On April 4, 2007, Plaintiffs Gary Fried-rich Enterprises, LLC and Gary Friedrich (“Friedrich”) (together, “Plaintiffs”) filed this action alleging unlawful use of Plaintiffs’ “Ghost Rider” characters and story. On June 8, 2007, Defendants moved to dismiss the Complaint in part pursuant to Federal Rule of Civil Procedure 12(b)(6). On May 19, 2009, this Court referred Defendants’ Motion to the Honorable James C. Francis IV, United States Magistrate Judge. On June 26, 2009, Judge Francis issued a Report and Recommendation (the “R & R”) recommending that Defendants Motion to Dismiss the state law and Lanham Act claims asserted in Plaintiffs’ Complaint be granted.
Before the Court are Plaintiffs’ Objections to Judge Francis’s R & R. The Court is also in receipt of Defendants’ Response. With respect to those findings in the R & R to which Plaintiffs do not object, I hereby confirm and adopt the R & R, having been satisfied that there is no clear error on the face of the record.
See Nelson v. Smith,
LEGAL STANDARD
When a magistrate judge has issued findings or recommendations, the district court “may accept, reject, or modify [them] in whole or in part.” 28 U.S.C. § 636(b)(1)(C). The Court reviews de novo any portions of a magistrate judge’s R & R to which a party has stated a objection.
See
28 U.S.C. § 636(b)(1)(C);
United States v. Male Juvenile,
DISCUSSION 1
Judge Francis determined that the Copyright Act of 1976 (the “Copyright Act”), 17 U.S.C. § 301 et seq. is the relevant federal statute in this case. Plaintiffs do not object to this finding.
I. Plaintiffs Do Not State a Specific Objection to Dismissal of All Lanham Act Claims and Several State Law Claims
Plaintiffs do not object to Judge Francis’ recommendation that the state law negligence and Lanham Act claims should be dismissed. Accordingly, having been satisfied that there is no clear error on the face of the record, I hereby confirm and adopt this portion of the R
&
R.
See Nelson,
Likewise, Plaintiffs make only a general objection to Judge Francis’ recommendation that their state law claims for conversion, trespass to chattels, unfair competition, waste, accounting, and right of publicity be dismissed. Plaintiffs state that these claims “each address noncopy
Upon reviewing the R & R, I find that Judge Francis did not clearly err in dismissing the Lanham Act claims and state law claims for negligence, conversion, trespass to chattels, unfair competition, waste, accounting, and right of publicity be dismissed, and GRANT Defendants’ Motion to Dismiss these claims.
II. Plaintiffs’ Claims Under the Illinois Consumer Fraud and Deceptive Business Practices Act and the Uniform Deceptive Trade Practices Act Are Preempted by the Copyright Act
Judge Francis found that both Plaintiffs’ Illinois Consumer Fraud and Deceptive Business Practices Act (“CFDBPA”) and their Uniform Deceptive Trade Practices Act (“UDTPA”) claims were preempted by the Copyright Act. This Court agrees.
In the instant case, Plaintiffs’ CFDBPA and UDTPA claims are premised on a theory of “reverse passing off,” in which a party “sells plaintiffs products as its own.”
Reinke & Assocs. Architects Inc. v. Cluxton,
No. 02 Civ. 0725,
Plaintiffs here have alleged extra elements beyond those required for copyright infringement. However, all of these claims ultimately “rest [ ] on the mere act of unauthorized copying.”
FASA Corp. v. Playmates Toys, Inc.,
Therefore, having reviewed the Complaint and the underlying record de novo, the Court finds that Plaintiffs’ CFDBPA and UDTPA claims are preempted by the Copyright Act and GRANTS Defendants’ Motion to Dismiss these claims.
III. Plaintiffs’ Claim for Tortious Interference With Business Expectancy Is Preempted by the Copyright Act
Judge Francis found that Plaintiffs’ claim for tortious interference with busi
After reviewing this claim
de novo,
this Court finds that Plaintiffs’ claim is indeed preempted. Plaintiff does not allege any “extra element” apart from the rights protected by federal copyright law.
