Opinion
Eliza Gilkyson, Tony Gilkyson and Nancy Gilkyson, the adult children and heirs of songwriter Terry Gilkyson, sued Disney Enterprises, Inc., and its music publishing subsidiary, Wonderland Music Company, Inc. (collectively Disney), alleging Disney had breached its contractual *1338 obligation to pay royalties in connection with the licensing or other disposition of the mechanical reproduction rights to Gilkyson’s songs. The trial court dismissed the lawsuit after sustaining Disney’s demurrer to the first amended complaint without leave to amend, ruling the Gilkyson heirs’ causes of action were barred by the applicable statutes of limitations. Because the trial court erred in failing to apply the doctrine of continuous accrual, under which a portion of the Gilkyson heirs’ contract claim is timely, we reverse.
FACTUAL AND PROCEDURAL BACKGROUND
1. The Single-song Contracts
Terry Gilkyson, a successful songwriter in the 1950’s and 1960’s and a member of the band The Easy Riders, wrote “The Bare Necessities” and several other songs for the popular animated film The Jungle Book (Walt Disney Productions, 1967), which was first released in 1967. 1 Several years prior to the film’s release, Gilkyson signed single-song contracts with Disney’s predecessor-in-interest, Walt Disney Productions, that deemed it the author of the songs and the owner of the copyright and obligated it to pay Gilkyson an initial fee of $1,000 for each song he wrote for the film, as well as specified royalties for sales of sheet music and for licensing or other disposition of the mechanical reproduction rights. The contract expressly excluded from that royalty obligation Disney’s use of the songs in “motion pictures, photoplays, books, merchandising, television, radio and endeavors of the same or similar nature.”
Pursuant to those contracts Disney paid Gilkyson over the years and, after his death in 1999, his heirs royalties for sheet music and for audio reproductions of Gilkyson’s songs (vinyl records, compact discs (CDs) and digital downloads). However, Disney did not pay, and has never paid, Gilkyson or his heirs royalties for the use of his songs in any audiovisual medium, including digital video disc recordings (DVDs).
2. This Lawsuit
On November 15, 2013 the Gilkyson heirs sued Disney for breach of contract and several related claims alleging Disney had breached its contractual obligation to pay the Gilkyson heirs royalties in connection with the use *1339 of Gilkyson’s songs on videocassette recordings (VHS tapes) and DVDs. In their original complaint the Gilkyson heirs alleged the DVD version of The Jungle Book released by Disney in 2007 included “The Bare Necessities” and additional songs that Gilkyson had written for the film but that had never before been released. Although Disney sold approximately four million DVDs containing Gilkyson’s songs and received substantial profits, the complaint alleged it had failed to pay the Gilkyson heirs any per-unit royalty in connection with those sales. The Gilkyson heirs also alleged Disney failed to pay any royalties in connection with VHS tapes containing “The Bare Necessities,” which were released sometime prior to 2007.
Disney demurred to the complaint. While insisting its contractual obligation to pay mechanical reproduction royalties excluded use of Gilkyson’s songs in any audiovisual medium, for purposes of its demurrer it confined its arguments to claiming each cause of action was time-barred under the applicable statutes of limitations. In particular, emphasizing the allegation the DVDs had been released in 2007, Disney argued the Gilkyson heirs’ claim for breach of written contract accrued no later than 2007, thus making the claim, filed in November 2013, untimely under the governing four-year statute of limitations. In addition, the release of VHS tapes had occurred decades prior to 2007. Accordingly, Disney argued any claim for failure to pay royalties accrued at the first breach of contract in the 1990’s, leaving all claims time-barred.
The Gilkyson heirs opposed the demurrer, arguing their claims were timely in their entirety under the continuing violation doctrine or, at a minimum, timely as to the claims for royalties due within the four years prior to their filing of the lawsuit in November 2013 pursuant to the continuous accrual doctrine explained in
Aryeh v. Canon Business Solutions, Inc.
