99 F. Supp. 180 | E.D. Pa. | 1951
Four actions seeking treble damages and' injunctive relief under the Sherman and Clayton Anti-Trust Acts, 15 U.S.C.A. §§ 1-7 and 12-27, have been filed by separate plaintiffs against the defendants. In each case plaintiffs have moved for summary-judgment on the injunctive phase of their actions. It has been stipulated that affidavits relating to the motion filed in any of the actions shall be a part of the record in all the actions, and the motions, were argued as a unit. Hence, they wilh be considered together.
In 1942 an anti-trust suit was brought in this district by some of the present plaintiffs against some of the present defendants. The action was settled by the execution of sub-license agreements between National Screen and those plaintiffs. All of the present plaintiffs are currently being supplied with standard accessories under sub-licenses.
The plaintiffs. contend that National Screen has acquired an unlawful monopoly of the business of distributing standard advertising accessories, in violation of Section 2 of the Sherman Act, and that all defendants have conspired to create the monopoly, in violation of Sections 1 and 2 of the Act.
At the outset it must be noted that the producer-distributor defendants and
On the question of illegal monopoly in the standard accessory field, it is necessary to determine first, whether National Screen possesses monopoly power. “The authorities support the view that the material consideration in determining whether a monopoly exists is not that prices are raised and that competition actually is excluded but that power exists to raise prices or to exclude competition when it is desired to do so.” American Tobacco Co. v. United States, 328 U.S. 781, 811, 66 S.Ct. 1125, 1139, 90 L.Ed. 1575. By virtue of its exclusive contracts with the eight other defendants (or their affiliates), National Screen has the power to remove plaintiffs from competition by refusing to supply them under the sub-license agreements, or by refusing to renew those agreements at their expiration.
It should next be determined whether National Screen has actually exercised its power to exclude competition. There can be “no more effective exclusion than progressively to embrace each new opportunity as it opened, and to face every newcomer with new capacity already geared into a great organization, having the advantage of experience, trade connections and the elite of personnel. Only in case we interpret ‘exclusion’ as limited to manoeuvres not honestly industrial, but actuated solely by a desire to prevent competition, can such a course, indefatigably pursued, be deemed not ‘exclusionary.’ So to limit it would in our judgment emasculate the Act; * * United States v. Aluminum Co. of America, 2 Cir., 148
The defendants argue that each of the producer-distributors could, in the conduct of their businesses, handle the production and distribution of their standard advertising accessories themselves, without the intervention of any middlemen, as indeed they formerly did;
The plaintiffs, therefore, face the threat of the irreparable injury of exclusion from competition by National Screen’s monopoly, and they are entitled to injunctive relief against the monopoly under Section 16 of the Clayton Act.
The charge of conspiracy .among all the defendants to create a monopoly is based on the fact of the existence of the exclusive contracts between National Screen and each of the eight producer-distributor defendants or their affiliates. No attempt is made to prove an express agreement. Of course, the law is well settled that “It is not necessary to find an express agreement in order to find a conspiracy. It is enough that a concert of action is contemplated and that the defendants conformed to the arrangement." United States v. Paramount Pictures, 334 U.S. 131, 142, 68 S.Ct. 915, 922, 92 L.Ed. 1260; accord, Interstate Circuit v. United States, 306 U.S. 208, 226-227, 59 S.Ct. 467, 83 L.Ed. 610; Ball v. Paramount Pictures, Inc., 3 Cir., 169 F.2d 317, 319. “Uniform participation by competitors in a particular system of doing business where each is aware of the other’s activities, the effect of which is restraint of interstate commerce, is sufficient to establish an unlawful conspiracy under the statutes before us.” Goldman Theatres v. Loew’s, Inc., supra, 150 F.2d at page 745. The existence of the several exclusive license agreements is evidence of a uniform participation by competitors in a particular system of doing business, and the effect of that system is to create a monopoly in National Screen. Without additional evidence, it cannot be said that a conspiracy exists. The essence of conspiracy, in the absence of actual agreement, is scienter by the conspirators: a mutual awareness of each other’s activities, a contemplated concert of action. There may be circumstances in which mutual knowledge should be inferred in the absence of specific proof. See Rostow, “Monopoly under the Sherman Act: Power or Purpose?” (43 Ill.Law Rev. 745, 781-785). Evidence of such circumstances is not available in these cases at this point of the proceedings. The affidavits submitted by the defendants clearly indicate that each producer-distributor entered into its agreement with National Screen independently, for legitimate business reasons related to its own enterprise; the contracts were entered into over a period of eight years, for varying periods of time, and they contained varying financial provisions which even now appear to be unknown to defendants not privy to a particular contract.
The nature of the injunctive relief prayed is based upon the assumption of the existence of both monopoly and conspiracy, entailing-a decree running against all defendants. Since, on summary judgment, monopoly, and not conspiracy, has been established, a decree can issue against monopoly by National Screen, but not against conspiracy by the producer-distributor defendants. Because of the intimate relationship of the latter to the problem of monopoly, it will be difficult to frame a suitable decree leaving these out of consideration. Nevertheless, the plaintiffs are entitled to a decree restraining National Screen from monopolizing the business of distributing standard accessories, so that they will be able to engage in that business under fair, competitive conditions. Rather than issue a decree now, the court feels that it would be more advisable to permit the parties to submit proposed terms for a decree and to hear argument on them. Accordingly, it will be so ordered.
