ORDER DENYING DEFENDANTS’ MOTION TO DISMISS; ORDER GRANTING LEAVE TO AMEND COMPLAINT
Plaintiff is the niece and heir of Adele Bloeh-Bauer who was a model for, and whose husband was the owner of, works of *1192 art painted by Gustav Klimt. Plaintiff brings this action to recover six Klimt paintings which were stolen by the Nazis and are presently in the possession of Defendants. By this Order, the Court concludes that it has jurisdiction over defendants by virtue of an immunity exception contained in the Foreign Sovereign Immunities Act.
This matter is before the Court on the Defendants’ Motion to Dismiss under Fed. R.Civ.P. 12(b)(1) for lack of subject matter jurisdiction, under Rule 12(b)(6) for failure to state a claim upon which relief may be granted, 1 under 12(b)(3) for lack of venue, under Rule 12(b)(7) for failure to join indispensable parties, and under the doctrine of forum non conveniens. For the reasons stated herein, the Defendants’ Motion is DENIED.
I. Background
A. Factual Allegations of Complaint
1. The Nature of the Dispute
The present dispute centers on ownership rights to six paintings by the world-renowned artist, Gustav Klimt. Specifically, at issue in the current action are six paintings with the following titles: Adele Bloch-Bauer I, Adele Bloch-Bauer II, Beechwood, Apple Tree I, Houses in Un-terach am Attersee, and Amalie Zucker-kandl (collectively, “the paintings”). 2 The paintings are currently in the possession of the Republic of Austria (“the Republic”) and/or the Austrian Gallery (“the Gallery”). 3 Plaintiff seeks recovery of these paintings that were owned by her family before they were stolen by the Nazis in the early 1940s in Austria. 4
2. Events in Pre-World War II Austria
The paintings at issue were owned by Ferdinand Bloch-Bauer, Plaintiffs uncle. Plaintiffs aunt, Ferdinand’s wife, Adele Bloch-Bauer, died in 1925. When Adele died, she left a will asking that her husband consider donating six paintings to the Austrian Gallery on his death. 5 When the will was probated, the paintings were *1193 found to be part of Ferdinand’s property, not Adele’s. Ferdinand stated in 1926 that he intended to donate the paintings in accordance with his wife’s wishes, but did not ever do so. Ferdinand donated one painting to the Gallery in 1936, a painting by Gustav Klimt entitled Schloss Kammer am Attersee III.
3. Plaintiffs Escape to the United States
Plaintiff was married shortly before the Nazi’s annexation of Austria in 1938. Plaintiff and her husband escaped Austria to the Netherlands, to Britain, and finally to the United States. In 1942, Plaintiff arrived in Los Angeles, where she has lived since that time. Plaintiff became a naturalized citizen in 1945.
4. Ferdinand and His Artwork — The Nazi Occupation of Austria
Ferdinand left Austria in 1938; the Nazis took his home, his business, and his artwork. Four hundred pieces of porcelain were sold at public auction. Several Nineteenth century Austrian paintings went to Adolph Hitler’s and Herman Gdr-ing’s private collections. Dr. Erich Führer, a Nazi lawyer in charge of liquidating Ferdinand’s collection, also benefitted.
The paintings £ft issue in the present suit were transferred in various ways:
Adele Blochr-Bauer I and Apple Tree I were traded in 1941 to the Austrian Gallery for Schloss Kammer am Attersee III. 6 Adele Blochr-Bauer I appears on the cover of the Gallery’s official guidebook of the museum.
Beechwood was sold in November 1942 to the Museum of the City of Vienna. In 1947, the Museum offered to return the painting to Plaintiff and Ferdinand’s other heirs (collectively, “the heirs”) in exchange for refund of the purchase price. The painting was, in the late 1940s, transferred to the Gallery with the assistance of the heirs’ lawyer.
Adele Blochr-Bauer II was sold in March 1943 to the Austrian Gallery.
Houses in Unterach am Attersee was kept by Dr. Führer for his personal collection. This painting was later retrieved from that collection by Plaintiffs brother. It was in possession of the heirs’ Austrian lawyer in late 1940s and was returned to the Gallery in exchange for export licenses for other works of art.
The original disposition of Amalie Zuck- erkandl 7 is not known; the painting eventually turned up in the hands of art dealer Vita Künstler, who donated it to the Gallery in 1988.
5.After the War
Ferdinand died just a few months after the war in Europe ended, but he took preliminary steps to retrieve his stolen property. Ferdinand made no bequest in his will to the Austrian Gallery.
In 1946, the Republic enacted a law declaring that all transactions that were motivated by discriminatory Nazi ideology were to be deemed null and void; however, the Republic often required the original owners of such property, including works of art, to repay to the purchaser the purchase price before an item would be returned.
Austrian law also prohibited the export of artworks that were deemed to be impor *1194 tant to Austria’s cultural heritage. It was the policy after the war to use the export license law to force Jews who sought export of artworks to trade artworks for export permits on other works.
6. Ferdinand’s Heirs’ Attempts to Secure the Paintings After the War
In 1947, a Swiss court recognized Plaintiff as the heir to 25% of Ferdinand’s estate. The heirs retained an Austrian lawyer to attempt to secure return of Ferdinand’s property. Plaintiffs older brother was a captain in the Allied Forces, and he personally recovered Houses in Unter-ach am Attersee from Dr. Führer’s private collection. The painting was kept in his or his lawyer’s apartment in Vienna pending permission to export the painting.
In February 1948, the Austrian lawyer sought return of Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Apple Tree I from the Gallery. The Gallery asserted that five of the six paintings at issue were bequeathed to it by the will of Adele Bloch-Bauer in 1926, and that Ferdinand was merely granted permission to keep the paintings during his lifetime. The Gallery demanded the heirs return the remaining paintings to it.
7. The Museum’s Actions In Protecting Its Collection
In March 1948, Dr. Garzarolli of the Austrian Gallery learned of the contents and probate proceedings of Adele’s will. Specifically, Garzarolli learned that Adele had expressed the wish that Ferdinand donate the paintings to the Gallery, but that Adele had not herself bequeathed the paintings to the Gallery. Garzarolli acknowledged as much in a March 8, 1948, letter to his predecessor wherein Garzarol-li expressed his concern at his predecessor’s failure to obtain a declaration of gift in favor of the state from Ferdinand. 8 Dr. Garzarolli did not reveal to the heirs or their lawyers the files from Adele’s probate proceedings that he had in his possession; rather, he prepared to sue the heirs for the remaining paintings.
