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958 F.3d 442
6th Cir.
2020
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Background

  • In 1960 Don and Phil Everly co-recorded and copyrighted Cathy’s Clown; both were listed as co-authors and assigned 100% of publishing rights to Acuff-Rose.
  • In June 1980 Phil signed a “Release and Assignment” transferring his rights (including royalties and "claim as co-composer") to Don; publishers and licensees thereafter often listed Don as sole author and paid him royalties.
  • Despite the 1980 assignment and later publisher records, public statements in 1984 and other evidence continued to reflect Phil’s involvement as co-author.
  • