FEDERAL COMMUNICATIONS COMMISSION ET AL. v. WNCN LISTENERS GUILD ET AL.
No. 79-824
Supreme Court of the United States
Argued November 3, 1980—Decided March 24, 1981
450 U.S. 582
*Tоgether with No. 79-825, Insilco Broadcasting Corp. et al. v. WNCN Listeners Guild et al.; No. 79-826, American Broadcasting Cos., Inc., et al. v. WNCN Listeners Guild et al.; and No. 79-827, National Association of Broadcasters et al. v. WNCN Listeners Guild et al., also on certiorari to the same court.
David J. Saylor argued the cause for petitioners in No. 79-824. With him on the briefs were Solicitor General McCree, Deputy Solicitor General Claiborne, Stephen M. Shapiro, and C. Grey Pash, Jr. Timothy B. Dyk argued the cause for petitioners in Nos. 79-826 and 79-827. With him on the briefs were James A. McKenna, Jr., Carl R. Ramey, J. Roger Wollenberg, J. Laurent Scharff, Jack N. Goodman, Ralph E. Goldberg, Eleanor S. Applewhaite, and Erwin G. Krasnow. B. Dwight Perry and Richard D. Marks filed briefs for petitioners in No. 79-825.
Kristin Booth Glen argued the cause for respondents WNCN Listeners Guild et al. Wilhelmina Reuben Cooke argued the cause for respondents Office of Communication
JUSTICE WHITE delivered the opinion of the Court.
Sections 309 (a) and 310 (d) of the Communications Act of 1934, 48 Stat. 1064, as amended,
This issue arose when, pursuant to its informal rulemaking authority, the Commission issued a “Policy Statement” concluding that the public interest is best served by promoting diversity in entertainment formats through market forces and competition among broadcasters and that a change in entertainment programming is therefore not a material factor that should be considered by the Commission in ruling on an application for license renewal or transfer. Respondents, a number of citizen groups interested in fostering and preserving particular entertainment formats, petitioned for review in the
I
Beginning in 1970, in a series of cases involving license transfers,3 the Court of Appeals for the District of Columbia Circuit gradually developed a set of criteria for determining when the “public-interest” standard requires the Commission to hold a hearing to review proposed changes in entertainment formats.4 Noting that the aim of the Act is “to secure the maximum benefits of radio to all the people of the United States,” National Broadcasting Co. v. United States, 319 U. S. 190, 217 (1943), the Court of Appeals ruled in 1974 that “preservation of a format [that] would otherwise disappear, although economically and technologically viable and preferred by a significant number of listeners, is generally in the public interest.” Citizens Committee to Save WEFM v. FCC, 165 U. S. App. D. C. 185, 207, 506 F. 2d 246, 268 (en banc). It concluded that a change in format would not present “substantial and material questions of fact” requiring a hearing if (1) notice of the change had not precipitated “significant public grumbling“; (2) the segment of the population preferring the format was too small to be accommodated by available frequencies; (3) there was an adequate substitute
In January 1976, the Commission responded to these decisions by undertaking an inquiry into its role in reviewing format changes.9 In particular, the Commission sought public
Following public notice and comment, the Commission issued a Policy Statement11 pursuant to its rulemaking authority under the Act.12 The Commission concluded in the Policy Statement that review of format changes was not compelled by the lаnguage or history of the Act, would not advance the welfare of the radio-listening public, would pose substantial administrative problems, and would deter innovation in radio programming. In support of its position, the Commission quoted from FCC v. Sanders Brothers Radio Station, 309 U. S. 470, 475 (1940): “Congress intended to leave competition in the business of broadcasting where it found it, to permit a licensee . . . to survive or succumb according to his ability to make his programs attractive to the public.”13 The Commission also emphasized that a broad-
The Commission also concluded that practical considerations as well as statutory interpretation supported its reluctance to regulate changes in formats. Such regulation would require the Commission to categorize the formats of a station‘s prior and subsequent programming to determine whether
Finally, the Commission explained why it believed that market forces were the best available means of producing diversity in entertainment formats. First, in large markets, competition among broadcasters had already produced “an almost bewildering array of diversity” in entertainment formats.18 Second, format allocation by market forces accommodates listeners’ desires for diversity within a given format and also produces a variety of formats.19 Third, the market is far more flexible than governmental regulation and responds more quickly to changing public tastes. Therefore, the Commission concluded that “the market is the allocation mechanism of preference for entertainment formats, and . . . Commission supervision in this area will not be conducive either to producing program diversity [or] satisfied radio listeners.”20
Although conceding that it possessed neither the expertise nor the authority to make policy decisions in this area, the Court of Appeals asserted that the format doctrine was “law,” not “policy,”25 and was of the view that the Commission had not disproved the factual аssumptions underlying the format
II
Rejecting the Commission‘s reliance on market forces to develop diversity in programming as an unreasonable interpretation of the Act‘s public-interest standard, the Court of Appeals held that in certain circumstances the Commission is required to regard a change in entertainment format as a substantial and material fact in deciding whether a license renewal or transfer is in the public interest. With all due respect, however, we are unconvinced that the Court of Appeals’ format doctrine is compelled by the Act and that the Commission‘s interpretation of the public-interest standard must therefore be set aside.
