MEMORANDUM OPINION AND ORDER
I. PROCEDURAL AND FACTUAL BACKGROUND
Plaintiff Andrea Dworkin (“Dworkin”) is an author and lecturer who is an active member of the feminist antipomography movement. Dworkin and two members of the Wyoming Chapter of the National Organization for Women (“NOW”) filed this action in Wyoming state court against Hustler Magazine, Inc. (for simplicity’s sake, both the corporate defendant and the magazine are referred to collectively as “Hustler”), its publisher Larry Flynt (“Flynt”), his corporation, Flynt Distributing Company, Inc., Inland Empire Periodicals, the regional distributor of Hustler, and Park Place Market, a retail store that sold Hustler. All plaintiffs asserted claims for violation of and interference with their constitutional rights under the First and Fourteenth Amendments to the Constitution, joint and several liability and violation of Wyoming’s obscenity statutes. In addition, Dworkin sued for intentional infliction of emotional injury, libel, invasion of privacy and “outrage.”
The action arose from three items, designated (and hereafter referred to) as Exhibits A, B and C, that were published in the February, March and December 1984, issues, respectively, of Hustler. Proper analysis of the issues in this case requires that these exhibits be described in some detail.
Exhibit A is a cartoon that portrays two women apparently engaging in cunnilingus. One woman says to the other, “You remind me so much of Andrea Dworkin, Edna. It's a dog-eat-dog world.”
Exhibit B is a sequence of photographs accompanied by captions that appear in comic-book style graphics. It is entitled, “SO MANY DYKES — SO LITTLE TIME. DIRECTED BY AL GOLDSTEIN.” The initial photographs show women picketing outside a building labelled “ATs Bimbo Bar,” with signs protesting pornography. As the photo-sequence progresses, it shows a man addressing the camera while he is attacked by the protesters. He begins by saying, “In my fantasy I’m a quiet, sensitive, misunderstood Jewish pimp for sore-covered, starving children from Haiti.” The subsequent photos show the man and several of the women engaged in various sex acts with various partners. The captions are written in the first person. The male narrator describes the events six times as his “fantasy.”
*1411 The reference to Dworkin appears on the top of the fourth page, where the caption states, “While I’m teaching this little shiksa the joys of Yiddish, the Andrea Dworkin Fan Club begins some really serious suck ‘n’ squat. Ready to give up holy wafers for matzoh yet, guys?” (Emphasis in original.) The photos below the caption depict women engaged in cunnilingus with one another. Toward the conclusion of the photo-sequence, a woman identified as “Field Marshal Steinem” arrives. The woman is carrying a book by Gloria Steinem, the well-known feminist, and, to this viewer, resembles her physically. In the final photos, the women attack “Field Marshal Steinem” in a violent sexual assault scene. In the final photo, the man in the photo-sequence, who is the narrator, is clearly identified as the “director” A1 Gold-stein as he faces the camera and says, “I’ll do anything for $10,000 — which is what Flynt paid me to take my nose (and finger) out of his behind and direct this fantasy.”
Exhibit C is entitled “Pom from the Past” (apparently, a regular feature of Hustler). It portrays a man performing cunnilingus on a woman while he master-bates. The caption reads:
We don’t believe it for a minute, but one of our editors swears that this woman in the throes of ecstasy is the mother of radical feminist Andrea Dworkin. He’s also positive that the guy performing “Babaloo” on Mama’s drums while keeping time with his stick is Robby “the Rock” Ricardo — a distant relative of / Love I/ucy’s Ricky. Understandably, we gave that editor the day off to watch Leave It to Beaver reruns.
Defendants removed this action from state court to the United States District Court for the District of Wyoming (the “Wyoming federal court”).
See Dworkin v. Hustler Magazine, Inc.,
Before this Court is the motion of Hustler, Flynt and Flynt Distributing Company, the only remaining defendants (“defendants”), for summary judgment on the claims of libel, invasion of privacy, intentional infliction of emotional injury and “outrage” of Dworkin, the sole remaining plaintiff. This court has jurisdiction under 28 U.S.C. § 1332. Venue is proper under 28 U.S.C. § 1391(a) and § 1404(a).
