Lead Opinion
Freedom of expression preserves all other liberties so inseparably that freedom of the press and a free society either prosper together or perish together. Yet, because of its enormous power, the contemporary press is under heavy attack because of a widely held perception that it uses its special First Amendment status as a license to invade individual privacy. This case illustrates the complexity of the concerns when these interests clash.
Defendant, a national distributor of magazines in which offensive material concerning plaintiff appeared, appeals from a judgment in plaintiff’s favor. In her action plaintiff asserted causes of action for libel, violation of a statutory right of privacy, and appropriation of the common law right to publicity. In every invasion of privacy suit there is a course to be run in order for plaintiff to reach the goal of recovery. In this case, plaintiff’s libel action was dismissed and her right to publicity claim fails to fit within that tort. The civil rights cause does not lie as one for advertising purposes, as that term is defined under state law; but it does state a cause of action for defendant’s invasion for trade purposes of her right to privacy. Having successfully progressed that far, plaintiff would need to demonstrate a level of defendant’s fault on that privacy claim sufficient to satisfy constitutional protection for freedom of the press. Here, on the final lap, plaintiff’s proof falls short.
I Background
On February 29, 1980 the plaintiff Jackie Collins Lerman received a package at her home in London, England. An accompanying letter from a publicity agent who had formerly worked with Ms. Lerman explained that nude photographs, supposedly of plaintiff, appeared in the enclosed advance copy of Adelina magazine. Plaintiff discovered that the May 1980 issue of Ade-lina had misidentified her as an actress who appeared in Ms. Lerman’s and her husband Oscar Lerman’s movie entitled “The World is Full of Married Men.” Two black and white photographs of the anonymous actress printed from the movie film appeared on pages 120-21 of the magazine. The misidentified actress appears topless in one of the pictures and in an “orgy” scene in the other. The caption identifies the photos as being Ms. Lerman and labels her as the “starlet” who appeared in an orgy scene in the film.
The cover of the magazine proclaimed to its readers: “In the Nude from the Play-men archives ... Jackie Collins.” The short article accompanying the actress’ photo with Ms. Lerman’s name comments on the increasing willingness of “serious” actresses to appear nude in films. While Ms. Lerman authored the book and wrote the screenplay for “Married Men” and her husband directed the movie, she did not appear in the movie, clothed or otherwise, and has never appeared nude in public.
Immediately upon receipt of this package, Ms. Lerman retained a lawyer and three weeks later — on Marсh 24, 1980— commenced an action in the United States District Court for the Southern District of New York (Werker, J.) against the publisher, Chuckleberry Publishing, Inc. (“Chuck-leberry”), and against the original national distributor, Publishers Distributing Company, Inc. (“PDC” or “Publishers Distributing”) based upon the May 1980 publication and distribution of Adelina. Plaintiff sought an injunction and damages based on (a) libel (b) defendant’s violation of New York’s Civil Rights Law §§ 50-51 and (c) invasion of her common law right to publicity.
On March 17, 1980, shortly before the original lawsuit was commenced, but after the May issue of Adelina was already in the channels of distribution, Flynt Distributing Company (Flynt Distributing or FDC), the present appellant, purchased the contract to distribute Adelina from Publishers Distributing. Flynt Distributing was joined as a party defendant to this litigation in April 1981. Plaintiff sought the same relief against Flynt Distributing with respect to the June 1980 and January 1981 distribution of Adelina as she had sought against the original defendants for the May publication. In an amended complaint plaintiff asserted these same causes of action against Flynt Distributing for the May 1980 issue.
The district court granted plaintiff’s motions for summary judgment against Chuckleberry Publishing, Publishers Distributing and Flynt Distributing for violations of New York’s Civil Rights Law §§ 50-51 and for defendant’s invasion of plaintiff’s right to publicity. Plaintiff’s libel action against the defendants was dismissed. In February 1983 plaintiff settled with Publishers Distributing for $100,000. Chuckleberry is in Chapter 11 bankruptcy reorganization.