It is common ground that the Act does not define the term “public interest, convenience, and necessity.”28 The Court has characterized the public-interest standard of the Act as “a supple instrument for the exercise of discretion by the expert body which Congress has charged to carry out its legislative policy.” FCC v. Pottsville Broadcasting Co., 309 U. S. 134, 138 (1940). Although it was declared in National Broad-
The Commission has provided a rational explanation for its conclusion that reliance on the market is the best method of promoting diversity in entertainment formats. The Court of Appeals and the Commission agree that in the vast majority of cases market forces provide sufficient diversity. The Court of Appeals favors Government intervеntion when there is evidence that market forces have deprived the public of a “unique” format, while the Commission is content to rely on the market, pointing out that in many cases when a station changes its format, other stations will change their formats to attract listeners who preferred the discontinued format. The Court of Appeals places great value on preserving diversity among formats, while the Commission emphasizes the value of intraformat as well as interformat diversity. Finally, the Court of Appeals is convinced that review of format changes would result in a broader range of formats, while the Commission believes that Government intervention is likely to deter innovative programming.
In making these judgments, the Commission has not forsaken its obligation to pursue the public interest. On the contrary, it has assessed the benefits and the harm likely to flow from Government review of entertainment programming, and on balance has concluded that its statutory duties are best fulfilled by not attempting to oversee format changes. This decision was in major part based on predictions as to the probable conduct of licensees and the functioning of the broadcasting market and on the Commission‘s assessment of its capacity to make the determinations required by the format doctrine. The Commission concluded that “[e]ven after
Our opinions have repeatedly emphasized that the Commission‘s judgment regarding how the public interest is best served is entitled to substantial judicial deference. See, e. g., FCC v. National Citizens Committee for Broadcasting, supra; FCC v. WOKO, Inc., 329 U. S. 223, 229 (1946). Furthermore, diversity is not the only policy the Commission must consider in fulfilling its responsibilities under the Act. The Commission‘s implementation of the public-interest standard, when based on a rational weighing of competing policies, is not to be set aside by the Court of Appeals, for “the weighing of policies under the ‘public interest’ standard is a task that Congress has delegated to the Commission in the first instance.” FCC v. National Citizens Committee for Broadcasting, supra, at 810. The Commission‘s position on review of format changes reflects a reasonable accommodation of the policy of promoting diversity in programming and the policy of avoiding unnecessary restrictions on licensee discretion. As we see it, the Commission‘s Policy Statement is in harmony with cases recognizing that the Act seeks to preserve journalistic discretion while promoting the interests of the listening public.32
In the past we have stated that “the construction of a statute by those chargеd with its execution should be followed unless there are compelling indications that it is wrong. . . .”39 Prior to 1970, the Commission consistently stated that the choice of programming formats should be left to the licensee.40 In 1971, the Commission restated that position but announced that any application for license transfer or renewal involving a substantial change in program format would have to be reviewed in light of the Court of Appeals’ decision in Citizens Committee to Preserve the Voice of the Arts in Atlanta v. FCC, 141 U. S. App. D. C. 109, 436 F. 2d 267 (1970), in which the Court of Appeals first articulated the format doctrine.41 In 1973, in a statement accompanying
It is contended that rather than carrying out its duty to make a particularized public-interest determination on every application that comes before it, the Commission, by invariably relying on market forces, merely assumes that the public interest will be served by changes in entertainment format. Surely, it is argued, there will be some format changes that will be so detrimental to the public interest that inflexible application of the Commission‘s Policy Statement would be inconsistent with the Commission‘s duties. But radio broadcasters are not required to seek permission to make format changes. The issue of past or contemplated entertainment format changes arises in the courses of renewal and transfer proceedings; if such an application is approved, the Commission does not merely assume but affirmatively determines that the requested renewal or transfer will serve the public interest.
