligation not to disclose information regarding the Lennons. For this reason, we find that at this stage of the litigation, the plaintiffs breach of contract claim is timely as pled, and the defendant’s motion is denied. Similarly, the defendant’s motion to dismiss the thirteenth cause of action, seeking an injunction against any future attempts to breach the contract, is denied.
VI. Motion to Strike
The defendant moves to strike paragraphs 1-36 of the complaint stating that these paragraphs are scandalous, defamatory, and irrelevant. The motion is denied.
Pursuant to, Fed.R.Civ.P. 12(f), a Court may order “any redundant, immaterial, impertinent or scandalous matter” be stricken from a pleading. Fed.R.Civ.P. 12(f). Motions to strike, however, “are not favored and will not be granted unless it is clear that the allegations in question can have no possible bearing on the subject matter of the litigation.”
See, e.g., Food and Allied Serv. Trades Dep’t v. Millfeld Trading Co.,
The defendant argues that the sections of the complaint that discuss an alleged scheme by the defendant to remove articles from'the plaintiffs home and the defendant’s subsequent criminal conviction for larceny relating to such articles are not relevant to the copyright claims. 11 Setting aside the question of whether these portions of the complaint would be entirely irrelevant to the copyright claims, the defendant fails to acknowledge that the plaintiffs complaint is not limited to allegations of copyright infringement. It also includes claims such as conversion and return of chattels, to which a scheme to steal items from the plaintiffs home may be relevant. Further, the Court notes that the disputed portion of the complaint may be relevant to the resolution of various issues raised by the defendant, such as laches and statute of limitations. To name one example, the reference to the defendant’s plea bargain in which he allegedly agreed to return any property he had wrongfully taken from the Lennon premises may bear on the question of at what point the plaintiff should be chargeable with knowledge of the defendant’s possession of certain photographs.
In sum, because the defendant has failed to show that the allegations in paragraphs 1-36 have no bearing on the subject matter of the litigation, we deny the motion.
VII. Motion to Dismiss for Failure to Comply with Rule 8(a)
The defendant also moves to dismiss the complaint for failure to comply with Fed. R.Civ.P. 8(a). Rule 8(a)(2) provides that a complaint “shall contain ... a short and plain statement of the claim showing that the pleader is entitled to relief.” Fed. R.Civ.P. 8(a)(2).
See also
Fed.R.Civ.P. 8(e)(1) (“Each averment of a pleading shall be simple, concise, and direct.”) When a complaint does not comply with this rule, the Court may strike portions of the complaint, or dismiss the complaint.
See Simmons v. Abruzzo,
The defendant claims that the complaint is confusing and verbose, and that it is difficult to decipher what claims the plaintiff is attempting to make. The Court cannot agree with the defendant’s assertions that the complaint is confusing and difficult to decipher. The complaint is divided into three sections: “parties, jurisdiction and venue,” “background facts,” and the plaintiffs thirteen causes of action. The Court in reviewing the complaint and the defendant’s motion to dismiss the plaintiffs causes of action did not have difficulty in ascertaining the substance of the plaintiffs allegations, and finds that the complaint does fairly put the defendant on notice of the claims asserted against him.
While clear, the background section of the complaint may contain more detail— and perhaps strikes a more bitter tone— than necessary to advance the legal claims at issue. Indeed, as we noted at oral argument, communications by both parties to the Court reflect the animosity underlying their soured relationship. Undoubted
VIII. Motion to Dismiss for Lack of Subject Matter Jurisdiction
The defendant argues that because the plaintiffs copyright claims ought to be dismissed, the Court lacks subject matter jurisdiction over the action. Because the copyright claims, which arise under federal law, remain in the suit, the Court has subject matter jurisdiction pursuant to 28 U.S.C. §§ 1331, 1338, and supplemental jurisdiction over the state law claims pursuant to 28 U.S.C. § 1367. The defendant’s motion to dismiss for lack of subject matter jurisdiction is, therefore, denied.
IX. Defendant’s Assertion that Plaintiff Lacks Standing
The defendant’s reply brief contains the assertion that the plaintiffs “claims-lack standing.” The brief devotes four sentences to the issue, and provides no supporting case law. Furthermore, the timing of the defendant’s argument did not afford the plaintiff the opportunity to brief the issue.
