61 F. 93 | D. Conn. | 1894
The bill in equity herein is brought for the'infringement of design letters patent No. 20,670, granted April 14,1891, to the complainants, for a design for a carriage lamp. The defenses are want of novelty, lack of patentable invention, and denial of infringement. The specification states that the invention relates to a design to be imparted to lamps, and consists of a novel shape and configuration. The complete lamp represents a tulip; the sides of the body part being so shaped as to represent the petals, the lower portion the calyx, and the downwardly extending portion the stem, of the flower. The cover of the lamp, by upwardly and outwardly extending projections, surmounted by a central spherical form, represents the pistil of the flower, or, taken alone, represents the tulip after its leaves have fállen; the projections resembling the calyx, and the spherical form the pistil. The claims of the patent are as follows:
(1) The design for lamps, consising of tbe body part, A, substantially as shown. (2) Tbe design for lamps, consisting of tbe upper part or cover, D, substantially as sbown. (3) Tbe design for lamps, consisting of tbe body part, A, and the upper part or cover, D, substantially as sbown.
Complainants’ lamp fitly embodies the design of a tulip. It consists of two parts, which represent a graceful, harmonious whole. That it found great favor in the eyes of the public, and had a large sale, is abundantly proved. The question is, has it the degree of novelty required to protect a patent for a design?
The file wrapper shows that the patent office rejected four of the original five claims, on the ground that an inventor could only have a claim for a unitary design, and subordinate claims for segregable and distinctive features; and that "counsel for complainants amended the claims, and requested their allowance in the present shape, on the ground that the public would be readily deceived, either by a design consisting of the exact cover and a body slightly resembling the body of the patented design, or by an exact copy of
Defendant further claims that, admitting the novelty of the complete design, the state of the art shown by certain exhibits limits the construction of the patent to a claim for the design as an entirety. Defendant’s exhibit, “L’Eeluse Lamp,” shows a glass body of the exact shape covered by the first claim of the patent in suit, but without the metal calyxes at the base, and with downwardly extending ornaments not found in the patented design. This drawing is not accompanied by any printed description, but is contained in a pamphlet, which appears to be a mere trade circular of “Ch. De L’Eeluse, Paris,” and which had been in the possession of one of defendant’s witnesses since November, 1888. There is no evidence that it was ever actually published, or intended for general use, or accessible to the public. Complainants objected to its introduction, on the ground that it was not such a printed publication as would anticipate a patent. The objection is well taken. Rob. Pat. §§ 325, 326; Reeves v. Bridge Co., 5 Fish. Pat. Cas. 467, 468; Fermentation Co. v. Koch, 21 Fed. 587; Parsons v. Colgate, 15 Fed. 600; In re Atterbury, 9 O. G. 640.
Defendant’s exhibit, “Haladee Lamp,” is a rough wood cut of a carriage lamp, having the outlines of, and bearing a general resemblance to, a tulip, and having curved engraved lines at its base, printed in a bound volume entitled “The Coachmaker’s Monthly Magazine. C. W. Snladee, Proprietor. New York, April, 1855,” which had been in the possession of one of defendant’s witnesses since 1873. The complainants objected to this exhibit also, on the ground that it was not a printed publication; and, furthermore, because it was not set up in the answer, I think the Saladee Coach-maker’s Monthly Magazine is admissible as a printed publication, to show the state of the art. The number containing this lamp in question has printed on it, “New York, April, 1855,” is bound up with other numbers for the years 1855 and 1856, and refers to its advertisements, and gives terms therefor. It purports to be printed for general circulation, and is characterized as a publication by the witnesses for defendant. These circumstances furnish sufficient prima facie evidence of publication. Rob. Pat. § 328; Reeves v. Bridge Co., supra; In re Atterbury, supra. While, therefore, the defendant could not derive any advantage from this evidence in support of a claim of lack of patentable novelty, the court may, in the light of said evidence, determine what, in the state of the art, was open to the patentee, and what his patent must, therefore, be construed to claim. Rob. Pat. § 1006; Grier v. Wilt, 120 U. S. 412,
Defendant’s “Exhibit Beitschrift” shows a top whose general outlines suggest the top of the patent in suit. It does not embody either calyx or pistil, and is only material, if at all, upon the question of the novelty of the second claim.
It is unnecessary to consider the other exhibits introduced by defendant, except to say that those not excluded under the objections already considered show that upwardly extending covers of carriage lamps, and bodies resembling in outline the general shape of complainants’ body, but not embodying the specific design, were known to the art prior to said patent. The indefinite, unsubstantiated evidence of prior use is insufficient to affect the validity of the patent. Zane v. Peck, 9 Fed. 101; Lalance & G. Manuf’g Co. v. Habermann Manuf’g Co., 53 Fed. 375.
The objection to certain of defendant’s exhibits that they are merely drawings, unaccompanied by a written description, and therefore not relevant upon the question of anticipation, is not well taken. The objection affects the weight of the evidence, not its admissibility. The decisions referred to by complainants were not rendered in cases of patents for designs. In the latter cases, the effect upon the eye being the chief thing to be considered, there is no reason why a mere drawing, in a proper case, should not be sufficient. Ex parte Crouch, 57 O. G. 845; Dobson v. Dornan, 118 U. S. 10, 6 Sup. Ct. 946. In the case of Untermeyer v. Freund (decided by the circuit court of appeals for the second circuit, October 17, 1893) 7 C. C. A. 183, 58 Fed. 205, the drawings considered by the court in determining the question of patentable invention were not accompanied by any description.