II. DISCUSSION
Under F.R.CÍV.P. 56(c), summary judgment is appropriate if “there is no genuine issue as to any material fact” and “the moving party is entitled to a judgment as a matter of law.” In a recent opinion, Judge Sneed aptly summarized the non-moving party’s burden to withstand a motion for summary judgment under recent, and controlling, Supreme Court case law:
First, the Court has made clear that if the non-moving party will bear the burden of proof at trial as to an element essential to its case, and that party fails to make a showing sufficient to establish a genuine dispute of fact with respect to the existence of that element, then summary judgment is appropriate. See Celotex Corp. v. Catrett, 477 U.S. 317,106 S.Ct. 2548 , 2552-53,91 L.Ed.2d 265 (1986). Second, to withstand a motion for summary judgment, the non-moving party must show that there are “genuine factual issues that properly can be re *1412 solved only by a finder of fact because they may reasonably be resolved in favor of either party. ” Anderson v. Liberty Lobby, Inc., 477 U.S. 242,106 S.Ct. 2505 , 2511,91 L.Ed.2d 202 (1986) (emphasis added). Finally, if the factual context makes the non-moving party’s claim implausible, that party must come forward with more persuasive evidence than would otherwise be necessary to show that there is a genuine issue for trial. Matsushita Elec. Indus. Co. v. Zenith Radio Corp.,475 U.S. 574 ,106 S.Ct. 1348 , 1356,89 L.Ed.2d 538 (1986).
California Architectural Bldg. Prods., Inc. v. Franciscan Ceramics, Inc.,
A. Choice of Law
In diversity cases, the federal courts must look to the forum state's conflict of laws rules to determine the applicable substantive law.
Klaxon v. Stentor Elec. Mfg. Co.,
The Wyoming federal court held that a Wyoming state court faced with an interstate tort case, with elements in different jurisdictions, would apply the law of the state in which the cause of action arose.
See Dworkin III,
The Wyoming federal court did not discuss the law applicable to the claims for invasion of privacy, intentional infliction of emotional injury and outrage, but it is fairly clear that the law of New York, Dworkin's domicile, would also apply to these claims.
See
Restatement (Second) of Conflict of Laws §§ 145, 153. This inquiry, however, need not detain us because, as will be demonstrated below, the outcome of this motion would be the same no matter which state’s law is applied,
2
especially since defendants claim First Amendment protection for the material in dispute, which is a matter of federal constitutional law in diversity cases.
See Koch v. Goldway,
*1413 B. Defamatory Meaning
Defendants claim that the exhibits at issue here are not actionable as a matter of law because, as clear fiction or fantasy and humor, they are not reasonably susceptible of a defamatory meaning.
Courts have taken different analytical approaches to this issue. A recent New York decision appears to treat this as an issue arising from state defamation law.
See Frank v. National Broadcasting Co.,
The court in
Polygram Records,
relying on both the California and federal Constitutions, held that a comedian’s statements that a wine, with the same name as plaintiff’s product, was a black wine, a “motherfucker,” tasted like urine and went with “any damn thing it wants to,” were not defamatory as a matter of law where the content and context made it obvious that no sensible person could take them seriously.
Id.
at 547, 556-57,
The Supreme Court raised the requirement that a statement be reasonably susceptible of a defamatory meaning to be actionable to constitutional status in
Greenbelt Coop. Publishers Ass’n v. Bresler,
The Supreme Court relied on
Greenbelt
in
Old Dominion Branch No. 496, Nat’l Ass’n of Letter Carriers v. Austin,
The Tenth Circuit followed the approach of
Greenbelt
and
Letter Carriers
in
Pring v. Penthouse Int'l, Ltd.,
The district court in
Koch v. Goldway,
Koch I
was affirmed by the Ninth Circuit, but it conflated the two rationales into one.
7
See Koch II,
Whether one frames the issue in terms of the “reasonably understood” requirement or the “fact/opinion” dichotomy, several points emerge from the cases discussed above. As both a matter of state defamation law and constitutional protection, the exhibits at issue must convey to a reasonable reader the impression that they describe actual
facts
about the plaintiff or activities in which she participated to be actionable. When one cannot reasonably interpret the material as portraying actual facts about the plaintiff, no damage to reputation can result.
Koch I,
Exhibit A is a cartoon. Although cartoons are not exempt from the law of defamation, it is important to consider the immediate context in which the statement was made.
See Information Control,
Exhibit B also is incapable of being interpreted as portraying actual events or facts regarding Dworkin. Again, it is helpful to consider the immediate context of the statements. The graphics of the entire photo-sequence, including the layout of the photos and the captions, resemble the familiar comic-book sequential panel layout. The title states that the photo-sequence was “DIRECTED BY AL GOLDSTEIN,” thus indicating that it is the product of someone’s imagination and interpretation. The narrator, who is the man in the photos, turns out to be the “director.” He refers to the piece throughout as his “fantasy.” Although this kind of labelling cannot be determinative of whether a statement is one of fact or fantasy, such cautionary terms must be given some weight.