See, e.g., American Movie Classics Co. v. Turner Entertainment Co.,
Therefore, for the reasons stated above, this Court finds that Plaintiffs’ state law claim for tortious interference with business expectancy is preempted by the Copyright Act and thus DISMISSES that claim.
TV. Plaintiffs’ Claim of Tortious Interference With Right of Publicity Fails to State a Claim
Plaintiffs state that Judge Francis overlooked their claim for tortious interference with right of publicity. (See PI. Opp’n 19-20.) On the contrary, Judge Francis properly recommended dismissal of Plaintiffs’ right of publicity claim, noting that actions under these laws generally cover individuals only. (See R & R 19-20.) This Court agrees.
Under Missouri law, “the elements of a right of publicity action include: (1) [t]hat defendant used plaintiffs name as a symbol of his identity (2) without consent (3) and with the intent to obtain a commercial advantage.”
Doe v. TCI Cablevision,
In the instant ease, as Judge Francis correctly noted, Plaintiffs failed to allege that Defendants used Friedrich’s name without his consent. Accordingly, Plaintiffs have not stated a claim for tortious interference with right of publicity under either Illinois or Missouri law, and this count must be DISMISSED.
V. Plaintiffs Have Not Stated a Claim for Constructive Trust
In Count XVIII of the Complaint, Plaintiffs seek imposition of a constructive
As a form of equitable relief, the imposition of a constructive trust requires the absence of an adequate remedy at law.
See, e.g., Bertoni v. Catucci,
As discussed above, Plaintiffs’ state law claims either fail to state a cause of action or are preempted by the Copyright Act. As a result, the claim for a constructive trust in connection with the noncopyrightable work is moot.
Plaintiffs also assert the claim for a constructive trust in connection with unauthorized use of copyrightable work.
{See
Compl. ¶ 228.) However, claims for the imposition of a constructive trust based on copyright infringement do not satisfy the “extra element” test and are thus preempted by the Copyright Act.
See, e.g., Maurizio v. Goldsmith,
No. 96 Civ. 4332,
Therefore, Plaintiffs’ claim for constructive trust are either moot or preempted, and the claim must be DISMISSED.
CONCLUSION
For all the foregoing reasons, the Court adopts the R & R of Magistrate Judge Francis in its entirety and GRANTS Defendants’ partial Motion to Dismiss.
SO ORDERED.
REPORT AND RECOMMENDATION
TO THE HONORABLE BARBARA S. JONES, U.S.D.J.:
Plaintiffs Gary Friedrich Enterprises, LLC (“GFE”) and its principal, Gary Friedrich, brought this action against defendant Marvel Entertainment, Inc. (“Marvel”) and ten other co-defendants alleging unlawful use of the plaintiffs’ “Ghost Rider” characters and story. The defendants move to dismiss the plaintiffs’ state law and Lanham Act claims on the grounds that they fail to state a cause of action, are preempted by the Copyright Act, or both. For the reasons set forth below, I recommend that the state law and Lanham Act claims be dismissed. Background
A. Factual Background
Mr. Friedrich, a resident of Arnold, Missouri, purports to be the creator of the Ghost Rider story and characters. (Affidavit of Gary Friedrich dated April 29, 2008 (“Friedrich Aff.”), attached as Exh. G to Affirmation of Leonard F. Lesser dated May 2, 2008 (“Lesser Aff.”), ¶¶2, 7). The ideas for the Ghost Rider story and characters, according to Mr. Friedrich, were originally conceived by him in the 1960’s. (Compl., ¶¶ 40-45). In 1971, he pitched his idea for a Ghost Rider comic book, in confidence, to Magazine Management, the predecessor to Marvel. (Compl., ¶¶ 57-58, 142-43). Mr. Friedrich contends that when he met with Magazine Management, he disclosed the ideas for the characters and story solely for the purposes of developing a publishable comic book, retaining
Mr. Friedrich wrote the first Ghost Rider comic in 1972, and Magazine Management published it as “Marvel Spotlight” Volume Number 5 (the “Spotlight Work”). (Compl., ¶ 61; Friedrich Aff., ¶ 9). Although Mr. Friedrich was the author of the work, Magazine Management retained the copyright by agreement. (Compl., ¶ 63). Mr. Friedrich went on to publish several additional Ghost Rider comics that were also published by Magazine Management. (Compl., ¶ 69).