8.The Exchange — Donations for Export Licenses
In late March 1948, Gallery officials reviewed the artwork in the apartment belonging to Plaintiffs brother or his lawyer to determine whether an export license could be granted. The officials recognized the pieces as part of Ferdinand’s collection. Dr. Garzarolli sought the assistance of the Austrian Attorney General in obtaining possession of the remaining three paintings.
In early April, Dr. Garzarolli wrote to Dr. Otto Demus, president of the Federal Monument Agency (the agency in charge of the export licenses), and suggested that the processing of export permits for Ferdinand’s collection be delayed “for tactical reasons.” Dr. Demus met with the heirs’ *1195 lawyer regarding the artwork already in Austria and other items of artwork belonging to Ferdinand to be returned to Austria by the Allied forces. The lawyer understood from Dr. Demus that “donations” to the Gallery would have to occur in order to procure export licenses for any of Ferdinand’s collection.
The lawyer, on behalf of the heirs, 9 agreed to “donate” the Klimt paintings in exchange for permits on the remaining items. The lawyer learned the contents of Adele’s will, but thought Ferdinand’s expressed intention to donate the Klimt paintings would be binding. The lawyer executed a document purporting to acknowledge the intention to donate the paintings expressed in Adele’s will. The lawyer gave the Gallery Houses in Unter-ach am Attersee on April 12, 1948.
9. 1998 Discovery by Austrian Journalist
In 1998, after the seizure of two paintings by Egon Schiele in New York, 10 the Austrian federal minister opened up the Gallery’s archives to permit researchers to prove that no looted artworks remained in Austria. Thereafter, an Austrian journalist, Hubertus Czernin, published a series of articles exposing the fact that Austria’s federal museums had profited greatly from exiled Jewish families after the war. 11 Adele Blochr-Bauer I, reported by the Gallery as being donated to the Gallery in 1936, was revealed to have been transferred to the museum in 1941 with a letter from Dr. Führer signed “Heil Hitler.” The archives were closed, but government research essentially confirmed Czernin’s stories.
10. New Law Favoring Return of Artwork Stolen by Nazis
In response, in September 1998, a new restitution law was proposed in Austria, designed to return artworks that had been donated to federal museums under duress in exchange for export permits. The law was enacted in December.
A committee of government officials and art historians was formed by the new law, *1196 and in February 1999, the committee recommended that hundreds of artworks be returned to their rightful owners. In response to inquiries from the Austrian parliament, Minister Gehrer, Austria’s federal minister of education and culture, concluded that there was an evident connection between the donation of the Klimt paintings and the export permit law.
There was political opposition to the return of the Klimt paintings. The committee received an incomplete report regarding the Klimts, and some members did not receive an expert’s opinion regarding the invalidity of the purported bequest to the Gallery. On June 28, 1999, the committee met and affirmed a recommendation that the Klimts not be returned. The vote on the return of the paintings was predetermined, and one member of the committee eventually resigned in protest. The committee did vote to return 16 Klimt drawings and 19 porcelain settings previously donated by the family in exchange for export permits.
Plaintiff protested the committee’s decision and requested arbitration. The Republic rejected this approach, suggesting that the heirs’ only remedy was to go to court.
11. Attempt at Austrian Judicial Intervention
In September 1999, Plaintiff announced she would file a lawsuit regarding the paintings. However, the court costs associated with bringing such a suit in Austria are determined by the amount in controversy. Plaintiff would have to pay a filing fee of approximately two million Austrian Schillings 12 for the privilege of suing the Republic and the Gallery even after obtaining a partial waiver of court costs. The Austrian Court noted the amount of Plaintiffs assets and suggested that Plaintiff should spend all of her liquid assets in furtherance of her claim because the alternative would be to charge the court costs to the Austrian public.
B. Factual Allegations Regarding Jurisdiction 13
The Gallery publishes a museum guidebook in English available for purchase by United States citizens. The Gallery has lent Adele Blochr-Bauer I to the United States in the past.
The Gallery is visited by thousands of United States citizens each year. The Gallery’s collection, including the paintings at issue in this action, is advertised in the United States.
The Republic has a consular office in Los Angeles. The Republic promotes Austrian filmmakers in the United States. The Republic owns real property in Los Angeles.
*1197 C. Plaintiffs Claims
Plaintiff seeks recovery under a variety of causes of action. Her first cause of action is for declaratory relief pursuant to 28 U.S.C. § 2201; Plaintiff seeks a declaration that the Klimt paintings should be returned pursuant to the 1998 Austrian law. Plaintiffs second cause of action is for replevin, presumably under California law; Plaintiff seeks return of the paintings. Plaintiffs third cause of action seeks rescission of any agreements by the Austrian lawyer with the Gallery or the Federal Monument Agency due to mistake, duress, and/or lack of authorization. Plaintiffs fourth cause of action seeks damages for expropriation and conversion, and her fifth cause of action seeks damages for violation of international law. Plaintiffs sixth cause of action seeks imposition of a constructive trust, and her seventh cause of action seeks restitution based on unjust enrichment. Finally, Plaintiffs eighth cause of action seeks disgorgement of profits under the California Unfair Business Practices law.
D. The Present Motion
Defendants argue that they are immune from suit under the doctrine of sovereign immunity, and that the Foreign Sovereign Immunities Act (“FSIA”), 28 U.S.C. §§ 1601, et seq., does not strip them of this immunity. Defendants also argue that the Court should decline to exercise jurisdiction over the present dispute under the doctrine of forum non conveniens, that the action should be dismissed for Plaintiffs failure to join indispensable parties under Fed.R.Civ.P. 19, and that venue in the Central District of California is improper.
