*2 GRAAFEILAND, Before VAN PIERCE WISDOM,* Judges. Circuit PIERCE, Judge: Circuit appeals Defendant from an order of the United States District Court for the South- ern District of New York entered on De- Stewart, Jr., cember E. Charles Judge, finding contempt. defendant in manufacture, order found that defendant’s reproduction, and sale of certain works of Cove,” “Chasm,” art entitled “Horizon” contempt by constituted violat- ing a Final on Consent entered on June
BACKGROUND Plaintiff-appellee Jerome fi- nancially successful commercial artist who produces seriagraph images of California in an landscape impres- scenes sionistic form known as the California or Western style. Defendant-appellant Austin (Austin), Galleries of Inc. is a chain galleries Chicago retail art * Judge Senior of the United States nation. Appeals Circuit, sitting by desig- for the Fifth York, in which he District of New 1981, Austin formed a Southern
Detroit areas.
Wilson,
division, Austin Pub-
works of
man-
that the five
publishing
claimed
separate
distribute,
Austin,
publish
violat-
lishing Company,
and distributed
ufactured
prints.
wholesale,
limited edition
signed
(Schurr’s) copy-
his
infringed upon
ed and
others,
manufactures
Among
works.
righted
Wilson, a
Robert
the works of.
distributes
*3
the parties
negotiations,
After settlement
artist who creates California
commercial
and a
Agreement
a
executed
Settlement
coastline, lake, and mountain
and
Paragraphs
on Consent.
-Judgment
Final
scenes.
and
Agreement
2b and 3 of
Settlement
creation, accomplished
style of
Schurr’s
on Con-
Judgment
5 of the Final
paragraph
method,
images
screening
features
by a silk
alia,
Austin would
inter
provided,
sent
mountains,
water,
sky.
bodies of
and
of
manufacture,
or sell
reproduce, print,
to
each
represent
basic color is chosen
One
simulates the
visually
work “which
any
mountains are
component. The
landscape
work creat-
subject
any
matter of
style and
flat, superimposed
of
shown as a series
Rubin,
E. Leonard
by
ed”
Jerome Schurr.1
next,
slightly offset from
planes, each
counsel,
Chicago
then
forwarded
Austin’s
in thir-
varying sequentially
planes
with the
letter,
to
dated June
transmittal
gradations of shades
ty
thirty-five
to
the signed
York counsel with
New
Schurr’s
narrow
from
to dark. A
same color
Judgment
and Final
Agreement
Settlement
color, representing a
contrasting
border in a
the trans-
three of
Paragraph
on Consent.
beach,
interface of the water
appears at the
mittal letter stated:
wildlife
People, buildings,
mountains.
and
important
again
to once
stress
I feel it
appear
or other details do not
Schurr’s
visually
“. ..
simulates
priced
works. The
works
Schurr
Also,
any
have become
matter of
work
subject
to
and
style
$600
$1500.
art
commercially popular as decorative
it appears
...”
by
created
SCHURR
Ac-
reprinted
price posters.
when
as low
2b)
and 3 of
Set-
paragraphs
[sic]
Austin,
works are not
cording to
the Schurr
5 of
paragraph
and in
Agreement
tlement
quality
museum
and are not considered
of
Consent, is not
Judgment on
the Final
fine art.
interpreted
to and should not be
intended
lawful
any way any
limit in
became aware that
April,
In
use or
Inc. to
Galleries
selling
and
works of
advertising
Austin was
of Je-
style
imitate the
sell works
attributed to Robert Wilson entitled
art
Schurr,
as such imitation
long
so
rome
Lake,”
“Rocky
Bay,”
“Canyon
“Blue
infringe-
copyright
not constitute
does
“Reflections,”
Coast,”
and “Solitude.”
ment;
is that Austin Galleries
an action in
commenced
May,
any
surrender
agreeing
is not
District
for the
the United States
Judgment
Paragraph
Paragraph
Agreement
five of the Final
on Con-
2b of the Settlement
presently
posses-
stated that “AUSTIN
stated:
visual-
or control of no other works which
sion
PUBLISHING COM-
AUSTIN
Defendant
any
ly
style
subject
servants,
simulate the
matter
PANY,
officers,
employees and
by
Paragraph three
work created
SCHURR.”
persons
attorneys,
in active con-
and those
Agreement stated:
of the Settlement
them,
participation with
are herein-
cert or
herein,
Except
specifically permitted
enjoined
permanently
restrained
after
AUSTIN,
agents,
any
its officers and
manufacturing,
reproducing, printing or
them,
party
privity
shall forthwith
medium, any
any
work which visu-
manufacture,
reproduction,
terminate
subject
ally
matter of
simulates the
medium,
any
any
printing
work
or sale on
by plaintiff
any
JEROME
work created
visually
sub-
simulates the
SCHURR,
including
limited to the
but not
SCHURR,
by
ject
created
matter of
work
entitled
sold
defendant
works heretofore
including but not
limited to the aforesaid
LAKE,
COAST,
SOLI-
CANYON
ROCKY
entitled
of AUSTIN
“ROCKY
works
TUDE,
BLUE BAY.
REFLECTIONS and
LAKE,” “SOLITUDE,”
COAST,” “CANYON
“REFLECTIONS,” and “BLUE BAY.”
have
rights may
lawful
under United
nental
U.S.
laws.
copyright
CONCLUSION America, Appellee, STATES of UNITED reasons, we reverse foregoing For the finding order of the district v. with the comply for its failure to SILVESTRI, Joseph R. of June Final Consent Defendant-Appellant. 1982. 1382, Docket 83-1068. No. Appeals, United States GRAAFEILAND, Judge, VAN Circuit Circuit. Second
concurring: Argued July has the at- Because a consent judicial and a tributes of both a contract Decided Oct.
decree, v. ITT Continental United States 236 n. 95 S.Ct. 420 U.S. (1975), the n. functioning judicial process
proper understandings undisclosed
precludes decree. from the terms of the See
vary
Artvale, Corp., Fabrics Rugby Inc. v. (2d Cir.1962). Where
F.2d 65(d)
specificity provisions Fed.R.Civ.P. Carba, involved, Corp. see Diapulse
Ltd., Cir.1980), it is (2d court and
especially important that both are in as to the nature
counsel enjoined. is to be
of the conduct which See Metals, Bargen,
Brumby
(7th Cir.1960). there was no such Since case, agree
accord in the instant I
injunction should be vacated. *7 creativity which is same of an individual and the of the two artists is that exist in the art, genre. ignited the work of that in others who view
broad known as move- Genres individual, ments, throughout in the same view other works are common our recorded' who original simply history. creativity genre, achieve a similar to think of the or who One hesitates Herein, by separate if suppressed, route. one been creation but that would have way deprived beauty on which the balance must had to decide civilization would have been of, swing, would have to be careful consideration if creative individuals were forbidden creativity Indeed, protecting genre. given of those —in- creating there art in the same cluding many Wilson —who have viewed Califor- art movements that we would be fewer painting and have presently regard nia or Western to the art world. common experiences into their own cre- Obviously those must be translated there is a balance which original protecting ations. creation struck between
