OPINION
Plaintiffs Robert C. Kaufhold and Joseph Aurthur McGuckin were the guitarist and drummer of the iconic punk rock band, the Misfits. Plaintiffs filed this action against the band’s bassist, Gerald Caiafa, and his music label, Cyclopian Music, Inc. (“Cyclopian”) (collectively “Defendants”), alleging that Defendants improperly asserted exclusive ownership rights over the Misfits trademarks. This matter comes before the Court on Defendants’ motion to dismiss under Federal Rule of Civil Procedure 12(b)(6) for failure to state a claim upon which relief may be granted. There was no oral argument. Fed.R.Civ.P. 78(b). For the reasons set forth below, Defendants’ motion to dismiss is DENIED.
I. BACKGROUND
The following facts are drawn from the Amended Complaint.
The Misfits was a punk rock band formed in 1977. The band is known for pioneering and defining the musical genre of “horror punk,” combining the themes, imagery, and narrative of horror fiction with punk rock music. During all relevant times, the Misfits had four members: a guitarist, a drummer, a bass player, and a vocalist. Plaintiff Kaufhold was the Misfits’ guitarist from approximately November 1978 to approximately October 1980, and performed under the name Bobby Steele. Plaintiff McGuckin was the Misfits’ drummer and performed under the name Arthur Googy from approximately April 1979 to approximately April 1982. McGuckin was the longest serving drummer in the band. Defendant Caiafa joined the band in 1977 as a replacement for the original bass player Diane DiPiazza, and
The band’s primary recording period was from 1978 to 1982 (Plaintiffs refer to this as the band’s “classic period”). Am. Compl. ¶ 18, EOF No. 7. During this period, the band performed under the name the “Misfits” and used certain logos and stylized versions of that name (the “Misfits Marks”), which distinctively identified their services to the public. Although the Misfits disbanded in 1983, classic-period Misfits recordings continue to be sold today. For the past 15 years, Plaintiffs have received, and continue to receive, royalties for their work on the Misfits recordings.
For 12 years after the breakup of the Misfits, between 1983 and 1995, there was no group that toured or recorded as the Misfits. The Amended Complaint alleges that, during these 12 years, Defendant Caiafa publicly rejected his association with the Misfits and the Misfits Marks. The Amended Complaint further alleges that, from 1983 through 1995, Plaintiff Kaufhold was the only member of the band to use the Misfits Marks. Kaufhold alleges that he used the Misfits Marks from 1983 to the present on flyers, posters, and advertisements. From 1988 through 1992, Kaufhold sold the Misfits Live '79 record (which prominently features the Misfits trademark) at shows for his band the Undead. Kaufhold continues to sell the Misfits Live '79 album to this day from his website. Immediately after his departure from the Misfits, and continuing through today, Kaufhold played and recorded Misfits songs in concert, and even recorded a 12 song album of Misfits songs entitled “12 Hits From Hell.” Kaufhold also sold Misfits branded t-shirts from the time he exited the band.
In 1994, a settlement agreement was executed between Defendant Caiafa and other former members of the Misfits (“1994 Settlement”). Plaintiffs were not parties to the 1994 Settlement. However, after the settlement was reached, Caiafa allegedly informed Plaintiffs that the parties to the settlement had agreed that each of the former members of the band (including Plaintiffs) co-owned the Misfits Marks, and no member would apply for exclusive rights to use the Misfits Marks. In 1995, a second settlement agreement was executed (“1995 Settlement”), wherein the parties agreed to allow Caiafa to apply for the exclusive right to use the Misfits Marks. Plaintiffs were not parties to the 1995 Settlement, and Caiafa did not tell Plaintiffs about the 1995 Settlement.
In 1996, the Misfits Box Set was released, containing nearly all of the band’s classic-period material recorded from 1977 to 1983. The release of the box set in 1996 made the Misfits’ complete early catalog widely available for the first time. Also around 1996, Caiafa recruited new band members and began to tour as the Misfits (referred to here as the “new Misfits”).
Beginning in approximately October 2000, without the knowledge of the Plaintiffs, Caiafa and Cyclopian filed five applications with the U.S. Patent and Trade
Plaintiffs assert that they were completely unaware of the trademark applications as well as the exploitation of the Misfits Marks by Defendants. It was not until August of 2009 that Plaintiff McGuckin saw a billboard in New York City for Van’s sneakers with the Misfits Marks that he had any indication that the Misfits Marks were being exploited other than in the continued record sales. McGuckin proceeded to research the improper use of the Misfits Marks, notifying Kaufhold of the extent of their use sometime in the early part of 2010. On June 11, 2010, Plaintiffs filed an action against Defendants in the Southern District of New York. See Kaufhold, et al. v. Cyclopian Music, Inc., et al., No. 1:10-cv04588,
On March 15, 2011, Plaintiffs filed a complaint in this Court. On June 22, 2011, Plaintiffs filed the Amended Complaint at issue here. In the Amended Complaint, Plaintiffs assert three causes of action: (1) trademark infringement under 15 U.S.C. § 1125(a); (2) cancellation of Defendants’ trademark registrations based on fraudulent procurement; and (3) declaratory judgments that Plaintiffs co-own the Misfits Marks and that Defendants’ trademark applications are based on Caiafa’s fraudulent claims to the PTO. Defendants now move to dismiss the Amended Complaint in its entirety.