Plaintiff argues that Defendants are subject to the Foreign Sovereign Immunities Act, but that the expropriation exception to sovereign immunity is applicable to Defendants. Plaintiff also argues that even if Defendants are not subject to the FSIA, they are required to return the paintings under international and Austrian law. Plaintiff argues that the Court should not apply the doctrine of forum non conveniens because no reasonable alternative forum is available. Plaintiff also argues that dismissal is not required under Fed.R.Civ.P. 19 because Plaintiff has received assignments of rights from other parties with interest in the paintings and because, in the absence of an alternative forum, it would be unjust to dismiss the present action. Finally, Plaintiff argues that venue is appropriate in the Central District because Defendants have failed to deliver the paintings to her within the district and because Defendants do business within the district.
II. Subject Matter Jurisdiction— The Applicability of the Foreign Sovereign Immunities Act
A. Rule 12(b)(1) Standard
A motion to dismiss an action for lack of subject matter jurisdiction is properly brought under Fed.R.Civ.P. 12(b)(1). The objection presented by this motion is that the Court has no authority to hear and decide the case. When considering a Rule 12(b)(1) motion challenging the substance of jurisdictional allegations, the Court is not restricted to the face of the pleadings, but may review any evidence, such as declarations and testimony, to resolve any factual disputes concerning the existence of jurisdiction. See
McCarthy v. United States,
B. Foreign Sovereign Immunities Act — General Rule
The FSIA is the sole basis for jurisdiction over a foreign state and its agencies and instrumentalities.
Argentine Republic v. Amerada Hess Shipping Corp.,
C. Burden of Proof Under FSIA
If a plaintiffs allegations and un-controverted evidence establish that an FSIA exception to immunity applies, the party claiming immunity bears the burden of proving by a preponderance of the evidence that the exception does not apply.
Siderman de Blake v. Republic of Argentina,
D. Applicability of FSIA to pre-1952 Events
1. The Tate Letter
Until 1952, foreign states and their agencies and instrumentalities were absolutely immune from suit in United States courts.
Verlinden B.V. v. Central Bank of Nigeria,
The Tate Letter, while announcing this new policy, did not provide courts with concrete standards for determining whether to assert jurisdiction over suits against foreign states. Id. In 1976, with the passage of the FSIA, Congress provided such standards. Id. The FSIA codified the restrictive theory of sovereign immunity and conferred subject matter jurisdiction over claims against foreign sovereigns on the United States courts. Id.; H.R.Rep. No. 1487, 94th Cong., 2d Sess., reprinted in 1976 U.S.Code & Admin. News at 6613.
2. Defendant’s Position — FSIA Does Not Apply to Pre-1952 Events
Defendants argue that because the FSIA was meant to codify the restrictive principle of sovereign immunity, and because this policy was not was adopted until 1952, the FSIA is not applicable to actions that occurred prior to 1952. Defendants contend, therefore, that they are entitled to absolute sovereign immunity in accordance with the State Department’s policy prior to the issuance of the Tate Letter. Defendants’ position is not without support.
The Eleventh Circuit first considered this issue in 1986.
See Jackson v. People’s Republic of China,
In 1985, the District Court for the District of Columbia relied on
Jackson
and held that the FSIA did not apply to a claim based on a 1922 agreement between the plaintiff and the United States of Mexico.
Slade v. United States of Mexico,
In 1988, the Second Circuit relied on
Jackson
and
Slade
and held that the Union of Soviet Socialist Republics (“USSR”) was absolutely immune from claims based on debt instruments issued by the Russian Imperial Government in 1916 because the claims arose prior to the issuance of the Tate Letter.
Carl Marks & Co. v. Union of Soviet Socialist Republics,
Although the Defendants’ position on the FSIA’s applicability to pre-1952 events is supported by case law, the continued viability of these cases is in doubt in light of the United States Supreme Court’s subsequent decision in
Landgraf v. USI Film Products,
E. Landgraf v. USI Film Products, Inc.
In
Landgraf,
the United States Supreme Court held that in determining whether to apply a legislative enactment to events that occurred prior to the enactment, a court must first consider whether Congress expressly stated the statute’s reach.
Landgraf,
The FSIA does not affect any substantive law determining the liability of a foreign state or instrumentality.
First Nat’l City Bank v. Banco Para El Comercio Exterior de Cuba,
Later, in 1999, the District of Columbia Circuit held that a 1988 amendment to the FSIA could be applied to events preceding the amendment’s enactment.
Creighton Limited v. Government of the State of Qatar,
A district court in the Northern District of Illinois relied on
Princz
and
Creighton
and held that the FSIA could be applied to pre-1952 events.
Haven v. Rzeczpospolita Polska (Republic of Poland),
For these reasons, the Court holds that the FSIA applies to pre-1952 events. 16
*1202 F. Expropriation Exception to Sovereign Immunity
1. An Exception of the FSIA Must Apply
Even though the FSIA applies to pre-1952 events, one of the exceptions to the FSIA’s general rule of immunity must apply, or Austria is entitled to sovereign immunity. Plaintiff claims that the “expropriation exception” to the FSIA applies. See 28 U.S.C. § 1605(a)(3). That exception provides:
(a) A foreign state shall not be immune from the jurisdiction of courts of the United States or of the States in any case ... (3) in which rights in property taken in violation of international law are in issue and that property or any property exchanged for such property is present in the United States in connection with a commercial activity carried on in the United States by the foreign state; or that property or any property exchanged for such property is owned or operated by an agency or instrumentality of the foreign state and that agency or instrumentality is engaged in a commercial activity in the United States
Id.
This exception has two distinct clauses, separated by a semi-colon. See H.R.Rep. No. 1487, 94th Cong., 2d Sess., reprinted in 1976 U.S.Code & Admin. News at 6613. The first clause “involves cases where the property in question or any property exchanged for such property is present in the United States.” Id. Because the Klimt paintings are not present in the United States, the first clause does not apply.
The second clause involves cases in which “the property, or any property exchanged for such property, is (i) owned or operated by an agency or instrumentality of a foreign state and (ii) that agency or instrumentality is engaged in commercial activity in the United States. Under the second [clause], the property need not be present [in the United States] in connection with a commercial activity of the agency or instrumentality.” Id.
This exception has three distinct requirements. First, there must be property taken in violation of international law- — • i.e., the property must have been expropriated. Second, the property must be “owned or operated by an agency of or instrumentality of a foreign state .... ” Finally, the agency or instrumentality must be engaged in commercial activity in the United States.
