MEMORANDUM
I. INTRODUCTION
This lаwsuit involves the rights to the song “Disco Inferno” (hereinafter “the Composition”). Plaintiff, a limited liability company engaged in music publishing, filed suit seeking a declaratory judgment that, under the provisions of an assignment made in 1977, it is the exclusive owner of all rights in the Composition, including the Composition’s renewal rights. Compl. ¶ 3. In the event that the Court *646 finds that .plaintiff is not the exclusive owner of the renewal rights in the Composition, plaintiff alleges legal malpractice by-defendant Paul, Weiss, Rifkind, Wharton & Garrison, LLP (hereinafter “Paul Weiss”), which represented plaintiff in acquiring the Composition. 1 Id. ¶ 5. Defendant Paul Weiss has filed a Motion to Dismiss or Stay This Action. For the reasons below, the Court denies defendant’s Motion to Dismiss, but grants its Motion to Stay, subject tо the requirement that Paul Weiss participate in all discovery in plaintiffs case against the Kersey defendants which relates to its potential malpractice liability.
II. BACKGROUND
A. The Composition At Issue
The following facts are taken from plaintiffs Complaint as well as affidavits submitted by both parties. 2
The Composition was written by two Philadelphia songwriters, Tyrone Kersey and Leroy Green (“Green”). Id. On January 24, 1977, Kersey and Green entered into an Agreement of Sale (hereinafter “the 1977 Agreement”) with Golden Fleece Music (“Golden Fleece”) and Six Strings Music (“Six Strings”) to sell the Composition’s “title, words and music ... and the right to secure copyright therein throughout the entire world, and to have and to hold the said copyright and all rights of whatsoever nature thereunder existing, now known or hereafter to become known.” Id. ¶ 20. Golden Fleece and Six Strings then assigned all rights in the Composition to Six Strings on March 2, 1978. Id. ¶ 26. More than twenty years later, on February 16, 2001, Six Strings sold all of its rights, title and interest in the Composition, expressly including its renewal rights, to DreamWorks Music Publishing LLC (“DreamWorks”). Id. ¶ 27. Finally, on November 5, 2004, DreamWorks sold most of its music publishing catalog, including the Composition, to plaintiff for the sum of $ 42.8 million. 3 Id. ¶¶ 43, 53.
In August 2005, after plaintiff acquired the DreamWorks catalog, defendant Stein-berg Business and Music Advisory Services sent a letter to plaintiff on behalf of the Kersey Estate (“the Estate”), 4 assert *647 ing that the 1977 Agreement did not transfer Kersey’s renewal rights in the Composition to Six Strings and Golden Fleece, and that the Estate owned Kersey’s 50% interеst in the renewal rights of the Composition. 5 Id. ¶¶ 3, 58. Plaintiff then filed this Complaint on December 15, 2005 against Antoinette Kersey, Kersey’s sister and executrix of his estate; Kisha Kersey, Kersey’s daughter and heir; David J. Steinberg and Steinberg Business and Music Advisory Services, Inc. (hereinafter “the Steinberg defendants”); and Paul Weiss. The Complaint sought a declaratory judgment against Antoinette and Kisha Kersey (hereinafter “the Kersey defendants”) and the Steinberg defendants that plaintiff is the exclusive owner of all rights, including the renewal rights, in the Composition. 6 Pleading in the alternative, plaintiff asserts a claim of legal malpractice against defendant Paul Weiss on the ground that the firm negligently represented plaintiff in the DreamWorks transaction.
B. Procedural History
Shоrtly after filing the Complaint, plaintiff filed a motion for partial summary judgment against the Kersey defendants on the legal question of the vesting of the Composition’s renewal rights. On June 23, 2006, the Court issued a Memorandum and Order granting plaintiffs motion for partial summary judgment on this limited question.
Dimensional Music Publ’g, LLC v. Kersey,
Should plaintiff lose its claim against the Kersey defendants, plaintiff named Paul Weiss as a defendant, on the ground that if it did not obtain “all right, title and interest in the Composition, particularly the 50% interest in the Renewal Rights that originally were owned by Tyrone G. Kersey ... this failure was the direct and proximate result of professional negligence — legal malpractice — by the co-defendant [Paul Weiss].” Compl. ¶ 5. This negligence included, but was not limited *648 to, defendant’s “failure to ask for and obtain, and/or its failure to realize the significance of and report on” the 1977 Agreement and the Green February 2001 Agreement (see footnote 5 infra). 8 Id. ¶ 75. As a “proximate and direct” result of defendant’s negligence, plaintiff alleges it sustained damages including (but not limited to) overpayment for the Dream-Works catalog, lost profits from exploitation of 50% of the Composition’s renewal rights, attorneys’ fees paid to defendant, costs expended in evaluating the Kersey estate claim for copyright, and the loss of any profit from any subsequent re-sale of the Composition. 9 Id. ¶ 76.