Nearly thirty years later, the seeds of the relationship between Marvel and Mr. Friedrich began to sprout into controversy. According to Mr. Friedrich, the copyright on the Spotlight Work ran its twenty-eight year term and expired on December 31, 2000. (Compl. ¶ 70). At this time, according to Mr. Friedrich, the rights to the Spotlight Work and all of the characters therein reverted to him, making him the rightful owner of the copyright and related intellectual property as of January 1, 2001. (Compl., ¶ 73). Mr. Friedrich also claims that the copyrights for the subsequent Ghost Rider works he wrote likewise transferred to him “by operation of law” on a rolling basis. (Compl., ¶ 74).
A few years later, around 2006 or 2007, Marvel licensed the rights to Ghost Rider to several entities with the aim of producing a major feature film and related merchandise. (Compl., ¶ 75). On February 16, 2007, Sony released a film entitled “Ghost Rider,” starring Nicolas Cage. (Compl., ¶ 120). Capitalizing on the timing of the film release, Hasbro, Inc. and Take-Two Interactive produced and sold Ghost Rider merchandise in early 2007. (Compl., ¶¶ 156-157). The film and related merchandise credited Marvel as the author of the Ghost Rider characters and story, not Mr. Friedrich. (Compl., ¶¶ 204, 211, 217).
In February 2007, Mr. Friedrich applied to the United States Copyright Office to register his copyright. (Compl., ¶ 78). The Office confirmed him as the author of the Spotlight Work and holder of its copyright, and registered the copyright in Mr. Friedrich’s name. (Compl., ¶ 79). Six days before commencing this action, Mr. Friedrich created GFE, an Illinois limited liability company, and assigned his alleged copyrights to the company. (Memorandum and Order of the Honorable William D. Stiehl, U.S.D.J., Southern District of Illinois, dated Sept. 26, 2007 (the “9/26/07 Order”) at 1, n. 1 & 6 n. 4; Friedrich Aff., ¶¶ 12, 13). GFE maintains its principal place of business in Columbia, Illinois. (9/26/07 Order at 6; Friedrich Aff., ¶¶ 13-14).
B. Procedural History
The plaintiffs originally filed their Complaint on April 4, 2007, in the United States District Court for the Southern District of Illinois. The complaint names eleven defendants: (1) Marvel Entertainment, Inc., formerly known as (2) Marvel Enterprises, Inc., a Delaware corporation that maintains its principal place of business in New York; (3) Marvel Studios, Inc. and (4) Marvel Characters, Inc., wholly owned subsidiaries of Marvel Entertainment (collectively, “Marvel”), with principal places of business in California; (5) Hasbro, Inc. (“Hasbro”), a Rhode Island corporation with its principal place of business in that state; (6) Take-Two Interactive Software, Inc. (“Take-Two”), a Delaware corporation, that maintains its principal place of business in New York; (6) Columbia Pictures Industries, Inc. (“Columbia”), an indirect subsidiary of (7)
In June 2007, the defendants collectively moved to dismiss the Complaint for improper venue and failure to state a claim upon which relief could be granted or, alternatively, to transfer the action to the United States District Court for the Southern District of New York pursuant to 28 U.S.C. § 1404(a). (Memorandum of Law in Support of Defendants’ Motion to Dismiss Pursuant to Fed.R.Civ.P. 12(b)(3) and (6) or to Transfer Venue Pursuant to 28 U.S.C. § 1404(a) (“Def. 111. Memo.”), attached as Exh. C to Lesser Aff., at l). 1 On September 26, 2007, the Honorable William D. Stiehl, U.S.D.J., found that transferring the action to the Southern District of New York best served the interests of justice. (9/26/07 Order at 9-10).
The plaintiffs subsequently moved for reconsideration of the transfer order and requested that the case be transferred instead to the United States District Court for the Eastern District of Missouri. (Memorandum and Order of the Honorable William D. Stiehl, U.S.D.J. dated Jan. 30, 2008 (“1/30/08 Order”) at 1). Judge Stiehl denied the motion for reconsideration on the merits and then rejected the plaintiffs’ application to certify the record for appeal. (1/30/08 Order at 6-7). Finally, Judge Stiehl denied the request that the case be transferred to the Eastern District of Missouri because the plaintiffs improperly sought this relief for the first time in their motion for reconsideration. (1/30/08 Order at 6).
