OPINION
Alan Jardine appeals the district court’s grant of summary judgment in favor of Brother Records, Inc. (“BRI”), on BRI’s Lanham Act, 15 U.S.C. §§ 1051-1129, trademark infringement action alleging that Jardine infringed BRI’s “The Beach Boys” trademark. Jardine also appeals the district court’s grant of summary judgment in favor of BRI on Jardine’s counterclaims that BRI breached a lifetime employment agreement and license agreement. Finally, Jardine appeals the district court’s denial of his motion to amend his counterclaim to add third-party claims and an additional counterclaim. We have jurisdiction under 28 U.S.C. § 1291, and we affirm.
BACKGROUND
In 1961, A1 Jardine, Mike Love, Brian Wilson, Carl Wilson, and Dennis Wilson formed The Beach Boys. The band shortly thereafter achieved huge commercial success, producing numerous hit songs and touring to huge audiences throughout the country. In 1967, the members of the Beach Boys incorporated BRI to hold and administer the intellectual property rights for The Beach Boys. Currently, BRI is equally owned by four shareholders, who are also its directors: A1 Jardine, Mike Love, Brian Wilson, and the estate of Carl Wilson. BRI is the registered owner of “The Beach Boys” trademark.
Over the years, personal difficulties arose between some of the members, and some members of the band decided to not tour full time, or at all. In 1991, the members of the Beach Boys incorporated
BRI’s directors met on July 14, 1998, to discuss how the trademark should be used. The representative of Carl Wilson’s estate suggested that BRI issue non-exclusive licenses to each shareholder on the same terms and conditions as the license that was being negotiated with Love, thus giving each member an equal right to tour. Three of the four board members, including Jardine, voted to grant each Beach Boy a non-exclusive license. On October 1, 1998, BRI executed a non-exclusive license agreement with Love (the “Love license”). The Love license contained clauses designed to protect the value of the trademark, requiring the licensee to preserve The Beach Boys style and to choose from a list of approved booking agencies and managers.
The parties dispute whether BRI and Jardine entered into a non-exclusive license agreement. After the July 1998 BRI board meeting, Jardine began touring with his own band, using a booking agent and manager that were not included in the list approved by the Love license. On October 25, 1998, Jardine’s attorney sent BRI a letter saying that Jardine would be performing as “Beach Boys Family and Friends,” and that therefore, “a license from BRI [was] unnecessary.” On October 28, 1998, BRI told Jardine that his unlicensed use of the trademark would be an infringement.
Jardine then proposed a license that included terms different from those included in the Love license. Jardine’s proposal contemplated only a five-percent royalty to BRI on the first $1 million of gross receipts and a 17.5 percent royalty thereafter. BRI proposed a 17.5 percent royalty across the board. Love’s license required a royalty of 20 percent of the first $1 million and 17.5 percent of receipts thereafter. Also, Jardine wanted to use a booking agent and manager that were not on the approved list. Jardine stated that, whether or not BRI accepted the proposal, he would continue performing as the “Beach Boys Family and Friends.”
The BRI board scheduled another meeting for November 24, 1998 to discuss Jar-dine’s proposal. Before the meeting, Jar-dine’s attorney sent a letter to the board with a proposed license agreement signed by Jardine. At the meeting, the BRI board voted to reject Jardine’s proposal. In the months following the meeting, Jar-dine both attempted to negotiate an agreement and claimed he had a license.
Jardine and his band continued to perform using names that included “The Beach Boys” trademark. The performances were promoted under names such as: A1 Jardine of the Beach Boys and Family & Friends; The Beach Boys “Family and Friends”; Beach Boys Family & Friends; The Beach Boys, Family & Friends; Beach Boys and Family; as well as, simply, The Beach Boys. Jardine and his band performed in locations and on dates close to Love’s “The Beach Boys” shows. With two bands touring as The Beach Boys or as a similar-sounding combination, show organizers sometimes were confused about what exactly they were getting when they booked Jardine’s band. A number of show organizers booked Jar-
On April 9, 1999, BRI filed its complaint in the district court alleging that Jardine was infringing its trademark. Jardine answered, asserting the defenses of fair use, laches, estoppel, and unclean hands, and counterclaimed for breach of employment agreement, breach of license agreement, and for a declaratory judgment that Jar-dine could tour as the “Beach Boys Family and Friends.” On March 28, 2000, the district court issued the preliminary injunction prohibiting Jardine from using “The Beach Boys,” “The Beach Boys Family and Friends,” and other similar combinations, but still allowing Jardine to refer to his past membership in the band “in a descriptive fashion.”
