Arthur Kurlan, along with his wife who joined in one of his returns, petitions for review of a decision of the Tax Court,
Kurlan was an independent California writer and producer of motion pictures and of radio and television programs. He became interested in presenting a serial radio or television program utilizing the two main characters from Ruth McKenney’s well-known book “My Sistér Eileen” and other of her copyrighted writings which portrayed adventures of the pretty-but-dumb and plain-but-bright sisters. On March 11, 1946, McKenney entered into an agreement with Kurlan in which she assigned radio and television rights in the characters and stories; the assignment was for a period to begin upon the commencing of production by November 15, 1946, and it was to remain in force so long as production was continued. McKenney was to receive a percentage of what Kurlan obtained. He thereupon produced, for audition purposes, a sample wax recording for a radio program, which incorporated his allegedly new and original treatment and development of McKenney’s characters, minor characters apparently of his own devising, and methods of presentation claimed to be unique. In June, 1946, he submitted to CBS, apparently in California, his ideas for a program and the sample record.
CBS did not buy Kurlan’s program. But in July, 1946, it publicized a forthcoming weekly program, “My Friend Irma,” built around the pretty-but-dumb and plain-but-bright theme, which allegedly incorporated, both in characters and in presentation, original ideas belonging to McKenney and Kurlan. In December, 1946, McKenney and Kurlan extended their original agreement for six months beginning January, 1947. In April, CBS started “My Friend Irma” as *628 a weekly radio program and later introduced it as a weekly television program.
Kurlan, having received an unrestricted assignment of McKenney’s radio and television claims against CBS on terms not disclosed by the record, brought an action for damages against CBS in the California state courts. The complaint relied both on McKenney’s literary property and on Kurlan’s original contributions, pleaded various theories of tort, contract and quasi-contract, but did not allege infringement of federal copyrights. A demurrer led to a decision by the Supreme Court of California six years later, Kurlan v. Columbia Broadcasting System,
In December, 1953, the California action was settled. CBS agreed to pay a total of $75,000 — $22,000 to Kurlan before the year-end, $38,000 to him and his attorney jointly on January 15, 1954, and $15,000 to Kurlan a year later. In return Kurlan and McKenney released all claims, whether for violations of literary property, infringement of copyright, or in contract, from CBS’ past or future production of “My Friend* Irma,” and the pending California action was terminated with prejudice. Of the total of $75,000, McKenney received $7,500 which Kurlan reflected by reducing his 1954 gross receipts from CBS to $30,500 and thus his overall CBS receipts to $67,500. The cost of producing the sample record being some $9,000, Kurlan took this as his basis and reported a long-term capital gain of $58,500, allocated on his returns in proportion to receipts from CBS in each of the years. Kurlan’s attorney received $15,000 and Kurlan did not exclude this payment from his capital gain but treated it as a deduction from ordinary income in 1954.
Taking the decision of the Supreme Court of California as defining the only rights of which Kurlan could dispose, despite “the understandably broad and all-encompassing language of the settlement agreement,” the Tax Court concluded that his “possible creation of an original and novel radio and television program technique and method of presentation” could not qualify for capital gain treatment in view of § 1221(3) (A) of the Internal Revenue Code of 1954, which says that the term “capital asset” does not include “a copyright, a literary, musical, or artistic composition, or similar property, held by — (A) a taxpayer whose personal efforts created such property * * See also § 1231(b) (1) (C). We see no error in the Tax Court’s regarding the California decision as determinative of the issues there decided,
1
and we agree that Kurlan’s
*629
format or method of presentation falls within § 1221(3) (A), see Stem v. United States,
What Kurlan may well have had in addition were infringement claims to vindicate the radio and television rights secured by McKenney’s federal copyright. It is immaterial whether Kurlan’s attorney omitted these claims in the California complaint because he lacked faith in them' or because he feared that they were outside state court jurisdiction, 28 U.S.C. § 1338(a). Although the federal copyright did not confer a monopoly of the pretty-but-dumb and plain-but-bright combination, which was in the public domain, CBS’ presentation may have approached the McKenney characters and their development so closely as to have infringed. See Nichols v. Universal Pictures Corp.,
Although we are thus not in full agreement with the Tax Court’s opinion, we nevertheless affirm. Kurlan failed to make out another element essential to capital gain treatment, namely, that the gain was on a “sale or exchange” or “from the compulsory or involuntary conversion” of “property used in the
*630
trade or business.” Internal Revenue Code of 1954, § 1231(a). In C. I. R. v. Ferrer, supra,
Affirmed on taxpayer’s petition; Commissioner’s petition dismissed.
Notes
. Taxpayer’s contrary argument, based on the fact that the Commissioner was not a party to the California litigation and thus was not bound by it, overlooks the wide breach in the mutuality rule as to collateral estoppel opened by Justice Traynor’s decision in Bernhard v. Bank of America Nat. Trust & Sav. Ass’n,
. The scanty record makes it impossible to determine whether in view of the later assignment from McKenney capital gain treatment might be wholly or partially excluded by virtue of § 1221(3) (B), which denies this to “a taxpayer in whose hands the basis of such property is determined, for the purpose of determining gain from a sale or exchange, in whole or in part by reference to the basis of such property in the hands of the person whose personal efforts created such property.” See 3B Mertens, Federal Income Taxation § 22.19, at 103-04 (Zimet & Weiss rev. 1958). In view of the ground on which we place our decision, we are not required to decide whether this point, not raised in the Tax Court or here, would be open to the Commissioner on a remand. See Hormel v. Helvering,
. It might be urged that the taxpayer’s burden of proof required him to establish this allocation at the initial hearing in the Tax Court. But it would seem unreasonable to require a taxpayer who insists he is entitled to treat the whole of a transaction as a capital gain also to come forward with evidence as to what portion should be so treated if the Tax Court' or a reviewing court should reject his maximum claim but nevertheless consider that the deficiency determined by the Commissioner was excessive. Decisions remanding for allocation appear to support that view. See Hel-vering v. Taylor,