2. Property Must Be Taken In Violation of International Law
At the jurisdictional stage, a court need not determine if property was taken in violation of international law; so long as the plaintiffs claims are substantial and non-frivolous, there is a sufficient basis for the exercise of the court’s jurisdiction.
Siderman de Blake,
There are three requisites to a valid taking under international law. Id. First, the taking must serve a public purpose; second, aliens must not be discriminated against or singled out for regulation by the state; and third, payment of just compensation must be made. Id. at 711-12.
Here, Plaintiffs allegations establish a substantial and non-frivolous *1203 claim that a taking in violation of international law occurred on at least two occasions. First, the Nazi “aryanization” of Ferdinand’s art collection by the Nazis is undeniably a taking in violation of international law. The taking was not for public purpose; instead, some of the art was distributed to the collections of Hitler, Goring, and Dr. Fürher. Other art was sold for the benefit of the Nazi party. 17 Moreover, the Nazi’s aryanization of art collections was part of a larger scheme of the genocide of Europe’s Jewish population, and it requires no semantic stretch to characterize this program as singling out “aliens” for regulation by the state. Finally, no payment of just compensation was made as a result of this taking.
Next, Plaintiff has established a substantial and non-frivolous claim that a taking in violation of international law occurred when the paintings were “donated” to the Gallery in 1948 in order to secure export licenses for other works of art. These paintings were not taken for a public purpose; Austria’s own laws required their return to their rightful owners. Moreover, Austria’s acknowledged practice of requiring export licenses for works of art stolen by the Nazis singled out aliens for regulation by the state because aliens would be much more likely to seek export of these artworks than would Austrian citizens. Additionally, because Austria’s laws required the return of these artworks to their rightful owners, the exchange of certain works of art for export permits on other works of art cannot be viewed as just compensation.
Therefore, Plaintiff has made out a substantial and non-frivolous claim that these works of art were taken in violation of international law.
Defendants argue that Plaintiff must first exhaust her domestic remedies regarding her claims for the artworks before seeking the intervention of the United States courts. A plaintiff cannot complain that a taking has not been fairly compensated unless the plaintiff has first pursued and exhausted the domestic remedies in the foreign state that is alleged to have caused the injury.
Greenpeace, Inc. v. State of France,
For these reasons, Plaintiffs claim meets the “taking” requirement of the expropriation exception of the FSIA.
3. Property Must Be Owned or Operated by Agency or Instrumentality of a Foreign State
The FSIA defines an “agency or instrumentality of a foreign state” as any entity that is a separate legal person, that is an organ of a foreign state, and that is not a citizen of the United States or created under the laws of any third country.
*1204
Until January 1, 2000, the Gallery was an agency or instrumentality of a foreign state. On January 1, 2000, the Gallery was privatized and is no longer an organ of the Republic. Nevertheless, this change in the structure of the Gallery’s operations does not divest this Court of subject matter jurisdiction because the events in question occurred prior to the Gallery’s privatization.
See Delgado v. Shell Oil Co.,
The paintings are owned by the Republic, but are exhibited by the Gallery. The exhibition of these paintings fulfills the “owned or operated by an agency or instrumentality” requirement.
See, e.g., Siderman de Blake,
Therefore, Plaintiffs claim meets the “owned or operated” requirement of the expropriation exception of the FSIA.
4. The Agency or Instrumentality Must Re Engaged in Commercial Activity
Finally, the agency or instrumentality must be engaged in commercial activity in the United States. “Commercial activity” is defined by the FSIA as “either a regular course of commercial conduct or a particular commercial transaction or act.” 28 U.S.C. § 1603(d). “The commercial character of an activity [is] determined by reference to the nature of the course of conduct of a particular transaction or act, rather than by reference to its purpose.”
Id.
“[W]hen a foreign government acts ... in a manner of a private player -within [the market], the foreign sovereign’s acts are “commercial” within the meaning of the FSIA.”
Republic of Argentina v. Weltover, Inc.,
Therefore, the issue before the court is whether the type of actions engaged in by the Gallery in the United States constitutes “commercial activity.” 18 According to the allegations in the Complaint, the Gallery publishes a museum guidebook in English available for purchase by United States citizens, including those in the Central District, and the Gallery’s collection, including the paintings at issue in this action, is advertised in the *1205 United States, including in the Central District. Moreover, the Gallery is visited by thousands of United States citizens each year, including United States citizens that reside in the Central District. Additionally,' the Gallery has lent Adele Bloch-Bauer I to the United States in the past.
Plaintiff argues that operating a museum is an activity in which private parties engage. Indeed, the privatization of the Gallery in January 2000 bears out this argument.
Cf. Aschenbrenner v. Conseil Regional de Haute-Normandie,
The Gallery also engages in commercial activity by publishing its guidebook that is available for purchase in the United States.
See Aschenbrenner, 851
F.Supp. at 584 (suggesting that publication of a book containing photographs of an artist’s works was a commercial activity). . The Gallery also engages in commercial activity by advertising in the United States.
See Holden v. Canadian Consulate,
Defendants argue that even if the Gallery engages in commercial activity, the Court still does not have jurisdiction over the Republic. Defendant’s argument is based on the assumption that the Court may exercise jurisdiction over a foreign sovereign under only the first clause of the expropriation exception, which requires that the property be present in the United States and which is inapplicable to the present claims.
This argument, however, ignores the language of § 1605(a). All the enumerated exceptions to the FSIA in § 1605(a) clearly relate to when a court may exercise jurisdiction over a foreign state. Section 1605(a) begins with the clause “(a) A foreign state shall not be immune from the jurisdiction of courts of the United States or of the States in any case ...,” and then goes on to list a number of circumstances in which sovereign immunity is inapplicable. The second clause of § 1605(a)(3) should be read in the disjunctive, so that a foreign state shall not be immune when expropriated property is owned or operated by the foreign state’s agency or instrumentality when that agency or instrumentality engages in commercial activity in the United States. Defendants’ reading of the •second clause of § 1605(a)(3), limiting immunity to the agency or instrumentality, is not consistent with the language of the statute or its legislative history. 19
For these reasons, the Court concludes that the expropriation exception to the *1206 FSIA applies to Plaintiffs claims, and Austria is not entitled to immunity.