On March 19, 2001, two weeks before the close of discovery, Jardine moved for leave to amend his pleading to add third-party claims against the shareholders and directors of BRI and an additional counterclaim against BRI for breach of fiduciary duty. The district court denied the motion. On June 4, 2001, BRI moved for summary judgment on its trademark infringement claim and Jardine’s counterclaims. The district court granted summary judgment in favor of BRI and issued a permanent injunction against Jardine’s use of the trademark. This timely appeal followed.
STANDARD OF REVIEW
We review the district court’s grant of summary judgment de novo. See Entrepreneur Media, Inc. v. Smith,
DISCUSSION
I. Trademark Infringement
Jardine contends that his use of BRI’s trademark is protected by either the classic fair use doctrine or the nominative fair use doctrine. In New Kids on the Block v. News Am. Publ’g Inc.,
The nominative fair use analysis is appropriate where a defendant has used*904 the plaintiffs mark to describe the plaintiffs product, even if the defendant’s ultimate goal is to describe his own product. Conversely, the classic fair use analysis is appropriate where a defendant has used the plaintiffs mark only to describe his own product, and not at all to describe the plaintiffs product.
Id. at 1152.
To illustrate this distinction, we cited a number of cases that applied the nominative fair use analysis. See id. For example, in New Kids, the defendant newspapers used the New Kids trademark to refer to the music band New Kids itself in order to describe the defendants’ own telephone polls about the band. New Kids,
Following New Kids, we have applied the nominative fair use defense in a number of cases. In most of these cases, the nominative fair use defense, as opposed to the classic fair use defense, clearly applied" because the defendant used the plaintiffs mark undeniably to refer to the plaintiffs product, even though the defendant’s ultimate goal was to describe his own product. In Abdul-Jabbar v. Gen. Motors Corp.,
We also have applied the nominative fair use analysis where the plaintiffs trademark was also the defendant’s title. In Playboy Enterprises, Inc. v. Welles,
Here, Jardine argues that either the classic fair use or the nominative fair use defense applies. As in Playboy, whether the defendant’s use of the mark refers to the plaintiffs product at all — and thus whether classic fair use analysis or nominative fair use analysis applies — is not clear. Jardine illustrates this point with his conflicting arguments (1) that his use of “The Beach Boys” mark describes the Beach Boys’ product, thus requiring application of the nominative fair use analysis, and (2) that, in the alternative, his use of “The Beach Boys” mark describes only himself — a founding member of the Beach Boys — and not at all to describe the Beach Boys’ product, thus requiring application of the classic fair use analysis. Where the defendant uses his or her own title, which happens also to be plaintiffs trademark, defendant can argue convincingly both that the use refers to defendant and that the use refers not at all to defendant. In these situations, the referenee-to-trade-mark-holder distinction often proves more frustrating than helpful.
Rather than contorting ourselves into finding either that Jardine used “The Beach Boys” mark to describe the Beach Boys or that Jardine used “The Beach Boys” mark only to describe himself and not at all to describe the Beach Boys, we analyze each defense separately. We note first that the classic fair use defense, codified in the Lanham Act, 15 U.S.C. § 1115(b)(4), applies only to marks that possess both a primary meaning and a secondary meaning — and only when the mark is used in its primary descriptive sense rather than its secondary trademark sense.
the use of the name, term or device charged to be an infringement is a use, otherwise than as a mark ... of a term or device which is descriptive of and used fairly and in good faith only to describe the goods or services of such party, or their geographic origin.
15 U.S.C. § 1115(b)(4).
We have explained that “the primary cost of recognizing property rights in trademarks is the removal of words ... from our language.” New Kids,
We consistently have applied the classic fair use analysis to infringement cases involving descriptive marks used in their primary, descriptive sense. In Cairns, we cited In re Dual-Deck Video Cassette Recorder Antitrust Litig.,
Likewise, in Entrepreneur Media, Inc. v. Smith,
Here, as in Playboy and New Kids, Jardine does not use the trademark in any primary, descriptive sense. That is, Jar-dine does not use “The Beach Boys” trademark to denote its primary, descriptive meaning of “boys who frequent a stretch of sand beside the sea.”
In New Kids, we articulated the three requirements of the nominative fair use defense:
First, the product or service in question must be one not readily identifiable without use of the trademark; second, only so much of the mark or marks may be used as is reasonably necessary to identify the product or service; and third, the user must do nothing that would, in conjunction with the mark, suggest sponsorship or endorsement by the trademark holder.
Id. at 308. Just as it is virtually impossible to refer to the New Kids on the Block, the Chicago Bulls, Volkswagens, or the Boston Marathon without using the trademarked names, so too is it virtually impossible to refer to the Beach Boys without using the trademark, and Jardine therefore meets the first requirement. See id. & n. 7. Also, BRI does not allege that Jardine uses any distinctive logo “or anything else that isn’t needed” to identify the Beach Boys, and Jardine therefore satisfies the second requirement. See id. at 308.
