OPINION AND ORDER
This is а defamation action stemming from a profile of Plaintiff Peter Paul Biro, written by Defendant David Grann (“the Grann Article”), which appeared in the July 12-19, 2010 issue of the New Yorker magazine, published by Defendant Condé Nast, a division of Advance Magazine Publishers Inc. (“Advance”). In an opinion and order dated August 9, 2012, this Court examined each allegedly defamatory passage in the Grann Article and determined that four of roughly two dozen passages stated a claim for defamation under New
Before this Court at present are the following motions: (1) a motion filed by Grann and Advance (collectively, “the New Yorker Defendants”) for an order finding Biro to be a public figure; (2) the New Yorker Defendants’ motion for judgment on the pleadings; and motions to dismiss by (3) Yale University Press (“YUP”); (4) Paddy Johnson; (5) Gawker Media LLC (“Gawker Media”); and (6) Business Insider (collectively, “the Republisher Defendants”). For the reasons that follow, Defendants’ motions are all granted.
I. Background
A. Factual Background
1. The Parties
Biro is a Canadian citizen in the business of art restoration and authentication. He is known for having developed scientific approaches to art authentication through fingerprint analysis. Biro is featured in the documentary Who the # $ & % is Jackson Pollock?, which concerns a painting purchased for five dollars by truck driver Teri Horton, which may or may not be an authentic Jackson Pollock.
Defendant David Grann is a citizen of New York and a journalist who has written numerous books and feature stories for publications including the New Yorker, where the Grann Article appeared on July 12, 2010.
Defendant Advance is a corporation with its principal place of business in New York and is the publisher of the New Yorker.
Defendant Business Insider is a corporation with its principal place of business in New York and is the publisher of a business and technology news website, available at http://www.businessinsider. com.
Defendant Gawker Media is a corporation with its principal place of business in New York and is the publisher of numerous blogs, including the technology blog Gizmodo, available at http://www.gizmodo. com.
Defendant YUP is a department of Yale University, in New Haven, Connecticut. YUP is a book publisher, which has published, inter alia, a biography of the artist Jackson Pollock, entitled Jackson Pollock, by the author Evelyn Toynton (“the Toynton Biography”).
Defendant Paddy Johnson is a resident of New York, and is the founding editor of the blog artfagcity.com.
2. The Johnson Article
On May 18, 2011, Paddy Johnson wrote and published an article entitled “Making the Mark of a Masterpiece” on artfagcity.com (“the Johnson Article”). Johnson’s article, which concerns Grann’s profile of Biro, states in its entirety:
The New Yorker’s Mark of a Masterpiece tells me its [sic ] time to re-evaluate a couple opinions I expressed about that so-called Jackson Pollock I wrote about back in 2006. Thanks to a documentary called Who the #$ & % is Jackson Pollock?, I wasted a fair bit of ink on why I thought the InternationalFoundation for Art Research should take another look at a garish painting that didn’t look much like a Pollock. Forensic scientist Peter Paul Biro had produced fingerprinting identification and matched paint samples though, and that evidence seemed rather compelling. So I pushed aside a few pesky details, namely that it followed the basic rule of forgery: The less plausible the fake, the more involved the narrative and documentation becomes. This one reached absurd levels, with truck driver Teri Horton’s big thrift store find and Peter Paul Biro’s research even spinning its own documentary.
Now however, David Grann sheds considerable light on some of the forensic scientist’s more questionable authentication techniques. From the article:
[Theresa] Franks [of Global Fine Art Registry, a company crusading against fraud] became particularly interested in Biro’s methods after Frankie Brown, an artist in California, told her that he had seen a photograph of the Teri Horton painting, in People, and wondered if it might be his own work. Franks hired as an expert Tom Hanley, the chief of police in Middlebury, Vermont, who had more than two decades of experience as a fingerprint examiner. Hanley told me that he approached Biro, who had previously stated about Horton’s painting, “My work is (and has been) available for evaluation to qualified experts.” Yet Biro declined to share his evidence, saying that Horton had objected to the idea. Hanley was thus forced to rely on bits of information that Biro had posted on his Web site, several years earlier. The online report contains a photograph of the partial fingerprint that Biro said he had found on the back of Horton’s painting. In Hanley’s judgment, the impression lacked the kind of detail — the clear ridges and furrows — that is necessary to make a proper comparison.
After Hanley revealed his findings to Franks, she raised questions on her Web site about the reliability of Biro’s fingerprint methodology. Biro then inserted a clarification to his online report. It said:
For security reasons, several images in this report are watermarked in a way that is not apparent to the observer. The fingerprint images have also been reduced in resolution so as to render them unusable except for illustration.
I advise against evaluating the fingerprint images illustrated in this report as if they were the actual source material. Any attempt to do so is pointless.
Biro told me that such secrecy protected the privacy of his clients and prevented anyone from, misusing the fingerprint. To Hanley, this was baffling: what forensic scientist avoids peer review and even admits to doctoring evidence in order to prevent others from evaluating it? “If what he found are truly fingerprints, why isn’t he sharing?” Franks asked me. In any case, Hanley, unable to examine Biro’s evidence firsthand, had reached a dead end.
Then Ken Parker [a man Biro also produced a controversial Pollock authentication for] told Hanley and Franks about his drama with Biro. Parkеr said that Hanley was welcome to examine his painting. For the first time, Hanley was able directly to observe Biro’s fingerprint evidence. He noted several fingerprints on the back of the picture, including two on the wooden stretcher frame, which wereblack, as if they had been made with ink. Looking through a magnifying glass, Hanley focussed [sic] on the most legible fingerprint, which appeared to be covered with a clear finishing coat, like a varnish. Parker said that before giving the painting to Biro he hadn’t noticed a fingerprint on it. “I don’t know where it came from,” he said. He said that Biro had told him he had used some sort of “resin process” .to make it more visible. Hanley had never seen a print developed in this fashion. Based on the clarity of the impression, Hanley thought that the fingerprint had to be relatively new — certainly not from half a century ago, when Pollock was alive.
Those are pretty damning words. I spoke with Peter Paul Biro on more than one occasion during the promotion of the movie, and while he didn’t offer a lot of insight on the movie itself he did go to great lengths to explain that his reputation was his livelihood. “This is not a risk I would take if I were not certain,” he told me. Foolishly, I believed him.
Biro requested that Johnson remove this article from her website; that request was denied.
3.The Gawker Article
On July 7, 2010, an article entitled “Is This Man the Art World’s High-Tech Hero or Villain?” was published on Gawker Media’s website Gizmodo (“the Gawker Article”). The article begins, “This is Peter Paul Biro. Depending on who you ask, he’s either using fingerprinting, forensic science, and state of the art spectral cameras to uncover lost art masterpieces, or using that same technology to manufacture them.” After quoting a paragraph from the Grann Article, the Gawker Article states:
But Grann quickly began to find cracks in Biro’s story, tracing a long history of purported fraud and manipulation of artworks he was employed to restore (his family worked in restoring art before Peter Paul eventually movеd into the field of authenticating it). At the end of this tangled yarn comes a striking accusation: Biro had actually planted many of the fingerprints that supposedly verified the authenticity of the paintings he was charged with evaluating.' Just like the art he works with, it’s hard to pin down the true- story behind Peter Paul Biro. But as shown in the New Yorker piece (which you should really read in full), Biro’s complicated cameras and forensic techniques have only introduced a new layer of uncertainty to the hazier corners of art history.
4.The Business Insider Article
On July 5, 2011, Business Insider published an article entitled “Nine of the Biggest Art Forgeries of All Time” on its website (“the Business Insider Article”). One of nine biggest art forgeries of all time, according to the Business Insider Article, was perpetrated by Biro. The article contained the following language: “But soon after, New Yorker reporter David Grann wrote a profile of Biro revealing him as a forger and long-term fraud who created phony fingerprints on paintings to market them as genuine.”
After Biro demanded a retraction of the Business Insider Article, Business Insider removed the posting. The remainder of the Article, sans reference to Biro, continues to exist on Business Insider’s website. It is now entitled “Eight of the Biggest Art Forgeries of All Time.”
5.The Toynton Biography
On or about December 19, 2011, after this lawsuit had commenced, YUP publish
A purported forensics expert with a specialty in art claimed to have found a Pollock fingerprint on Horton’s painting, though his integrity was later called into doubt, and the validity of his methods questioned by a fingerprint expert of long standing. There were even allegations that the fingerprint had been forged — transferred onto the painting via an inked rubber stamp made from a cast of a Pollock print on a paint can. And when the same forensic expert announced he’d also found a Pollock fingerprint on another disputed Pollock, it was hard to take him seriously.
Although he is not named, the “purported forensics expert” mentioned in the Toynton Biography is allegedly Biro.
The Toynton Biography goes on to note: “In fact, even before the fingerprint controversy, experts like the late Thomas Hoving, a former director of the Metropolitan Museum, had scoffed at Horton’s claims for her painting .... ” Toward the conclusion of her section on these controversies, Toynton writes:
Neither dispute has yet been conclusively laid to rest, and it is certain that there will be other controversial Pollock discoveries in the future. Whether they will be resolved by scientific analysis or by the aesthetic judgment of those whose long-standing involvement with Pollock’s work make their instinctive responses particularly trustworthy is not yet clear.
In both cases, the problem of establishing authenticity and thus differing conclusions arrived at by respected scholars and connoisseurs, not to mention the scientists involved, highlighted the particular difficulty of authenticating the kind of work Pollock produced. And the controversies inevitably reopened the uncomfortable question, in the public mind at least, of how authentic Pollock’s work was in and of itself ....
(Id. at 111.)
B. Procedural Background
Biro initiated this action on June 29, 2011. (Dkt. No. 11.) Biro has since amended his complaint three times, on September 27, 2011, December 5, 2011, and October 12, 2012. (See Dkt. Nos. 17, 27, & 92.) Claims against all of the Re-publisher Defendants relevant to this opinion, except YUP, were first added in the Second Amended Complaint. The claim against YUP was added in the Third Amended Complaint. On August 9, 2012, the Court granted in part and denied in part the New Yorker Defendants’ motion to dismiss. (Dkt. No. 70.) Most of the roughly two dozen allegedly defamatory statements in the Grann Article were dismissed. The Court held that Biro had stated a claim, however, as to the following four sections of the Grann Article:
(1) the recitation of Elisabeth Lipsz’s comment that Biro is a “classic con man” as well as her attorney’s comment that Biro “was so convincing. He was very suave, soft-spoken, but after awhile you catch him in different lies and you realize that the guy is a phony,” Biro, 883 F.Supp.2d at 461-62 (“the Lipsz passage”);
(2) the section on Biro’s analysis of the purported Pollocks owned by Teri Horton and Alex Matter as well as Biro’s examination of Pollock’s studio, which implies “that Biro’s findings are not trustworthy, and are highly suspect,” id. at 476 (“the Horton and Matter passage”);
(3) the section on the Provenance venture, which suggests that Biro would profit from the sale of the Horton painting and other paintings that he was to authenticate, id. at 476-77 (“the Provenance Venture passage”); and
(4) the description of the lawsuit brought by Saul Hendler over the “Renoir” painting that may or may not have been switched with a copy, which Biro claims contains several inaccuracies, id. at 481-82 (“the Hendler passage”).
The Court’s previous opinion concluded as follows:
There is little question that a reader may walk away from the Article with a negative impression of Biro, but that impression would be largely the result of statements of fact that Biro does not allege to be false. There can be no claim for an overall defamatory impact from the reporting of true statements beyond the specific defamatory implications that may arise from those specific statements.
More fundamentally, the Article as a whole does not make express accusations against Biro, or suggest concrete conclusions about whether or not he is a fraud. Rather, it lays out evidence that may raise questions, and allows the reader to make up his or hеr own mind. In that regard it is similar to the article at issue in the Chapin case in the Fourth Circuit. There, the article raised questions about the legitimacy of a charitable organization that sent gift packages to U.S. soldiers stationed abroad. The court concluded that the article “is a story constructed around questions, not conclusions.” Chapin [v. Knight-Ridder, Inc.], 993 F.2d [1087] at 1098 [ (4th Cir.1993) ]. The court continued:
But the mere raising of questions is, without more, insufficient to sustain a defamation suit in these circumstances. Questions are not necessarily accusations or affronts. Nor do they necessarily insinuate derogatory answers. They may simply be, as they are here, expressions of uncertainty. The ... article advances alternative answers to the questions it raises, presenting both favorable and unfavorable views, but does not ultimately adopt any particular answer as correct. From this, a reasonable reader would not be likely to conclude that one answer is true and the other false. Language of ambiguity and imprecision permeates the article, significantly coloring its tone.
Id.