See Information Control,
Exhibit C indicates on its face that it cannot be taken literally. It is filled with cautionary statements. The opening phrase is the disclaimer, “We don’t believe it for a minute____” Although this type of disclaimer may be seen as highly self-serving, it would put a reasonable reader on notice that the material is, at least, of questionable veracity. In addition, the man in the photo is identified as “Robby ‘the Rock’ Ricardo — a distant relative of I Love Lucy’s Ricky.” Ricky Ricardo, of course, is a widely known fictional television character. 10 That “Robby” is identified as his relative is a clear indication that the identifications of the persons in the photo are farcical. Finally, the last line in the caption regarding the photo emphasizes the tone of incredulity set by the first line, “Understandably, we gave that editor the day off to watch Leave It to Beaver reruns.” Exhibit C simply is too absurd on its face to be capable of a defamatory meaning.
It is also important, regarding all three exhibits, to consider the surrounding circumstances in which these statements were made, the medium by which they were published and the audience for which they were intended.
See Koch II,
It is readily apparent, even to Dworkin, that one of Flynt’s tactics in responding to her efforts in fighting pornography is to attack her personally by making her a part of the very kind of degrading and dehumanizing material she opposes. See id. at 45. When one considers this larger, political context, it becomes even more clear that these exhibits are not an attempt to portray actual facts or events, but rather a lampoon, albeit vicious, of Dworkin and her cause. 11
It is not clear that material should be placed in “the legal category of opinion, which sounds, and often is a dignified classification for the pursuit of honest and fair debate____”
Koch II,
C. Falsity and Actual Malice
Even if there were factual statements at issue here, Dworkin has admitted that she is a public figure. First Amend. Comp. 114. As such, she has the burden of proving that any such statements of fact are false.
See Philadelphia Newspapers, Inc. v. Hepps,
Dworkin persists in using the term “malice” in its colloquial sense of “spite” or “ill-will.”
See
Pltfs. Opp. at 45-50. As evidence of this malice, Dworkin quotes at length from verbal attacks defendants have made against other foes of pornography and against one of Dworkin’s attorneys in this action. This misuse of the phrase “malice” is inexcusable in light of the long-established rule that “actual malice” in the First Amendment context does not include “spite, hostility or intention to harm.”
Greenbelt,
Although she has the burden of proof on these issues, Dworkin has made no showing whatsoever of falsity or actual malice.
15
*1419
Thus, summary judgment must be granted to defendants as there is no genuine dispute of material fact to be tried.
See Celotex Corp.,
D. Invasion of Privacy
New York law applies on this claim, as well as the defamation claim. See Part II.A. First Amendment considerations, however, are also present, as discussed below.
Under New York law, there is no common law right to privacy; the right to privacy is controlled by statute.
Lerman v. Flynt Distrib. Co.,
Any person whose name, portrait or picture is used within this state for advertising purpose or for the purposes of trade without [her] written consent ... may maintain an equitable action in the supreme court of this state against the person, firm or corporation so using [her] name, portrait or picture, to prevent and restrain the use thereof; and may also sue and recover damages for any injuries sustained by reason of such use and if the defendant shall have knowingly used such person’s name, portrait or picture in such manner ... the jury in its discretion may award exemplary damages.
On its face, the statute seems to provide a cause of action only for commercial appropriation.
17
See Lerman,
Whether false light is a recognized cause of action in New York has not yet been decided. See
Arrington v. New York Times Co.,
To state a false light claim, plaintiff must show that “the false light in which the other was placed would be highly offensive to a reasonable person” and that “the actor had knowledge of or acted in reckless disregard as to the falsity of the publicized matter and the false light in which the other would be placed.”
Id.
at 135. However, the essence of a false light claim is the deliberate falsification or fictionalization of
factual
events or circumstances
represented to be true. See Davis,
Dworkin also asserts a claim for invasion of privacy based on the public disclosure of private facts, citing Restatement (Second) of Torts § 652D. This claim also is without merit. New York does not recognize this common law tort.
See Lerman,
E. Intentional Infliction of Emotional Injury and Outrage
Dworkin has also asserted claims for intentional infliction of emotional injury and outrage. These are one and the same cause of action. Restatement (Second) of Torts § 46, cited by Dworkin as embodying the tort of outrage, is cited by New York, California and Wyoming’s highest courts as embodying the tort of intentional infliction of emotional distress.
See Fisher v. Maloney,
Whatever the label, Dworkin cannot maintain a separate cause of action for mental and emotional distress where the gravamen is defamation.
