Case Information
*1
Case 1:15-cv-07544-AJN Document 66 Filed
UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK
Mark Andrews p/k/a Sisqo et al.
| | Plaintiffs, | | --: | --: | | | -V- |
Sony/ATV Music Publishing, LLC et al.,
Defendants.
USDC SDNY
ELECTRONICALLY FILED DOC #:
DATE FILED: TEB 242017
15-CV-7544 (AJN) MEMORANDUM & ORDER
ALISON J. NATHAN, District Judge: This diversity action arises from disputes concerning agreements relating to the publishing and administration of popular music compositions and the collection and distribution of royalties flowing from their exploitation. Before the Court is a motion by Defendants Sony/ATV Music Publishing LLC ("Sony"), EMI April Music, Inc., and EMI Blackwood Music, Inc. (together with EMI April Music, Inc., "EMI") to dismiss implied contract and declaratory judgment claims asserted against them in Plaintiffs' Second Amended Complaint, Dkt. No. 50 ("SAC"). For the reasons set forth below, that motion is GRANTED in full.
I. Background
A. Factual Background
Plaintiffs in this case are the well-known recording artists and songwriters Mark Andrews, professionally known as "Sisqo"; James Green, professionally known as "Woody"; and Larry Anthony, Jr., professionally known as "Jazz." SAC 3-6. In 1996, Plaintiffs, thenmembers of the popular recording group known as "Dru Hill," entered into individual music
*2
publishing and administration agreements with non-party Art of War Music Publishing, Inc. ("Art of War"). Id. ¶ 20. In approximately 2002, Art of War entered into an exclusive administration agreement with EMI (the "EMI Administration Agreement" or "Agreement"). Id. ¶ 21. The EMI Administration Agreement provided, among other things, that EMI would pay royalties to artists under contract with Art of War - including Plaintiffs - directly to the artists on Art of War's behalf. .
In 2005, Plaintiff Andrews contracted with Defendants 27 Red Music Publishing, LLC (or its predecessor entity) (" 27 Red") and 27 Red's sole owner, the now-deceased Rhondo Robinson, to collect from EMI certain allegedly unpaid royalties covering the period from 1996 to 2005 (the "Collection Agreement"). Id. ¶ 7, 24-25. Notwithstanding the limited temporal scope of the royalties to be collected under the Collection Agreement, EMI, Plaintiffs allege, paid royalties due to Andrews for the years 2005 to 2015 to 27 Red, Robinson, and/or other "John Doe" and "ABC Company" Defendants purportedly affiliated with Robinson. Id. ¶ 1718, 26. Andrews never received those royalties. Id. . EMI also paid royalties due to Plaintiffs Anthony and Green to 27 Red, Robinson, and/or the unidentified Defendants, despite the lack of contractual authority to do so. Id. .
B. Procedural History
Plaintiffs initiated this action on September 23, 2015, naming as Defendants Sony, 27
*3
Case 1:15-cv-07544-AJN Document 66 Filed 02/24/17 Page 3 of 21
Red's predecessor entity, Robinson's estate, and Robinson's unidentified affiliates, and asserting claims for breach of contract, breach of fiduciary duty, and conversion. See generally Complaint, Dkt. No. 1 ("Complaint" or "Compl."). As relevant here, the original Complaint alleged that Plaintiffs were "intended beneficiaries" under the EMI Administration Agreement and asserted a single breach of contract claim against Sony, averring that its payment to 27 Red, Robinson, and Robinson's unidentified affiliates of post-2005 royalties due to Andrews, as well as any royalties due to Green and Anthony, violated that Agreement. Comp. 99 31-35. In February 2016, Plaintiffs filed an amended complaint, Dkt. No. 18 ("FAC"), continuing to maintain breach of the EMI Administration Agreement as their sole theory of liability as against Sony and/or EMI. FAC 99 51-56.
Sony and EMI moved to dismiss the FAC. [2] Dkt. Nos. 36-38. They argued primarily that Plaintiffs' contract claim was foreclosed by the plain language of the EMI Administration Agreement, which ran between EMI and Art of War and specifically recited that Plaintiffs would not be third-party beneficiaries of the Agreement or enjoy any rights thereunder against EMI. See Dkt. No. 37 at 3-4, 6-8.