This analysis applies to the Article in this case as well. At the end of the Article, the reader is left genuinely uncertain what to believe. Although the Article reports many facts tending to suggest that Biro may not be exactly who he says he is, it also contains extensive interviews with Biro himself, includes Biro’s responses to many of the accusations reported in the Article, and quotes many third party sources with complimentary things to say about Biro. If anything, the Article seeks to draw a parallel between the idea that one can never be wholly certain whether a piece of art is truly “authentic” (whetherthrough connoisseurship or science) with the idea that it is difficult to fully know the truth about who a person is. This type of inquisitive approach falls short of the “hatchet job” that Biro’s counsel described at oral argument. (See Transcript, Dkt. No. 68, at 27.)
At the same time, there can be little doubt that even a publicatiоn that, on the whole, merely raises questions has the potential to have serious consequences on a plaintiffs reputation. Thus, where Biro has alleged an actionable defamatory false statement of fact, or false implication, the Court allows the claim to proceed.
Biro,
On November 5, 2012, Business Insider moved to dismiss Count Six of the Third Amended Complaint. (Dkt. No. 101 (“BI Mem.”)). In its brief in support of dismissal, Business Insider argued that Biro is a limited purpose public figure. Following that motion, the New Yorker Defendants also moved for an order determining that Biro is a limited purpose public figure. (Dkt. No. 106.) Thereafter, Gawker Media, Paddy Johnson, and YUP moved to dismiss Counts Seven, Eight, and Nine of the Third Amended Complaint, respectively. (Dkt. Nos, 133 (“GM Mem.”), 117 (“PJ Mem.”) and 144 (‘TUP Mem.”).)
At a status conference on February 13, 2013, the New Yorker Defendants sought leave to file a motion for judgment on the pleadings pursuant to Federal Rule of Civil Procedure 12(c). The Court granted leave and set a briefing schedule. On March 1, 2013, the New Yorker Defendants moved for judgment on the pleadings. (Dkt. No. 156 (“NY Def. Mem.”).) Oral argument on the pending motions was held on May 17, 2013.
II. Applicable Legal Standards
As this Court explained in a prior opinion, there is, according to the New York Court of Appeals, “ ‘particular value’ in resolving defamation claims at the pleading stage, ‘so as not to protract litigation through discovery and trial and thereby chill the exercise of constitutionally protected freedoms.’ ” Biro,
A. Motion to Dismiss
On a motion to dismiss a complaint pursuant to Federal Rule of Civil Procedure 12(b)(6), the Court accepts the complaint’s factual allegations as true and draws inferences only in the plaintiffs favor. On such a motion, the Court is limited to reviewing the complaint, any documents attached to the complaint or incorporated into it by referenсe, any documents that are “integral” to the plaintiffs allegations, even if not explicitly incorporated by reference, and facts of which the Court may take judicial notice. See ATSI Commc’ns, Inc. v. Shaar Fund, Ltd.,
Federal Rule of Civil Procedure 8(a) requires only a “short and plain statement of the claim showing that the pleader is entitled to relief.” In order to avoid dismissal under Rule 12(b)(6), however, a plaintiff must state “the grounds upon which his claim rests through factual allegations sufficient ‘to raise a right to relief above the speculative level.’ ” ATSI Comm., Inc.,
B. Judgment on the Pleadings
Federal Rule of Civil Procedure 12(c) provides that “[a]fter the pleadings are closed — but early enough not to delay trial — a party may move for judgment on the pleadings.” Under Rule 12(c), “a party is entitled to judgment on the pleadings only if it has established that no material issue of fact remains to be resolved and that [it] is entitled to judgment as a matter of law.” Bailey v. Pataki, No. 08 Civ. 8563(JSR),
Because “hasty or imprudent use of this summary procedure by the courts violates the policy in favor of ensuring to each litigant a full and fair hearing on the merits of his or her claim or defense,” federal courts are “unwilling to grant a motion under Rule 12(c) unless the movant clearly establishes that no material issue of fact remains to be resolved and that he is entitled to judgment as a matter of law.” 5C Charles Alan Wright & Arthur R. Miller, Fed. Prac. & Proc. Civ. § 1368 (3d ed.). In considering a Rule 12(c) motion,
III. The Timeliness of the Claim against Gawker Media
Because failure to abide by the statute of limitations is an affirmative defense, dismissing claims on statute of limitations grounds at the motion to dismiss stage is appropriate only if the “complaint clearly shows the claim is out of time.” Harris v. City of New York,
Defamation claims brought under New York law are subject to a one-year statute of limitations. See CPLR 215(3). Under New York law, “[a] cause of action for defamation accrues when the material is published.” Shamley v. ITT Corp.,
In support of its argument that its claim against Gawker Media is not time barred, Biro makes two related attempts to demonstrate that the Gawker Article has been republished within the statutory period. First, Biro argues that Gawker Media republished the article in 2011, because the article reappeared “accompanied by different and related material, consisting of new
Under New York’s single publication rale, it is irrelevant, for statute of limitation purposes, that a story remains online after its publication. Young v. Suffolk Cnty.,
Republication, retriggering the period of limitations, occurs upon a separate aggregate publication from the original, on a different occasion, which is not merely “a delayed circulation of the original edition.” The justification for this exception to the single publication rule is that the subsequent publication is intended to and actually reaches a new audience. Thus, for example, repetition of a defamatory statement in a later edition of a book, magazine or newspaper may give rise to a new cause of action.
The mere addition of unrelated information to a Web site cannot be equated with the repetition of defamatory matter in a separately published edition of a book or newspaper .... The justification for the republication exception has no application at all to the addition of unrelated material on a Web site, for it is not reasonably inferable that the addition was made either with the intent or the result of communicating the earlier and separate defamatory information to a new audience.
We observe that many Web sites are in a constant state of change, with information posted sequentially on a frequent basis. For example, this Court has a Web site which includes its decisions, to which it continually adds its slip opinions as they are handed down. Similarly, Web sites are used by news organizations to provide readily accessible records of newsworthy events as they occur and are reported. Those unrelated additions are indistinguishable from the asserted DMV report modification of the State’s Web site here. A rule applying the republication exception under the circumstances here would either discourage the placement of information on the Internet or slow the exchange of such information, reducing the Internеt’s unique advantages. In order not to re-trigger the statute of limitations, a publisher would be forced either to avoid posting on a Web site or use a separate site for each new piece of information.These policy concerns militate against a holding that any modification to a Web site constitutes a republication of the defamatory communication itself.