See Wilson v. Merrill Lynch, Pierce, Fenner & Smith, Inc.,
In this case, Dworkin’s emotional distress claim is based only on the allegations underlying her defamation claim. As a result, her intentional infliction of emotional distress/outrage claim must fail. 21
III. CONCLUSION
When confronted with the task of clothing “speech” of Hustler’s ilk with First Amendment protection, courts generally conclude with an apologia.
See, e.g., Pring,
Speech such as the Hustler publication serves in the [marketplace of ideas] only to discredit the speaker. It does not persuade, and it detracts not one whit from [Dworkin’s] reputation. Vicious and gratuitously personal attacks may well attract support and sympathy for their targets.
Falwell II,
IT IS ORDERED THAT:
Defendants’ motion for summary judgment is granted as to plaintiff's remaining claims of libel, invasion of privacy and intentional infliction of emotional injury/outrage. Judgment shall be entered in accordance herewith.
Notes
. The Wyoming federal court noted that in conflict of laws matters, Wyoming normally follows the First Restatement of Conflict of Laws.
Dworkin III,
.
Dworkin argues that
Keeton v. Hustler Magazine, Inc.
. The
Frank
court stated that "The principal factors distinguishing humorous remarks that are defamatory from those that are not appear to be whether the statements were intended to injure as well as amuse and whether they give rise to an impression that they are true.”
. However, the courts in both
Frank
and
Poly-gram Records
made it clear that they were not ruling that comedy is
per se
immune from a defamation action.
See Frank,
. In
Letter Carriers,
the Court based its decision not on the First Amendment, but rather on the protection that the federal labor laws extend to-communications made in the course of a labor dispute.
See
. In a well-known passage, the Court in Gertz began its discussion of the case stating:
Under the First Amendment there is no such thing as a false idea. However pernicious an opinion may seem, we depend for its correction not on the conscience of judges and juries but on the competition of other ideas. But there is no constitutional value in false statements of fact. Neither the intentional lie nor the careless error materially advances society’s interest in "uninhibited, robust, and wide-open debate on the public issues."
Gertz,
. The court in
Polygram Records,
thought that the issue of whether a statement is susceptible of a defamatory meaning was analogous to the issue of whether the statement is one of fact or opinion, but that they were separate issues.
. Courts that have tried to make the determination of whether a statement is one of fact or opinion have set forth various guidelines to be used in the analysis. The factors relied on by the Ninth Circuit require:
that the court examine the statement in its totality in the context in which it was uttered or published. The court must consider all the words used, not merely a particular phrase or sentence. In addition, the court must give weight to cautionary terms used by the person publishing the statement. Finally, the court must consider all of the circumstances surrounding the statement, including the medium by which the statement is disseminated and the audience to which it is published.
Information Control v. Genesis One Computer Corp.,
. Dworkin concedes that the events portrayed in Exhibit B have no basis in reality. When asked at her deposition what false statements she thought it contained, she replied:
I think that it is incomprehensible. It is beyond false. It doesn't — it is so unrelated to having anything to do with a fact that it is beyond false. It is an absolute slime. It is false to the point that it is slime.
Dworkin Depo. at 152 (Feb. 11, 1986).
. Of which the court takes judicial notice. F.R.Evid. 201.
. Defendants contend that none of the exhibits is actionable because none is “about” Dworkin. To be actionable, a defamatory statement must be "of and concerning” the plaintiff.
See Fetler v. Houghton Mifflin Co.,
As the court in
Pring
noted, some courts have confused the issue of whether a statement is "of and concerning" plaintiff as a matter of identity with the issue of whether the statement can be reasonably understood as describing actual facts about the plaintiff, when they are really two separate issues.
To satisfy the "of and concerning” requirement, plaintiff must show that;
the libel designates the plaintiff in such a way as to let those who knew him understand that he was the person meant. It is not necessary that all the world should understand the libel; it is sufficient if those who knew the plaintiff can make out that he is the person meant.
Fetler,
Defendants’ argument confuses the "reasonably understood” and "of and concerning" requirements. As in
Pring,
the central issue in this case is whether these exhibits can reasonably be understood to describe
actual facts. See Pring,
The Court is mindful of the rule that all justifiable inferences are to be drawn in Dworkin’s favor on this motion for summary judgment.
See Anderson,
Exhibits A and B also purport to portray people other than Dworkin. Exhibit A refers to "Edna” and Exhibit B refers to several women antipornography protesters (including two other well-known women). However, Dworkin is specifically named and linked to these characters.
It would not be unreasonable for a trier of fact to End that these exhibits are “of and concerning” Dworkin even if they are also "of and concerning" someone else, such as Dworkin’s mother.