Under its present policy, the Commission determines whether a renewal or transfer will serve the public interest without reviewing past or proposed changes in entertainment format. This policy is based on the Commission‘s judgment that market forces, although they operate imperfectly, not only will more reliably respond to listener preference than would format oversight by the Commission but also will serve the end of increasing diversity in entertainment programming. This Court has approved of the Commission‘s goal of promoting diversity in radio programming, FCC v. Midwest Video Corp., 440 U. S. 689, 699 (1979), but the Commission is nevertheless vested with broad discretion in determining how much weight should be given to that goal and what policies should be pursued in promoting it. The Act itself, of course, does not specify how the Commission should make its public-interest determinations.
A major underpinning of its Policy Statement is the Commission‘s conviction, rooted in its experience, that renewal
It is also contended that since the Commission has re-
These cases do not require us to consider whether the Commission‘s present or past policies in the area of nonentertainment programming comply with the Act. We attach some weight to the fact that the Commission has consistеntly expressed a preference for promoting diversity in entertainment programming through market forces, but our decision ultimately rests on our conclusion that the Commission has provided a reasonable explanation for this preference in its Policy Statement.
We decline to overturn the Commission‘s Policy Statement, which prefers reliance on market forces to its own attempt to oversee format changes at the behest of disaffected listeners. Of course, the Commission should be alert to the consequences of its policies and should stand ready to alter its rule if necessary to serve the public interest more fully. As we stated in National Broadcasting Co. v. United States: “If time and changing circumstances reveal that the ‘public interest’ is not served by application of the Regulations, it must be assumed that the Commission will act in accordance with its statutory obligations.” 319 U. S., at 225.
IV
Respondents contend that the Court of Appeals’ judgment should be affirmed because, even if not violative of the Act, the Policy Statement conflicts with the First Amendment rights of listeners “to receive suitable access to social, political, esthetic, moral, and other ideas and experiences.” Red Lion Broadcasting Co. v. FCC, 395 U. S. 367, 390 (1969). Red Lion held that the Commission‘s “fairness doctrine” was consistent with the public-interest standard of the Communica
Contrary to the judgment of the Court of Appeals, the Commission‘s Policy Statement is not inconsistent with the Act. It is also a constitutionally permissible means of implementing the public-interest standard of the Act. Accordingly, the judgment of the Court of Appeals is reversed, and the case is remanded for further proceedings consistent with this opinion.
So ordered.
JUSTICE MARSHALL, with whom JUSTICE BRENNAN joins, dissenting.
Under
I
At the outset, I should point out that my understanding of the Court of Appeals’ format cases is very different from the Commission‘s.4 Both in its Policy Statement and in its brief before this Court, the Commission has insisted that the format doctrine espoused by the Court of Appeals “favor[s] a system of pervasive governmental regulation,”5 requiring “‘comprehensive, discriminating, and continuing state surveil
In fact, the Court of Appeals accepted the Commission‘s conclusion that entertainment program formats should ordinarily be left to competitive forces. The court emphasized that the format doctrine “was not intended as an alternative to format аllocation by market forces,” and “fully recognized that market forces do generally provide diversification of formats.” Ibid. (Emphasis in original.) It explained that “the Commission‘s obligation to consider format issues arises only when there is strong prima facie evidence that the market has in fact broken down,” ibid., and suggested that a breakdown in the market may be inferred when notice of a format change “precipitate[s] an outpouring of protest,” id., at 323, 610 F. 2d, at 842, or “significant public grumbling,” ibid. The Court of Appeals further stated that “[n]o public interest issue is raised if (1) there is an adequate substitute in the service area for the format being abandoned, (2)
The Court of Appeals thus made clear that the format doctrine comes into play only in a few limited situations. Consequently, the issue presented by these cases is not whether the Commission may adopt a general policy of relying on licensee discretion and market forces to ensure diversity in entertainment programming formats. Rather, the question before us is whether the Commission may apply its general policy on format chаnges indiscriminately and without regard to the effect in particular cases.