Id. The analysis of the Firth Court suggests that there are several factors relevant to the question of republication as it applies to the internet: (1) whether it is “reasonably inferable that the addition was made either with the intent or the result of communicating the earlier and separate defamatory information to a new audience”; (2) whether any alterations to the webpage were related to the allegedly defamatory content at issue; and (3) whether a determination that a republication had occurred would blunt “the Internet’s unique advantages.” Id.
Biro argues that, while the Gawker Article was published on July 7, 2010, “[o]n December 19, 2011, another version appeared, containing entirely different comments.” (Opp’n. to GM at 6.) Contrary to Biro’s contention that the printouts of the Gawker Article dated July, 2010 and December 19, 2011 are different “version[s],” they are in fact identical versions of the Gawker Article, printed from the same URL. (See Dkt. No. 129 (“Altman Deck”), Exs. B & C.)
A holding that new comments on an article by third parties establish a “republication” of the article would eviscerate the single publication rule, as websites with “comments” sections would be subject to defamation suits from the moment an article is published to a year after the commenting period had closed. It would also contravene the New York Court of Appeals’ holding in Firth. New comments below an internet article say nothing about the publisher’s intent, or the publication’s ability, to reach new audiences; rather, they simply indicate, at most, that additional people have read the publication in question. This is not republication, just as a book is not republished when it is sold to a new customer at a second-hand bookstore, or loaned by one friend to another. More importantly, the ability of third parties to comment on articles is a unique advantage of the internet, and thus application of the republication concept in this context would be inappropriate. Indeed, one value of “comments” sections is that they actually allow defamed persons to more effectively combat defamation. See David S. Ardia, Reputation in a Networked World: Revisiting the Social Foundations of Defamation Law, 45 Harv. C.R.C.L. L.Rev. 261, 318 (Summer 2010) (“On the Internet, those, who believe they have been defamed can quickly add their side of the story to the comments section or, perhaps, be accorded the ability to have a link to their own Web site included with the original statement or added to search results.”). Thus, it is clear that — at least in cases in which third party comments are not part and parcel of the defamation claim at issue — a new third party comment in the “comments” section of a website cannot create an exception to the single publication rule.
Biro alleges nothing about these other publications in either his Second or Third Amended Complaint. Nor, by extension, do Biro’s pleadings allege that the republications of the Gawker Article now submitted by Biro were published by websites owned or operated by Gawker Media.
Accordingly, Biro’s claim against Gawk-er Media is untimely. Count Seven of the Third Amended Complaint is therefore dismissed.
IV. Biro as a Limited Purpose Public Figure
Courts have long recognized the “conflicting interests involved in libel cases. On the one hand is the societal interest in free press discussions of matters of general concern, and on the other is the individual interest in reputation.” Serv. Parking Corp. v. Washington Times Co.,
“Whether or not a person or an organization is a public figure is a question of law for the court to decide.” Church of Scientology Int’l v. Eli Lilly & Co.,
The Second Circuit has set forth a four-part test for determining whether an individual is a limited purpose public figure. A defendant must demonstrate that a plaintiff has:
(1) successfully invited public attention to his views in an effort to influence others prior to the incident that is the subject of litigation; (2) voluntarily injected himself into a public controversy related to the subject of the litigation; (3) assumed a position of prominence in the public controversy; and (4) maintained regular and continuing access to the media.
Lerman v. Flynt Distrib. Co., Inc.,
A. Successful Invitation of Public Attention to Influence Others
The first question is whether Biro has successfully invited public attention in an attempt to influence others.
By Biro’s own admission, he is “a leading authority in [the] emerging field [of art authentication],” who has “been retained in a number of challenging authentication studies for collections and private clients worldwide.” (TAC at ¶ 11.) As a “leading authority,” Biro has “lectured at Harvard University, the Yale Club in New York, the National Portrait Gallery in London, the University of Glasgow in Scotland.” (Id. at ¶ 12.) He has also published on art authentication in various scientific journals. (Id.; see also Dkt. No. 107 (“Atcherley Deck”), Exs. 4-8 (articles by Biro on his techniques for art authentication).)
Despite admittedly making myriad high-profile public appearances, Biro contends that he is not a limited purpose public figure under Lerman because he “has made no effort to influence others, but has merely described his work when invited to do so, and has defended it and himself when he has been attacked.” (Dkt. No. 119 (“Opp’n. to BI”) at 2-3.) This argument is unpersuasive. The very purpose of writing articles in scientific journals, lecturing at universities, and opining in news shows and documentaries is to influence public discourse. Indeed, Biro’s articles themselves bespeak an unequivocal desire to alter the public discourse about art authentication. (See, e.g., Atcherley Decl., Ex. 7 (“This leads me to my final comment: you just don’t dismiss science and forensics in the 21st Century ...” (ellipses in original))); id., Ex. 6, at 157 (arguing that, “it is almost certain that forensic evidence will join formal, stylistic, and material analyses, as well as the determination of provenance, to become one more standard instrument in the art historian’s tool kit, at least whenever questions of authentication arise”); id., Ex. 5, at 148 (describing the “groundbreaking” technology in his lab and purporting to answer the question, “But why do we need all this new technology?”); id., Ex. 4 at 5 (proclaiming that Biro’s “innovative forensic approach has helped resolve equivocation” regarding the identity of certain works of art); accord Perks v. Town of Huntington,
B. Voluntary Injection into a Controversy
The next Lerman prong contains two distinct questions: first, whether the plaintiff has injected himself into a controversy, and second, if so, whether that injection was voluntary.
1. The Existence of a Public Controversy
A public controversy is simply “any topic upon which sizeable segments of society have different, strongly held views,” even if the topic does “not involve[ ] political debate or criticism of public officials.” Lerman,
In the Second Circuit, the issue into which the plaintiff has injected himself must be “controversial” at the time the plaintiff forayed into the matter. See Calvin Klein Trademark Trust v. Wachner,
Conceding that his method of authentication has been “publicized and written about,” Biro contends that this “does not make one a public figure. Rather, what is required is that the work be controversial.” (Dkt. No. 128 (“Opp’n. to PF”) at 6 (emphasis in original).) But as Biro himself has noted, there was a large amount of skepticism about forensic art authentication after the release of Who the # S & % is Jackson Pollock?, in which Biro provides the critical evidence behind the contention that the painting bought by the protagonist for five dollars is in fact an authentic Jackson Pollock.
