Opinion
This case concerns a community property dispute between Saul Zaentz (husband) and Lynda Zaentz (wife) over the financial rewards of husband’s role as producer of the Academy Award-winning movie “Amadeus.” The central issue relates to the trial court’s allocation of an additional $600,000 to the community as compensation for husband’s production and financial contributions to “Amadeus.”
Procedural History
On November 16, 1983, wife filed a petition for dissolution of the marriage. Thereafter, following his response, husband filed a motion to set the alternative valuation date as of the date of separation. 1
In April 1985, wife’s motion to join the Saul Zaentz Company (SZC) was granted. But immediately before trial, the court granted SZC’s motion for summary judgment that SZC owned the contractual rights to the movie. The lengthy trial, which began on June 11, 1985, concluded with the submission of written arguments.
In January 1986, the trial court granted wife’s motion to reopen to take additional evidence concerning posttrial profits from the movie “Amadeus.” In the final judgment entered in April 1987, wife was awarded, inter alia, spousal support of $5,000 a month for 1986 through 1988, and 2 approximately $200,000 as her share of other community property plus half of the disputed $600,000. (The bulk of the remaining assets belonged to husband as his separate property or to SZC.) Wife was also awarded approximately $250,000 of her claimed $400,000 in attorney’s fees as well as other fees.
Facts
We recite the relevant factual background in a manner facilitating analysis and discussion.
The Marriage
Husband and wife married on October 15, 1978, and separated on November 8, 1983. Wife, 44 years old at the time of trial, had previously been employed as a secretary and administrative assistant and also had briefly operated a small business venture in the mid-1970’s. In 1983, wife worked for several months as a production assistant during the filming of “Amadeus” in Czechoslovakia. Husband, 64 years old at the time of trial, had spent his adult life in the entertainment industry, primarily music (records) and film. In 1975, he coproduced (with Michael Douglas) the Academy Award-winning film, “One Flew Over the Cuckoo’s Nest.”
In 1977, husband founded SZC for the purpose of producing movies. 3 He initially owned 40 percent of the common stock in SZC, but then assigned part of his interest to a number of beneficial trusts, in many of which he was a named benefiсiary. During the marriage, husband owned only 5.5 percent of the common stock. Husband acted as chief executive officer of SZC and was also chairman of the board of directors.
In 1979-1980, SZC built a large $6 million building in Berkeley containing film editing and postproduction facilities for motion pictures. The facilities were leased out or used for SZC’s own projects.
Prior to the marriage, SZC had lost a great deal of money on its film projects and consequently was in a poor financial condition during the early part of the marriage. In 1981, Milos Forman, the acclaimed director of “One Flew Over the Cuckoo’s Nest,” approached husband about a possible joint venture to make a motion picture from the award-winning stage play “Amadeus.” Ultimately, a written agreement was entered into in 1982 by husband, Forman and Peter Shaffer, the playwright. Among other responsi
At the time the parties separated, the filming had been completed and postproduction work was in progress. The movie was eventually released in 1984 and achieved tremendous critical acclaim and financial success. Since the producer’s or producing entity’s share of the profits contractually inured to SZC, husband asserted that wife had no right to any part of that money. As earlier mentioned, the trial court had determined that the contractual rights to the film belonged to SZC.
Wife presented finаncial expert testimony that husband’s net worth increased by more than $2 million over the course of the marriage, a calculation strenuously disputed by husband.
“Amadeus”
Apparently, Forman and Shaffer had previously approached several movie studios but were unsuccessful in obtaining necessary financial commitments and assurance of artistic freedom. 5 After extended negotiations, an agreement was signed in January 1982, providing Shaffer with a fee of $500,000 for writing the screenplay, Forman with a fеe of $500,000 for directing the movie, and husband with a fee of $300,000 for producing the movie. Each of the principals or their individual assignees were to share the profits equally. The agreement also provided that the SZC building would be used as collateral to secure a minimum loan of $10 million to finance the project, but with the added proviso that husband “personally and on behalf of his heirs at law” would guarantee the financing.