Following the transfer to this Court, the plaintiffs again moved to relocate the action to the Eastern District of Missouri. (Plaintiffs Memorandum of Law in Support of Their Motion to Transfer this Action to the Eastern District of Missouri Pursuant to 28 U.S.C. § 1404 at 1). This motion was also denied. (Memorandum and Order dated Sept. 4, 2008 at 25,
At this juncture, the defendants do not challenge the plaintiffs’ federal copyright claims. However, they have moved to dismiss the plaintiffs’ state law and Lanham Act claims pursuant to Rule 12(b)(6) of the Federal Rules of Civil Procedure. The defendants contend that these claims should be dismissed because they fail to state a claim, are preempted by the Copyright Act, or both.
Discussion
A. Motion to Dismiss under Rule 12(b)(6)
The Federal Rules of Civil Procedure require “a short and plain statement of the claim showing that the pleader is entitled to relief.” Fed.R.Civ.P. 8(a)(2). Under this liberal standard, a complaint may not be dismissed for failure to state a cause of action if it provides the defendants “fair notice of what the [] claim is and the grounds upon which it rests.”
Bell Atlantic Corp. v. Twombly,
“[A] ruling on a motion for dismissal pursuant to Rule 12(b)(6) is not an occasion for the court to make findings of fact.”
Roth v. Jennings,
B. Preemption
1. The 1976 Copyright Act Applies
At the outset, the parties dispute which federal copyright law controls the preemption question. The plaintiffs argue that because the copyrighted material and related ideas were created prior to the enactment of the 1976 Copyright Act, the 1909 Copyright Act applies. (Plaintiffs’ Memorandum in Opposition to Defendants’ Motion to Dismiss or To Transfer Venue (“PI. Opp. Memo.”) at 21). Defendants claim, to the contrary, that the 1976 Act governs all disputes arising after its effective date, regardless of when the materials were created. (Reply Memorandum of Law in Further Support of Motion to Dismiss Pursuant to Fed.R.Civ.P. 12(B)(3) and (6), or To Transfer Venue Pursuant to 28 U.S.C. § 1404(a) (“Def. Reply Memo.”) at 6-7).
Section 301 of the 1976 Copyright Act defines the scope of preemption:
On and after January 1,1978, all legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright ... are governed exclusively by this title. Thereafter, no person is entitled to any such right or equivalent right in any other such work under the common law or statutes of any State.
17 U.S.C. § 301(a). In
Roth v. Pritikin,
Roth’s
conclusion that the 1976 Act controls copyright-related controversies arising after January 1, 1978, was reiterated in
DeCarlo v. Archie Comic Publications,
2. Preemption Requirements
The Copyright Act preemption clause will apply if two requirements are met: (1) “the particular work to which the claim is being applied falls within the type of works protected by the Copyright Act ...” and (2) “the claim seeks to vindicate legal or equitable rights that are equivalent to one of the bundle of exclusive rights already protected by copyright law .... ”
Briarpatch Limited, L.P. v. Phoenix Pictures, Inc.,
a. Subject Matter Requirement
The plaintiffs have argued that their state law claims are not subject to copyright preemption because the claims flow from noncopyrightable material. (PI. Opp. Memo, at 26). Specifically, the plaintiffs contend that the Ghost Rider characters and story are ideas, and because ideas alone cannot be copyrighted the subject matter requirement is not met. (PI. Opp. Memo, at 26).
While the plaintiffs are correct that the Copyright Act does not protect intangible ideas, “[s]cope and protection are not synonyms. Moreover, the shadow actually cast by the Act’s preemption is notably broader than the wing of its protection.”
