ORDER
This mаtter comes before the Court on plaintiffs’ Motion for Entry of Default Judgment (doc. 11).
I. Background.
On January 3, 2007, plaintiffs Atlantic Recording Corporation, Warner Bros. Records Inc., Virgin Records America, Inc., Motown Record Company, L.P., UMG Recordings, Inc., Sony BMG Music Entertainment, and Arista Records LLC filed a Complaint for Copyright Infringement (doc. 1) against defendant, Joanna Carter. In particular, plaintiffs maintained that Carter had utilized an online media distribution system to download or distribute copyrighted music recordings belonging to plaintiffs, and/or to make such recordings available for distribution to others, thereby infringing on plaintiffs’ copyrights and exclusive rights under copyright. On that basis, the Complaint requested the following relief: (1) statutory damages pursuant to 17 U.S.C. § 504(c); (2) attorney’s fees and costs pursuant to 17 U.S.C. § 505; and (3) injunctive relief pursuant to 17 U.S.C. §§ 502 and 503, prohibiting Carter from further infringing conduct and requiring her to destroy all copies of sоund recordings made in violation of plaintiffs’ exclusive rights.
On March 8, 2007, plaintiffs filed a Return of Service (doc. 7) reflecting that defendant had been properly served with process by a private process server on February 16, 2007. According to the server’s declaration, copies of the summons and complaint were served personally upon Carter at the following address: 6020 Galena Drive, Mobile, Alabama.
Notwithstanding service of process in accordance with Rule 4(e), Fed.R.Civ.P., almost two months ago, Carter has never filed an answer or otherwise appeared in this action. Upon motion by plaintiffs, a Clerk’s Entry of Default (doc. 10) was entered against Carter on March 20, 2007 for failure to plead or otherwise defend. The Clerk of Court mailed a copy of that Entry of Default to defendant at both the address listed on the Summons and the address at which Carter had been personally served with process. Once again, Carter failed to respond. No further activity occurring in this matter in the subsequent three weeks, plaintiffs now seek entry of default judgment.
II. Analysis.
A. Propriety of Default Judgment.
In this Circuit, “there is a strong policy of determining cases on their merits and we therefore view defaults with disfavor.”
In re Worldwide Web Systems, Inc.,
328
*1022
F.3d 1291, 1295 (11th Cir.2003);
see also
Farrees
v. Local 91, Glass Bottle Blowers Ass’n of U.S. and Canada,
Where, as here, a defendant has failed to appear or otherwise acknowledge the pendency of a lawsuit against her for nearly two months after being served, entry of default judgment may be appropriate. Indeed, Rule 55 itself provides for entry оf default and default judgment where a defendant “has failed to plead or otherwise defend as provided by these rules.” Rule 55(a), Fed.R.Civ.P. In a variety of contexts, courts have entered default judgments against defendants who have failed to defend the claims against them following proper service of process.
See, e.g., In re Knight,
*1023
The law is dear, however, that Carter’s failure to appear and the Clerk’s subsequent entry of default against her do not automatically entitle plaintiffs to a default judgment. Indeed, a default is not “an absolute confession by the defendant of his liability аnd of the plaintiffs right to recover,” but is instead merely “an admission of the facts cited in the Complaint, which by themselves may or may not be sufficient to establish a defendant’s liability.”
Pitts ex rel. Pitts v. Seneca Sports, Inc.,
Review of the Complaint confirms that it does indeed assert detailed facts against Carter, including a recitation of 12 specific copyrighted recordings that Carter has used and continues to use an online media distribution system to download and/or distribute without plaintiffs’ permission. (Cоmplaint, ¶¶, Exh. A.)
2
The Complaint further states that plaintiffs are the copyright owners for those specific recordings. These facts, which are deemed admitted by virtue of Carter’s default, are sufficiently detailed and specific to give rise to a cognizable claim for direct copyright infringement in violation of the copyright laws of the United States, as codified at 17 U.S.C. §§ 101
et seq. See generally In re Aimster Copyright Litigation,
The legal effect of Carter’s default is that she has now admitted the facts recited in the Complaint, which are sufficient to establish her liability to plaintiffs on a theory of copyright infringement. 3 *1024 Moreover, because she has made no attempt to defend this action in the nearly two months since being served with process, despite notice that plaintiffs were moving forward with default proceedings against her, Carter’s course of conduct amounts to a deliberate and intentional failure to respond, whiсh is just the sort of dilatory litigation tactic for which the default judgment mechanism was created. For these reasons, plaintiffs’ Motion is granted as to entry of default judgment. Default judgment will be entered against Carter, in accordance with Rule 55(b)(2), Fed.R.Civ.P. The Court will next consider which remedies will be awarded to plaintiffs.