“[A plaintiffs degree of voluntary] involvement in the public controversy” is critical to the determination of whether the plaintiff is a public figure. Chandok,
As explained above, Biro has written numerous scholarly articles and has given lectures on his methods, behavior which, standing alone, demonstrates that he has voluntarily injected himself into the public sphere. Accord Chandok,
C. Assumption of Prominent Position in the Controversy
In order to be a limited purpose public figure, one’s “role in the controversy” must be “more than trivial or tangential.” Underwager v. Salter, 22 F.3d 730, 734 (7th Cir.1994). Biro easily meets this prong of the Lerman test. As this Court explained in its prior opinion, Biro is “well known in the art world for having developed scientific approaches to art authentication through the analysis of fingerprints.” Biro,
D. Regular and Continuing Access to Media
Finally, Biro “enjoy[s] significantly greater access to the channels of effective communication” than the average private person, “and hence ha[s] a more realistic opportunity to counterаct false statements then private individuals normally enjoy.” Gertz,
Because Biro meets all four prongs of the test articulated in Lerman, he constitutes a limited purpose public figure. Accordingly, to survive dismissal, the complaint must adequately plead actual malice.
V. Failure to State a Claim,
A. The Elements of a Defamation Claim
“Defamation is the injury to one’s reputation either by written expression, which is libel, or by oral expression, which is slander.” Idema v. Wager,
B. Actual Malice
In order to prevail on a defamation claim against a public figure, a plaintiff must demonstrate by clear and convincing evidence that the defendant acted with “actual malice.” Importantly, actual malice does not simply connote ill will or spite; rather it is “a term of art denoting deliberate or reckless falsification.” Masson v. New Yorker Magazine,
As used in this context, “reckless conduct is not measured by whether a reasonably prudent man would have published, or would have investigated before publishing. There must be sufficient evidence to permit the conclusion that the defendant in fact entertained serious doubts as to the truth of his publication.” St. Amant v. Thompson,
The fairness of the broadcast is not at issue in the libel suit. Publishers and reporters do not commit a libel in a public figure case by publishing unfair one-sided attacks. The issue in the libel suit is whether the publisher recklessly or knowingly published false material. The fact that a commentary is one sided and sets forth categorical accusations has no tendency to prove that the publisher believed it to be false.
Westmoreland v. CBS Inc.,
Actual malice can be proven, of course, by direct evidence. More often, however, actual malice is inferred through circumstantial evidence. See Levesque v. Doocy,
• “a story is fabricated or is based wholly on an unverified, anonymous source,” Church of Scientology Int'l. v. Behar,238 F.3d 168 , 174 (2d Cir.2001) (citing St. Amant,390 U.S. at 731 ,88 S.Ct. 1323 );
• the defendant fabricates a statement made by a source, Zerangue v. TSP Newspapers, Inc.,814 F.2d 1066 , 1071 (5th Cir.1987) (citation omitted);
• “the defendant’s allegations are so inherently improbable that only a reckless person would have put them in circulation,” Behar,238 F.3d at 174 (citing St. Amant,390 U.S. at 732 ,88 S.Ct. 1323 );
• “there are obvious reasons to doubt the veracity of the informant or the accuracy of his reports,” id. at 174 (citing St. Amant,390 U.S. at 731 ,88 S.Ct. 1323 ); see also Butts,388 U.S. at 170 ,87 S.Ct. 1975 (Warren, C.J., concurring) (actual malice inferred where the sole source of the article had criminal charges on his record); cf. Rodney Smolia, 1 Rights and Liabilities in Media Content § 6:53 (2d ed.) (actual malice less likely present where “nothing on the face of the reports to lend them any inherent improbability” (citation omitted));
• the defendant has a motive for defaming the plaintiff, see Kipper v. NYP Holdings Co., Inc.,12 N.Y.3d 348 , 355 n. 4,884 N.Y.S.2d 194 ,912 N.E.2d 26 (2009) (noting that, while “actual malice” should not be confused with “evil intent or a motive arising from spite or ill will,” an “intent to injure plaintiff’ is relevant to the actual malice inquiry (citations omitted)); see also DR Partners v. Floyd,228 S.W.3d 493 , 498 (Tex.Ct.App.2007) (“[T]he relation of the parties” may be relevant to a determination of actual malice); accord Butts,388 U.S. at 158 ,87 S.Ct. 1975 (finding actual malice where “[t]he Saturday Evening Post was anxious to change its image by instituting a policy of ‘sophisticated muckraking,’ and the pressure to produce a successful expose might have induced a stretching of standards”);
• the defendant knows or suspeсts that it has committed an error and refuses to acknowledge it, Zerangue,814 F.2d at 1071 (citation omitted); and
• “the words or acts of the defendant before, at, or after the time of the communication” indicate that the defendant knew that his or her statement was or may well have been false. Floyd,228 S.W.3d at 498 .
In cases “involving the reporting of a third party’s allegations, recklessness may be found where there are obvious reasons to doubt the veracity of the informant or the accuracy of his reports.” Harte-Hanks,
Not only is “[p]roving actual malice [ ] a heavy burden,” Dunlop-McCullen v. Rogers, No. 00 Civ. 3274(JSR)(JCF),
While neither the Supreme Court nor the Second Circuit has precisely articulated the effect of Iqbal and Twombly on defamation cases, Iqbal itself squarely holds that, where a particular state of mind is a necessary element of a claim, defendant’s pleading of that state of mind must be plausible and supported by factual allegations. See Iqbal,
Courts of appeals have recently dismissed defamation cases for failure to sufficiently plead actual malice under the more robust Rule 12(b)(6) standard articulated by the Supreme Court in Iqbal. For example, in Schatz v. Republican State Leadership Committee, the First Circuit dismissed a defamation action on the ground that “none of [the plaintiff’s] allegations — singly or together — plausibly suggest that, given the articles’ reporting, [the defendant] either knew that its statements were false or had serious doubts about their truth and dove recklessly ahead anyway.”