C. Plaintiffs Relationship With Defendant Paul Weiss
The exact relationship between plaintiff and defendant Paul Weiss is contested. The Court will outline each party’s explanation of the relationship.
1. Plaintiffs Explanation
According to the Complaint, “certain entities,” with financing “proposed to be provided by plaintiff,” sought to acquire DreamWorks’s music publishing assets in July 2004. Compl. ¶ 40. These entities “engaged Paul Weiss to represеnt them in connection with the proposed acquisition.” Id. ¶ 41. The scope of this engagement included a “legal due diligence investigation of the copyright ownership rights” of the compositions in the DreamWorks catalog. Id. During the due diligence process, the proposed purchasers of the Dream-Works catalog determined that they could not finance the transaction. Id. ¶ 42. In August 2004, plaintiff was “again” invited to become the purchaser of the catalog. Id. To “induce” Paul Weiss to complete the due diligence work, plaintiff agreed to pay its outstanding legal fees for the work which had already been completed. Id.
As part of its due diligence work, defendant was instructed tо order chain-of-title reports from DreamWorks for 27 specific works, including the Composition. 10 Id. ¶ 43. According to plaintiff, Paul Weiss reported that all copyright interests in the Composition, including the renewal rights, had been transferred to DreamWorks, and that plaintiff, as purchaser, would acquire exclusive rights in the Composition through at least 2033. 11 Id. ¶ 44.
2. Defendant’s Explanation
As explained by Paul Weiss, 12 its involvement in the DreamWorks deal began when the firm was retained in June 2004 to represent a company called Soundbank, which sought to acquire the music publishing catalog of DreamWorks. Def. Memo., Harper Deck ¶ 6. Soundbank retained Paul Weiss at the request of Bridgepoint, a U.K. private equity fund which financed Soundbank’s bid. Id. Paul Weiss spent the next month conducting due diligence *649 on the DreamWorks catalog and drafting a proposed asset purchase agreement. Id. ¶ 7. According to Paul Weiss, the asset purchase agreement is key in any music publishing deal, because it contains representations and warranties that the seller actually owns the rights to the music that the seller is claiming to sell. Id. ¶ 8. At the time Paul Weiss was retained, Dream-Works’s counsel, Grubman & Indursky, had already drafted an asset purchase agreement. Id. ¶ 9. In this draft agreement, DreamWorks represented that it owned only whatever interest was set forth in the thousands of contracts comprising the music catalog; it did not represent what that interest actually was. 13 Id. In contrast, the asset purchase agreement drafted by Paul Weiss contained unconditional representations and warranties that the seller owned the copyrights interests set forth in an attached (but as-yet-unprepared) schedule. Id. ¶ 10. The final asset purchase agreement used in the Dream-Works catalog transaction, however, was similar to the original agreement drafted by Grubman & Indursky, with no representations as to what interests in the works plaintiff was actually acquiring. 14 Id. ¶ 18.
In early July 2004, Paul Weiss learned that Bridgepoint, the fund backing South-bank’s bid, had withdrawn its support. Because Bridgepoint had been paying Paul Weiss’s’s fees, Paul Weiss stopped its work on the deal. Id. ¶ 11. New funding was acquired, however, from JDS Capital (“JDS”). Id. Paul Weiss briefly resumed its work on the deal, but stopped a few weeks later, when JDS decided that Paul Weiss’s’s hourly rates were too high. Id. ¶ 12.
Before ending the relationship with Southbank and JDS, Paul Weiss finished its due diligence work and delivered its report. 15 Id. ¶ 13. In this voluminous report, Paul Weiss stated that DreamWorks had been unable to produce a legible copy of the 1977 Agreement between Kersey and Green and DreamWorks’ predecessors in interest, Golden Fleece and Six Strings. Id. Without a copy of the Agreement, the firm stated that it could not determine what interests in the Composition were transferred by the 1977 Agreement. Id. In an appendix to the report, Paul Weiss listed the outstanding due diligence questions being investigated by DreamWorks, a list which included questions about the content of the 1977 Agreement. Id. After turning over this report, Paul Weiss did no further work on the DreamWorks transaction. Id. ¶ 15. Plaintiff was the entity which eventually completed the deal for the DreamWorks catalog; it retained the *650 law firm of Reed Smith to represent it at the closing. 16 Harper Decl. ¶ 17.
D. Paul Weiss’s Motion to Dismiss or Stay
In defendant Paul Weiss’s motion to dismiss or stay the action, it asserts two bases for dismissal: (1) lack of subject matter jurisdiction; and, (2) failure to state a claim.
Regarding the lack of subject matter jurisdiction, defendant first argues that plaintiffs claim against defendant is not ripe because the claim is contingent upon plaintiff losing its case against the Kersey defendants, an event which has yet to occur. Def. Memo, at 14-15. Second, defendant argues that plaintiffs claim against defendant, which is a state law claim pendent to its federal copyright claim against the Kersey defendants, does not arise from the same common nucleus of operative fact as plaintiffs copyright claim, and therefore, defendant argues, the Court does not have supplemental jurisdiction over this claim. 17 Id. at 17-22.
In addition, defendant argues that plaintiff has failed to state a claim for relief because defendant did not represent plaintiff in acquiring the rights to the Composition. Id. at 22-23. Furthermore, defendant contends that any failure of plaintiff to obtain the renewal rights to the Composition is due to plaintiffs failure to obtain unconditional representations and warranties regarding the Composition in the DreamWorks deal. Id. at 23.
In the event that the Court decides not to dismiss the action against defendant, defendant requests that the Court stay plaintiffs claim agаinst defendant pending resolution of its claims against the Kersey defendants. Id. at 24.
III. ANALYSIS
The Court will begin by addressing Paul Weiss’s argument that it lacks supplemental jurisdiction over the case, because lack of subject matter jurisdiction will require the Court to dismiss the case. The Court concludes that there is a sufficient common nucleus of operative fact between plaintiffs state-law claim against defendant Paul Weiss and plaintiffs federal copyright claim against the Kersey defendants to allow the Court to exercise supplemental jurisdiction. Next, the Court will address defendant’s ripeness argument, because a decision that the suit is not ripe does not automatically require dismissal. On this issue, the Court concludes that the ripeness doctrine is inapposite, and that plaintiffs suit against Paul Weiss will not be dismissed on that ground. Finally, the Court will address Paul Weiss’s contention that plaintiff has failed to state a claim of legal malpractice. The Court disagrees with Paul Weiss and concludes that at this stage of the litigation plaintiff has set forth sufficient allegations to state a legal mal *651 practice claim. Regarding Paul Weiss’s request to stay the action the Court agrees with defendant, and will stay the action against Paul Weiss pending the resolution of plaintiffs copyright claim, because the outcome of that claim will significantly affect its claim against Paul Weiss. However, pursuant to the Court’s August 8, 2006 Scheduling Order, Paul Weiss will bе required to participate in all discovery relating to the alleged assignment of renewal rights in the Composition and all other issues which relates to its potential liability. 18
A. Supplemental Jurisdiction
Under 28 U.S.C. § 1367, a federal district court facing a federal question claim may exercise supplemental jurisdiction over state law claims if they are “so related to claims in the action ... that they form part of the same case or controversy under Article III of the United States Constitution.” The Third Circuit has interpreted § 1367 to mean that “a district court may exercise supplemental jurisdiction where state-law claims share a ‘common nucleus of operative fact’ with the claims that supported the district court’s original jurisdiction.”
De Asencio v. Tyson Foods, Inc.,
In the instant case, the facts underlying plaintiffs claim against the Kersey defendants and the facts underlying its claim against defendant Paul Weiss are related but distinct. Based upon the parties’ submissions regarding the copyright claim, the question of the ownership of the renewal rights to the Composition will turn on whether Kersey transferred the renewal rights under the 1977 Agreement. The critical facts in plaintiffs legal malpractice claim against defendant Paul Weiss include the nature and scope of the relationship between plaintiff and Paul Weiss, the due diligence performed by Paul Weiss, and the legal advice given to plaintiff by Paul Weiss.
Despite the distinct facts underlying plaintiffs two claims, the Court will exercise supplemental jurisdiction over plaintiffs legal malpractice claim against defendant Paul Weiss. In plaintiffs legal malpractice suit, it will be required to prove that it did not obtain the renewal rights to the Composition, and that this failure was due to Paul Weiss’s legal advice. In other words, plaintiff will have to demonstrate that “but for” defendant’s legal advice it would not have been forced to sue the Kersey defendants over the renewal rights and it would not have lost this lawsuit. This is commonly known as the “case within a case” requirement of New York legal malpractice claims.