In June 1983, with both original defendants out of the case, plaintiff proceeded to trial before a jury against Flynt Distributing. Ms. Lerman sought damages under her New York statutory privacy claim and her common law right to publicity arising from the May 1980 publication. Inasmuch as liability had already been determined in her favor by the trial court’s grant of summary judgment, she also sought damages for distribution of the June 1980 and January 1981 editions of Adelina. After a short trial the jury returned a special verdict determining that defendant Flynt Distributing was liable for the May 1980 issue and awarding Ms. Lerman a total of $7 million in compensatory and $33 million in exemplary damages.
Since plaintiff has not cross-appealed, we need not consider whether the district court correctly dismissed plaintiff’s libel claim on the ground that she failed to plead special damages. Discussion will focus primarily on two causes of action — New York’s statutory action for violation of the right of privacy and the common law action for violation of the right to publicity. The parties agree that New York law governs in this diversity case.
II Grounds for Recovery Under State Law
A. Background Leading to Enactment of New York’s Right of Privacy Statute
The traditional common law rein on media abuse was the libel action. But in 1890 Samuel Warren and Louis Brandéis an
The press is overstepping in every direction the obvious bounds of propriety and of decency.... [M]odern enterprise and invention have, through invasions agón [man’s] privacy, subjected him to mental pain and distress, far greater than could be inflicted by mere bodily WWLY
Id. at 196.
Following the Warren-Brandeis article, , , , , ,1 . „ ,, courts were asked to recognize this new tort. The New York Court of Appeals rejected the invitation in Roberson v. Rochester Folding Box Co.,
Any person whose name, portrait or picture is used within this state for advertís-ing purposes or for the purposes of trade without [his] written consent ... may maintain an equitable action in the supreme court of this state against the person, firm or corporation so using his name, portrait or picture, to prevent and restrain the use thereof; and may also sue and recover damages for any injuries sustained by reason of such use and if the defendant shall have knowingly used such person’s name, portrait or picture in such manner ... the jury in its discretion may award exemplary damages,
New York Civ. Rights Law § 51 (McKinney Supp.1983). New York’s highest court has consistently reminded litigants that “there exists no so-called common law right to privacy” in New York. Cohen v. Hallmark Cards, Inc.
B. New York s Right of Privacy Statute a j a
In granting summary judgment to plaintiff against the original defendants, Publishers Distributing and Chuckleberry, under sections 50-51,
On its face the New York privacy statute seems to provide a cause of action only for “commercial appropriation,” defined in Roberson as the defendant’s act, “for his own selfish purpose to use the picture or the name of another for advertising purposes without his consent.” Roberson, supra,
Analysis must commence with the New York statute and the substantial case law it has spawned. See, L. Saveli, Right of Privacy — Appropriation of a Person’s Name, Portrait or Picture for Advertising or Trade Purposes Without Prior Written Consent: History and Scope in New York, 48 Albany L.Rev. 1 (1983). The terms “advertising purposes” and “trade purposes” constitute the two prongs of the statute and their meaning, as construed by New York courts, is crucial to an analysis of plaintiff’s claims in this case.
