Plaintiffs Lester Chambers, Carl Gardner, Bill Pinkney, and Tony Silvester, who are recording artists, appeal from the December 8, 2000 judgment of the United States District Court for the Southern District of New York (Jed S. Rakoff, Judge) dismissing their Amended Complaint pursuant to Federal Rule of Civil Procedure 12(b)(6) for failure to state a claim upon
BACKGROUND
In this putative class action, plaintiffs are recording artists from four musical groups commonly classified in the rhythm and blues genre: Lester Chambers of The Chambers Brothers, Carl Gardner of The Coasters, Bill Pinkney of The Original Drifters, and Tony Silvester of The Main Ingredient. They recorded performances of musical works under contracts with predecessors of the Record Companies from the 1950s through the mid-1990s. Pursuant to these contracts, plaintiffs assigned ownership rights, including copyrights, in their sound recordings to the Record Companies in exchange for the right to royalties from the sale of the recordings. Each Record Company purportedly sells copies of each plaintiffs recordings via licenses or cross-licenses.
Plaintiffs allege that the advent of the “digital revolution” brought about profound changes in the way music is recorded, distributed, and sold. When plaintiffs’ original analog master recordings, which served as the basis for the production of vinyl records and cassette tapes, were remastered digitally and placed on compact discs (“CDs”) by the Record Companies, they became susceptible to rapid reproduction on computer as digital audio files, with no degradation in sound quality. Once the files were placed on the Internet, they could be downloaded to a computer or simply broadcast over the Internet in a process called “streaming.” As a result, plaintiffs allege, unauthorized “clones” of their digital recordings are competing with sales of tangible recordings in the vinyl, cassette, and CD formats, thereby reducing their royalty stream under their contracts with the Record Companies.
Since mid-January 2000, defendant MP3.com, Inc. allegedly has converted plaintiffs’ digital recordings into a compressed digital format known as “MP3 format,” and has offered a service on its Internet website that enables consumers to download or stream intangible versions of the recordings as MP3 format files. Further, to promote its services and facilitate the sale of plaintiffs’ recordings, MP3.com purportedly uses plaintiffs’ names and likenesses without their consent or authorization. In what plaintiffs refer to as the “new music business model” that MP3.com epitomizes, revenues are generated through subscriptions, advertisements, and ancillary services such as cross-promotions and stock offerings rather than by record sales.
After limited pre-answer discovery, plaintiffs moved for class certification and defendants moved to dismiss under Rule 12(b)(6). The Record Companies’ moving papers contained several affidavits. The affidavit of Katherine B. Forrest attached thirteen contracts between plaintiffs and the Record Companies signed between 1955 and 1989. An additional contract, between plaintiff Bill Pinkney and Atlantic Records dated June 1, 1992, was attached to the affidavit of Silda Palerm.
On December 4, 2000, the District Court granted defendants’ motions. Chambers v. Time Warner, Inc.,
The District Court concluded that, because the recording contracts in question broadly conveyed to the Record Companies the right to manufacture and distribute recordings “by any method whatsoever, whether known at the time or ‘hereafter to become known,’ ” plaintiffs’ interests in digital versions of their recordings, including copyrights, belonged to the Record Companies. Chambers,
DISCUSSION
I.
We review de novo a district court’s dismissal of a complaint pursuant to Rule 12(b)(6), construing the complaint liberally, accepting all factual allegations in the complaint as true, and drawing all reasonable inferences in the plaintiffs favor. Gregory v. Daly,
Plaintiffs contend that, in deciding the motion to dismiss their copyright claims, the District Court improperly considered the Record Companies’ affidavits and the contracts attached to them, while failing to consider other pertinent evidence in the record or material which could have been submitted had the motion to dismiss been converted to one for summary judgment. When material outside the complaint is presented to and not excluded by the court, “the motion shall be treated as one for summary judgment and disposed of as provided in [Federal Rule of Civil Procedure] 56, and all parties shall be given reasonable opportunity to present all material made pertinent to such a motion_” Fed.R.Civ.P. 12(b). For purposes of this rule, “the complaint is deemed to include any written instrument attached to it as an exhibit or any statements or documents incorporated in it by reference.” Int’l Audiotext Network, Inc. v. Am. Tel. & Tel. Co.,
In Cortee, we explored the question of what documents a district court may consider when disposing of a Rule 12(b)(6) motion. We stated that, generally, the harm to the plaintiff when a court considers material extraneous to a complaint is the lack of notice that the material may be considered. Cortee,
The contracts considered by the District Court in this case comfortably meet this test because they are integral to the Amended Complaint.