19
Ru
*652
bens v. Mason, 387
F.3d 183, 190 (2d Cir.2004) (“The malpractice judge or jury must decide a ‘case within a case’ and determine what the result would have been absent the alleged malpractice.”) (applying New York law);
Weil, Gotshal & Manges, LLP v. Fashion Boutique of Short Hills, Inc.,
Because questions of supplemental jurisdiction are fact-intensive, legal precedent in othеr cases is often of little assistance.
See Nanavati v. Burdette Tomlin Mem. Hosp.,
*653 In this case, it is beyond dispute that the Court has jurisdiction over plaintiffs underlying copyright action, and plaintiffs theory of recovery in their legal malpractice action is integrally related to their copyright action. Therefore, the Court ■will exercise supplemental jurisdiction over plaintiffs legal malpractice claim against defendant Paul Weiss.
B. Ripeness
Defendant Paul Weiss contends that plaintiffs case against it must be dismissed for lack of riрeness. Ripeness is a justiciability doctrine, drawn from both Article III of the Constitution and prudential concerns, which prevents the courts from “entangling themselves in abstract disagreements.” Nat
'l Park Hospitality Ass’n v. Dep’t of Interior,
The Court concludes that plaintiffs claim against defendant Paul Weiss cannot be analyzed under the ripeness doctrine, because, at this time, plaintiff is not asking for a judgment against defendant Paul Weiss. Instead, plaintiff seeks relief from Paul Weiss in the alternative. Compl. ¶ 5 (“DMP,
pleading in the alternative,
further alleges that if ... DMP paid for, but did not obtain, all right, title and interest in the Composition ... this failure was the direct and proximate result of professional negligence — legal malpractice — by the co-defendant Paul, Weiss, Rifkind, Wharton & Garrison LLP.”) (emphasis original). Pleading in the alternative is expressly permitted under Fed.R.Civ.P. 8(e)(2).
Indep. Enterprises Inc. v. Pittsburgh Water and Sewer Auth.,
*654 C. Failure to State a Claim
Defendant argues that “nothing in the complaint alleges, nor could it, that Paul, Weiss represented this plaintiff in the acquisition of copyright interests in
Disco Inferno.”
Def. Memo, at 23. The Court disagrees. At the outset, the Court observes that in deciding this portion of defendant’s motiоn, which moves for dismissal for failure to state a claim under Fed.R.Civ.P. 12(b)(6), the Court may only consider the allegations in the complaint, exhibits attached to the complaint, matters of public record, and concededly authentic documents relied on by the plaintiff.
Pension Ben. Guar. Corp. v. White Consol. Indus., Inc.,
In order to state a claim for legal malpractice under New York law, a plaintiff must allege: (1) the negligence of the attorney; (2) that the negligent was the proximate cause of the loss sustained; and, (3) actual damages.
24
Brooks v. Lewin,
*655
It is correct, as defendant argues, that plaintiff must have had an attorney-client relationship with defendant in order to assert a claim of legal malpractice.
Drummond v. Drummond,
Regarding defendant’s second contention — that plaintiff has only itself to blame if it failed to obtain the renewal rights to the Composition — the Court finds that this is an issue best addressed at a later stage of the litigation, since causation is typically a fact-based inquiry.
See Carver v. Foerster,
D. Application for a Stay
As discussed above, the Court concludes that it has supplemental jurisdiction over plaintiffs claim against defendant Paul Weiss, and that plaintiff has stated a claim for relief against defendant for legal malpractice. Although the Court concludes that plaintiffs claim against Paul Weiss cannot be adjudicated on the present state of the record, the Court will not dismiss the action and instead will issue a stay order subject to certain conditions. A court’s authority to stay actions is incidental to its power to “dispose of cases so as to promote their fair and efficient adjudication.”
United States v. Breyer,
In determining whether to stay an action, a court must weigh the comрeting interests of the parties, as well as the possibility that a stay would harm one of the parties.
Warcloud v. Horn,
IY. CONCLUSION
For the reasons above, the Court exercises supplemental jurisdiction over plaintiffs legal malpractice claim against Paul Weiss, and denies defendant’s motion to dismiss. However, the court grants Paul Weiss’s motion to stay, subject to the requirement that Paul Weiss participate in all discovery in plaintiffs case against the Kersey defendants which relates to its potential malpractice liability. An appropriate Order follows.