(2013)
The trial court sustained Disney’s demurrer, observing the claim for royalties began to accrue in 1991 when the VHS tapes of The Jungle Book were originally released and, at the latest, by December 31, 2007 when, by the Gilkyson heirs’ own admission, the DVDs were released. Under either scenario, the court ruled, the Gilkyson heirs’ claims were barred by the four-year statute of limitations for written contracts. The court granted the Gilkyson heirs leave to amend.
On April 30, 2014 the Gilkyson heirs filed a first amended complaint asserting claims for breach of contract, breach of the implied covenant of good faith and fair dealing and declaratory relief. The amended complaint contained substantially similar allegations as the original complaint with a few exceptions. The amended complaint added the allegation that Disney had *1340 released The Jungle Book 2 in 2008 and re-released The Jungle Book on Blu-ray format, digital download format and DVD in 2014. Although each of these products included Gilkyson songs, Disney failed to pay, and did not intend to pay in the future, the Gilkyson heirs any royalties in connection with its sales of those products. The amended complaint, in contrast to the original, omitted any reference to the 1991 release of The Jungle Book in VHS format.
The trial court sustained Disney’s demurrer to the first amended complaint, this time without leave to amend, ruling the omission of allegations relating to the release of the film in VHS format was a sham pleading intended to avoid the limitations bar. In any event, the Gilkyson heirs’ claims asserted in the first amended complaint accrued no later than 2007 with the first release of DVDs; and thus their claim for royalties, filed well after the expiration of the four-year statute of limitations applicable to written contracts, was time-barred. The court rejected the Gilkyson heirs’ contention the continuous accrual doctrine rendered their claims timely for breaches within the four years preceding the filing of their complaint.
DISCUSSION
1. Standard of Review
A demurrer tests the legal sufficiency of the factual allegations in a complaint. We independently review the superior court’s ruling on a demurrer and determine de novo whether the complaint alleges facts sufficient to state a cause of action or discloses a complete defense.
(Loeffler v. Target Corp.
(2014)
*1341 2. The Court Erred in Sustaining the Demurrer to the First Amended Complaint
a. The statute-of-limitations bar and the continuous accrual doctrine
The statute of limitations, a legislatively prescribed time period to bring a cause of action, “exists to promote the diligent assertion of [the] claim[], ensure defendants the opportunity to collect evidence while still fresh, and provide repose and protection from dilatory suits once excess time has passed.”
(Aryeh,
supra,
Under the continuous accrual doctrine each breach of a recurring obligation is independently actionable.
(Aryeh, supra,
b. The continuous accrual doctrine applies to the Gilkyson heirs’ contract claims
The Supreme Court most recently explained the proper use of the continuous accrual doctrine in
Aryeh, supra,
*1343
The Supreme Court rejected Canon’s argument the UCL claim was time-barred, explaining Canon’s obligation to charge properly for its goods and services under the lease agreement was a recurring one: “[The plaintiff] has alleged a recurring unfair act — -the inclusion in monthly bills of charges for copies Canon itself made. The theory of continuous accrual applies to such allegations, and insofar as the operative complaint alleges at least some such acts within the four years preceding suit, the suit is not entirely time-barred.”
(Aryeh, supra,
Here, as in
Aryeh,
Disney’s obligation to pay royalties based on its licensing or other disposition of the mechanical reproduction rights to Gilkyson’s songs was unquestionably a continuing one.
4
As alleged in the first amended complaint (consistent with the original complaint), the parties agreed in paragraph 6 of the single-song agreements that Gilkyson “will receive as a royalty ‘[an] amount of money equal to Fifty Percent (50%) of the net amount received by our music publisher
on account of licensing or other disposition of mechanical reproduction rights in and to material so written by
you.’ ” The first amended complaint also alleged Disney had issued quarterly royalty statements to Gilkyson and, after his death, to his heirs. The continuing nature of the obligation to pay periodic royalties renders each breach of that obligation separately actionable.