The movie was filmed in Czechoslovakia and Italy between January and July 1983. The postproduction and editing stages occurred during the year August 1983 - August 1984. The prizewinning movie was released in September 1984.
The original budget estimate ranged from $8 to $10 million; the final overbudget cost was approximately $16.5 million. The film was financed from a variety of sources: SZC’s cash resources, a $6 million loan from the Canadian Commercial Bank (secured by the SZC building, husband’s per
At the time of trial, the film had gross receipts of nearly $50 million. Based on this figure, wife’s financial experts estimated a total profit of between $8 to $14 million. Paul Zaentz (husband’s nephew who performed legal and tax work for SZC) originally testified that by May 1985 only $600,000 in profit had accrued to SZC. After the case was reopened for the submission of profit data as of December 1985, he then estimated that SZC would realize a profit of nearly $2.6 milliоn from its share of “Amadeus” plus some $2.5 million in interest on funds advanced for production, and deferred facilities rental fees of $700,000.
The Project Financing
It is no hyperbole to describe the relevant financial history as a circuitous journey through a labyrinth of interlocking and interrelated corporate entities, family trusts and closely owned holding companies. We begin the journey, as the court did below, at its probative point of departure.
Over husband’s continuing objections, the trial court received tеstimony on the financing arrangements for “One Flew Over the Cuckoo’s Nest” as a relevant background to the financing of “Amadeus” and husband’s use of an interlocking network of corporate entities.
The evidence revealed that the rights to the Kesey book were originally held by the Bryna Company (owned by Kirk Douglas) and sold to Skylark, a Netherland Antilles corporation consisting of several trusts for the benefit of Bernard and Sam Zaentz (husband’s brothers) and Bernard Lieberman (husband’s long-time friend and business associate). Husband had personally guaranteed payment to Bryna of any future profits due from Skylark. Skylark had assigned its rights to the film to Zwaluw, its Netherlands Antilles subsidiary. The film was funded by another entity called Argosy Venture, a set of foreign trusts, whose beneficiaries included husband’s children from a previous marriage. However, the Argosy Venture funds actually came from Zwaluw, which ultimately possessed ownership rights. “Cuckoo’s Nest” eventually grossed about $90 million, and Zwaluw ultimately loaned between $25 to $30 million to SZC and Fantasy, Inc.
In 1977, SZC was formed with an initial capitalization of $100,000. Husband originally owned 40 percent of the stock
6
and later transferred (for
Zwaluw loaned SZC several million dollars to produce two films which proved unsuccessful. SZC had also borrowed $6 million to build the Berkeley production facility. This money apparently came from Obelix, a subsidiary of Zwaluw. By 1981, SZC owed Zwaluw $16 million; this debt, plus title ownership of the building, was transferred back to SZC in exсhange for all the newly created preferred shares of stock in SZC.
Zwaluw was also involved at another level of this intricate financial construct: it made loans to the mortgage company (controlled by the Holding Company owned by Burt Kanter), which in turn lent money to husband and his associates at less than prime rate interest. Zwaluw, through the mortgage company, also provided funds for “Amadeus.”
SZC itself established so-called “251 accounts” whose purpose was to channel funds as nеeded to husband and other SZC/Fantasy employees and associates. The discernible history of repayment seemed sporadic at best. There was other evidence of the existence of interlocking investment entities in which husband was involved.
Movie Financing
Substantial testimony was presented concerning the intricate details of movie financing rivaling that presented by the accountants. Each side presented a film industry expert, who testified to the general practices in the industry and then gave their respective opinions on the “Amadeus” deal. (P)Wife’s expert, Joseph Peckerman, testified that major producers (such as husband) typically received a fee
and
a percentage of the profits or receipts, with the agreed percentages variously calculated on the basis of gross or net receipts, and/or pre- or postdebt computations and the like. Peckerman opined that such producers generally receive 10 pеrcent to 20 percent of the final profit and generally described the method by which production and financing entities charge fees to a project by inflated pass-through assessments. In his opinion, husband’s specified compensation under the “Amadeus” agreement was well below industry standards in the absence of a personal percentage of the profits; he noted, however, that an elaborate interlocking arrangement of offshore trusts could be used to hide profits in order to avoid taxes. Peckerman believed that husband should have been
Husband’s expert, Norman Rudman, disputed wife’s evidence that husband should have received greater compensation; he stated that smaller independent companies generally did not pay рroducers fees and percentages, and that most smaller companies actually retain the producer’s fee and pay a regular salary to their employee/producer.