1. Advertising Purposes Under § 51
Where the use of plaintiff’s name is solely for the purpose of soliciting purchasers for defendant’s products the advertising purposes prong of the statute is violated. See, e.g., Flores v. Mosler Safe Co.,
When the advertisement is merely incidental to a privileged use there is no violation of § 51. See Sidis v. F-R Publishing Corp.,
2. Trade Purposes Under § 51
Next, wе examine whether the uses of plaintiff’s name were for “purposes of trade” under the statute. Because the media in reporting the news routinely uses names and likenesses without consent, New York courts early recognized the need to encourage the free exchange of ideas and created a broad privilege for the legitimate dissemination to the public of news and information. See, e.g., Humiston v. Universal Film Mfg. Co.,
Plaintiff may still be entitled to obtain the sanctions of § 51 under the trade purposes prong even where the use is in conjunction with a report on a matter of public interest, but in order to do so must meet one of two tests. First, a plaintiff may attempt to demonstrate that the use of plaintiff’s name or likeness has no real relationship to the discussion, and thus is an advertisement in disguise. See, Mayers v. Michals, 9 Med.L.Rep. 1484 (N.Y.Cty. Sup.Ct.1983) (use of photo in connection with article on rape victims); Martin v. Johnson Publ. Co.,
We cannot accept plaintiff’s first argument that the photo in this cаse has “no real relationship” to any discussion in Adelina. Ms. Lerman wrote the book and screenplay that contained scenes of nudity for the film “The World is Full of Married Men.” While the article in Adelina was vapid it did relate to the growing use of nudity in films. Insofar as the use of the name “Jackie Collins” is concerned the May 1980 use must be considered incidental to the story, and hence not objectionable as a “disguised advertisement” under § 51. See University of Notre Dame Du Lac v. Twentieth Century Fox,
Plaintiff’s reliance on the alternative basis for defeating the newsworthy privilege rests on firmer ground, that is, the fictionalization or falsification ground. See, e.g., Sutton v. Hearst Corp.,
The recent case of Davis v. High Society Magazine, Inc.,
We agree that plaintiff’s name in all three Adelina issues are fictionalized or false and therefore lose the privilege that ordinarily extends to reporting matters in which the public has an interest. Further, the degree of falsity here was severe since plaintiff was not the actress pictured. Were it not for constitutional concerns this falsity would permit a properly instructed jury to find the uses here to be for trade purposes under § 51 of the New York Civil Rights law. But, precisely because of First Amendment guarantees Flynt Distributing cannot be held liable for the use of plaintiff’s name unless it acted with the requisite fault, and it is on this last point that plaintiff’s proof fails as we will later explain.
3. Distributor’s Liability Under § 51
When dismissing plaintiff's libel claim in its August 1981 opinion, the district court ruled that “the New York courts have long held that vendors and distributors of defamatory publications are not liable if they neither know nor have reason to know of the defamation.”
Flynt Distributing argues that plaintiff failed to prove that it “used” her name or picture under § 51. This argument is quite like a defendant’s argument at common law that he did not “publish” a libel. See, e.g., W. Prosser, Law of Torts § 113, at 775 (4th ed. 1971). See Industrial Equipment Co. v. Emerson Electric Co.,
We need not hazard to guess how New York Courts would apply these authorities to Ms. Lerman’s claim. Rather, we assume that Welch v. Mr. Christmas correctly states the rule and that, as a matter of New York law, plaintiff met the “use” requirement merely by showing that Flynt Distributing purchased the contract entitling it to profits from the May 1980 issue and by participating in the distribution of the June and January issues of Adelina.
C. Plaintiffs Claim of a Right to Publicity
In her complaint, plaintiff also included a cause of action based upon her common law right to publicity on which the district court granted her summary judgment. It is unnecessary to determine the precise outlines of that right under New York law because it is not implicated. Here, the right to publicity is еssentially identical to the right to be free from commercial appropriation. See, e.g., Zacchini v. Scripps-Howard Broadcasting Co.,
In a publicity case the plaintiff is not so concerned that the use occurs; he simply wants to be the one to decide when and where, and to be paid for it. The essence of the right is the plaintiff’s substantial property interest in his “entire act,” Zacchini, supra,
Because the plaintiff must generally have developed a property interest with financial value in order to prove that he suffered damages, the right is most frequently invoked by public figures or celebrities. Estate of Presley v. Russen,
D. False Light Tort Distinguishable from Right to Publicity
Despite this conclusion, we undertake a brief analysis of the false light tort because it is essential to an understanding of the application of the First Amendment to § 51. While not specifically alleged in her complaint, Ms. Lerman’s action presents a classic false light claim, which is distinguishable from her right to publicity cause of action. In Time, Inc. v. Hill,
In examining the false light tort, we turn to section 652E of the Restatement (2d) of Torts that provides:
One who gives publicity to a matter concerning another that places the other before the public in a false light is subject to liability to the other for invasion of his privacy, if
(a) the false light in which the other was placed would be highly offensive to a reasonable person, and
(b) the actor had knowledge оf or acted in reckless disregard as to the falsity of the publicized matter and the false light in which the other would be placed.