The Court does not understand the defendant’s argument to relate to constitutional standing requirements — injury in fact, a casual connection between the injury and the conduct complained of, and redressability,
see Golden Hill Paugussett Tribe of Indians v. Weicker,
X.Defendant’s Motion for Fees and Costs
The defendant’s motion for fees and cost is without merit, and, indeed, without any supporting argument by the defendant. Therefore, the motion is denied.
CONCLUSION
The defendant’s motions are denied, except as follows: i) the plaintiffs claims for tortious interference with contract and pri-ma facie tort are dismissed; ii) the plaintiffs claims for recovery of chattels and “conversion,” are dismissed to the extent that these claims relate to the photographs contained in the 1991 book
The Last Days of John Lennon;
and iii) the plaintiffs unjust enrichment cause of action is dismissed because it is preempted by federal copyright law. Furthermore, the plaintiff is directed to submit to the Court briefing on the issue of the Court’s jurisdiction over the material other than the Photographs in the copyright infringement claims, and the parties are directed to submit to the Court briefing on the issue of ripeness of the plaintiffs fraud on the Copyright Office
SO ORDERED.
Notes
. As is discussed below, the plaintiff's claim entitled "trespass” is in reality a claim for conversion.
. Hereinafter these 42 and 332 photographs are collectively referred to as the "Photographs.”
. The defendant argues that because paragraph 50 of the plaintiff's complaint, relating to one of the plaintiffs copyright claims, is similar to paragraphs 77 and 86, which relate
. The Court is aware that the defendant claims that he did not sign the contract. Nevertheless, for the purposes of this motion, we must construe the allegations in the complaint in the plaintiff’s favor.
. A purely hypothetical scenario may better illustrate the point. If the plaintiff alleged that the defendant had confiscated an article that she had written about life in the Lennon home, and had published that article, the plaintiff then might have had a copyright infringement claim for publication of the article against the defendant, and also a breach of contract claim for disclosure of the information contained in the article about the Len-nons. The two rights are separate. One concerns the exclusive right to reproduce and display the work, while the other concerns the contractual right not to have the information in the work divulged to any other individual. The question of whether the Photographs and other material do actually constitute divul-gences of information about the Lennon family is, of course, an issue for another day.
. An action for recovery of chattels against a good-faith purchaser of the goods, on the
. We note that the defendant’s argument that the plaintiff cannot use as a basis for an equitable estoppel claim the defendant's false representation that he complied with his plea agreement is misplaced. The defendant relies on his position as to the ultimate issue in the case — that he is the rightful owner of the works — to argue that there was no fraudulent concealment and no false representation. Such an argument, however, is inappropriate at this stage of the litigation.
. The Court understands that apparently other books by the defendant have been published. Nevertheless, the defendant's argument centers around The Last Days of John Lennon, and, therefore, the Court limits its analysis to the pictures contained in that book.
. Consideration of the evidence relevant to the defendant's assertions or non-assertions of copyright ownership would require the Court to convert this portion of the motion to dismiss to a summary judgment motion.
See Amaker v. Weiner,
. The defendant does not argue that the statute of limitations should begin to accrue at the time she knew or had reason to know that the defendant was asserting sole copyright ownership in the disputed material. However, one case does suggest that a declaratory judgment for copyright ownership is subject to the three year statute of
limitations,
and that the limitations period starts to run at the time the plaintiff is aware of the defendant’s assertion of ownership.
See Aday v. Sony Music Entertainment Inc., 99
Civ. 0991,
. The defendant fails to particularize which portions of paragraphs 1-36 he alleges are scandalous, defamatory or irrelevant. It is clear that the defendant cannot in good faith allege that all these paragraphs should be stricken. For example, paragraphs 1, 3-4 constitute merely a description of the plaintiff, and a statement of venue and subject matter jurisdiction. The Court therefore has confined its analysis to the portions of the complaint that are mentioned with some minimal degree of specificity by the defendant.
. The relevant portion of the reply brief states: "Plaintiff's claims lack standing because Frederic Seaman was an employee of Lennono Music Corporation. Moreover, to the extent that Plaintiff claims that the photographs were works made for hire for John Lennon, the Estate of John Lennon is the proper party to bring this action. Plaintiffs Claim V for Fraud is allegedly perpetrated on the Copyright Office. Therefore, the Copyright office is the proper party to bring such a claim.” (See Def's Reply at 5.)
