The question we decide in this case is whether a federal tax lien takes priority over prior unrecorded assignments of the taxpayer’s rights to receive royalty income from the performance оf a copyrighted work.
Broadcast Music, Inc. (“BMI”) licenses the public performance rights in copyrighted musical compositions. It collects and pays royalties arising from licensed public performаnces of copyrighted compositions. Ronald Miller is a songwriter to whom BMI paid royalties derived from his compositions. To satisfy debts Miller owed appellants Staen-berg and Hirsch, he executed assignmеnts to them in 1989 of future royalties and directed BMI to pay Staenberg and Hirseh directly. Before the debts were satisfied, however, the Internal Revenue Service (“IRS”) assessed deficiencies against Miller, and in 1992, 1993 and 1994 the IRS recorded notices of tax liens against his royalty income. The IRS served BMI with notices of levy, whereupon BMI filed this interpleader action to resolve the conflicting claims to Miller’s royalty income.
The district court granted the govemment’s motion for summary judgment, holding: (1) while a tax lien is a transfer under the Copyright Act (“the Act”), 17 U.S.C. § 101, the IRS was excused from having to record its liens by 26 U.S.C. § 6323(f)(5); (2) the assignments to Staenberg and Hirsch were subject to the recording rules of the Act; and (3) Staenberg and Hirsch, having failed to record their assignments under the Act, failed to perfect their interests, resulting in the IRS liens’ priming their claim. Staen-berg and Hirseh appeal from the judgment.
L JURISDICTION AND STANDARD OF REVIEW
The district court had jurisdiction under 28 U.S.C. § 1331.
See Commercial Nat’l Bank of Chicago v. Demos,
We review the district court’s grant of summary judgment
de novo. Zuill v. Shanahan,
II. APPLICATION OF THE COPYRIGHT ACT
Under the Act, “[a]s between two conflicting transfers, the one executed first prevails if it is recorded, in the manner required to give constructive notice under subsection (e)_” 17 U.S.C. § 205(d). Staen-berg and Hirseh’s assignments were never *1166 recorded with the Copyright Office. The IRS tax liens, however, did not have to be recorded to be perfected. 26 U.S.C. §§ 6322, 6323(f)(5) (stating that a tax lien is perfected upon assessment). Thus, the first question is whether the аssignments to Hirsch and to Staenberg were transfers subject to the re-cordation rules of the Act (i.e., whether they were a “transfer of copyright ownership or other -document pertaining to a copyright,” 17 U.S.C. § 205(а)). If they were, the failure to record them prevents them from priming the later IRS liens.
The Act defines “transfer of copyright ownership” as “an assignment, mortgage, exclusive license, or any other conveyance, alienation, or hypothecation of a copyright or of any of the exclusive rights comprised in a copyright....” 17 U.S.C. § 101. The assignments on their face did not transfer any interest in a copyright or in any of the еxclusive rights comprised in a copyright.
See Papa’s-June Music, Inc. v. McLean,
That Miller may have been a beneficial owner of copyrights, as the governmеnt argues, is irrelevant to determining whether a transfer occurred according to sections 101, 201(d), or 205(d) of the Act.
See
17 U.S.C. §§ 101, 201(d), 205(d) (discussing transfer of ownership). Beneficial ownership arises by virtue of section 501(b) for the purpose of enabling an author or composer to protect his economic interest in a copyright that has been transferred.
See Cortner v. Israel,
Nor are the assignments “other documents pertaining to a copyright” within the meaning of section 205(a), which defines the scope of potentially recordable documents under the Act. See 17 U.S.C. § 205(a). The Coрyright Office’s regulations define a document pertaining to a copyright as one that “has a direct or indirect relationship to the existence, scope, duration, or identification of a copyright, or to the ownership, division, allocation, licensing, transfer, or exercise of rights under a copyright.” 37 C.F.R. § 201.4(a)(2). Assignments of interests in royalties have no relationship to the existence, scope, duration or idеntification of a copyright, nor to “rights under a copyright.” See 17 U.S.C. § 106 (listing rights under a copyright). For that reason, and in light of the preceding discussion, we see no basis for finding the assignments to be documents “pertaining to a coрyright.”
The government, citing
In re Peregrine Entertainment, Ltd.,
III. APPLICATION OF NEW YORK LAW
Having concluded that the provisions of the Act do not apply to determining priority among the competing claims, we turn to state law to determine “to what extent the taxpayer had ‘property’ or ‘rights to property' to which [a] tax lien could attach.”
Aquilino v. United States,
The IRS liens attach to “all рroperty and rights to property, whether real or personal, belonging to [the taxpayer].” 26 U.S.C. § 6321. Thus, the question is whether; under New York law, the instruments executed by Miller in favor of Staenberg and Hirsch transferred all ■ of his rights to the future royalties he purported to assign (i.e., whether Miller had.anything left to which the liens could attach). The government contends that Miller’s assignments were deficient, both because Miller retained control over the source of the monies and because the BMI assignment forms transferred only security interests.
Under New York law, “an assignment occurs only where the assignor retains no control over the funds, no authority tо collect and no power to revoke.”
Natwest USA Credit Corp. v. Alco Standard Corp.,
The government argues that the assignments merely transferred security interests *1168 that were never perfected. But, as noted above, we must look to the substance, not the form of the transaction. Miller made complete assignments of the monies specified in the assignment documents, leaving him without a current vested interest.
SUMMARY AND CONCLUSION
Because the assignments to Hirsch and to Staenberg were not subject to the Act’s recording rules, their failure to record them with the Copyright Office did not leave the assignments unperfeeted. Because those assignments were complete under New York law, they transferred Miller’s interests to Hirsch and to Staenberg before the IRS tax liens could attach.
There being no triable issues of fact remaining, the judgment of the district court is REVERSED, and the case is REMANDED with directions to enter judgment in favor of Hirsch and Staenberg.