Assuming the requisite proof of fault, the facts of this case state a cause of action under section 652E. The nude actress pictured was not Ms. Lerman. Whether or not this misidentification is defamatory to Ms. Lerman, cf. McGraw v. Watkins,
In a false light case, however styled under a state statute or common law, the gravamen of the tort is falsity; not, as here, simply a factual error. Further, regardless оf whether Ms. Lerman’s cause of action is cast in terms of libel or false light or under the falsified trade purposes prong of § 51, the same constitutional protections apply. See Meeropol v. Nizer,
Ill Constitutional Issues
A. Public or Private Figure
To begin, the district court erroneously ruled in 1980 that the public figure question had application only to plaintiff’s dismissed libel claim. Moreover, when Flynt
To decide whether Ms. Lerman is a public figure, we first consider the applicable rules. Discussion begins as it must with New York Times Co. v. Sullivan,
In rejecting the argument that Elmer Gertz, a reputable lawyer, was a public figure, the Court held that only those individuals who voluntarily inject themselves into a particular public controversy are considered limited purpose public figures, id. at 351-52,
These holdings provide a frame to determine what constitutes a “limited purpose public figure.” A defendant must show the plaintiff has: (1) successfully invited public attention to his views in an effort to influence others prior to the incident that is the subject of litigation; (2) voluntarily injected himself into a public controversy related to the subject of the litigation; (3) assumed a position of prominence in the public controversy; and (4)
The record before us reveals that Ms. Lerman has achieved international renown as the author of nine novels. Her books are decidedly controversial in nature because of her firm conviction — made the focal point of her comments to the press— that there is a pervasive inequality in the treatment accorded to females vis-a-vis males. This topic greatly appeals to the public since her books sell in the millions, are full of descriptions of sex, including deviate sex and orgies, and are heavily laden with four-letter words. Ms. Lerman is quick to point out that some of her novels have been banned in Australia — a distinction similar to being banned in Boston. She has achieved a world-wide following, frequently appears as a guest on national TV and readily grants interviews to the mass media. On such occasions, one example of sexual inequality that Ms. Ler-man uses refers to the fact that women more frequently than men appear unclad in films and magazines. This is unfair she claims because men have more opportunity to view undressed women than vice versa. She advocates “equal nudes for all.”
Ms. Lerman’s photograph is prominently displayed on the jackets of her novels that enjoy good reviews despite — or perhaps, because of — their description as “shocking,” “racy,” “sexy” and the like. She admits her books are considered “pornographic.” Her first novel was translated into 32 languages. Movies have been made of several and, as earlier noted, the picture of the nude actress that is the subject of this litigation came from the film based on her novel “The World is Full of Married Men.” Quite plainly Ms. Lerman is today in the forefront of women writing about sex and what is perceived of as a continuing double-standard in sexual mores. Thus, for plaintiff, seeking publicity both for herself and her books is part and parcel of her professional endeavors as a writer. The record plainly reflects her undoubted success in this effort. Her organized and ongoing effort to maintain media access, in order to cаll attention to her writings and disseminate her views on current sexual standards, helps to sell her novels and screenplays like the one “commented upon” in the May 1980 Adelina.