B. Remedies.
Plaintiffs seek three forms of relief, to-wit: minimum statutory damages, costs, and a permanent injunction. In considering these requests, the Court bears in mind that, notwithstanding the default against Carter, “judgment may be granted only for such relief as may lawfully be granted upon the well-pleaded facts alleged in the complaint.”
Pitts,
1. Statutory Damages.
A copyright owner whose copyright has been infringed may recover, at his election, either actual damages or statutory damages for the infringing activity. 17 U.S.C. § 504(a)-(c). Where the copyright owner elects the latter option, a court may award, “instead of aсtual damages and profits, an award of statutory damages for all infringements involved in the action, with respect to any one work, for which any one infringer is liable individually ... in a sum of not less than $750 or more than $30,000 as the court considers just.” § 504(c)(1). Plaintiffs have elected statutory damages, in lieu of actual damages and profits, and seek entry of only the statutory minimum amount of $750 per work for each of the 12 works that the Complaint charged Carter with unlawfully downloading and/or distributing, for a total of $9,000 in statutory damages.
As mentioned above, the entry of default judgment against Carter in no way obviates the need for determinations of the amount and character of damages. Rule 55(b)(2) specifically provides that if “it is necessary to take an account or to determine the amount of damages or to establish the truth of any averment by evidence or to make an investigation оf any other
*1025
matter, the court may conduct such hearings or order such references as it deems necessary and proper.” That said, there is no requirement that a hearing be conducted in all default judgment proceedings to fix the appropriate level of damages.
See S.E.C. v. Smyth,
Here the facts deemed admitted from the Complaint show that Carter infringed upon exclusive rights granted to plaintiffs as copyright owners with respect to at leást' 12 distinct recorded works. Because plaintiffs have elected statutory damages, and because § 504(c)(1) mandates that statutory damages for each infringed-upon work be at least $750, the minimum statutory damages that this Court could award would be $9,000, or $750 times 12 copyrighted works. Plaintiffs request only the bare minimum statutory damages. As such, a hearing to fix damages would be a pointless endeavor. Irrespective of the evidence presented, given the admitted facts as to liability, there is no scenario under which the'Court could award less than $9,000 in statutory damages here. Plaintiffs have waived their right to request any more than that minimum amount, and § 504(c)(1) forbids a lesser award; therefore, the Court finds that no constructive purpose would be served by conducting an evidentiary hearing prior to awarding plaintiffs the minimum statutory damages of $9,000, or $750 for each of the 12 copyrighted works that Carter, via her default, has admitted infringing.
See Capitol Records, Inc. v. Mattingley,
2. Injunctive Relief.
Plaintiffs also seek a permanent injunction to enjoin Carter from infringing plaintiffs’ rights in any copyrighted recordings, including by using the Internet or online media distribution systems to reproduce or distribute any of plaintiffs’ recordings, or to make any of plaintiffs’ recordings available for distribution to the public, except pursuаnt to a license or with plaintiffs’ consent. Plaintiffs also seek an injunction requiring Carter to destroy all copies of plaintiffs’ recordings that she has downloaded or transferred onto computer hard drives, servers or physical devices or media without plaintiffs’ authorization.
This type of relief is specifically authorized by copyright law. Indeed, the Copyright Act provides that a court may “grant temporary and final injunctions on suсh terms as it may deem reasonable to prevent or restrain infringement of a copyright.” 17 U.S.C. § 502(a). The Act also provides that as part of a final judgment, a court “may order the destruction or other reasonable disposition of all copies or pho-norecords found to have been made or used in violation of the copyright owner’s exclusive rights.” 17 U.S.C. § 503(b).
Although “the issuance of an injunction is in the discretion of the court, courts have traditionally granted permanent injunctions if liability is established and a continuing threat to a copyright exists.”
Jobete Music Co. v. Johnson Communications, Inc.,
Here, plaintiffs have established Carter’s liability for infringing their copyrights as to 12 copyrighted recordings. They have shown that Carter is continuing her infringing conduct on an ongoing basis through her use of an online media distribution system to download and/or distribute such copyrighted recordings without plaintiffs’ permission or consent. Despite service of process and notice of the default proceedings, Carter has made no effort to defend against these charges of copyright infringement, suggesting that she does not take seriously the illegality of her infringing activity. Based on all of the foregoing, the Court concludes that plaintiffs have shown a strong likelihood that, unless enjoined, Carter will pose a continuing threat to infringe their copyrighted recordings. As such, the permanent injunction sought by plaintiffs is reasonably necessary to protect plaintiffs from further infringement of their copyrights by Carter.
See generally Virgin Records America,
S. Costs.
Plaintiffs present evidence that they have incurred costs in the amount of $620 in this case. (Anderson Declaration, ¶ 7.) They request that the default judgment include recovery of that аmount. The Copyright Act provides that “the court in its discretion may allow the recovery of full costs by or against any party” who prevails. 17 U.S.C. § 505. Moreover, courts have routinely awarded costs to the prevailing party in copyright cases.