The idea of a flower, conventionalized so as to be symbolized in a lamp, was new, so far as appears from the state of the art shown to the court. Other designs were shown which were graceful, approaching in certain respects some single part of complainants’ design, and some resembling the general outlines of complainants’ lamp, but none which embodied the complete design covered by the patent. And, admitting over every objection, all designs, enlarged, improved, modified, and with one part of one lamp combined with a different part of another, there is nowhere to be found, in letterpress or cut, a suggestion of a flower, or of such a tulip design, as a harmonious whole. The wood cut of the Sala dee lamp is unaccompanied by letterpress description, and and is so roughly and incompletely drawn as to leave it uncertain whether it was intended to imitate a tulip or to merely select a graceful design, such as is shown in the lamp in defendant’s Art Journal Illustrated Catalogue.
A. further consideration in support of the novelty and originality of this design has forcibly impressed my mind. The court, taking judicial notice of matters of common observation and knowledge, finds that a tulip has no calyx. The outlines at the base of top and body of the patented design are not found in nature, but seem to have been the fanciful creation of the patentee. This circumstance
The conclusion reached from these considerations is that the patented design is a, meritorious one; that it is not limited by the prior state of the art, as shown; and ¡hat the claims for the separate top and body, as well as for the entire design, are valid, and should be sustained.
The defendant has manufactured two differently constructed lamps, which complainants claim infringe said patent. It does not seem necessary to discuss the claim that the top of the second lamp of defendant infringes the second claim of complainants’ patent. The claim covers a central spherical form, surrounded by upwardly projecting curved representations of a calyx. Defendant’s lamp has a fiat cap, surrounded by a downwardly projecting circular rim, which separates it from upwardly projecting semi-circular grooves. There is no resemblance between the two, and no one would be likely to be deceived. The correspondence between the parties prior to the suit shows that complainants claimed that the top of both, lamps' manufactured by defendant infringed the patent in suit, and that the defendant admitted that the head or top of the first lain]) “did conflict with their patent,” and ceased from making them. It denied infringement as to the second lamp, but dropped it from its price list. Complainants insisted upon payment of the statutory penalty of $250, and defendant, declined to pay it, whereupon this suit was brought. Defendant’s secretary, Witmot, in his testimony, qualified said admission by saying that he should have said that said top “seemed to conflict” with the patent in suit. I do not consider either admission as material, because, under the test applied to design patents, that which seems to conflict would ordinarily be an infringement; and, further, because a comparison» of the two heads shows that the top of the defendant’s first lamp seems to be a copy of the top pari; of complainants’ lamp.
The vital question in the case is whether the defendant, by the manufacture of its first lamp, has infringed the patent in suit. Three witnesses for defendant—Boudren, Galle, and Fest—testify on this point. Boudren says, “There is so little similarity that nobody not an idiot could make a mistake.” Galle says the designs do not resemble each oiher. Fest says, “I should think, in my experience, a purchaser could easily tell the difference.” But Boudren is a lamp designer, a large stockholder in, and the superintendent of,
Apart from the effect of said testimony, the first impression received upon examination and comparison of the exhibits by the side of each other, was favorable to the defendant’s claim that the ordinary purchaser would not be deceived. The complainants’ exhibit, in all its details of construction, is more artistically constructed and finished. The defendant’s exhibit has certain features —notably the extra downwardly projecting top, and the circular ornaments at the bottom—not found in complainants’ exhibit. The plain, spherical top of complainants’ exhibit is flattened and ornamented in defendant’s exhibit. The calyxes of the top are relatively larger in complainants' than in defendant’s lamp. The plated divisions between the glass sections of complainants’ lamp are more conspicuous than in defendant’s lamp. Complainants’ lamp has metal calyxes covering the bottom of the glass sides. Defendant’s lamp has curved glass bottoms, filled out by the metal base. The bodies are dissimilar in shape. But the construction set forth in the specification and covered by the claims is not confined by such 'details of size, proportion, and ornament. It “consists of the novel shape and configuration.” ' The test of infringement is whether ordinary purchasers would be likely to mistake the one design for the other, giving such attention as such a purchaser usually gives. Gorham v. White, supra; Monroe v. Anderson, 7 C. C. A. 272, 58 Fed. 398. I have already critically discussed the expert evidence, because it seems to me that the decision of the case may depend upon the definition of the “ordinary purchaser.” If thereby is meant the trade purchaser of lamps, the claim is not infringed. He would not be deceived. I have treated this term as applicable to the gen
The manifest infringement of the upper part, substantially admitted by defendant; the only difference of construction therein—the flattened sphere—being' one which would not he noticed from the point of view of the ordinary observer; the allegation that the infringing' design was copied from that of complainants, undenied; the appropriation of the name “Tulip” by defendant for its second lamp; the apparent imitation of certain important details; the introduction of unessential variations; the adoption of curved lines simulating calyxes and petals,—these, together with the other circumstances, and the testimony already considered, indicate that the defendant intended so to imitate the patented design as to lead the ordinary purchaser to believe that he was getting complainants’ lamp, and that the suggested differences are colorable, and not substantial.
The peculiar merit of the novel idea of thus symbolizing a flower, and its admitted popularity and utility, seem to entitle this design to a more liberal construction than woxxld he applied where old and familiar devices for configuration and ornamentation are merely rearranged in new relations. This view is enforced by the above considerations as to the infringing design. The first claim, for the body part alone, is not infringed. The second claim, for the cover alone, is infringed by defendaxit’s first lamp. If it were necessary to decide the point, I am inclined to adopt the views of the witnesses for complainants, and to hold that there is sufficient similarity between the body of defendant’s first lamp and the body of the patented design, so that, when xxsed in connection with the infringing cover', the third claim is infringed; although said body, without said cover, would not infringe. In view of the conclusions reached, an injunction against the infringement of the second claim will sufficiently protect the complainants in this case.
Let a decree he entered accordingly.