Shortly after Sony and EMI moved, the Court issued an Order requiring Plaintiffs to give notice as to whether they would file another amended pleading or rely on the FAC, and advising Plaintiffs that failure to timely amend could constitute a waiver of their amendment rights moving forward. Dkt. No. 39.
In response, Plaintiffs submitted a letter representing that they would file another
*4 amended complaint that would add both new claims and new parties, including Art of War among others. Dkt. No. 43. Plaintiffs subsequently filed the operative SAC. In contrast to its predecessor complaints, the SAC alleges "upon information and belief" that the EMI Administration Agreement - which Plaintiffs originally sued to enforce - in fact automatically terminated after three years but that EMI has nevertheless "continued to administer the Art of War catalog," including Plaintiffs' compositions. SAC 22-23. Accordingly, rather than assert, as before, a claim for breach of the express EMI Administration Agreement, the SAC alleges that an "implied contract was created between [EMI] and [Sony] and Plaintiffs after the term of the EMI Administration Agreement ended," and that Sony and EMI breached that implied contract by failing to pay certain royalties directly to Plaintiffs (instead paying them, purportedly, to 27 Red, Robinson, and/or the unidentified Defendants). SAC 52-60. The SAC also includes what appears to be a declaratory judgment claim, seeking "a declaration . . . that the EMI Administration Agreement is terminated and that [EMI and Sony] no longer have the right to administer the Dru Hill musical compositions." SAC 61-62. The SAC does not name Art of War as a party, notwithstanding Plaintiffs' suggestion that they anticipated adding it.
Sony and EMI moved to dismiss the SAC. Dkt. Nos. 53-55. Five days after Defendants' motion was fully submitted, Art of War, now represented by the same counsel as Plaintiffs, moved to intervene in this action pursuant to Federal Rule of Civil Procedure 24. Dkt. Nos. 6263. At Sony and EMI's request, the Court stayed further briefing on Art of War's motion pending resolution of the motion to dismiss. Dkt. No. 65.
*5
II. Discussion
A. Legal Standard
To survive a motion to dismiss under Federal Rule of Civil Procedure 12(b)(6), a plaintiff is required to plead "sufficient factual matter, accepted as true, to 'state a claim to relief that is plausible on its face.'" Ashcroft v. Iqbal,
In deciding a motion to dismiss, a court is required to "accept[] the complaint's factual allegations as true and draw[] all reasonable inferences in the plaintiff's favor." Steginsky v. Xcelera Inc.
*6
Case 1:15-cv-07544-AJN Document 66 Filed 02/24/17 Page 6 of 21
Time Warner, Inc.,
B. The SAC Fails to Plausibly Allege an Enforceable Implied Contract
The parties devote much of their briefing on Plaintiffs' implied contract claim to disputing whether the EMI Administration Agreement remains in force (and thus governs the subject matter of this lawsuit), and, relatedly, whether Plaintiffs have effectively pled themselves out of court by making inconsistent allegations on that point across their serial pleadings. In the Court's view, it is unnecessary to resolve these questions because the operative implied contract claim fails for a more fundamental reason, also invoked by Defendants: even taking all allegations in the SAC to be true and disregarding entirely the first two complaints, Plaintiffs still fall short of stating a plausible claim to relief as against EMI and Sony.
As a preliminary matter, the Court declines Plaintiffs' invitation to convert the motion to dismiss into one for summary judgment and to reserve decision until after discovery. The basis for Plaintiffs' request is that this matter purportedly "cannot be resolved without discovery," which is necessary "to determine if the [EMI Administration Agreement] is terminated." Plaintiffs' Opposition to Defendants EMI & Sony's Motion to Dismiss, Dkt. No. 58 ("Opp."), at 2. To that end, Plaintiffs submit with their opposition papers a declaration by Plaintiff Andrews setting forth matters that, Plaintiffs argue, support the proposition that the express Agreement has likely terminated. See Opp. at 4-5; Declaration of Mark Andrews p/k/a Sisqo In Support of Plaintiffs' Request Pursuant to Rule 56(d) to Stay this Court's Ruling on Defendants' Sony/EMI's Motion to Dismiss, Dkt. No. 59 (the "Andrews Declaration"). Because, as suggested above and discussed further below, the Court concludes that Plaintiffs' claims may not
*7
proceed even assuming that the EMI Administration Agreement has terminated, it finds that conversion and discovery are unwarranted. See, e.g., Main Street Legal Servs., Inc. v. Nat'l Sec. Council,
The Court will now discuss the pertinent grounds for dismissal.