II
Although the Act does not define “public interest, convenience, and necessity,” it is difficult to quarrel with the basic premise of the Court of Appeals’ format cases that the term includes “a concern for diverse entertainment programming.” Id., at 323, 610 F. 2d, at 842.9 This Court has indicated that one of the Act‘s goals is “to secure the maximum benefits of radio to all the people of the United States.” National Broadcasting Co. v. United States, 319 U. S. 190, 217 (1943).10
I agree with the majority that predictions of this sort are within the Commission‘s institutional competence. I am also willing to assume that a general policy of disregarding format changes in making the “public interest” determination required by the Act is not inconsistent with the Commission‘s statutory obligation to give individualized consideration to each application. The Commission has broad rulemaking powers under the Act,11 and we have approved efforts by the Commission to implement the Act‘s “public interest” requirement through rules and policies of general application. See, e. g., FCC v. National Citizens Committee for Broadcasting, supra; United States v. Storer Broadcasting Co., 351 U. S. 192 (1956); National Broadcasting Co. v. United States, supra.
The problem with the particular Policy Statement challenged here, however, is that it lacks the flexibility we have required of such general regulations and policies. See, e. g., United States v. Storer Broadcasting Co., supra; National
Moreover, our cases have indicated that an agency‘s discretion to proceed in complex areas through general rules is intimately connected to the existence of a “safety valve” procedure that allows the agency to consider applications for exemptions based on special circumstances. See E. I. du Pont de Nemours & Co. v. Train, 430 U. S. 112, 128 (1977); Permian Basin Area Rate Cases, 390 U. S. 747, 771-772 (1968); FPC v. Texaco Inc., 377 U. S. 33, 40-41 (1964); United States v. Storer Broadcasting Co., supra, at 204-205; National Broadcasting Co. v. United States, supra, at 207, 225. See also WAIT Radio v. FCC, 135 U. S. App. D. C. 317, 321, 418 F. 2d 1153, 1157 (1969); American Airlines v. CAB, 123 U. S. App. D. C. 310, 359 F. 2d 624 (en banc), cert. denied, 385 U. S. 843 (1966); WBEN, Inc. v. United States, 396 F. 2d 601, 618 (CA2), cert. denied, 393 U. S. 914 (1968).
“The Commission therefore did not bind itself inflexibly to the licensing policies expressed in the regulations. In each case that comes before it the Commission must still exercise an ultimate judgment whether the grant of a license would serve the ‘public interest, convenience, or necessity.’ If time and changing circumstances reveal that the ‘public interest’ is not served by application of the Regulations, it must be assumed that the Commission will act in accordance with its statutory obligations.” Id., at 225.
Similarly, in upholding the Commission‘s Multiple Ownership Rules in United States v. Storer Broadcasting Co., supra, we noted that the regulations allowed an opportunity for a “full hearing” for applicants “that set out adequate reasons why the Rules should be waived or amended.” Id., at 205.12
“The Commission is charged with administration in the ‘public interest.’ That an agency may discharge its responsibilities by promulgating rules of general application which, in the overall perspective, establish the ‘public interest’ for a broad range of situations, does not relieve it of an obligation to seek out the ‘public interest’ in particular, individualized cases. A general rule implies that a commission need not re-study the entire problem de novo and reconsider policy every time it receives an application for a waiver of the rule. On the other hand, a general rule, deemed valid because its overall objectives are in the public interest, may not be in the ‘public interest’ if extended to an applicant who proposes a new service that will not undermine the policy, served by the rule, that has been adjudged in the public interest.” WAIT Radio v. FCC, supra, at 321, 418 F. 2d, at 1157.