. Three of the defendants, Paramount Film Distributing Corporation, Universal Film Exchanges, Inc., and Warner Bros. Pictures Distributing Corporation, who do not produce but only distribute films, have not themselves entered into contracts with National Screen; the contracts relevant to them were entered into by their respective producer affiliates. The remaining defendants contracted directly with National Screen: Columbia Pictures • Corporation, Loew’s Incorporated, RICO Pictures, Inc., Twentieth Century-Fox Film Corporation and United Artists Corporation. These defendants, with the exception of United Artists, both produce and distribute films; the latter is exclusively a distributory of motion pictures produced by independent producers.
. The various contracts also grant National Screen exclusive privileges with respect to the manufacture and distribution' of specialty accessories and, except for Warner and Loew’s pictures, toilers. The plaintiffs have never manufactured nor do they desire to manufacture any accessories, and their sole interest in distribution is confined to standard accessories. The charge of monopoly, therefore, is based only on the business of distributing standard accessories.
. “ * * * [T]he two sections overlap in the sense that a monopoly under § 2 is a species of restraint of trade under § 1.” United States v. Socony-Vacuum Oil Co., 310 U.S. 150, note 59 at page 226, 60 S.Ct. 811, 846, 84 L.Ed. 1129.
. Or by servicing plaintiff’s customers at prices much lower than those paid to National Screen by the plaintiffs themselves under the sub-licenses. The licensing agreements between National Screen and the producer-distributor defendants contain provisions whereby each licensor is protected from price discrimination against its accessories in favor of the accessories of another producer, and there are also provisions whereby National Screen agrees not to exceed certain prices previously charged by the producer itself, except for the factor of rising costs. There is no provision requiring a minimum price to be charged, and National Screen could, if it chose, grossly undercut the plaintiffs.
. Judge Knox’ opinion contains an excellent summary of the law of monopoly under Section 2.
. Provisions in the various licensing agreements prevent National Screen from making price discriminations against one licensor’s accessories in favor of another’s. These provisions certainly indicate some degree of intrinsic competitiveness. between posters advertising •different films.
. Plaintiffs, who acquired copies of the contracts from National Screen on discovery, were prohibited, by order of Judge Grim on National Screen’s motion, from employing the full text of any of the financial terms and provisions of the license agreements between National
. It appears that there are only twelve corporations in the United States who are engaged in the business of distributing feature motion pictures on a national scale: The eight defendants in these actions,, plus Eagle Lion Films, Inc., Film Classics, Inc., Monogram Distributing Corporation, and Republic Pictures Corporation. There are no figures in evidence which establish the percentage of the market occupied by the eight defendants, but plaintiff Pantzer’s affidavit stating that the present defendants, or their subsidiary or affiliated corporations, produce and distribute virtually - all of the commercially significant motion picture films exhibited in the United States, is not denied. Nor do the defendants contend or make any attempt to establish as a fact that the eight producer-distributors do not control such a portion of the market of motion pictures that their combined standard accessory business constitutes a monopoly of that business.
. [3] 5. At p. 225, of 332 U.S., at page 1564 of 67 S.Ct., 91 L.Ed. 2010: “ * * * § 2 of the Act makes it unlawful to conspire to monopolize ‘any part’ of interstate commerce, without specifying how large a part must be affected. ‘ Hence it is enough if some appreciable part of interstate commerce is the subject of a monoply, a restraint or a conspiracy.”
. In the year 1949 the amount of gross revenue received by National Screen from motion picture exhibitors, serviced by its Philadelphia branch office, by virtue of the sale,’ lease or rental of standard accessories, was $149,116.25.
.[4] The distribution of motion pictures by the eight producer-distributor defendants is clearly interstate commerce, United States v. Paramount Pictures, Inc., 334 U.S. 131, 68 S.Ct. 915, 92 L.Ed. 1260, and the distribution of standard accessories, containing copyrighted material from the films, is closely connected with and highly analogous to the distribution of the films. Before National Screen’s appearance in the picture, the-posters were manufactured by the producers and distributed in the same manner as the films themselves, through the -film exchanges. Now they are produced by National Screen, with certain materials and supervision being furnished' by the producer-distributors; the posters are then shipped b'y National- Screen to-its branch offices located in more than thirty cities throughout the United States (the same cities in which the motion picture distributors’ film exchanges are located), or to one of the independent poster-renters located in the same cities; from each of these points the materials are rented to the same exhibitors to whom the film exchange offices in the same city rent the films themselves-At no place in the defendants’ answers is there a clear-cut admission that the poster-distribution business is interstate
. All of the original contracts in effect at the time of the commencement of these actions have expired, except the Loew’s contracts, which run to 1952. Four of the producer-distributor defendants have renewed their contracts with National Screen on a basis “non-exclusive” in terms: Columbia, RKO, Fox and Universal. There is not now on the record any contract between National Screen and Paramount, United Artists or Warner. It is not denied, however, that the latter three allow only National Screen to distribute standard accessories relating to their films, and it appears without denial that their operating policies remain the same as they were under the original contracts.
. In SKO’s contract, a breach of this-condition gives National Screen the right to cancel the agreement.
. The producer-distributor defendants’' affidavits assert that it was their original policy to distribute standard ac- • cessories themselves, without the' intervention of any middlemen. Three of these defendants deny categorically that plaintiffs were ever permitted to acquire-accessories from them in order to service exhibitors, and one defendant admits furnishing accessories to plaintiffs.