Berge v. Board of Trustees of the University of Alabama,
Here, the plaintiffs seek to circumvent copyright preemption by extracting noncopyrightable ideas from copyright
b. General Scope Requirement
Under the second prong of the analysis, a state law claim is preempted under the Copyright Act if it protects “legal or equitable rights that are equivalent to any of the exclusive rights within the general scope of copyright.” 17 U.S.C. § 301(a). Those “exclusive rights” include the rights to reproduce, perform, distribute, display, or prepare derivative works based on copyrighted material. 17 U.S.C. §§ 106, 301(a). However, a state law claim concerning these exclusive rights is not preempted if it requires proof of an extra element beyond what is required for a federal copyright claim.
See Samara Brothers, Inc. v. Wal-Mart Stores, Inc.,
C. State Law Claims
1. Negligence
The plaintiffs allege that Marvel breached a duty not to infringe upon the plaintiffs’ intellectual property rights in the characters and story. (Compl., ¶ 97-101). Similarly, the plaintiffs charge that the other co-defendants breached a duty to investigate whether Marvel had a legal right to license the intellectual property before entering into agreements with it. (Compl., ¶ 167-171).
As an initial matter, examining the negligence claim requires a choice-of-law analysis. In determining which state law will apply, a federal court utilizes the' conflict of law rules from the states in which it sits.
Klaxon Co. v. Stentor Electric Manufacturing Co.,
The negligence claim here is based on a duty not to infringe upon the intellectual property rights of the plaintiffs. Just such a theory was rejected in
Marvullo v. Gruner & Jahr AG & Co.,
No. 98 Civ. 5000,
2. Tortious Interference with Business Expectancy
This claim stems from the plaintiffs’ belief that they had a reasonable expectation of entering into business relationships which would utilize their characters and story ideas and that Marvel interfered by wrongfully taking and utilizing those ideas itself. (Compl., ¶¶ 113-117).
Under New York law, the elements of a claim for tortious interference with business relations are: (1) a plaintiffs business relationship with a third party; (2) the defendant’s interference with that business relationship; (3) a showing that the defendant acted with the sole purpose of harming the plaintiff or used dishonest, unfair, or improper means; and (4) injury to the relationship.
Lombard v. BoozAllen & Hamilton, Inc.,
Because this claim is solely grounded on unauthorized copying, it does not offer an “extra element” apart from the rights protected by federal copyright law.
See, e.g., American Movie Classics Co. v. Turner Entertainment Co.,
3. Misappropriation and Civil Conspiracy
The misappropriation claim is grounded on the theory that the defendants wrongfully appropriated the idea for Ghost Rider. (Compl., ¶¶ 140-151, 173-185). In connection with this claim, the plaintiffs charge that the defendants engaged in a conspiracy to misappropriate these ideas. (Compl., ¶¶ 223-226).
New York recognizes the tort of misappropriation of ideas when the plaintiff establishes that (1) the ideas are “novel” and “concrete”; and (2) there existed a “legal relationship” between the parties.
Broughel v. Battery Conservancy,
No. 07 Civ. 7755,
Misappropriation claims are preempted when “the facts alleged in the complaint make it impossible to separate a claim of misappropriation of [the] idea from a claim of misappropriation of the copyrightable literary work through which the idea was expressed.”
See Katz Dochrermann & Epstein, Inc.,
Here, the ideas that gave rise to the misappropriation claim were fully expressed in the Ghost Rider comics, first copyrighted in 1972. Unlike the plaintiff in Maurizio, the plaintiffs here cannot assert that the ideas were free-floating and not yet committed to a copyrighted work. In fact, the plaintiffs do not raise any allegations of misappropriation of ideas prior to their alleged ownership of the Ghost Rider copyrights. This further evinces that the misappropriation claim arises from unauthorized use of ideas embodied in a copyrighted work. As such, this claim is preempted.
As for the conspiracy claim, because “the nature of the misconduct that conspiracy law seeks to redress is not qualitatively different” from the underlying claim, it too is preempted.
See Irwin v. ZDF Enterprises GmbH,
No. 04 Civ. 8027,
4. Unjust Enrichment
The unjust enrichment claim is premised on the theory that the defendants owe the plaintiffs profits earned through the unjust use of the plaintiffs’ intellectual property. (Compl. ¶ 233). Under New York law, a claim for unjust enrichment requires that (1) the defendants were enriched; (2) at the plaintiffs expense; and (3) “equity and good conscience militate against permitting defendant to retain what plaintiff is seeking to recover.”