The First Circuit has provided a useful road map for courts determining whether a defamation plaintiff has sufficiently alleged actual malice: “To begin, the court must strip away and discard the complaint’s conclusory legal allegations. Next, the court must determine whether the remaining factual content permits the reasonable inference that the defendant is liable for the misconduct alleged.” Shay v. Walters,
1. The Republisher Defendants
As explained in the Court’s prior opinion in this case, the Grann Article appears, on its face, to be an even-handed product of an extensive degree of research. See Biro,
a. Paddy Johnson
Plaintiffs Eighth Claim alleges that “Defendant Paddy Johnson acted with actual malice, in that she knew or should have known that many of the statements of fact in the article were false, and she published the article notwithstanding that knowledge.” (TAC at ¶ 275.) In addition, the complaint notes that “[o]n October 4, 2011, plaintiff demanded that defendant Paddy Johnson retract” her article, but that “[h]is demand has been ignored .... ” (Id. at ¶¶ 273-74.) The allegations in paragraph 275 that Johnson “acted with actual malice,” and “knew or should have known” the Grann Article was false are merely conclusory, and therefore must be discarded at the outset. See Shay,
While the failure to retract may, under certain circumstances, “tend[ ] to support a finding of actual malice,” Zerangue,
The claim that Paddy Johnson acted with actual malice is particularly implausible, given that, as the Johnson Article itself notes, she published a piece before the publication of the Grann Article that implicitly credited Biro’s work. See Paddy Johnson, The 50 Million Question, The Reeler, Nov. 14, 2006, available at www.thereeler.com/features/the_50_million_ question.php. Given the New Yorker’s reputation and the nature of the Grann Article, it is far more likely that the Grann Article сaused Johnson to reevaluate her opinion of Biro than that the Johnson Article contains content that she knew to be, or believed might well be, false. See Iqbal,
Biro has therefore failed to state a claim against Paddy Johnson.
b. Business Insider
Plaintiffs Sixth Claim contains the following sentence concerning Business Insider’s actual malice: “Defendant Business Insider Inc. acted with actual malice, in that it knew or should have known that the statement of fact in the article was false, and they [sic] published it notwithstanding that knowledge.” (TAC at ¶ 248). This allegation is insufficient to state a claim for actual malice. Indeed, once the Court “stripfs] away and discard[s] the complaint’s conclusory legal allegations,” there is nothing left.
In his opposition to Business Insider’s motion, Biro purports to offer “direct evidence” of actual malice:
Mr. Biro commenced this action on June 29, 2011, and it immediately attracted considerable media attention. The BI article which is the basis of this claim was published a week later, on July 6, 2011, and BI had published a separate article about the suit that same day. See Zeveloff, “Renowned Forensic Art Inspector Sues The New Yorker For Calling Him a Fake,” available at http:// www.businessinsider.com/arh-inspectorsues-new-yorker-david-grann-2011-7 (accessed November 13, 2012) (copy annexed to Exhibit A to Altman declaration).
(Opp’n. to BI at 8-9.)
In any event, an allegation that Business Insider knew of the lawsuit and nonetheless published the story is far from “direct evidence” of actual malice, nor is it — by itself — even compelling circumstantial evidence of actual malice. See Masson,
Biro’s allegation of actual malice lacks plausibility. That is particularly true because Biro’s own papers provide evidence that Business Insider did not act with actual malice. First, the complaint acknowledges that Business Insider promptly retracted the sections of the Business Insider Article relating to Biro, which makes it less likely that it acted with actual malice. See Hoffman,
Accordingly, Biro’s claim that Business Insider acted with actual malice lacks plausibility. Because he has failed to sufficiently allege actual malice against Business Insider, the claim against this defendant must be dismissed.
c. Yale University Press
Plaintiffs Ninth Claim alleges: “Defendant Yale University Press acted with actual malice, in that it knew or should have known that many of the statements of fact in the article were false, and they published the excerpt notwithstanding” and because YUP “knew or should have known of the existence of this action, which had been widely publicized at the time of publication, and chose to publish this language notwithstanding that plaintiff had already sued others for defamation arising from the Article.” (Compl. at ¶¶ 284-85.)
Again, the allegation in paragraph 284 is merely conclusory and is thus discarded at the outset. Shay,
Accordingly, Biro has failed to state a claim against YUP.
2. The New Yorker Defendants
The New Yorker Defendants also argue that Biro has failed to sufficiently allege actual malice as to the New Yorker Defendants, Grann and Advance.
After the conclusory allegations are stripped away (see TAC at ¶¶ 174-75 (alleging that the New Yorker Defendants “either knew or believed or had reason to believe that many of the statements of fact in the Article were false and inaccurate, and nonetheless published them anyway” and that “Defendants Advance and Grann acted with actual malice, or in reckless disregard of the truth, or both”); id. at ¶34 (alleging generally that Grann “distorted the substance of [his] interviews [with Biro]”)), the complaint appears to contain five types of allegations purporting to establish that the New Yorker Defendants acted with actual malice: (1) that they failed to investigate (id. at ¶¶ 52-53); (2) that they relied on anonymous and biased sources (id. at ¶¶ 31, 46, 47, 111, 150-69); (3) that the Grann Article “ignores the many other works of art which plaintiff has worked with over the years, as well as many of his satisfied clients” (id. at ¶¶ 37); (4) that they failed to retract a statement (id. at ¶ 161); and (5) that Grann has “defamatory propensities.” (Id. at ¶¶ 146-49).
Initially, the allegation concerning Grann’s “defamatory propensities” is legally insufficient. This allegation is based on a separate action brought against Grann for defamation. Because there was no adjudication on the merits or legally permissible findings of fact in that action, it is immaterial, and must be stricken under Rule 12(f). See In re Merrill Lynch & Co. Inc. Research Reports Sec. Litig.,
Biro next alleges that Advance and the New Yorker “had more than ample time to investigate and determine the validity of the statements made” before publishing the Grann Article “but failed to do so,” and that they “failed to comport themselves” as “assiduous and thorough fact-checkers :... ” (Id. at ¶¶ 52-53); see also id. at ¶ 172 (alleging that Advance “failed to exercise that degree of responsibility which was appropriate .... ”). First, these are conclusory allegations, bereft of any factual support. Second, the failure to investigate is not evidence of actual malice, unless there are “obvious reasons to doubt the veracity” of the allegedly defamatory statements. Celle v. Filipino Reporter Enters. Inc.,
Biro’s allegation that the Grann Article chooses to focus on only certain works authenticated by Biro and ignores “his many satisfied clients” is similarly unavailing. (Id. at ¶ 37.) As explained above, the fact that an article is one sided or fails to include as many positive features about the subject as negative ones “has no tendency to prove that the publisher believed it to be false.” Westmoreland,
The complaint also alleges that the Grann Article relies “to a significant extent on anonymous” sources. (Id. at ¶ 31.) The Supreme Court has explained, and the Second Circuit has reaffirmed, that reliance “wholly on an unverified, anonymous source” may be probative evidence of actual malice. Behar,
Relatedly, the Complaint alleges that the Grann Article relied on “untrustworthy or biased sources.” (TAC at ¶ 46.) The Third Amended Complaint focuses on one source in particular, Theresa Franks, whom Biro claims to be “one of the defendants’ principal sources for the Article.” (Id. at ¶ 150.) However, there is no reason to believe — nor does the complaint al
The complaint also suggests that Marion Hendler was an unbiased and untrustworthy source, because “[i]n June 2011, plaintiff commenced a civil action for defamation in Montreal Superior Court against [her] based upon the statements attributed to her in the Article” and she “subsequently defaulted in the action, thereby admitting the allegations therein that the statements which she made to defendant Grann were false.” (TAC at ¶¶ 98-100.). Of, course, the fact that Biro sued Hendler for defamation after the publication of the Grann Article is not relevant to Grann’s state of mind at the time he wrote the allegedly defamatory passages at issue. Thus, these allegations, like the allegations concerning Frank, fail' to render more plausible Biro’s assertion that Grann and Advance acted with actual malice.