Once the District Court was presented with matters outside the pleadings, Rule 12(b) afforded two options. The court could have excluded the extrinsic documents. Because it elected not to do so, however, the court was obligated to convert the motion to one for summary judgment and give the parties an opportunity to conduct appropriate discovery and submit the additional supporting material contemplated by Rule 56. See Carter v. Stanton,
Consideration of extraneous material in judging the sufficiency of a complaint is at odds with the liberal pleading standard of Federal Rule of Civil Procedure 8(a)(2), which requires only that the complaint contain “a short and plain statement of the claim showing that the pleader is entitled to relief.” Fed.R.Civ.P. 8(a)(2); see also 5A Charles Alan Wright & Arthur R. Miller, Federal Practice and Procedure § 1366 (2d ed. 1990 & Supp.2001) (stating that the conversion requirement of Rule 12(b) was designed to resolve the conflict among those federal courts that favored consideration of extra-pleading material and those that believed the procedure was designed only to test the sufficiency of the pleading); Fed.R.Civ.P. 12 Advisory Committee Notes, 1946 Amendment (reflecting same); cf. Salahuddin v. Cuomo, 861
We also note that the District Court failed to consider plaintiffs’ beneficial ownership claim under the Copyright Act in light of our holding in Cortner v. Israel,
II.
The District Court also dismissed plaintiffs’ federal trademark claim brought pursuant to section 43(a) of the Lanham Act, 15 U.S.C. § 1125(a), which arises out of MP3.com’s alleged use of plaintiffs’ names and likenesses on its Internet website.
Section 43(a) prohibits any misrepresentation likely to cause confusion about the source of a product or service, in particular the use by any person of
any word, term, name, symbol, or device, or any combination thereof, or any false designation of origin ..likely to cause confusion, or to cause mistake, or to deceive as to the affiliation, connection, or association ... with another person, or as to the origin, sponsorship, or approval of his or her goods, services, or commercial activities by another person ....
15 U.S.C. § 1125(a)(1) (2000). Section 43(a) is a broad federal unfair competition provision which protects unregistered trademarks similar to the way that section 32(1) of the Lanham Act, 15 U.S.C. § 1114(1), protects registered marks. See Wal-Mart Stores, Inc. v. Samara Bros., Inc.,
Here, plaintiffs allege that MP3.com' uses their names and likenesses without their consent in connection with the services it offers on its Internet web
In finding that plaintiffs failed to state a claim, the District Court relied exclusively on an example of the allegedly deceptive conduct set forth in the Amended Complaint, which provides:
For example, when the [sic] any of the plaintiffs’ names are typed into the search engine on MPB.com’s website, a box appears with the following language: “Want to hear [artist’s name] on-line? Try My.MP3.com, where you can beam your CDs and listen to them anytime, anywhere.”
Am. Compl. ¶ 66. Applying the standard for non-trademark or “nominative” fair use set forth by the Ninth Circuit in New Kids on the Block v. News America Publishing, Inc.,
CONCLUSION
For the foregoing reasons, we vacate the judgment of the District Court and remand for further proceedings consistent with this opinion.
Notes
. In May 2001, during the pendency of this appeal, Vivendi Universal, parent corporation of defendant Universal Music Group, Inc., acquired MP3.com. See John Carreyrou & Anna Wilde Matthews, Vivendi Universal To
. The Digital Performance Right in Sound Recordings Act of 1995 ("DPRSRA”), effective as of February 1, 1996, permits the holder of a copyright in a sound recording to perform the work publicly by means of a digital audio transmission. 17 U.S.C. § 106(6) (2000). Plaintiffs assert that the DPRSRA is not retroactive and therefore would not enable the Record Companies to digitally distribute recordings fixed in a tangible medium prior to the Act’s effective date, even assuming that the contracts gave the Record Companies digital rights in the first instance.
. This standard is congruent with that of our sister Circuits. See, e.g., Alternative Energy, Inc. v. St. Paul Fire & Marine Ins. Co.,
. The Amended Complaint is replete with references to the contracts and requests judicial
. Courts have declined to consider unsigned documents in ruling on motions to dismiss. See, e.g., Murphy v. Cadillac Rubber & Plastics, Inc.,