Briarpatch Limited,
Although the plaintiffs may have asserted a valid claim for unjust enrichment, it does not pass the “extra element” test for the general scope preemption. The Second Circuit has held that “[w]hile enrichment is not required for copyright infringement, we do not believe that it goes far enough to make the unjust enrichment claim qualitatively different from a copyright infringement claim.”
Briar-patch Limited,
5. Right to Publicity
Mr. Friedrich asserts a right to publicity claim, alleging that the defendants engaged in an unauthorized use of the public image of the Ghost Rider characters. (Compl., ¶¶ 187-190).
Under New York’s choice-of-law principles, right of publicity claims are “governed by the substantive law of the plaintiffs domicile.... ”
Rogers v. Grimaldi,
Here, the complaint fails to allege that the defendants used Mr. Friedrich’s name without his consent. Nor does it assert a merger between Ghost Rider characters and the persona of Mr. Friedrich. As a result, the plaintiffs have not stated a cause of action for right to publicity.
6. Conversion and Trespass to Chattels
The plaintiffs bring an action for conversion, asserting that Marvel wrongfully took possession of Mr. Friedrich’s ideas for the characters and story. (Compl., ¶¶ 193-194). On the same theory, the plaintiffs also bring a claim for trespass to chattels. (Compl. ¶¶ 198-199).
Conversion under Illinois law is defined as “the wrongful deprivation of one who has a right to the immediate possession of the object unlawfully held.”
Republic Tobacco, L.P. v. North Atlantic Trading Co.,
Under Illinois law, trespass to chattels differs from conversion because trespass to chattels does not require “substantial interference” with the right to possession.
Sotelo v. DirectRevenue, LLC,
Even if the claims were properly stated, previous courts have found actions for conversion and trespass to chattels to be preempted by a federal copyright law.
See, e.g., Miller v. Holtzbrinck Publishers, LLC,
No. 08 Civ. 3508,
7. Unfair Competition
The plaintiffs bring unfair competition claims under the common law and the Illinois Consumer Fraud and Deceptive Business Practices Act (CFDBPA) and Uniform Deceptive Trade Practices Act (UDTPA). (Compl., ¶¶ 209-214, 203-207). These causes of action allege that the defendants have caused “confusion or misunderstanding” regarding the true ownership of the Ghost Rider characters and story, misleading the consumer public. (Compl., ¶¶ 203, 211). The crux of these claims is the allegation of “reverse passing off,” the notion that defendants have “passed off’ the Ghost Rider ideas as their own.
See Dastar Corp. v. 20th Century Fox Film Corp.,
To establish unfair competition, New York law requires that (1) the plaintiff possesses a “valid, protectable mark”; and (2) the defendant’s use of the mark resulted in “a likelihood of confusion between the marks of the alleged infringer and the charging party.”
ESPN, Inc. v. Quiksilver, Inc.,
Analysis of common law claims for unfair competition “mirror[s] the Lanham Act.” See ESPN, at 230; Henry, at *8. The Lanham Act specifies that a protectable mark must be a “word, name, symbol, device, or any combination thereof....” 15 U.S.C. § 1127. Here, the alleged use of the Ghost Rider ideas clearly do not qualify as protectable marks under this definition. As a result, the plaintiffs fail to state a claim for unfair competition.
As to the statutory claims, making a case under the CFDBPA requires the plaintiff to prove that the defendant “(1) engaged in a deceptive act or practice, (2) with the intent that a party (including the consumer) rely on the deception, (3) while engaged in trade or commerce.”
Pritikin v. Liberation Publications, Inc.,
In addition, both the CFDBPA and UDTPA claims cannot avoid preemption. In general, CFDBPA and UDTPA claims alleging the copying of intellectual property fail the “extra element” test and are preempted.
See Natkin v. Winfrey,
8. Waste
The plaintiffs’ waste claim asserts that the defendants did not properly utilize the Ghost Rider characters and story, resulting in a diminution of value of the plaintiffs’ intellectual property rights in those ideas. (Compl., ¶¶ 108-110).