III. Personal Jurisdiction
Defendants also argue that eyen if an exception to sovereign immunity applies, Plaintiffs suit still cannot be. maintained unless the Court has personal jurisdiction over the Republic and the Gallery.
The legislative history of the FSIA reveals that the intent of Congress was that if one of the FSIA exceptions to immunity existed, the constitutional due process requirements of personal jurisdiction were satisfied. H.R.Rep. No. 1487, 94th Cong., 2d Sess., reprinted in 1976 U.S.Code & Admin. News at 6613 (“Significantly, each of the immunity provisions in the bill, sections 1605-1607, requires some connection between the lawsuit and the United States. These immunity provisions, prescribe the necessary contacts which must exist before our courts can exercise personal jurisdiction.”)
Until 1992, Ninth Circuit authority had suggested that the Court would be required in a case involving FSIA to engage in a “minimum contacts” analysis.
See Siderman de Blake,
Other courts, including the Ninth Circuit, have since explicitly declined to decide whether foreign sovereigns are “persons” under the Due Process Clause.
Theo. H. Davies & Co., Ltd. v. Republic of the Marshall Islands,
Many courts considering whether they had personal jurisdiction over a foreign sovereign since
Weltover
have not been required to determine if the Due Process Clause applies to foreign sovereigns because those courts have been able to conclude without much analysis that due process has been satisfied.
See Theo. H. Davies,
It is less clear whether sufficient activity to satisfy the expropriation exception to foreign immunity would also satisfy due process. However, such an analysis is not required because foreign sovereigns are not “persons” for purposes of the Due Process Clause. As previously noted, Ninth Circuit case law prior to
Weltover,
by requiring a “minimum contacts” analysis, had implicitly held that foreign sovereigns are “persons” entitled to due process.
See Siderman de Blake,
The District Court for the District of Columbia has considered this issue in depth and has concluded that foreign sovereigns are not “persons” within the meaning of the Due Process Clause.
See Flatow v. Islamic Republic of Iran,
The
Flatow
court first noted that most courts have simply assumed without deciding that a foreign sovereign is a “person” for purposes of constitutional due process analysis and that this assumption has rarely been examined in depth.
Flatow,
The United States Supreme Court has held that a State of the United States is not entitled to substantive due process.
Katzenbach,
Several courts have held that the federal government, state governments, political subdivisions and municipalities within the United States are not “persons” within the meaning of the Due Process Clause.
See In re Herndon,
The personal jurisdiction requirement recognizes an individual liberty interest that is conferred by the Due Process Clause.
Insurance Corp. of Ireland v. Compagnie des Bauxites de Guinee,
The previously-cited House Report’s language is unambiguous — it states that
in personam
jurisdiction has been addressed within the requirements of the statute; the FSIA does not grant a liberty interest for the purposes of substantive due process analysis. H.R.Rep. No. 1487, 94th Cong., 2d Sess.,
reprinted in
1976 U.S.Code & Admin. News at 6611-12. This Court joins with the
Flatow
court’s observation that “[fjoreign sovereign immunity, both under the common law and now under the FSIA, has always been a matter of grace and comity rather than a matter of right under United States law.”
Verlinden,
V. Effect of International Agreements on the FSIA
Defendants correctly argue that the FSIA must be interpreted subject to international agreements that were in existence at the time of the FSIA’s enactment. Defendants argue that Plaintiffs claims are barred by Articles 21 and 26 of the Austrian State Treaty of 1955, 6 UST 2369, and The 1959 Austrian Exchange of Notes Constituting an Agreement Concerning the Settlement of Certain Claims under Article 26 of the Austrian State Treaty (“1959 Agreement”).
Plaintiff correctly points out, however, that Article 21 of the 1955 Treaty, providing that Austria would not be required to make reparations for damages arising out of the existence of war after September 1, 1939, was an agreement that Austria need not make reparations to the Allied Forces. Other provisions of this Treaty concern themselves 'with Austria’s responsibility regarding the return of property improperly seized from its citizens during the Nazi invasion.
The second paragraph of Article 26 concerns only heirless or unclaimed property. The paintings at issue are neither. The 1959 Agreement established a fund for settlement of certain enumerated claims, e.g., pensions, insurance policies, and bank accounts, but works of art were not among these enumerated claims. Moreover, the United States government explicitly reserved the right to pursue unknown claims.
*1209 Therefore, the existing ■ international agreements at the time the FSIA was enacted do not require granting immunity to Austria as to Plaintiffs claims; in fact, these international agreements placed responsibility on Austria to return property that was improperly seized by the Nazis.
IY. Forum, Non Conveniens
Defendants argue that Plaintiffs claims should be dismissed under the doctrine of forum non conveniens. Plaintiff argues that this doctrine should not be applied because no reasonable alternative forum exists.
Under the doctrine of
forum non conveniens,
a district court “may decline to exercise its jurisdiction, even though the court has jurisdiction and venue, when it appears that the convenience of the parties and the court and the interests of justice indicate that the action should be tried in another forum.”
Piper Aircraft Co. v. Reyno,
Further, in this action for return of artwork valued at approximately $150 million, Austria’s filing fees, even when reduced pursuant to Plaintiffs fee petition, also makes Austria an inadequate alternative forum. Austria’s fee structure would require Plaintiff to pay the Austrian courts a
*1210
filing fee that approximates the sum total of her liquid assets. This amount varies between approximately $130,000 to $200,000, depending on the exchange rate. Additionally, in the event Plaintiff loses, Plaintiff would be required to pay costs, including attorney’s fees, to the Republic and the Gallery.
22
A foreign forum’s requirement that the plaintiff post a bond to proceed with litigation will generally not make the forum inadequate, unless the plaintiff is indigent or the excessively high amount of the bond makes it unduly burdensome.
See
17
Moore’s Federal Practice,
§ 111.74[2][d] (Matthew Bender 3d ed.);
see also Nai-Chao v. Boeing Co.,
For these reasons, Defendants have failed to demonstrate that Austria provides an adequate alternative forum and therefore the Court will not dismiss Plaintiffs claims under the doctrine of forum, non conveniens.