ORDER
AND NOW, this 25th day of August, upon consideration of Defendant Paul, Weiss, Rifkind, Wharton & Garrison LLP’s Motion to Dismiss or Stay the Action (Document No. 17, filed February 13, 2006), Plaintiffs Memorandum of Law in Opposition to the Motion to Dismiss and for a Stay of Defendant Paul, Weiss, Rif-kind, Wharton & Garrison LLP (Document No. 22, filed May 13, 2006), Paul Weiss’s Response Brief in Further Support of its Motion to Dismiss or Stay (Document No. 30, filed March 27, 2006), Paul Weiss’s Supplemental Memorandum in Support of Motion to Dismiss or Stay (Document No. 39, filed May 22, 2006), and Plaintiffs Reply to Paul Weiss’s Supplemental Memorandum in Support of Motion to Dismiss or Stay (Document No. 40, filed May 26, 2006), IT IS ORDERED that Defendant Paul, Weiss, Rifkind, Wharton & Garrison LLP’s Motion to Dismiss or Stay the Action is GRANTED IN PART and DENIED IN PART, as follows:
1. That part of defendant’s motion which seeks to dismiss plaintiffs claim against Paul, Weiss, Rifkind, Wharton & Garrison LLP is DENIED; and,
2. That part of defendant’s motion which seeks to stay plaintiffs case is GRANTED, subject to the requirement that defendant Paul, Weiss, Rifkind, Wharton & Garrison LLP participate in all discovery in plaintiffs case against the Ker-sey defendants which relate to its potential liability.
Notes
. As discussed in section 11(C) infra, the exact nature of the relationship between plaintiff and defendant Paul Weiss is contested.
. Paul Weiss has moved to dismiss plaintiff's Complaint based both on lack of subject matter jurisdiction under Fed.R.Civ.P. 12(b)(1) and failure to state a claim under Fed. R.Civ.P. 12(b)(6). In determining a motion to dismiss under Rule 12(b)(6), a court may only consider the allegations in the complaint, exhibits attached to the complaint, matters of public record, and concededly authentic documents relied on by the plaintiff.
Pension Ben. Guar. Corp. v. White Consol. Indus., Inc.,
. The Composition was the fourth-highest income-earning song in the DreamWorks catalog. Compl. ¶ 2.
. Kersey died on January 25, 2005. Compl. ¶ 56. While this event was significant in plaintiff's case against the Kersey defendants, it is not relevant to the claim against Paul Weiss.
.Because the Composition was jointly written by Kersey and Green, еach had a 50% ownership interest in the copyright and the renewal rights to the copyright. Like Kersey, Green purportedly transferred his interest in the Composition's renewal rights to Golden Fleece and Six Strings in the 1977 Agreement. Despite this alleged transfer of the renewal rights through the 1977 Agreement, Green entered into an agreement with DreamWorks on February 16, 2001 (the “Green February 2001 Agreement”) to transfer his and his heirs’ interest in the renewal rights to the Composition to DreamWorks. Compl. ¶ 29. Notwithstanding this Green February 2001 Agreement to transfer, Green acknowledged in both that agreement and in a letter sent several weeks later that he and Kersey both intended to transfer their renewal rights in the Composition through the 1977 Agreement. Id. ¶¶ 29-31.
Regardless of when Green's renewal rights were transferred, they were acquired by plaintiff when plaintiff purchased the Dream-Works catalog. It is uncontested that plaintiff owns a 50% interest in the Composition.
. The Steinberg defendants have since been dismissed by Order dated April 4, 2006 pursuant to a stipulation between plaintiff and those defendants.
. Defendants Antoinette and Kisha Kersey filed a motion for reconsideration of the Court's Memorandum and Order; this motion was denied on July 12, 2006.
. According to plaintiff, each of these documents should have caused defendant to raise "serious questions” about whether the 1977 Agreement effectively transferred the renewal rights in the Composition. Compl. ¶ 75.
. Plaintiff estimates that these damages exceed $ 2,000,000. Compl. ¶ 77.
. Plaintiff explains that the Composition was among 141 works singled out for chain-of-title review based on its high revenues. Id. ¶ 43.
. This acquisition was subject only to the proviso that Green and Kersey "survive renewal.” Id. ¶ 44.
. Paul Weiss sets forth these facts in a declaration by Gerard E. Harper, a partner and member of the management committee at Paul Weiss. Harper did not personally participate in the DreamWorks deal; his familiarity with the facts is based on his position within the firm. Def. Memo., Harper Deck ¶ 1.