(Aryeh, supra,
Citing
Dillon v. Board of Pension Commrs.
(1941)
In Dillon the widow of a Los Angeles police officer who had committed suicide in 1934 applied in 1938 to the Board of Pension Commissioners to recover a pension. At the time of her application, the city charter required such claims to be filed within six months of accrual; and, if the Board denied the claim, the applicant had three years from the date the claim accrued to file a petition for administrative mandate to reverse that decision. The Supreme Court held the claim accrued when the officer died, and the mandate action, filed more than three years after his death, was time-barred in its entirety. Although the court recognized the right to receive periodic payments under a pension was a continuing one, it held the plaintiff could not claim entitlement to periodic pension payments until she first established her right to the pension with the board or, if the board had denied her claim, with a timely writ of mandate that overturned its decision. Having failed to bring a timely petition for writ of mandate challenging the board’s finding she was not entitled to a pension, she could not claim a “ ‘continuing right’ ” to a pension. (Dillon, supra, 18 Cal.2d at pp. 430-431, 434, italics omitted.)
The Supreme Court later explained
Dillon’s
holding was limited to the unique claims procedure available in pension cases (see
Howard Jarvis,
supra,
Armstrong, supra,
Similarly here, the Gilkyson heirs’ contract cause of action asserts the breach of an established contractual right to royalties, albeit one grounded in contract language that may ultimately require extrinsic evidence to determine its scope, not an expectation or inchoate right subject to confirmation in an uncompleted claims process. Under Aryeh, Howard Jarvis and Armstrong the Gilkyson heirs are entitled by virtue of the continuous accrual doctrine to seek recovery of royalties for use of their father’s songs in home entertainment or audiovisual media for a period commencing four years before the filing of their complaint.
*1346 Faced with a wealth of Supreme Court and Court of Appeal authority against its position, Disney urges us to adopt the analysis of the federal district court in Mappa Music Co. v. Universal-PolyGram Internat. Publishing, Inc. (C.D.Cal., Dec. 17, 2001, No. CV 00-6593 ABC (AIJx)) 2001 U.S.Dist. Lexis 24554 (Mappa Music) to find the Gilkyson heirs’ claim time-barred in its entirety. Mappa Music involved a dispute over the ownership of an arrangement of the song “Gonna Get Along Without Ya Now,” performed by the group Patience & Prudence, whose members were also part owners of Mappa Music Company. Mappa Music sued Universal-PolyGram primarily for copyright infringement and asserted a related contract claim alleging Universal-PolyGram had breached a letter agreement requiring it to pay Mappa Music a percentage of the retail price of all printed copies of the song arrangement sold. The district court, in its unpublished decision, concluded the copyright action and related declaratory relief action were barred by the statute of limitations. (Id. at p. *23.) As for the breach of contract claim, the court ruled a single breach of contract had occurred and the claim had accrued the first time Universal-PolyGram failed to pay the plaintiffs any royalties. The court rejected the plaintiffs’ continuous accrual argument reasoning, without citation to any California case, “The fact that the Letter Agreement gave rise to an ongoing obligation to pay royalty payments to Plaintiff does not change this conclusion. . . . [T]his case does not involve an installment contract, with payments due at certain times. [Citation.] . . . Plaintiff ‘could have sued for [its] share of the profits, for an accounting of any future profits, and/or for an injunction to prohibit future exploitation [Citation.] Plaintiff will not be permitted to proceed now, after sitting on its rights for more than 40 years.” (Id. at p. *24.)