No doubt defendant has shown that plaintiff successfully invited public attention to her views and has maintained continuing access to the media. Nonetheless, we agree with the district court that Ms. Lerman is not that rare person the Gertz decision identifies as an all purpose public figure. As the Court there noted, “Absent clear evidence of general fame or notoriety in the community, and pervasive involvement in the affairs of society, an individual should not be deemed a public personality for all aspects of his life.” Gertz v. Robert Welch, Inc.,
But, we believe Ms. Lerman is a limited purpose public figure required to satisfy the New York Times standard of fault. By voluntarily devoting herself tdl the public’s interest in sexual moresl through extensive writing on this topicr reaping profits and wide notoriety for herself in the process, Ms. Lerman must be deemed to have purposefully surrendered part of what would otherwise have been her protectable privacy rights, at least those related in some way to her involvement in writing her books and screenplays. See James v. Gannett Co.,
The difficult question is whether Ms. Lerman injected herself into a “public controversy” related to the offending publication. The district court rejected defendants’ argument that Ms. Lerman was a public figure for the limited purpose of commenting on sex and nudity in films. The court reasoned that such a topic is merely a matter of interest, but not a true public controversy. We disagree. The relations between the sexes and public nudity
B. Newsworthiness for First Amendment Purposes
The district court adopted plaintiff’s argument that an actual malice standard of fault does not apply even if plaintiff is a public figure because the use was “completely exploitive” and outside the broad category of matters of public interest and therefore not newsworthy. This led it erroneously to conclude that the distributor could be held strictly liable for disseminating the magazine without treading on the First Amendment. On the contrary, Adelina falls far short of crossing the line that would cause it to forfeit First Amendment protection. It contains no obscenity, Roth v. United States,
The Adelina article unquestionably would have been within the broad definition of a newsworthy matter or a matter of public interest or concern had Ms. Lerman in fact been the “starlet” pictured. Ann Margret v. High Society,
C. Proof of Actual Malice
1. Actual Malice of Distributors
First Amendment guarantees have long been recognized as protecting distributors of publications. Smith v. California,
Obviously, the national distributor of hundreds of periodicals has no duty to monitor each issue of every periodical it distributes. Such a rule would be an impermissible burden on the First Amendment. At the same time a distributor as an integral part of the movement of information from the creator to the reader — the distributor here was to receive 46% of the profit from the sale of the magazine — cannot be entirely immune from liability. When a distributor acts with the requisite scienter in distributing materials defaming or invading the privacy of a private figure it must be subject to liability. Lewis v. Time, Inc.,
To have acted with constitutional or actual malice, the defendant must be shown to have had “a high degree of awareness of [the statement’s] probable falsity,” Garrison v. Louisiana,
2. Actual Malice in This Case
Although the trial court granted the plaintiff’s motion for summary judgment and did not instruct the jury on actual malice, it did put Ms. Lerman on notice of the need for her to prove a “knowing use” under the statute itself. Thus, plaintiff and her experienced counsel had every incentive to uncover facts during discovery and to present evidence at trial showing Flynt Distributing’s knowledge or reckless disregard of the publisher’s false report concerning Ms. Lerman. Such evidence of “knowing use” is identical to the evidence of actual malice. Accordingly, we “make an independent examination of the whole record ‘in order to make sure that a [verdict finding actual malice] would not constitutе a forbidden intrusion on the field of free expression.’ ” Bose Corporation v. Consumers Union of United States, — U.S. —, —,
In the first place, plaintiff failed to offer proof sufficient even to impose a duty on defendant Flynt Distributing to inquire as to the May 1980 issue and the district court specifically found that there was no “knowing” use under § 51 by defendant of plaintiff’s name in that issue. Further, there was no proof that any of defendant’s employees had reason to believe that Chuckleberry (the publisher) would misidentify Ms. Lerman as the actress pictured. Because we have determined that plaintiff is a limited purpose public figure required to prove actual malice for compensatory damages, the claim arising from the May 1980 issue must be dismissed.