In my judgment, this requirement of flexibility compels the Commission to provide a procedure through which listeners can attempt to show that a particular radio market differs from the Commission‘s paradigm, and thereby persuade the Commission to give particularized consideratiоn to a proposed format change. Indeed, until the Policy Statement was published, the Commission had resolved to “take an extra hard look at the reasonableness of any proposal which would deprive a community of its only source of a particular type of programming.”13 As I see it, the Court of Appeals’ format doctrine was merely an attempt by that court to de
This omission is not only a departure from legal precedents; it is also a departure both from the Commission‘s consistent policies and its admissions here. For the Commission concedes that the radio market is an imperfect reflection of listener preferences,15 and that listeners have programming interests that may not be reflected in the marketplace. The Commission has long recognized its obligation to examine program formats in making the “public interest” determination required by the Act. As early as 1929, the Commission‘s predecessor, thе Federal Radio Commission, adopted the position that licensees were expected to provide a balanced program schedule designed to serve all substantial groups in their communities. Great Lakes Broadcasting Co., 3 F. R. C. Ann. Rep. 32, 34, rev‘d on other grounds, 37 F. 2d 993, cert. dism‘d, 281 U. S. 706 (1930). The Commission‘s famous “Blue Book,”16 published in 1946, reaffirmed the emphasis on a well-balanced program structure and declared that the Commission has “an affirmative duty, in its public interest determinations, to give full consideration to program service.”17 As the Commission explained:
“It has long been an established policy of broadcasters themselves and of the Commission that the American
This theme was reiterated in the Commission‘s 1960 Program Statement,19 which set forth 14 specific categories of programming that were deemed “major elements usually necessary to meet the public interest, needs and desires of the community,”20 and which emphasized the necessity of each broadcaster‘s programming serving the “tastes and needs” of its local community.21 To ensure that licensee programming serves the needs of the community, the Commission has, for example, decreed that licensees have a special obligation to provide programs for children, even going so far as to declare that licensees must provide “a reasonable amount of [children‘s] programming which is designed to educate and inform and not simрly to entertain.”22
Moreover, in examining renewal applications, the Commission has considered claims that a licensee does not provide adequate children‘s programming,23 or programming for women and children,24 or for a substantial Spanish-American community,25 or that the licensee has ignored issues of significance to the Negro community,26 or has not provided programming of specific interest to residents of a particular
There is an obvious inconsistency between the Commission‘s recognition that the “public interest” standard requires it to consider licensee programming in the situations described above and its Policy Statement on review of entertainment program formats. Indeed, the sole instance in which the Commission will not consider listener complaints about programming is when they pertain to proposed changes in entertainment program formats. The Policy Statement attempts to explain this exceptional treatment of format changes by drawing a distinction between entertainment and nonentertainment programming. The Policy Statement suggests that the Commission reviews only nonentertainment programming, and even then, only in special circumstances. Thus, the Policy Statement argues that the fairness doctrine and political broadcasting rules issued pursuant to
In the first place, the distinction the Commission tries to draw between entertainment and nonentertainment programming is questionable. It is not immediately apparent, for example, why children‘s programming necessarily falls on the “nonentertainment” side of the spectrum, and the Commission has provided no explanation of how it decides the category to which particular programming belongs. Second, I see no reason why the Commission‘s review of entertainment programming cannot be as limited as its review of nonentertainment programming. Nothing prevents the Commission from limiting its role in reviewing format changes to “directing the licensee to broadcast additional material,” thereby ensuring that the viewpoints of listeners who complain about a proposed format change are not completely ignored. Third, and most important, neither the fairness doctrine nor the political broadcasting rules have anything to do with the various situations described above in which the Commission has not hesitated to consider program formats in making the “public interest” determination. The fairness doctrine imposes an obligation on licensees to devote a “reasonable per
The majority attempts to minimize the inconsistency in the Commission‘s treatment of entertainment and nonentertainment programming by postulating that the difference “is not as pronounced as it may seem,” ante, at 602. This obsеrvation, even if accurate, is simply beside the point. What is germane is the Commission‘s failure to consider listener complaints about entertainment programming to the same extent and in the same manner as it reviews complaints about nonentertainment programming. Thus, whereas the Commission will hold an evidentiary hearing to review complaints about nonentertainment programming where “it appears that the licensee has . . . act[ed] unreasonably or in bad faith,” ibid. (quoting Mississippi Authority for Educational TV, 71 F. C. C. 2d 1296, 1308 (1979)), the Commission will not consider an identical complaint about a licensee‘s change in its entertainment programming. As I have indicated, see supra, at 614-616, neither the Commission nor the majority is able to offer a satisfactory explanation for this inconsistency.
