240 F. 536 | S.D.N.Y. | 1917
The defendant Weissberg is a professional actor, known as “Billy West,” and is called throughout the contract “the artist.” The contract provides for his employment as a “sole” star of motion pictures. The plaintiff here seeks to enjoin Weissberg from entering the employment of the codefendant. The third paragraph of the contract provides :
“It is agreed that the manager shall have the privilege to assign this contract to any other' person, firm or corporation without the written consent of the ‘artist’ and that in the event of such assignment the said ‘manager’ shall be relieved from any and all financial liability under the terms and conditions of this agreement.”
The fourth paragraph provides:
“It is hereby agreed that the ‘artist’ shall devote his entire time and attention for the rendition of the services herein agreed to be rendered by him to the utmost of his ability, and to the satisfaction of the manager.”
The sixth paragraph provides for a scale of wages commencing in November, 1916, up to and including October 31, 1919.
The eleventh paragraph provides:
“ * * * It is expressly understood and agreed that the ‘artist’ shall receive no compensation for performances in which he does not actually render his services or for non-playing days which should occur because of sickness to him, public calamity, riots or from the acts of God or the public enemy or for such times when the said company for which the ‘artist’ shall be cast may not be playing or for any other reason the said ‘manager’ is not responsible for.”
The defendants oppose the granting of this preliminary injunction upon the following grounds:
(a) That a court of egruity will not decree specific performance in a case where it cannot compel complainant to perform on the ground that such a contract is lacking in mutuality.
!b) That the contract gives the power to one of the parties to dissolve such contract at any time whether legally or otherwise, and is therefore not enforceable in equity.
(c) That the contract is not fair, just, and equal in all its parts.
(d) That the complainant has abandoned the contract by failure to live up to its terms.
The often heard maxims, “He who goes into a court of equity must go with clean hands,” and “He who has not done equity cannot have equity,” have giyen rise to the rule of law that a court of equity will leave to remedy at law, and will refuse to interpose to grant relief to one who, in the matter or transaction concerning which he seeks aid.
“What employment was the plaintiff bound to give her? There is nowhere any obligation on the part of plaintiff to employ Tetrazzini any given number of times in any one week or during the whole term! of the contract, which is cleverly devised for the benefit of plaintiff alone. * * * But in the contract before us there is no mutuality. Plaintiff was not bound to pay defendant any certain sum, or to give her any certain number of appearances, and therefore the contract is void for the want of mutuality.”
In the present contract, during the term of employment, the employer has the right not to use defendant’s services or pay therefor. In Keith v. Kellerman (C. C.) 169 Fed. 196, the court held :
“On the other hand, the second part of the contract,' regulating the summer season, seems to me to be open to the objection that it does lack equitable mutuality. Neither expressly nor by necessary implication does it fix the periods when performances shall be given. For business or other reasons satisfactory to him, the plaintiff might omit exhibitions during any part of the summer season. During such period there will be no proceeds to divide, and the defendant would be without compensation an'd at the same time under a covenant not to perform for any one else. The contract lacks in this respect the kind of mutuality which moves a court of equity to aid its performance by injunction. Shubert Theatrical Co. v. Coyne (Sup.) 115 N. Y. Supp. 968. As in the cause cited, the defendant would receive compensation, if any, only for actual performances.”
Under the fourth clause of the contract, the services to be rendered by the artist may be dispensed with by the manager, even though they do involve art, taste, fancy, and judgment, at any time that they do not preach a grade of satisfaction to be determined by him. There is nothing in the contract to show that the manager must act in good faith or in any way to limit the manager in this regard. I think a contract so worded should not be specifically enforced. Southern Express Co. v. Railroad Co., 99 U. S. 191, 25 L. Ed. 319.
This is a reservation by which the manager may abrogate his contract to dismiss the defendant from his service. It makes the contract unenforceable as against the manager, and is somewhat similar in principle to the case considered in Rutland Marble Co. v. Ripley, 10 Wall. 339, 19 L. Ed. 955, where the court refused specific performance. See, also, Philadelphia Ball Club v. Hallman, 8 Pa. Co. Ct. R. 57; Metropolitan Exhibition Co. v. Ward (Sup. Ct.) 9 N. Y. Supp. 779; Brooklyn Baseball Club v. McGuire (C. C.) 116 Fed. 782; Triumph Electric Co. v. Thullen (D. C.) 228 Fed. 762.
“If an agreement be deficient in either fairness, justice, or certainty, its specific performance will not be decreed.” 2 Story, Equity, §§ 769, 770.
There are other considerations urged by the defendants against this preliminary injunction, but I think it sufficient to mention the foregoing and to deny the injunction at this time.
An order may be presented accordingly.