II. LEGAL STANDARD
Federal Rule of Civil Procedure 12(b)(6) provides for the dismissal of a complaint, in whole or in part, if the plaintiff fails to state a claim upon which relief can be granted. The moving party bears the burden of showing that no claim has been stated. Hedges v. United States,
Although a complaint need not contain detailed factual allegations, “a plaintiffs obligation to provide the ‘grounds’ of his ‘entitlement to relief requires more than labels and conclusions, and a formulaic recitation of the elements of a cause of action will not do.” Bell Atl. Corp. v. Twombly,
III. DISCUSSION
Defendants move to dismiss the Amended Complaint on two grounds: (1) the doctrine of laches, and (2) failure to state a claim under the Lanham Act. Each issue will be addressed in turn.
a. THE DOCTRINE OF LACHES
Defendants assert that Counts I and III of the Amended Complaint are barred by the doctrine of laches.
Because the Lanham Act does not include a specific statute of limitations, the Third Circuit has found that laches applies to bar stale claims. Santana Products, Inc. v. Bobrick Washroom Equip., Inc.,
Plaintiffs do not dispute that Defendants are entitled to the presumption of delay and prejudice in this case. Instead, Plaintiffs argue that “Defendants are barred from asserting the equitable claim of latches [sic] based on their own inequitable conduct.” Pis.’ Opp. Br. at 12. Plaintiffs are correct that, “[w]here there is evidence of other factors which would make it inequitable to recognize the defense despite undue delay and prejudice, the defense may be denied.” See A.C. Aukerman Co. v. R.L. Chaides Construction Co.,
Plaintiffs argue that it would be inequitable to recognize the defense of laches in this case for two reasons. First, Plaintiffs argue that the defense is barred by the doctrine of unclean hands because Defendants’ own actions caused the delay. See Intertech Licensing Corp. v. Brown &
Ruling on Defendants’ laches defense at this stage would be premature. “[W]hen the defense of laches is clear on the face of the complaint, and where it is clear that the plaintiff can prove no set of facts to avoid the insuperable bar, a court may consider the defense on a motion to dismiss.” Solow Bldg. Co., LLC v. Nine West Group, Inc., No. 00-7685,
With respect to the laches defense in this case, the only issue in dispute is whether there was inequitable conduct on the part of Defendants. The facts underlying inequitable conduct are heavily disputed. For example, the parties dispute whether Caiafa’s failure to inform Plaintiffs of the 1995 Settlement constituted bad faith, whether Kaufhold was using the Marks continuously after leaving the band, whether Defendants were aware of Kaufhold’s use of the Marks, whether Defendants acted with intent to deceive the PTO when they applied for the Marks, etc. Moreover, these disputed facts go to the heart of the merits of the case. As such, dismissal on the basis of laches at this stage of the litigation would be inappropriate.
Accordingly, the motion to dismiss Counts I and III based on the defense of laches is denied as premature. Defendants may re-raise the defense at a later stage of litigation.
b. FAILURE TO STATE A CLAIM UNDER THE LANHAM ACT
Defendants argue that all of Plaintiffs’ Lanham Act claims fail as a matter of law because Plaintiffs have not alleged continuous use in commerce of the Misfits Marks. The Court disagrees.
Defendants are correct that each Count in the Amended Complaint requires Plaintiffs to allege use of the Marks in commerce. Counts I and III require a showing that Plaintiffs own the Marks. See A & H Sportswear, Inc. v. Victoria’s Secret Stores, Inc.,
The Amended Complaint contains numerous factual allegations that support Plaintiffs’ claim of continuous commercial use of the Marks. The Amended Complaint alleges that classic-period Misfits recordings featuring Plaintiffs have been sold throughout the relevant time period (from 1978 to the present). Am. Compl. ¶¶ 25-27, 32-33, 57. The Amended Complaint further alleges that Plaintiffs have been receiving, and continue to receive, royalties for their work on these recordings. Am. Compl. ¶¶ 25, 56. It is well-settled in this Circuit that receiving royalties for previously recorded material constitutes commercial use of a trademark. See Marshak v. Treadwell,
Moreover, the Amended Complaint contains a litany of allegations regarding Kaufhold’s commercial use of the Marks. For example, the Amended Complaint alleges that: (1) Kaufhold used the Misfits Marks on flyers, posters, and advertisements from 1983 to the present (Am. Compl. ¶ 31); (2) Kaufhold sold the Misfits Live '79 album featuring Misfits Marks from 1988 through 1992 (Am. Compl. ¶ 32); (3) Kaufhold continues to sell the Misfits Live '79 album from his website (Am. Compl. ¶ 33); (4) Kaufhold has played and recorded Misfits songs in concert since his departure from the band (Am. Compl. ¶ 34); (5) Kaufhold recorded a 12 song album of Misfits songs titled “12 Hits From Hell” (Am. Compl. ¶ 34); and (6) Kaufhold sold Misfits branded t-shirts from the time he exited the band (Am. Compl. ¶ 37).
Based on these factual allegations, the Court finds that Plaintiffs have sufficiently alleged continuous use in commerce of the Misfits Marks. Accordingly, the motion to dismiss Plaintiffs’ Lanham Act claims is denied.
IV. CONCLUSION
For the reasons stated above, Defendants’ motion to dismiss is DENIED. An appropriate order follows.
Notes
. From 2001 through 2005 Caiafa took over lead vocal duties in addition to playing bass guitar, and recruited veteran musicians Dez Cadena, former guitarist of Black Flag, and Marky Ramone, former drummer of the Ramones.
. Defendants initially argued that all of Plaintiffs’ claims were time-barred under the doctrine of laches. Defs.’ Br. at 9. However, Defendants appear to acknowledge in their reply brief that the remedy of laches does not apply to Count II (Cancellation of U.S. Trademark Registrations). See Defs.’ Reply Br. at 6 n. 2. Indeed, it is well-settled in the Third Circuit and elsewhere that the defense of laches is not available for a claim for cancellation based on fraudulent procurement. Marshak v. Treadwell,