Finally, the Court is left with Advance’s failure to retract. {Id. at ¶ 161.) As explained above, however, a defamation defendant’s behavior after the publication of a defamatory statement is not enough to nudge allegations from possible to plausible. Moreover, Biro’s allegation concerning the New Yorker Defendants’ failure to retract pertains particularly to its failure to “print[] a clarification or correction of the statement in the Article regarding the fate^ of Theresa Frank’s counterclaim against Park West Gallery.” (Id. at ¶ 161.) This is not relevant to any of the four passages at issue. Nor does the complaint indicate how the New Yorker Defendants might have come to learn that the jury verdict on Frank’s counterclaim was vacated.
' Not only has Biro failed to provide factual allegations rendering it plausible that the New Yorker Defendants acted with actual malice, but there is evidence in the record suggesting that it is implausible that they acted with the requisite intent— most notably, the Grann Article itself. A substantial portion of the article concerns Grann’s interviews of Biro and pressing him for answers, and Grann spends the last few pages of his article detailing Biro’s response to nearly every suspicion raised by the article. In fact, Grann provides Biro’s views on the subject matter of each of the four remaining allegedly defamatory passages. (See Grann Article at 15 (“When I first talked to Biro about Matter’s cache ....”); id. at 27 (quoting Biro responding to Grann’s “mentioning] that a scientist deemed it incredible that [Biro] had found acrylic on Pollock’s studio floor .... ”); id. at 19 (“In a written response, the Biros called the allegations [in the Hendler lawsuit] ‘false and defamatory’ .... ”); id. at 26 (quoting Biro explaining that the past lawsuits against him “stemmed from disgruntled ‘treasure seekers’ who ‘hoped to turn a thousand into ten or even into millions and then turned on us and still make nasty comments because
In short, missing from the complaint are any factual allegations suggesting that Biro could plausibly demonstrate by clear and convincing evidence that the New Yorker Defendants published the four allegedly defamatory statements with actual malice: he has failed to allege that Grann or Advance had a motive for sabotaging Biro;
VI. Conclusion
For the foregoing reasons, the New Yorker Defendants’ motion for an order finding Biro to be a public figure is
The Clerk of the Court is directed to terminate the motions at 100, 105, 108, 116, 132, 142, and 156.
SO ORDERED.
Notes
. The Court’s opinion on the New Yorker Defendants’ motion to dismiss, Biro v. Conde Nast,
. In his opposition to the New Yorker Defendants' motion for judgment on the pleadings, Biro argues that the “motion is procedurally improper,” as "[i]t is the second motion directed against essentially the same complaint, seeking dismissal for failure to state a claim upon which relief can be granted.” (Dkt. No. 160 ("Opp’n to N.Y. Defs.”) at 6.) While the New Yorker Defendants could have raised their current arguments in their Rule 12(b)(6) motion, it is generally permitted by Rule 12(h)(2) to bring successive motions challenging the sufficiency of a claim, the first under 12(b)(6) and the second, after the Answer has been filed, under Rule 12(c). See Fed. Prac. & Proc. Civ. § 1385 ("However, even though a Rule 12(b) motion has been made and a second Rule 12(b) motion is not permitted, the three defenses listed in Rule 12(h)(2) may be raised on a motion under Rule 12(c) for judgment on the pleadings, on a summary judgment motion, or at trial.”); see also Santos v. District Council of New York City and Vicinity of United Brotherhood of Carpenters and Joiners of America, AFL-CIO,
. As the D.C. Circuit has explained, “[t]he single publication rule was designed as an accommodation to new forms of communication," and thus "in applying the rule to the Internet, the court must be mindful of the rule’s purpose, which according to the Restatement consists of ‘avoiding multiplicity of suits, as well as harassment of defendants and possible hardship upon the plaintiff himself.’ ” Jankovic v. Inter’l Crisis Grp.,
. Similarly, in his Affirmation, Mr. Altman labels his December 9, 2011 printout of the Gawker Article a "republished posting, dated December 9, 2011.” Exhibits A-C are not, however, "republished postings” with different dates, but the same posting, with the same publication date (July 7, 2010), merely printed out at different times. Moreover, it is worth nothing the different "version” of the Gawker Article submitted by Biro is from several days after Biro brought Gawker Media into the case.
. Indeed, Gawker Media represents in its reply brief that it does not control or operate the publisher of Exhibit E, Gizmodo Australia.
. It appears, in other words, that the 109 version of the Gawker Article was either published in a more Westerly time zone than the Gizmodo version, which was published on July 7 at 12:40 a.m., or that it was actually published before the Gizmodo version.
.Moreover, for substantially the same reasons as those laid out as to the other Republisher Defendants in section V.B.l, infra, Biro has failed to adequately plead that Gawker Media acted with actual malice, and he has therefore failed to state a claim pursuant to Rule 12(b)(6). This provides an additional ground for dismissal of Biro's claim against Gawker Media.