See
Restatement (Second) of Torts § 564, Comments
d
(fictitious character) and
e
(statements referring to one person but defaming another);
Wildstein v. New York Post Corp.,
. Dworkin does attempt to identify certain false statements of fact implicit in these exhibits. She states:
the libel is that [the woman portrayed in the exhibits] is sexual dirt — that she is a worthless human being because she is sexual dirt and that that [sic] is false____ [t]he libel is that her body is available for public consumption, and it is not — she does intellectual work. She is not available publicly in any sexual context____
******
The three protrayals [sic] taken together establish that this is a woman who is, indeed, pornographic dirt entitled to no respect. This is the fact ferreted from the publications. This fact is false and libelous and is entitled to no protection.
Pltfs. Opp. at 35-37 (emphasis in original) (citations to Dworkin's deposition testimony omitted). These statements, while reflecting Dworkin’s feelings about this material, simply cannot be characterized as referring to facts. There is no way objectively to verify a statement such as "this is a woman who is pornographic dirt.”
See Mr. Chow,
. Defendants also contend that all claims based on the February and March, 1984, issues of Hustler (Exhibits A and B) are barred by the statute of limitations. There is a substantial disputed question of fact as to when these issues actually went on sale. Defendants submitted the declaration of Gerry Awang, the Circulation and Marketing Director of Flynt Distributing Company, Inc., which is the national distributor of Hustler. Awang sets forth the dates that the printer shipped the magazines at issue to local wholesalers and the dates that the magazines were scheduled to be put on sale and later taken off sale. However, plaintiff objects to this declaration because it is not clear from the declaration that Awang has personal knowledge of when the magazines actually were shipped and were put on sale, as opposed to when they were scheduled to be shipped and put on sale. In light of the other bases for disposing of this ■ motion, it is unnecessary to reach this issue.
. Dworkin argues that under
Dun & Bradstreet, Inc. v. Greenmoss Builders, Inc.,
. There is some deposition testimony that would support an argument that Hustler acted with actual malice, although Dworkin does not cite it. One of Hustler’s editors testified as follows at his deposition:
*1419 Q. You knew at the time you gave your approval to the words on Exhibit C-l that the lady portrayed in the photograph was not Andrea Dworkin; right?
A. Absolutely.
Q. So you knew that that was untrue?
A. Of course.
Lonn M. Friend Depo. at 47 (Dec. 3, 1985).
However, it is clear from the surrounding statements that Friend meant that the exhibit was untrue in the sense that it was fictional.
See id.
("I honestly believe that this was a visual joke, and that was the extent of it.”).
See Guglielmi v. Spelling-Goldberg Prod.,
. Dworkin suggests that the "actual malice” standard does not apply to obscene materials. Even if such an exception exists, it is inapplicable in this case because the Wyoming federal court held that this material is not obscene.
See Dworkin II,
. Four different types of claims for invasion of privacy have been recognized by various authorities. They include: (1) intrusion on one's personal solitude, (2) public disclosure of private facts, (3) publicly placing a person in a false light and (4) commercial appropriation of a person’s name or likeness.
See Lerman,
. Even if there were factual statements at issue here, as with her defamation claim, Dworkin has the burden of proving the falsity of such statements and actual malice on the part of defendants.
See Time, Inc. v. Hill,
. Because of this disposition of the privacy claim, the Court does not reach defendants’ further contention (which does not appear to be well taken) that because Dworkin admits that she is a lesbian and has written about lesbianism, she cannot claim that the exhibits, which portray homosexual and heterosexual acts, disclose private facts, i.e., that by becoming a public figure, by writing about sexuality and by publicly disclosing her own sexual orientation she has forfeited her right to privacy about sexual matters.
. Another court explained its rationale for this rule stating:
although the gravamen of a defamation action is injury to reputation, libel or slander also visits upon a plaintiff humiliation, mortification and emotional distress. In circumstances where a plaintiff states a case of libel or slander, such personal distress is a matter which may be taken into account in determining the amount of damages to which the plaintiff is entitled, but it does not give rise to an independent cause of action on the theory of a separate tort. To accede to the contentions of the plaintiff in this case would be, in the words of Prosser, a step toward "swallowing up and engulfing the whole law of public defamation.”
Grimes v. Carter,
. Because of this holding, although it is for the court to determine in the first instance whether a defendant’s conduct may reasonably be considered so extreme and outrageous as to warrant liability for intentional infliction of emotional distress,
see Koch I,
. Judge Wilkinson was speaking of the Reverend Jerry Falwell, a nationally known fundamentalist minister and another target of Hustler’s "humor”.