. As stated by Paul Weiss, in such an agreement "the seller would be saying to the buyer only that the seller owned whatever the buyer could figure out from the thousands of agreements governing the seller's rights.” Id. ¶ 10.
. According to Paul Weiss, the final asset purchase agreement used in the DreamWorks transaction is the source of plaintiff's copyright problems. Had plaintiff used an asset purchase agreement like the one drafted by Paul Weiss, Paul Weiss argues, the risk of loss for any deficiencies in the transfer of rights of the Composition would have been on the seller, DreamWorks, and not on the buyer, plaintiff. Id. ¶ 18.
Plaintiff heartily rejects "the notion that DMP is somehow to blame” for failing to obtain the proper representations and warranties in the deal. PL Memo., Schoenfeld Decl. ¶ 2. According to plaintiff, DreamWorks refused to complete the deal with an asset purchase agreement like the one drafted by Paul Weiss, a fact purportedly known to Paul Weiss. Id. ¶11.
.Paul Weiss delivered this report after JDS agreed to satisfy some of Bridgepoint's outstanding legal fees. Harper Deck ¶ 13.
. According to Joel Schoenfeld, plaintiff's CEO, JDS "created” plaintiff in order to complete the purchase of the DreamWorks catalog. PI. Response, Schoenfeld Decl. ¶ 3. Plaintiff is controlled by the owner of JDS, the owner's father, and "closely related entities.” Id.
. The Court has original jurisdiction over plaintiff's copyright claim against the Kersey defendants. 28 U.S.C. § 1338(a) ("The district courts shall have original jurisdiction of any civil action arising under any Act of Congress relating to patents, plant variety protection, cоpyrights, and trademarks.”). However, without supplemental jurisdiction, the Court does not have jurisdiction over plaintiff's claim against defendant Paul Weiss, as plaintiff, which is incorporated as a Delaware limited liability corporation, has its principal place of business is in New York, and defendant Paul Weiss is a New York limited liability partnership with its principal place of business in New York. Compl. ¶¶ 10, 16.
. In that same Order, the Court deferred all discovery pertaining solely to plaintiff’s claim against Paul Weiss.
. In their briefs, both parties discuss the significance of New York’s legal malpractice law. Based on that briefing, it appears that the parties agree that New York law applies to this dispute.
See Zhadanov v. Gold & Wachtel,
. The fact that plaintiff’s legal malpractice claim will turn, in part, on a federal copyright claim is another reason for the Court to exercise supplemental jurisdiction.
See Waterman v. Transp. Workers' Union Local 100,
. Collateral estoppel prevents relitigation of a fact or legal issue litigated in an earlier action.
Seborowski v. Pittsburgh Press Co.,
. For example, if plaintiff is found to have obtained Kersey’s renewal rights to the Composition, the extent of plaintiff's damages may be limited to the costs of pursuing its claim against the Kersey defendants. On the other hand, if plaintiff did not obtain Kersey's renewal rights, its damages will be significantly greater, including the loss of profits from the renewal rights. See Compl. ¶ 9 ("If DMP prevails on its declaratory judgment claim, DMP will be able to avoid the more serious consequences of Paul Weiss’s malpractice.”).
. A potential hazard should the Court dismiss plaintiff's claim as unripe is that the statute of limitations on plaintiff's legal mal
*654
practice claim may expire before their case against defendant Paul Weiss becomes ripe. The state of limitations in New York for legal malpractice is three years. N.Y. C.P.L.R. § 214(6). The statute of limitations begins to run on the date of the injury, which is when the malpractice was committed.
Shumsky v. Eisenstein,
. As discussed in section 111(A) above, the plaintiff in a legal malpractice action must also prove the case within the case, i.e., that but for the attorney's negligence the plaintiff would have won the underlying lawsuit or would not have sustained damages. This requirement has been interpreted as part of the proximate cause element and as a fourth element in legal malpractice claims.
Compare Town of North Hempstead v. Winston & Strawn, LLP,
. As discussed in section III(C) above, the extent of plaintiff's damages cannоt be determined until their case against the Kersey defendants is resolved.'
. In determining whether a relationship closely resembles privity, a court considers: (1) awareness that the information furnished by defendant was to be used for a particular purpose; (2) reliance by the plaintiff in furtherance of that purpose; and, (3) some conduct by the defendant linking them to the plaintiff and demonstrating defendant's understanding of plaintiff's reliance.
Security Pac. Bus. Credit, Inc. v. Peat Marwick Main & Co.,