VII. Joinder of Necessary and Indispensable Parties
Defendants argue that the present action must be dismissed pursuant to Fed. R. Civ. P 19(a) because Plaintiff has failed to join necessary parties.
A. Text of Rule 19(a)
Rule 19(a) provides:
(a) Persons to be Joined if Feasible. A person who is subject to service of process and whose joinder will not deprive the court of jurisdiction over the subject matter of the action shall be joined as a party in the action if (1) in the person’s absence complete relief cannot be accorded among those already parties, or (2) the person claims an interest relating to the subject of the action and is so situated that the disposition of the action in the person’s absence may (i) as a practical matter impair or impede the person’s ability to protect that interest or (ii) leave any of the persons already parties subject to a substantial risk of incurring double, multiple, or otherwise inconsistent obligations by reason of the claimed interest.
Fed.R.Civ.P. 19(a).
Rule 19(a) provides three separate circumstances in which a person is to be considered a person to be joined if feasible (commonly referred to as “a necessary party”). First, a person is a necessary party if in the person’s absence complete relief cannot be accorded among those already parties. Fed.R.Civ.P. 19(a)(1). The
*1211
second and third circumstances share a common preliminary requirement: The person must claim an interest relating to the subject of the action. Fed.R.Civ.P. 19(a)(2). The second circumstance in which a person is a necessary party is when the person claims an interest relating to the subject of the action and is so situated that the disposition of the action in the person’s absence may as a practical matter impair or impede the person’s ability to protect that interest. Fed.R.Civ.P. 19(a)(2)(i). Third, a. person is a necessary party if the person claims an interest relating to the subject of the action and is so situated that the disposition of the action in the person’s absence leaves any of the persons already parties subject to a substantial risk of incurring double, multiple, or otherwise inconsistent obligations by reason of the claimed interest. Fed. R.Civ.P. 19(a)(2)(ii). If any one of these three circumstances apply, the person is a necessary party.
Shimkus v. Cersten Cos.,
B. Rule 19(a)(1)
The “complete relief’ clause of Rule 19(a) addresses the interest in comprehensive resolution of a controversy and the desire to avoid multiple lawsuits regarding the same cause of action.
Northrop Corp. v. McDonnell Douglas Corp.,
The Third Circuit has held that a party is not a necessary party based on the fact that the party might have a claim as to the property at issue in an
in rem
action.
Sindia Expedition, Inc. v. The Wrecked and Abandoned Vessel Known as the Sindia,
The heirs are not necessary parties within the meaning Fed.R.Civ.P. 19(a)(1).
C. Rule 19(a)(2)
Under both clauses of Rule 19(a)(2), the absent party must claim an interest relating to the subject matter of the action. This interest may be a legally protected interest or an interest that “is to be determined from a practical perspective.”
Aguilar v. Los Angeles County,
Nevertheless, the heirs do not “claim an interest” within the meaning of 19(a)(2). When persons are aware of an action but choose not to claim an interest by failing to join in the action, they are not considered necessary, parties.
United States v. Bowen,
Even if this were not the case, however, the heirs would not be necessary parties under Rule 19(a)(2)(i) or (ii) for other rea sons.
D. Rule 19(a)(2)(i)
The “impair or impede” clause of Rule 19(a)(2)(i) focuses on protecting the interest of the absent parties. Absent parties are not necessary parties if their interests are adequately represented by existing parties.
See, e.g., Washington v. Daley,
First, the Court considers whether “the interests of a present party to the suit are such that it will undoubtedly make all” of the absent party’s arguments. Here, the parties’ claims to the paintings have the same genesis: All the heirs’ claims to the paintings are based on their proportional inheritance (or their parent’s proportional inheritance) of Ferdinand Bloch-Bauer’s estate. The arguments supporting return of the paintings are common to all the heirs.
Next, the Court considers whether the party is “capable of and willing to make such arguments.” The Court finds that Plaintiff is both capable of and willing to make all arguments in support of the heirs’ claims. Plaintiff is aptly represented by counsel, and the heirs’ interest is also partly advanced by amicus curiae Bet Tzedek.
Finally, the Court considers whether the absent party would “offer any necessary element to the proceedings” that the present parties would neglect to offer. Here, the absent parties would offer no additional element to the proceedings because, as explained above, the heirs’ claims have a common genesis, and they have no disputes among themselves regarding the proportional interest of each.
Upon consideration of the factors enunciated by the Ninth Circuit, the Court finds that Plaintiff adequately represents the heirs’ claims, and therefore, the heirs are not necessary parties under Rule 19(a)(2)(i). 25
E. Rule 19(a)(2)(ii)
The “inconsistent obligations” clause of Rule 19(a)(2)(h) focuses on the possibility that those already parties might be subjected to inconsistent obligations. This clause is concerned with inconsistent
obligations,
not inconsistent
adjudications.
4 Moore’s Federal Practice
*1213
§ 19.03[4][d] (Matthew Bender 3d ed.). An action that merely determines the ownership rights of property does not expose any party to inconsistent obligations, notwithstanding the possibility that another party might later claim an interest in that property.
Sindia Expedition,
F. Defendant’s Remaining Arguments
Defendants also argue that, generally, joint obligees are to be considered indispensable parties in an action to set aside a contract. (Plaintiff asks the court to rescind any agreement between the Gallery and the Austrian lawyer to exchange the paintings for export permits). Defendants rely on
Nike, Inc. v. Comercial Iberica De Exclusivas,
The
Nike
court relied on an earlier Fifth Circuit case that is also cited by Defendants. In
Harrell and Sumner Contracting Co. v. Peabody Petersen Co.,
Finally, Defendants rely on
Lomayaktewa v. Hathaway,
Cases decided since
Lomayaktewa
have held that persons who do not join in an action despite knowing of the action do not claim an interest in the subject of the action and are therefore not necessary parties.