New York recognizes claims for waste, but such actions are “relegated to cases where the holder of real property causes a deterioration of the property, impairment of a mortgage, or a loss of assets or value of a corporation by its fiducia
In the present case, the plaintiffs urge the Court to extend liability to intellectual property disputes. Because neither Illinois nor New York have recognized such a claim, the plaintiffs fail to state a cause of action.
9. Accounting
The plaintiffs bring this claim on the theory that they have a right to an accounting of defendants’ profits stemming from the alleged unauthorized use of the plaintiffs’ copyrightable and noncopyrightable intellectual property. (Compl. ¶¶ 103-106, 245-247). Accounting under New York law is an equitable remedy that requires “the existence of a fiduciary relationship between [the plaintiff] and the defendant, or the existence of a joint venture or other special circumstances warranting equitable relief.”
Rodgers v. Roulette Records, Inc.,
As discussed above, the plaintiffs’ state law claims either fail to state a cause of action or are preempted by the Copyright Act. As a result, the claim for accounting in connection with the noncopyrightable work is moot.
See Johnson v. Nextel Communications, Inc.,
No. 07 Civ. 8473,
The plaintiffs also assert the claim for accounting in connection to the unauthorized use of copyrightable work. However, accounting claims based primarily on copyright infringement do not satisfy the “extra element” test and are preempted.
See Weber v. Geffen Records, Inc.,
D. Lanham Act Claim
The plaintiffs assert that the defendants’ use of the “Marvel” designation on the Ghost Rider products misled the public as
The Lanham Act provides in relevant part:
(a)(1) Any person who, on or in connection with any goods or services, or any container for goods, uses in commerce any word, term, name, symbol, or device, or any combination thereof, or any false designation of origin, false or misleading description of fact, or false or misleading representation of fact, which—
(A) is likely to cause confusion, or to cause mistake, or to deceive as to the affiliation, connection, or association of such person with another person, or as to the origin, sponsorship, or approval of his or her goods, services, or commercial activities by another person, or
(B) in commercial advertising or promotion, misrepresents the nature, characteristics, qualities, or geographic origin of his or her or another person’s goods, services, or commercial activities, shall be liable in a civil action by any person who believes that he or she is or is likely to be damaged by such act.
15 U.S.C. § 1125.
Actions arising under subsection (A), commonly known as reverse passing off claims, proscribe misrepresentations about who manufactured the product in question.
See Dastar Corp.,
The plaintiffs attempt to circumvent
Dastar’s
holding by characterizing the defendants’ misrepresentation as false advertising, which the Act prohibits under subsection (B). However, the holding of
Dastar
extends to claims arising under subsection (B).
See Antidote International Films, Inc. v. Bloomsbury Publishing, PLC,
Conclusion
For the reasons set forth above, I recommend that the defendants’ motion be granted, and the plaintiffs’ state law and Lanham Act claims be dismissed. Pursuant to 28 U.S.C. § 636(b)(1) and Rules 72, 6(a), and 6(d) of the Federal Rules of Civil Procedure, the parties shall have ten (10) days from this date to file written objections to this Report and Recommendation. Such objections shall be filed with the Clerk of the Court, with extra copies delivered to the chambers of the Honorable Barbara S. Jones, Room 1920, and to the chambers of the undersigned, Room 1960, 500 Pearl Street, New York, New York 10007. Failure to file timely objections will preclude appellate review.
Notes
. The Court presumes familiarity with the factual and procedural background of this case, as it is thoroughly set forth in Judge Francis's R & R. Accordingly, the Court will not repeat that background except where relevant to the analysis set forth here.
. Relativity simultaneously filed a separate motion to dismiss all claims asserted against it for lack of personal jurisdiction; that motion was denied. (9/26/07 Order at 2).
. That a tortious interference claim has an element of intent is immaterial.
See Harper & Row Publishers,
. Standing in the Second Circuit requires that “(1) the plaintiff must have suffered an injury-in-fact; (2) there must be a causal connection between the injury and the conduct at issue; and (3) the injury must be likely to be redressed by a favorable decision.”
Kendall v. Employees Retirement Plan of Avon Products,