Discussion
Husband's Appeal
I.
Husband’s principal argument challenges the trial court’s determination of the community’s entitlement to an additional $600,000 for his efforts on “Amadeus” as an improper allocation of his separate property to the community.
In its statement of decision, the trial court set forth its findings and supporting evidence in an abundance of detail. In essence, the court found (after hearing considerable testimony from film industry experts called by both parties, officers of SZC and interrelated companies assessing the value of husband’s services to SZC and the results achieved) that the community was entitled to be remunerated for husband’s production duties and financing contribution in the amount of $600,000 over and above the $300,000 and per diem paid to husband. In awarding wife an equal share of the cоmmunity interest ($300,000), the court underscored the evidence of husband’s unique value to SZC in producing “Amadeus” and the scope of the community’s and husband’s investment in “Amadeus,” including his $6 million personal guaranty pledge of community and separate assets and separate property encumbrance, as well as the increase in value of husband’s stock in SZC.
It is apparent that in the absence of specified dollar amounts, the trial court’s precise calculation formula cannot bе determined. However, under the established principles of substantial evidence which govern our review, the record as a whole reflects more than ample evidence upon which the court could reasonably base the factual determination it reached.
Accordingly, we are bound to uphold that decision where, as here, it is adequately supported by such substantial evidence. In doing so, we view
Husband argues strenuously that his only remuneration was the agreed sum of $300,000 and that the trial court could not, in effect, rewrite that agreement or order SZC to share some of the profits with him in order to pay wife the additional $300,000.
7
The court may not, he argues, allocate his separate property (stock interest) (see
Machado
v.
Machado
(1962)
In reply, wife advances no less than three theories in support of the trial court’s determination: (1) that the marital relationship imposes a partnership duty on a spouse not to give away community property or to enhance separate property interests without the other’s consent; (2) that under our holding in
In re Marriage of Beltran
(1986)
Clearly, no legal partnership duties are imposed on spouses, and wife’s reliance on
In re Marriage of Brigden
(1978)
Similarly, wife’s interpretation of our holding in
Beltran
is overstated. We there held under the special facts presented that “as a matter of equity [husband’s] criminal conduct . . . which directly caused forfeiture of pension benefits justified the trial court’s conclusion that wife was entitled to reimbursement for her share of such lost community property.”
(In re Marriage of Beltran, supra,
With reference to wife’s third theory, certаinly the trial court has broad discretion to achieve equity in the distribution of marital assets. Indeed, the trial court’s award herein may be properly affirmed on the basis of a reasonable exercise of that discretion. 9
Although husband vigorously attacks the ruling reopening trial proceedings to consider evidence of profits as of December 31, 1985—since the value of the movie was zero when the parties separated, any earnings of the company, he contends, shоuld not be arbitrarily applied to increase its overall value—we conclude the trial court acted within its discretion in reopening the evidence to consider profits generated through 1985. Whether or not the movie was completed and receiving income at the time of separation, the time and artistic energies expended occurred in some appreciable degree during the marriage. Husband devoted the better part of two years during the marriagе working only on the production of “Amadeus.” Thus, the community would be entitled to at least an equitable portion of the income generated as a result thereof. (See
In re Marriage of Worth
(1987)
Moreover, husband’s argument conveniently overlooks the principles of substantial evidence which govern on appeal. Whether husband is unpersuaded by the testimony of wife’s experts (in favor of that of his own
The trial court stated in lucid terms that its finding of a community interest was based on a consideration of the testimony by film еxperts, the parties’ analyses of the results achieved and of the value of the services rendered by husband on behalf of SZC in the production of “Amadeus,” including his unique value to that company, as well as the nature and extent of husband’s (or the community’s) investment in the film. This last factor, the court declared, arose from husband’s personal guaranty of the $6 million loans, his pledge of community and separate assets and encumbrance of his separate property for the prоject, and the increase in value of SZC stock and husband’s proportionate interest therein.