Bowen,
Defendants also argue that another individual in Austria, a member of the Müller-Hofmann family (“Müller-Hofmann”), has made a claim for the portrait of Amalie Zuckerkandl, and that Müller-Hofmann is therefore a necessary party to this action. However, Müller-Hofmann asserts a claim to only one painting at issue in this action. Each cause of action in this action involves all six paintings. Therefore, having concluded that each cause of action is not subject to dismissal with regard to the remaining five paintings, and mindful that the Court may consider at any time in the proceedings whether the appropriate parties are joined, 26 the Court does not now consider whether Müller-Hofmann is a necessary party.
For these reasons, Plaintiff has not failed to join necessary parties and dismissal pursuant to Rule 19 is inappropriate; therefore, the Court denies Defendants Rule 12(b)(7) Motion to Dismiss for failure to join necessary parties.
VIII. Venue
The FSIA has its own venue provision. 28 U.S.C. § 1391(f)(lH4). In relevant part, that provision states:
(f) A civil action against a foreign state as defined in section 1603(a) of this title may be brought (1) in any judicial district in which a substantial part of the events or omissions giving rise to the claim occurred, or a substantial part of property that is the subject of the action is situated; ... (3) in any judicial district in which the agency or instrumentality is licensed to do business or is doing business, if the action is brought against an agency or instrumentality of a foreign state as defined in section 1603(b) of this title; or (4) in the United States District Court for the District of Columbia if the action is brought against a foreign state or political subdivision thereof.
Id.
Plaintiff argues that venue is proper under § 1391(f)(1) because a substantial part of the events or omissions giving rise to the claim occurred in the Central District because Austria has failed to deliver the paintings to her in Los Angeles. Defendants, however, correctly contend that the events or omissions giving rise to the claim occurred in Austria, where the paintings are located and where decisions determining the status and disposition of the paintings have been made. See 17 Moore’s Federal Practice § 110.04[1] (Matthew Bender 3d ed.). Therefore, venue is not appropriate under § 1391(f)(1).
Plaintiff also contends that venue is proper under § 1391(f)(3) because Austria is doing business in the Central District. Defendants argue that the Gallery is not doing business in the Central Dis *1215 trict, and, in any event, the Gallery’s activities do not establish that the Central District is a proper venue for claims against the Republic.
Unlike the other provisions of the FSIA that use the term “commercial activity,” the FSIA’s venue provision uses the term “doing business.” The statutory scheme of the FSIA suggests that these terms, if not interchangeable, are at least substantially similar in meaning. The Court can find no authority that suggests that a foreign agency or instrumentality that engages in “commercial activity” within a district is not also “doing business” within a district. Therefore, venue is appropriate under § 1391(f)(3) because the Gallery engages in commercial activity in the Central District as explained in section III.F.4., supra. 27
Defendants correctly argue that Plaintiff did not set forth § 1391(f)(3) as a basis for venue in the Complaint. Accordingly, Plaintiff is hereby GRANTED fifteen (15) days’ leave to amend the Complaint to set forth the basis for venue pursuant to § 1391(f)(3). 28
IX. Conclusion
For the reasons stated herein, Defendant’s Motion to Dismiss is DENIED.
Plaintiff is hereby GRANTED fifteen (15) days’ leave to amend the Complaint to set forth the basis for venue pursuant to § 1391(f)(3).
The portion of this Order holding that the Court has subject matter jurisdiction because Austria is not entitled to sovereign immunity is immediately appealable pursuant to the collateral order doctrine.
Compania Mexicana De Aviacion, S.A v. United States,
Notes
. Defendants' Rule 12(b)(6) motion was based on the act of state doctrine. Defendants have since withdrawn this motion.
. The paintings at issue are valued at approximately $150 million. It appears that these paintings are significant works of art in the Gallery's collection. All the paintings, with the exception of Amalie Zuckerkandl, have been displayed in the Gallery within the last two years. Adele Bloch-Bauer I appears on the cover of the Gallery’s guidebook, and Adele Bloch-Bauer I, Adele Bloch-Bauer II, and Amalie Zuckerkandl appear in a book entitled Klimt's Women that is edited by Gallery employees and distributed in the United States by Yale University Press. These three paintings were also featured in an exposition entitled “Gustav Klimt: Portraits of European Women ” that was held from September 20, 2000, to January 7, 2001, in Vienna.
. Collectively, the Republic and the Gallery are referred to as “Defendants” or "Austria”.
. Plaintiff is Jewish. She and her family suffered persecution under the Nazi regime in Austria and ultimately fled the country.
Prior to 1938, Austria was an independent democratic republic. In 1938, the Nazis invaded Austria (“the Anschluss”) and claimed Austria as a part of Germany. Almost immediately after the invasion, the Nazis enacted anti-Jewish laws and regulations that severely restricted the property rights of those of Jewish descent. Businesses and property belonging to Jews was "aryanized,” i.e., given to non-Jewish individuals whose loyalty belonged to the Nazi party.
. The six paintings addressed in Adele’s will are Adele Bloch-Bauer I, Adele Bloch-Bauer II, Beechwood, Apple Tree I, Houses in Unter-ach am Attersee, and Schloss Kammer am Attersee III. The portrait of Amalie Zucker-kandl, which is also at issue in this action, was not among those mentioned in Adele’s will. 'Conversely, Schloss Kammer am Atter-see III, which was mentioned in Adele’s will, *1193 is not at issue in this action because Ferdinand donated it to the Gallery in 1936.
. Schloss Rammer am Attersee III was later sold to Gustav Klimt’s son. In 1961, this painting was donated to the Gallery.
. Another Austrian family has asserted ownership rights to this painting as well.
. An excerpt of this letter is set forth in ¶ 42 of the Complaint:
Because there is no mention of these facts [the purported donation of the Klimt paintings by Adele or Ferdinand] in the available files of the Austrian Gallery, i.e., neither a court-authorized nor a notarized or other personal declaration of Ferdinand Bloch-Bauer exists, which in my opinion you certainly should have obtained, I find myself in an extremely difficult situation.... I cannot understand why even during the Nazi era an incontestable declaration of gift in favor of the state was never obtained from Ferdinand Bloch-Bauer....
In any case, the situation is growing into a sea snake ... I am very concerned that up until now all of the cases of restitution have brought with them immense confusion. In my opinion it would be also in your interest to stick by me while this is sorted out. Perhaps that way we will best come out of this not exactly danger-free situation.