We need not belabor our critique of
Mappa Music,
decided well before
Aryeh,
albeit a few months after the Supreme Court’s decision in
Howard Jarvis,
which, as discussed, the
Mappa Music
court failed to cite, let alone address. Under California law the continuing right to receive royalties for Disney’s disposition of mechanical reproduction rights created a divisible contract, with each breach of that right separately actionable and subject to its own limitations period. (See
Aryeh, supra,
55 Cal.4th at pp. 1201-1202;
Howard Jarvis, supra, 25
Cal.4th at p. 822.) To the extent the
Mappa Music
court ruled differently, we disagree with it
(Mappa Music, supra,
2001 U.S.Dist. Lexis 24554). (See
Aryeh,
at p. 1202; cf.
Peterson v. Highland Music, Inc.
(9th Cir. 1998)
*1347
Finally, the Gilkyson heirs urge us to apply the continuous accrual analysis to their claims for breach of the implied covenant of good faith and fair dealing and declaratory relief, which the trial court ruled were also barred by the statute of limitations. As to the claim for declaratory relief, they are correct; our analysis applies to, and effectively revives, the Gilkyson heirs’ claim for declaratory relief. (See
City of Cotati v. Cashman
(2002)
With respect to the cause of action for breach of the implied covenant of good faith and fair dealing, however, the trial court sustained Disney’s demurrer not only on the ground the claim was duplicative of the breach of contract claim and barred by the statute of limitations, but also on the ground its order granting leave to amend after Disney’s demurrer to the original complaint was sustained did not permit the Gilkyson heirs to add a new cause of action. (See
Harris v. Wachovia Mortgage, FSB
(2010)
DISPOSITION
The judgment of dismissal is reversed, and the matter remanded to the trial court with directions to vacate its order sustaining Disney’s demurrer to the first amended complaint without leave to amend and to enter an new order overruling the demurrer to the breach of contract and the declaratory relief *1348 causes of action and sustaining the demurrer to the cause of action for breach of the implied covenant of good faith and fair dealing. The Gilkyson heirs are to recover their costs on appeal.
Respondents’ petition for review by the Supreme Court was denied May 25, 2016, S233510.
Notes
Although Gilkyson wrote several songs for the film, only “The Bare Necessities” was used. Fans of that song will recognize its oft quoted lyrics: “Look for the bare necessities / The simple bare necessities / Forget about your worries and your strife /1 mean the bare necessities / Old mother nature’s recipes / That bring the bare necessities of life.” In 1968 Gilkyson received an Academy Award nomination for best original song for “The Bare Necessities” and a Grammy Award nomination, along with Richard M. Sherman and Robert B. Sherman, for best recording for children for the soundtrack for “The AristoCats.” (“Talk to the Animals” won the Oscar; “Dr. Seuss: How the Grinch Stole Christmas,” the Grammy Award.)
Statutory references are to this code unless otherwise indicated.
The continuous accrual doctrine is thus different from the continuing violation doctrine. Under the continuing violation doctrine, “a pattern of reasonably frequent and similar acts may . . . justify treating the acts as an indivisible course of conduct actionable in its entirety,
*1342
notwithstanding that the conduct occurred partially outside ... the limitations period.”
(Aryeh, supra,
The continuous accrual doctrine, in contrast, recognizes each breach as separately actionable, making timely only those claims for wrongdoing occurring during the limitations period. (See
Aryeh, supra,
The Gilkyson heirs have abandoned their initial argument that their contract claim is actionable in its entirety under the continuing violation doctrine. They now invoke exclusively the continuous accrual doctrine to argue a portion of their claim is timely.
Whether that continuing obligation was breached by Disney’s failure to pay royalties based on the use of Gilkyson’s songs in DVDs and similar home entertainment or audiovisual media, as the Gilkyson heirs allege, is not tire question presented in this appeal. As discussed, Disney’s legal position is that the term “mechanical reproduction” does not encompass audiovisual media, which are controlled by a separate part of the agreement. This substantive legal question — whether Gilkyson’s entitlement to royalties based on exploitation of mechanical reproduction rights included the use of the songs in the audiovisual media described — was not at issue in the trial court.