Jardine fails, however, to meet the third requirement. Jardine’s promotional materials display “The Beach Boys” more prominently and boldly than “Family and Friends,” suggesting sponsorship by the Beach Boys. Cf. Kassbaum v. Steppenwolf Prods., Inc.,
Because Jardine’s use of the trademark suggested sponsorship or endorsement by the trademark holder, Jardine’s nominative fair use argument fails.
II.Laches
The district court rejected laches as an affirmative defense. We have applied laches to bar trademark infringement claims “only where the trademark holder knowingly allowed the infringing mark to be used without objection for a lengthy period of time.” GoTo.com, Inc. v. Walt Disney Co.,
III. Estoppel
We review a district court’s decision to deny equitable estoppel for an abuse of discretion. Levi Strauss & Co. v. Shilon,
IV. Unclean Hands
Jardine contends that the district court erred in concluding that BRI did not act with unclean hands. To prevail on an unclean hands defense, “the defendant must demonstrate that the plaintiffs conduct is inequitable and that the conduct relates to the subject matter of its claims.” Levi Strauss & Co.,
V. Breach of Employment Contract
Jardine contends that the district court erred in concluding that no employment relationship existed between Jardine and BRI. Jardine, however, points to no evidence than an employment contract in fact existed between him and BRI when BRI purportedly breached the contract in 1998 and 1999. Under California law, however, we must examine the totality of the circumstances “to determine whether the parties’ conduct, considered in the context of surrounding circumstances, gave rise to an implied-in-fact contract limiting the employer’s termination rights.” Guz v. Bechtel Nat’l, Inc.,
YI. Breach of License Agreement
The district court concluded that Jardine raised a triable issue of fact as to whether Jardine had a non-exclusive license, which expired by its own terms on December 31, 1999, to use the Beach Boys trademark. The district court then reasoned, however, that even assuming a license existed, because Jardine toured using the Beach Boys trademark in spite of BRI’s objections, Jardine could not show any damages from any purported breach. Jardine contends that, because he toured as “Beach Boys Family and Friends” and not as “The Beach Boys,” he earned less income than he would have, had BRI performed under the license agreement and allowed him to tour as “The Beach Boys.” Jardine further contends that his damages can be calculated by looking at the amount of touring income Love earned while touring with his own band as “The Beach Boys.”
Whether Jardine’s “The Beach Boys,” touring simultaneously and in competition with Love’s “The Beach Boys,” would earn as much as a lone “Beach Boys” group is speculative. See Kids’ Universe v. In2Labs,
VII. Denial of Jardine’s Motion to Amend Pleading
The district court denied Jardine’s motion for leave to file an amended plead
CONCLUSION
Because no genuine issue of material fact exists regarding the likelihood of confusion, we affirm the district court’s grant of summary judgment in favor of BRI on the trademark infringement claim. We also affirm the district court’s grant of summary judgment in favor of BRI on Jar-dine’s counter-claims for breach of contract.
AFFIRMED.
Notes
. The law conceptually classifies trademarks along a spectrum of increasing distinctiveness: (1) generic, (2) descriptive, (3) suggestive, and (4) arbitrary or fanciful. See Two Pesos, Inc. v. Taco Cabana,
. The Second Circuit illustrated the permissible use of trademarked terms in their primary, descriptive sense with the following example:
An auto manufacturer's use of the mark SWEET for its cars could not deprive anyone of the right to use that word in good faith in its ordinary descriptive sense and*907 not as a trademark. Thus a candy manufacturer would remain free to advertise the sweetness of its candies without worry about the trademark owner’s bridging the gap and going into the candy business.
Car-Freshner Corp.,
. Similarly, the defendant newspapers in New Kids did not use the trademark “New Kids on the Block” to denote its primary, descriptive meaning of "children who recently moved to this area bounded by streets on four sides.” See New Kids,
. We note that the district court found, as an undisputed fact, that Jardine's use of the trademark "caused numerous instances of confusion both with the consuming general public and with the producers of musical events.” On appeal, Jardine does not challenge the district court’s conclusion that his use of the trademark caused confusion. The purpose of trademark infringement law is to "ensur[e] that owners of trademarks can benefit from the goodwill associated with their marks and that consumers can distinguish among competing producers.” Thane Int’l, Inc. v. Trek Bicycle Corp.,
. In reaching this conclusion, we note that the third requirement of the nominative fair use defense — the lack of anything that suggests sponsorship or endorsement — is merely the other side of the likelihood-of-confusion coin. See 2 J. Thomas McCarthy, Trademarks and Unfair Competition § 11:47 (4th ed.2001) (noting "some confusion in the case law as to whether ‘fair use' is really a distinct and separate ‘defense’ " and arguing that “ 'fair use'