. Plaintiff was unaware of the attorney's actions until 1999. She did not authorize the attorney to negotiate on her behalf, nor did she authorize “donating” the paintings to the Gallery. Until 1999, Plaintiff believed that her family had donated the paintings to the Gallery. The Gallery’s misrepresentations to the attorney were relayed to her brother, who later relayed them to her.
. The painting
Portrait of Wally
by Egon Schiele was taken from its owner in Nazi-occupied Austria.
United States v. Portrait of Wally,
.In January 1999, the Austrian government permitted Czernin to copy documents from the Gallery archives. Czernin provided copies of these documents to Plaintiff’s lawyer, and Plaintiff learned how the Klimt paintings came to be in the possession of the Austrian Gallery.
California law recognizes that owners of stolen works of art are often unable immediately to file a cause of action for its recovery.
See Society of California Pioneers v. Baker,
. The current exchange rate of Austrian Schillings to United States Dollars is approximately 15:1. In today's terms the filing fee would be approximately $133,000. In October 1999, when Plaintiff filed her request for assistance, the Austrian Schilling was stronger against the United Stales dollar, so the filing fee was slightly higher. According to Plaintiff, the exchange rate in October 1999 was 10:1, and the filing fee would have been $200,000. Nevertheless, regardless of the exchange rate used, the filing fee is quite substantial.
. Plaintiff also makes allegations regarding the activities of the National Tourist Office in United States. These allegations may not be .used to assert jurisdiction over the Republic or the Gallery. See 28 U.S.C. § 1605(a)(3) (applying expropriation exception to FSIA when expropriated property is owned or operated by an agency or instrumentality of the foreign state when that agency or instrumentality is engaged in commercial activity in the United States).
.
But see Verlinden B.V. v. Central Bank of Nigeria,
As the House Report clearly indicates, the primary purpose of the act was to "set forth comprehensive rules governing sovereign immunity” ...; the jurisdictional provisions of the Act are simply one part of this comprehensive scheme. The Act thus does not merely concern access to the federal courts. Rather, it governs the types of actions for which foreign sovereigns may be held liable in a court in the United States, federal or state. The Act codiñes the standards governing foreign sovereign immunity as an aspect of substantive federal law, ... and applying those standards will generally require interpretation of numerous points of federal law.
Id.
at 496-97,
The Verlinden Court reasoned that the FSIA was within Congress' Article I power to regulate foreign commerce, and that the FSIA was within the Article III limitations on the power of the judiciary because claims against foreign sovereigns would necessarily arise under federal law.
Congress, pursuant to its unquestioned Article I powers, has enacted a broad statutory framework governing assertions of foreign sovereign immunity. In so doing, Congress deliberately sought to channel cases against foreign sovereigns away from the state courts and into the federal courts, thereby reducing the potential for a multiplicity of conflicting results among the courts of the 50 states. The resulting jurisdictional grant is within the bounds of Article III, since every action against a foreign sovereign, necessarily involves application of a body of substantive federal law, and accordingly “arises under” federal law, within the meaning of Article III.
Id.
at 497,
. Defendants correctly note that
Lin v. Government of Japan,
No. 92-2574,
. Both parties seem to assume that only pre-1952 conduct is at issue in this action. Indeed, the conduct of Gallery officials in the late 1940s is relevant, but other conduct— well after 1952 — is at issue as well. Plaintiff’s claims include allegations that Austria concealed the true ownership of the paintings from her and the other heirs even after 1952. The expropriation exception to foreign sovereign immunity concerns itself with property taken in violation of international law, rather than the taking of property in violation of international law. See infra, section III.F.2. These post-1952 acts also establish jurisdiction under the expropriation exception to foreign sovereign immunity.
. Nazi Germany is not recognized as a valid foreign sovereign.
See Weiss v. Lustig,
. The language of § 1605(a)(3) seems to limit the Court’s inquiry to the nature of the activities of the agency or instrumentality, rather than to the sovereign and its agencies or instrumentalities. However, because the Court concludes that the Gallery engages in commercial activity within the meaning of the FSIA, the Court need not decide today whether this exception is so limited.
. Moreover, the FSIA defines a “foreign state" as including its agencies and instru-mentalities. See 28 U.S.C. § 1603(a).
. Defendants argue that the statute of limitations is tolled for fraudulent concealment. Significantly, however, Defendants have refused to waive their statute of limitations defense to Plaintiffs claims. Defendants rely on
Kilvert v. Tambrands, Inc.,
Defendants also argue that Plaintiff's claim under the 1998 law would not be barred based on the statute of limitations. However, Defendants' argument ignores the fact that the 1998 law created no private right of action. Defendants contend that regardless of whether the 1998 law created a private right of action, the Austrian Constitution permits a claim for the discriminatory application of this claim. However, that claim is not currently before the Court.
. See supra note 10.
. Plaintiff would be unlikely to prevail in Austria, given the statute of limitations difficulties discussed above.
. Defendants argue that Cheng requires dismissal of Plaintiff's claims. In Cheng, the district court held that a foreign forum was adequate for purposes of forum non conve-niens analysis notwithstanding its burdensome filing fees, so long as the filing fees were not oppressively burdensome. The Ninth Circuit found no abuse of discretion in the district court’s conclusion, but did not separately consider the district court's holding with regard to the filing fee. Therefore, Cheng is not controlling authority on this issue.
. The heirs do not dispute the proportional share due to each of them; therefore, collec-lively, the heirs do not assert greater than a 100% interest in the paintings.
. Additionally, Plaintiff has received assignments of the rights to the paintings from three of the four other heirs. With these assignments, Plaintiff represents a 75% interest in the paintings.
.
See McCowen v. Jamieson,
. Also as explained in section III.F.3., the Gallery’s commercial activities establish jurisdiction over the Republic under § 1605(a)(3). When read in conjunction with § 1605(a)(3), it seems clear that venue is proper as to the foreign state under the FSIA “doing business” provision, § 1391(f)(3), if the agency or instrumentality engages in commercial activity within the district. This construction is supported by the FSIA's definition of "foreign state”, which includes agencies and instru-mentalities within the term, “foreign state.” 28 U.S.C. § 1603(b).
. This 15-day requirement will be stayed pending resolution of the interim appeal.