Similarly, with respect to the June 1980 and January 1981 issues there is no evidence in the record showing that Flynt Distributing knew or recklessly disregarded whether these editions contained any mention of plaintiff, let alone any factual error concerning her. As noted, “actual malice” as is implied in that expression is a subjective test focused on defendant’s state of mind. See Herbert v. Lando,
IV The Damage Awards
The jury awarded plaintiff a total of seven million dollars in compensatory damages, which the trial court refused to reduce. No doubt such an enormous verdict chills media First Amendment rights. But a verdict of this size does more than chill an individual defendant’s rights, it deep-freezes that particular media defendant permanently. Putting aside First Amendment implications of “megaverdicts” frequently imposed by juries in media cases, the compensatory damages awarded shock the conscience of this Court. They are grossly excessive and obviously a product of plaintiff’s counsel’s appeals to the passion and prejudice of the jury. It cannot seriously be contended that Ms. Lerman’s lacerated feelings are worth anything close to $7 million. No proof was offered that she sought or needed professional help because of these publications and the fact she completed a novel between March and September in 1980 rеfutes her contention that she was unable to work. In any event, damages under the New York statute often are only nominal since they are designed primarily to compensate for injury to feelings. See Lombardo v. Doyle, Dane and Bernbach, Inc.,
Finally, we note that reputational damage to Ms. Lerman could not have been great. Only the readers of Adelina, a magazine of relatively modest circulation that Ms. Lerman describes as “sordid” and “obscene” would have seen the offending material. In fact, given the number of famous persons portrayed in this fashion, one wonders whether such pictures are even capable of producing genuine reputa-tional harm. Even assuming the word would get around to those whose esteem of plaintiff wоuld be diminished, the main source of publicity for the pictures came not from the magazine’s publication, but from Ms. Lerman’s lawsuit and statements to the press.
The jury also awarded a total of $33 million in punitive damages, more than plaintiff demanded in her complaint and over six times greater than plaintiff’s counsel requested in this summation. This award also shocks our conscience and rein
V CONCLUSION
The availability of damages depends on plaintiff’s ability to satisfy the actual malice standard of New York Times v. Sullivan that plaintiff as a limited purpose public figure was required to meet. Since Ms. Lerman cannot present clear and convincing evidence of defendant’s requisite fault with respect to the factual error disseminated, the judgment awarding her ten million dollars in compensatory and punitive damages is reversed as a matter of law and her complaint against Flynt Distributing is dismissed.
Notes
. The jury returned the following verdicts:
Compensatory Exemplary
May 1980 $800 thousand None
June 1980 1.2 million $1.0 million
Jan. 1981 5.0 million 32.0 million
Total Verdicts
$7.0 million $33.0 million
. Because the provisions оf § 50 are incorporat- ed in § 51, reference will be made only to § 51.
. The district court addressed the June 1980 and January 1981 subscription solicitations and found in its June 3, 1982 decision they "would appear to fit squarely within the exception for advertising incidental to the news medium except that plaintiff was not properly and fairly presented in the May 1980 issue of 'Adelina.' ”
Concurrence Opinion
concurring and dissenting.
I concur in much of the majority’s excellent opinion. I agree that the plaintiff must be considered a limited purpose public figure who has voluntarily injected herself into an on-going controversy through her writings and media appearances. I also agree with the majority that the case of Davis v. High Society Magazine, Inc.,
[Tjhere is an element of plaintiff’s cause of action which is in dispute and which cannot be resolved on this motion. It is incumbent upon plaintiff to prove at trial that defendants published the subject issue of Celebrity Skin with actual malice .... Davis, at 383,457 N.Y.S.2d 308 .
The court in Davis noted that “[t]he existence or absence of actual malice ‘does not lend itself to summary disposition’ since it pertains to ‘a defendant’s state of mind.’ ” Davis, at 384,
While I agree with the majority that the plaintiff here has a heavy burden to establish actual malice, I do not think that is sufficient reason to deny her the opportunity to do so. Therefore, I would remand the case to the trial court to give her an opportunity for further discovery and a trial on the issue of actual malice — whether defendant acted with knowledge of falsity or in reckless disregard of the truth.