The totality of the evidence highlighted husband’s vital importance to the business expectations of SZC. The joint venture agreement stipulated he could use any production company, including one newly established, at his election. Husband was the linchpin of the company’s operations and had primary responsibility for successful production of the film. At the same time, as wife’s expert described, husband personally shouldered two major risks: his personal guaranty of the $6 million bank loan, and his personal written commitment to raise the necessary funds or indemnify the other venturers. Quite obviously, the community assets were thereby placed at risk, strongly indicating that a fair apportionment of the economic rewards was justly allocable to the community.
Wife’s expert witness further testified that husband additionally functioned as an unpaid “completion bonder” for the film (an entity that wоuld have been paid some $500,000 and other related fees to guarantee necessary financing if the film went overbudget, which it did). Of cardinal significance, the record demonstrates that husband performed a variety of important services for which he would have been entitled to reasonable compensation had the benefits not inured directly to SZC.
Finally, it warrants repetition that in addition to the one-third total profits received by SZC, it also earned an estimated $2.5 million in interest, together with an interest component on husband’s deferred producer’s fee (some $213,000 for at least two years).
Husband acknowledges the doctrine of equitable apportionment in connection with the increased value of his separate property stock interest. Under that doctrine, “since income arising from the husband’s skill, efforts and industry is community property, the community should receive a fair share of the profits which derive from the husband’s devotion of more than
Two models are generally used in apportioning increased value in separate property: “One method of apportionment, first applied in
Pereira
v.
Pereira
(1909)
From the evidence before it, the trial court could reasonably have believed that without husband’s personal efforts in acquiring the film rights, acting as its producer and managing the financial arrangements, there would have been no economic increase in the value of the company. 11
Given the extensive though conflicting evidentiary record, and the deference properly accorded to the fact finder, we conclude that the order of
II.
Husband’s companion attack on the statement of decision, based on the argument that it fails to reveal the legal and factual predicate for the trial court’s decision to allocate separate property to the community, is equally unconvincing.
The challenge is directed to a single paragraph (No. 20) of the detailed 20-page document. Husband insists, relying on
In re Marriage of Bergman
(1985)
We think the trial court diligently and conscientiously sorted through and evaluated a welter of complex and conflicting evidence in arriving at a patently just and equitable determination. The error, if any, in failing to chart the calculus underpinning its ultimate factual determination was clearly harmless.
Wife’s Cross-appeal *
Judgment affirmed. Each side shall bear its own costs on appeal.
Newsom, J., and Stein, J., concurred.
Notes
The trial court never definitively ruled on this motion, but the assets were ultimately valued as of the time of trial or later.
Extended through the appeal process.
Husband is also an officer in Fantasy, Inc. (formerly Fantasy/Galaxy Record Company), from which some of his salary derives.
Husband’s $300,000 compensation was deferred without interest, interest accruing to SZC. Because the fee was to be paid in installments, the trial court awarded the community some $213,000 for the amount earned during the term of the marriage. Husband also received his regular salary of $107,000 per year (hаlf from SZC and half from Fantasy).
The Hollywood film industry is seemingly hesitant to make what is known as “costume” dramas.
Other shareholders included husband’s associates and members of a Chicago tax firm headed by Burt Ranter, a recognized architect of entertainment industry tax shelters, pri
Husband steadfastly maintains that any increase in the value of his SZC stock should remain his separate property because his contractual agreement with Forman and Shaffer was the result of arms-length bargaining.
Brigden, by way of dictum, equated the marital community as a partnership insofar as the spouses possessed “ ‘present, existing and equal’ interests” in community property. {Id., at p. 389.)
The cases relied upon by wife are not immediately helpful since they dealt with in-kind or other divisions of assets
(In re Marriage of Connolly, supra,
The court also had before it information suggesting husband’s net worth increased over $2 million during the course of the marriage.
There was some evidence that husband, through the several trusts, was actually the beneficial owner of 34.5 percent of the stock.
See footnote, ante, page 154.