. In fact, several Defendants suggest that Biro may be an all-purpose public figure. (See BI Mem. at 7 ("Biro Is At Least a Limited Purpose Public Figure”); Johnson Mem. at 18 (Biro is "at least a limited purpose public figure”).) "The fame required for an individual to be a public figure for all purposes, as opposed to a limited purpose public figure, is very great; the individual must be a 'household name' on a national scale.” Lluberes v. Uncommon Productions, LLC,
. As is explained above, the Court can take judicial notice of the existence of articles written by and about Biro, though not for the truth of the matter asserted in the documents themselves. Courts in this Circuit have employed judicial notice in making determinations about whether plaintiffs are public figures at the motion to dismiss stage. See, e.g., Condit v. Dunne,
.It is worth noting that it is arguably problematic to limit public figure status to those who thrust themselves to the forefront of public controversies. Indeed, "although the term 'controversy' was used by the [Supreme] Court in Gertz,” it is not clear that the Gertz Court meant to hold that there need "be a 'controversy' in the sense of a public debate before public figure status is achieved[.]” Robert D. Sack, Sack on Defamation, at § 5:3:11[B], 5-57 (4th ed.2012). There is an argument to be made that the Gertz Court did not intend to so narrow the scope of the limited purpose public figure. See Vegod v. Am. Broadcasting Cos., Inc.,
. In the Epilogue of "Teri’s Find: a Forensic Study of Authentication,” (Atcherley Decl., Ex. 7), Biro muses, "One thing that struck me [after the first screening of Who the # S & % is Jackson Pollock? ] was how both the press and individual came and asked me: so you really think this is a Pollock?” (Id.) Biro proceeds to note that “[a] number of [] film reviews have appeared recently referring to fingerprints as a myth’____” Biro also refers to the relationship between himself and those who dominate that "closed world of connoisseurship” as “hostile.” (Id.)
. Similarly, the viewer is told at the outset of the film that the Pollock-Krasner Foundation, a non-profit orgаnization established by Pollock’s late widow Lee Krasner, "expresses no opinion with respect to the authenticity of Horton’s picture.” (Id.)
. Moreover, separate and apart from whether forensics is “controversial” when used in art identification in particular, there are pub-
. According to Judge Sack, the "access to media” inquiry should be considered "[o]f secondary importance' ” in the limited purpose public figure analysis. Sack, Sack on Defamation, at § 5:3:3, 5-27 (citing Eubanks v. N. Cascades Broad.,
. Similarly, Biro’s filing of the instant suit garnered, and continues to garner, a great deal of press attention, which also points to Plaintiff’s access to self-help through the media. (See, e.g., Atcherley Decl., Ex. 46 (a New York Times article on Biro’s suit, which explains that "Biro contends that [Grann’s] reporting is 'a false and defamatory screed’ against him, 'written and published with malice and an indifference to the standards of responsible journalism,' and that it has
. Biro argues that "a defamation plaintiff who must allege malice need not — indeed, in a case involving media defendants, generally cannot — plead specific facts prior to discovery.” (Opp’n. to N.Y. Defs. at 14.) "The defendants' argument, if accepted," argues Biro, "would mean that no public figure's defamation case against a media defendant could rarely if ever go forward.” {Id.) It is surely not the case the no defamation plaintiffs will be able to plead actual malice under Iqbal. Yet Biro’s complaint about requiring plausibility before discovery undoubtedly gets to the very heart of the controversy surrounding the modern interpretation of Rule 12(b)(6). See Arthur R. Miller, "Simplified Pleading, Meaningful Days in Court, and Trials on the Merits: Reflections on the Deformation of Civil Procedure,” 88 N.Y.U. L.Rev. 286, 331 (2013) ("By demanding that the plaintiff plead facts .demonstrating that the claim has substantive plausibility, rather than a statement that is legally sufficient and gives notice of the plaintiff's claim, these two cases represent a procedural 'sea change’ in plaintiffs’ ability to survive the pleading stage.”) Of course, the job of a district court is not to weigh in on such policy matters, but to faithfully apply the laws as construed by highеr courts.
. Of course, this Court need not consider allegations made in Biro's opposition that are absent from the Complaint. See Friedman v. MiraMed Revenue Grp., LLC, No. 12 Civ. 5328(VB),
.YUP argues that Biro has more generally failed to adequately allege that he is the “purported forensic expert” referenced in the Pollock biography. And indeed, it is true that Biro's sole allegation purporting to demonstrate that the book's reference to the “purported forensic expert” is "of and concerning” Biro is conclusory. However, the Court need not reach the question whether this is an independent ground for dismissal. For purposes of the Court’s discussion of actual malice, it is assumed that the referenced "purported forensic expert” is indeed Biro.
. Nor, even if YUP did know Biro was the "purported forensic expert,” is there any reason to suspect that YUP knew that the Toynton Biography's conclusions were based on the Grann Article, as that Article is neither mentioned by, nor cited in, the Toynton Biography.
. In his opposition brief, Biro also asserts that "the fact that the Court's dismissal decision specifically noted that portions of the Article had gone beyond facts set out in the Canadian court proceedings, and that by interviewing the participants defendants could not rely on the fair-reporting privilege ...
. Moreover, Grann cites the unnamed FBI agent solely for the proposition that “in the overwhelming majority of cases involving disputed art, the work fails to be authenticated.” Biro,
. Moreover, it is questionable whether the Third Amended Complaint sufficiently alleges that Grann had any reason at all to suspect that Franks was a biased or untrustworthy source. Thus, even if Franks were relied on . for the passages in question, this would not be sufficient to plead actual malice. See Bose Corp. v. Consumers Union of U.S.,
. The closest thing to an allegation of motive in the Third Amended Complaint is that the New Yorker Defendants "succumb[ed] to ... confirmation bias .... ” (TAC at ¶¶ 44-45 (citation omitted).) One behaving with a confirmation bias acts with "unwitting selectivity in the acquisition and use of evidence.... [T]hat people can and do engage in case-building unwittingly, without intending to treat evidence in a biased way or even being aware of doing so, is fundamental to the concept.” Raymond S. Nickerson, Confirmation Bias: Ubiquitous Phenomenon in Many Guises, 2 Rev. Gen. Psychol. 175, 175-76 (1998). Thus, Biro’s allegation that Grann and Advance acted with confirmation bias conflicts with their other allegations suggesting the New Yorker Defendants acted with actual malice. In any event, this allegation is also conclusory and, by itself, fails to support a plausible inference of actual malice.
. Because Biro has failed to state claims against the moving Defendants, the Court need not consider the other arguments raised in Defendants' briefs, including the New Yorker Defendants' contention that the remaining claims should be dismissed under the incremental harm and subsidiary meaning doctrines.