1. The SAC Does Not Plausibly Allege the Existence of an Implied Contract
Under New York law, [3] "to make a claim for breach of contract, a plaintiff must allege: (1) the existence of an agreement between itself and the defendant; (2) performance of the plaintiff's obligations under the contract; (3) breach of the contract by the defendant; and
*8
(4) damages to the plaintiff caused by that defendant's breach." Ancile Inv. Co. Ltd. v. Archer Daniels Midland Co.,
*9
Case 1:15-cv-07544-AJN Document 66 Filed 02/24/17 Page 9 of 21
Grumman Info. Tech., Inc.,
*10
terms"); Ancile,
It may generally be true, as Plaintiffs note, that when "after the expiration of a contract fixing the reciprocal rights and obligations of the parties, they continue to do business together, the conduct of the parties may at times permit, or even constrain, a finding that the parties impliedly agree that their rights and obligations in connection with such business should continue to be measured as provided in the old contract." See, e.g., Computerized Med. Imaging Equip., Inc. v. Diasonics Ultrasound, Inc.,
*11
The Court is mindful "that the existence of an implied-in-fact contract is ordinarily a question of fact for the jury." Verint,
2. The Implied Contract, As Alleged, Would be Barred by New York's Statute of Frauds
Even if the SAC did plausibly allege the existence of an implied contract, that contract would be barred by New York's Statute of Frauds and subject to dismissal on that independent ground. See, e.g., Mitchell v. Faulkner, 10-cv-8173,
As Defendants correctly note, the Statute of Frauds renders unenforceable unwritten agreements that are impossible, by their own terms, to complete within one year of their creation. Mitchell,
*12
Statute of Frauds" under this provision. Mitchell,
The implied contract at issue here, by its alleged terms, falls squarely within the Statute of Frauds. Plaintiffs, perhaps tellingly, do not bother to argue otherwise, or, indeed, to address Defendants' Statute-of-Frauds contention in any way. The SAC alleges that the implied contract formed upon the termination of the EMI Administration Agreement in approximately 2005 and that it requires EMI and Sony "to pay and account to Plaintiffs . . . for royalties collected on their behalf." SAC
21-22, 54-57. The SAC does not allege any termination provision or end date applicable to this contract, and indeed Plaintiffs appear to seek all royalties that purportedly went unpaid "from and after 2005," without limitation. Id.
56-60. The only available inference is that Plaintiffs allege an obligation on the part of EMI/Sony to pay royalties for as long as their compositions generated them. As such, they allege a contract of indefinite duration - the very sort of implied contract precluded by the Statute of Frauds. See, e.g., Mitchell,
*13
terms . . . a contract of indefinite duration") Plaintiffs' implied contract claim is subject to dismissal on this additional basis.
For all of these reasons, the implied contract claim against EMI and Sony is DISMISSED.
C. Plaintiffs Lack Standing to Assert the Declaratory Judgment Claim
Sony and EMI also seek dismissal of Plaintiffs' declaratory judgment claim. As noted, that claim seeks a declaration that "the EMI Administration Agreement is terminated and that the EMI Defendants and Defendant Sony/ATV no longer have the right to administer the Dru Hill musical compositions." SAC 62. Defendants argue principally that Plaintiffs lack standing to assert this claim, or, alternatively, that the Court should decline to exercise its discretionary jurisdiction over the claim because it is substantially duplicative of Plaintiffs' implied contract claim. See Br. at 19-21. With the former point, at least, the Court agrees.
Pursuant to the Declaratory Judgment Act, a district court may, "[i]n a case of actual controversy within its jurisdiction . . . declare the rights and other legal relations of any interested party seeking such declaration, whether or not further relief is or could be sought." 28 U.S.C. § 2201(a). As a general matter, courts "possess discretion in determining whether and when to entertain an action under the Declaratory Judgment Act, even when the suit otherwise satisfies the subject matter jurisdictional prerequisites." Wilton v. Seven Falls Co.,
*14
Case 1:15-cv-07544-AJN Document 66 Filed 02/24/17 Page 14 of 21
Declaratory Judgment Act "does not expand jurisdiction" or "provide an independent cause of action." In re Joint Eastern & Southern Dist. Asbestos Litig.,
Under New York law, "the terms of a contract may be enforced only by contracting parties or intended third-party beneficiaries of the contract." Rajamin v. Deutsche Bank Nat.
*15
Case 1:15-cv-07544-AJN Document 66 Filed 02/24/17 Page 15 of 21
Trust Co.,
The SAC does not allege that Plaintiffs are parties to or intended third-party beneficiaries of the EMI Administration Agreement. The Agreement itself expressly provides that Art of War "writers," including Plaintiffs, "shall not be third-party beneficiaries under this Agreement or enjoy any rights as against [EMI]." Adler Dec. Ex. 1 at 1, ¶ 5(b). Accordingly, Plaintiffs would lack standing to maintain a suit to enforce the Agreement's terms, and, in turn, they lack standing to seek a declaration of rights under the Agreement. Therefore, the declaratory judgment claim must be dismissed. See, e.g., Rajamin,
*16
claimed third party beneficiary status" and "accordingly, failed to state a claim for declaratory relief" pursuant to those contracts); Winterthur,
Accordingly, Plaintiffs' declaratory judgment claim is DISMISSED.
D. Leave to Amend is Unwarranted
In a single footnote, Plaintiffs assert, without explanation or authority, that the Court should permit them to amend the SAC, at least to plead the implied contract claim with "more particularity," in the event of dismissal. See Opp. at 6 n.2. Because Plaintiffs have already filed two amended complaints, any further amendment is governed by Federal Rule of Civil Procedure 15(a)(2), which provides that a party may amend its pleading "only with the opposing party's written consent or the court's leave." Fed. R. Civ. P. 15(a)(2). Although under this Rule courts generally should "freely give leave when justice so requires, there are times when granting such leave may be inappropriate." Duckett v. Williams,
Plaintiffs have already filed three pleadings in this action featuring several different theories of liability, precipitating two motions to dismiss and a Court Order expressly advising
*17
Plaintiffs that joining issue on such a motion could constitute waiver of further amendment rights. Dkt. Nos. 1, 18, 36-38, 39, 50, 53-55. The latest request to amend is devoid even of a suggestion as to the sorts of facts that Plaintiffs intend to marshal to cure the SAC's deficiencies. Moreover, even if Plaintiffs could plead sufficient facts in a third amended complaint to plausibly allege the existence of an implied contract, Plaintiffs' claim would be caught between the Scylla and Charybdis presented by the Statute of Frauds and the applicable statute of limitations. Specifically, an implied contract alleged to run any longer than one year would be precluded as discussed above, and an implied contract alleged to run for only a year or less from its purported creation in or around 2005 would yield only a claim falling well outside New York's six-year limitations period. See, e.g., Kermanshah v. Kermanshah,
*18
complaint emerges") (citations and internal quotation marks omitted). Plaintiffs' request for leave to amend is DENIED.
E. AOW's Motion to Intervene Is Substantially Mooted by the Dismissal of All Claims Against Sony and EMI and, In Any Event, Was Untimely Made
Finally, the dismissal of all pending claims against Sony and EMI substantially moots Art of War's motion to intervene, which is overwhelming premised on Art of War's purported claims against those very same parties, and to a lesser extent, against parties (such as 27 Red and the Estate of Robinson) that have already defaulted. See Dkt. No. 62-63-1; see also Kunz v. N.Y.S. Comm'n on Judicial Misconduct,
To the extent that it is not moot, the motion to intervene is denied as untimely. Art of War moves for intervention as of right or, in the alternative, intervention by permission pursuant to Federal Rules of Civil Procedure 24(a) and 24(b), respectively. Under both provisions, the "proposed intervenor bears the burden of demonstrating that it meets the requirements for intervention," and the "threshold inquiry is whether the application for intervention is timely." Kamdem-Ouaffo v. Pepsico, Inc.,
*19
the most important." Catanzano by Catanzano v. Wing,
Art of War's moving papers tacitly concede that it had actual knowledge of this lawsuit as early as May 2016, at or around the time that Plaintiffs advised the Court in response to Defendants' first motion to dismiss that they anticipated adding Art of War as a party in a forthcoming amended pleading. Dkt. No. 63 at 4 & n.1. Of course, Plaintiffs did not name Art of War as a party in the SAC, and Art of War, for its part, waited more than four months - until after the SAC was filed and just days after briefing on the instant motion to dismiss was complete - before applying to intervene.
Moreover, at the time of its application, Art of War had been on constructive notice of its potential interest in this case for approximately a year. As discussed above, Plaintiffs commenced this action in September 2015, initially asserting breach of contract claims premised on their purported status as third-party beneficiaries of the EMI Administration Agreement, to which Art of War is, or was, undisputedly a party. Indeed, the original Complaint makes repeated references to Art of War, its interest in the Agreement, and EMI/Sony's alleged failure to perform thereunder. See, e.g., Comp. 13-15, 18, 23, 32-35; see also Floyd v. City of N.Y.,
*20
trigger constructive notice.") (collecting cases); see also MasterCard Int'l Inc. v. Visa Int'l Serv. Ass'n, Inc.,
Art of War offers no compelling justification for its delay, only asserting vaguely that it "did not have knowledge of this dispute until Plaintiffs informed" it. Dkt. No. 63 at 4. But "[d]elay is not measured solely subjectively" precisely because, "if that were the test, a putative intervenor could always claim it did not know it needed to intervene until the eve of its motion." Butler, Fitzgerald & Potter v. Sequa Corp.,
Art of War's motion to intervene is DENIED.
III. Conclusion
For the foregoing reasons, Sony and EMI's motion to dismiss is GRANTED with prejudice, and Art of War's motion to intervene is DENIED. In light of these rulings, Defendants' request for oral argument is DENIED as moot.
Should Plaintiffs wish to move for default judgment against the remaining Defendants, they shall file a motion on notice via ECF on or before March 17, 2017. Plaintiffs' submission shall include a memorandum of law and supporting affidavits setting forth the legal and factual
*21
basis for the amount of damages sought. Plaintiffs should bear in mind that, even upon entry of default, they "must . . . substantiate [their] claim[s] with evidence to prove the extent of damages." Lenard v. Design Studio,
This resolves Dkt. Nos. 36, 53, 61, and 62. SO ORDERED.
Dated: February 2017 New York, New York
NOTES
Notes
The parties agree that in 2012, an investor group that included Sony Corporation of America acquired the EMI Music Publishing group of companies, including EMI, and that Defendant Sony has administered EMI Music Publishing on behalf of the investor group since that time. SAC 19; Memorandum of Law in Support of Motion to Dismiss the Second Amended Complaint, Dkt. No. 54 ("Br."), at 1 n.1. EMI and Sony maintain that Sony was incorrectly named as a Defendant in this lawsuit, but Plaintiffs have declined to withdraw their claims against it. Br. at 1 n .1 .
Red and the Estate of Robinson failed to respond to the FAC, and certificates of default were ultimately issued as to both. See Dkt. Nos. 33, 46.
Although the Court is unaware of any express agreement, the parties all appear to assume that New York law applies to Plaintiffs' implied contract claim. All cite cases applying New York law throughout their briefing on Defendants' motion to dismiss, and no party argues that the substantive law of any other jurisdiction should govern. Accordingly, the Court will apply New York law. See, e.g., Texaco A/S (Denmark) v. Commercial Ins. Co. of Newark, N.J.,
The EMI Administration Agreement is governed by New York law pursuant to an express choice-of-law provision. See Declaration of Lori Adler in Support of Motion to Dismiss ("Adler Dec.") Ex. 1, Dkt. No. 55-1 (EMI Administration Agreement), II 11(a). Although the EMI Administration Agreement is not attached to the SAC or explicitly incorporated therein by reference, it is referred to throughout the SAC, and Plaintiffs' declaratory judgment claim, at least, necessarily "relies heavily upon its terms and effect, thereby rendering the document integral to the complaint." Nicosia v. Amazon.com, Inc.,
