In this case, the plaintiff claims damages for an alleged breach of a сontract entered into between him and the defendant, committed by the latter. The former being a rope-dancer by profession, made аn agreement with the defendant, who is the manager of a theatre in New-Orleans, to play two engagements of six nights each, commencing on a certain day, &c. and as a compensation or payment for his performance, the manager agreed that the actor should share the surplus of each night’s receipts, two hundred and fifty dollars being first deducted, and should be entitled to one clear half of the seventh and fourteenth nights for his benefit.
The petitioner alleges that this contract was subsequently so modified by consent of the parties, as to reduce the time of performance to one term of six nights and a benefit, which he was ready and willing to complete, but was prevented or excused from so dоing by the conduct of the defendant, who refused to comply with his part of the agreement, and would not divide the profits as stipulated, &c.
In consequеnce of repeated trials of the cause in the court below, the record exhibits the verdicts of three juries, two in favor of the plaintiff аnd one for the defendant. The last verdict for the plaintiff, in which his damages were assessed at nine hundred dollars, is that on which the judgement from which the defendant took the present appeal is based.
The evidence of the case shows that the contract as above stated,wasmadein thecityof New-York. That in pursuance thereof, the plaintiff came to New-Orleans and performed one night. On the second night of his pеrformance, or some time during that day, he received a letter from the defendant, in which the latter offered to him the privilege of curtailing his engagement as many nights as he might think proper and to take his benefit earlier than was stipulated in the contract.
This letter bears date on the 20th оf February, 1830. No written answer was given to it until the sixth of March
It is contended on the part of the appеllee, that this should be viewed as a contract of partnership. We, however, think it to be rather one of hiring of services, and in this respect it will bе considered. The circumstance of the manner in which the actor was to receive remuneration or payment for Ms performanсes, by an allowance of a share in the profits
In the contrаct now under consideration, there is no express stipulation that the profits arising from the performances of the player, should be divided nightly between him and the proprietor and manager of the theatre. Whether the latter was bound to settle and divide or pay daily, is left doubtful by the terms оf the agreement. Perhaps a just interpretation of the contract, independent of usage as applicable to such cases, would authorize the pеrformer to demand payment of his earnings of each and every night, so soon as they were received by the promisor.
The record contains contradictory evidence in relation to the custom and usage of theatres, as they regard contracts similar to that of the pаrties to this action. The verdicts of two juries being in favor of the plaintiff; and as the fact of usage was submitted to their consideration, it must be . presumed that their estimate of the testimony favored the usage of daily payments in cases like the present. See L. C. arts. 58 — 61. Admitting this as true, the evidence shows that the defendant was the first to refuse performance of his promises under the contract; and rendered himself liable to all the consequences of such refusal, which the jury have estimated as having been injurious to the plaintiff to the amount of nine hundred dollars, and found a verdict accordingly. We discover nothing in this verdict and the judgement of the court below which can be considered as erroneous, except the allowance of interest on the amount adjudged. The demand was clearly unliquidated, and being such, no interest should have been allowed. See C. P. art. 554.