III
Since I agree with the Court of Appeals that there may be situations in which the Commission is obliged to consider format changes in making the “public interest” determination mandated by the Act, it seems appropriate to comment briefly on the Commission‘s claim that the “‘acute practical problem[s]’ inherent in format regulation render entirely speculative any benefits that such regulation might produce.”31 One of the principal reasons given in the Policy Statement for rejecting entertainment format regulation is that it would be “administratively a fearful and comprehen
Although it has abandoned the “administrative nightmare” argument before this Court, the Commission nonetheless finds other “intractable” administrative problems in format regulation. For example, it insists that meaningful classification of radio broadcasts into format types is impractical, and that it is impossible to determine whether a proposed format change is in the public interest because the intensity of listener preferences cannot be measured.34 Moreover, the Commission argues that format regulation will discourage licensee innovation and experimentation with formats, and that its effect on format diversity will therefore be counterproductive.
None of these claims has merit. Broadcasters have operated under the format doctrine during the past 10 years, yet the Commission is unable to show that there has been no innovation and experimentation with formats during this period. Indeed, a Commission staff study on the effectiveness of market allocation of formats indicates that licensees have been aggressive in developing diverse entertainment formats under the format-doctrine regime.35 This “evidence“—
The Commission‘s claim that it is impossible to classify formats, is largely overcome by the Court of Appeals’ suggestion that the Commission could develop “a format taxonomy which, еven if imprecise at the margins, would be sustainable so long as not irrational.”36 197 U. S. App. D. C., at 334, 610 F. 2d, at 853. Even more telling is the staff study relied on by the Commission to show that there is broad format diversity in major radio markets, for the study used a format classification based on industry practice.37 As the Court of Appeals noted, it is somewhat ironic that the Commission had no trouble “endorsing the validity of a study largely premised on classifications it claims are impossible to make.” Ibid.38 To be sure, courts do not sit to second-guess the as
IV
The Commission‘s Policy Statement is defective because it lacks a “safety valve” procedure that would allow the necessary flexibility in the application of the Commission‘s general policy on format changes to particular cases. In my judgment, the Court of Appeals’ format doctrine was a permissible attempt by that court to provide the Commission with some guidance regarding the types of situations in which a re-examination of general policy might be necessary. Even if one were to conclude that the Court of Appeals described these situations too specifically, a view I do not share, I still think that the Court of Appeals correctly held that the Commission‘s Policy Statement must be vacated.
I respectfully dissent.
Notes
As the majority notes, ante, at 602-603, the Commission recently voted to reduce its role in regulating several aspects of commercial radio broadcasting, including regulation of nonentertainment programming. Thus, the Commission has announced its intention of eliminating its current guideline on the amounts of nonentertainment programming that radio stations should air. And the Commission has indicated that petitions to deny license renewals based on only the quantity of a licensee‘s nonentertainment programming will no longer be sufficient to support a challenge. For example, a petitioner would have to show that a licensee is doing little or no programming responsive to community issues in order to successfully challenge renewal of the license. Nonetheless, the Commission reiterated that nonentertainment programming is still a relevant issue for petitions to deny, that licensees have an obligation to offer nonentertainment programming addressing issues facing the community, and that the Commission will continue to inquire into the reasonableness of licensee programming decisions. See Deregulation of Radio, 46 Fed. Reg. 13888, 13890-13897 (1981) (to be codified at
The Court of Appeals suggested that the Commission could consider an alternative approach of “dispensing altogether with the need for classifying formats by simply taking the existence of significant and bona fide listener protest as sufficient evidence that the station‘s endangered programming has certain unique features for which there are no ready substitutes.” 197 U. S. App. D. C., at 334, n. 47, 610 F. 2d, at 853, n. 47. The court indicated that “this approach would focus attention on the essentials of the format doctrine, namely, that when a significant sector of the populace is aggrieved by a planned programming change, this fact raises a legitimate question as to whether the proposed change is in the public interest.” Id., at 334-335, n. 47, 610 F. 2d, at 853-854, n. 47.
All this suggests that the “practical difficulties” the Commission has identified are not intractable, and that these problems could be solved if the Commission channelled as much energy into devising workable standards as it has devoted to mischaracterizing the Court of Appeals’ format doctrine.
“The ascertainment of the needed elements of the broadcast matter to be provided by a particular licensee for the audience he is obligated to serve remains primarily the function of the licensee. His honest and prudent judgments will be accorded great weight by the Commission. Indeed, any other course would tend to substitute the judgment of the Commission for that of the licensee.” Ibid.