See, e.g., Arclightz & Films Pvt. Ltd. v. Video Palace Inc.,
III. Conclusion.
For all of the foregoing reasons, plaintiffs’ Motion for Entry of Default Judgment (doc. 11) is granted pursuant to Rule 55(b)(2), Fed.R.Civ.P. A separate default judgment will be entered, containing the following elements:
1. An award of statutory damages to plaintiffs in the amount of $9,000, pursuant to 17 U.S.C. § 504(c)(1);
2. Entry of a permanent injunction pursuant to 17 U.S.C. §§ 502 and 503. This injunction will enjoin defendant from directly or indireсtly infringing plaintiffs’ rights under federal or state law in the following copyrighted sound recordings: Phil Collins “In The Ah' Tonight” from album “Face Value” (SR # 24-682), Boney James & Rick Braun “Shake It Up” from album “Shake It Up” (SR #281-990), Jaheim “Could It Be” from album “Ghetto Love” (SR #295-088), After 7 “Baby I’m For Real (Natural High)” from album “Takin’ My Time” (SR # 178^57), Lenny Kravitz “I Belong to You” from album “5” (SR #261-538), Boyz II Men “Motownphilly” from album “Cooleyhighharmony” (SR #212-333), K-Ci & Jojo “How Could You” from album “Love Always” (SR # 238-754), Babyfaee “And Our Feelings” from album “For The Cool In You” (SR # 184-540), Sade “Love Is Stronger Thаn Pride” from album “Stronger Than Pride” (SR # 93-822), Wyclef Jean “Gone Till November” from album “Wyclef Jean Presents The Carnival Featuring Refugee Allstars” (SR #251-493), Outkast “Jazzy Belle” from album “Athens” (SR #233-296), and Usher “Nice and Slow” from album “My Way” (SR #257-730); and in any other sound recording, whether now in existence or later created, that is owned or controlled by plaintiffs (or any parent, subsidiary or affiliate record label of plaintiffs) (“Plaintiffs’ Recordings”), including without limitation by using the Internet or any online media distribution system to reproduce fie., download) any of Plaintiffs’ Recordings, to distribute fie., upload) any of Plaintiffs’ Recordings, or to make any of Plaintiffs’ Recordings available for distribution to the public, except pursuant to a lawful license or with the express authority of plaintiffs. Defendant also shall destroy all copies of Plaintiffs’ Recordings that she has downloaded onto any computer hard drive or server without plaintiffs’ authoriza *1028 tiоn, and shall destroy all copies of such downloaded recordings transferred onto any physical medium or device in her possession, custody or control.
3.An award of costs to plaintiffs in the amount of $620, pursuant to 17 U.S.C. § 505.
The Clerk’s Office is directed to mail a copy of this Order, and the accompanying default judgment, to defendant Joanna Carter at the address where she received service of process, to — wit: 6020 Galenа Drive, Mobile, Alabama; as well as at the address listed on the face of the Summons, to-wit: 6951 Dickens Ferry Rd Apt. 36, Mobile, AL 36608-4464.
DONE and ORDERED.
Notes
. To be sure, courts have generally required some notice to be given to a defendant between the time of service of process and entry of default judgment.
See, e.g., International Brands USA, Inc. v. Old St. Andrews Ltd.,
. Those recordings include Phil Collins "In The Air Tonight,” Boney James & Rick Braun "Shake It Up,” Jaheim "Could It Be,” After 7 "Baby I’m For Real (Natural High),” Lenny Kravitz “I Belong To You," Boyz II Men "Motownphilly,” K-Ci & Jojo "How Could You,” Babyface “And Our Feelings,” Sade "Love Is Stronger Than Pride,” Wyclef Jean "Gone Till November,” Outkast "Jazzy Belle,” and Usher “Nice and Slow.” (Complaint, at Exh. A.) The Complaint lists each of these recordings by reference to copyright owner (which in each instance is one of the named plaintiffs herein), artist name, song title, album title, and SR# . Additionally, the Complaint includes as Exhibit B' a list of literally hundreds of additional copyrightеd recordings (amidst various other items not germane to these proceedings, including images and videos, some of which are labeled as pornographic) that Carter downloaded and/or distributed via this same online media distribution system.
. The effect of a default is to render all well-pleaded factual allegations of the complaint (except those relating to damages) admitted.
See Nishimatsu Const. Co. v. Houston Nat. 'Bank,
. While well-pleaded facts in the complaint are deemed admitted, plaintiffs' allegations relating to the amount of damages are not admitted by virtue of default; rather, the court must determine both the amount and character of damages.
Miller v. Paradise of Port Richey, Inc.,
.
See also Ford Motor Co. v. Cross,
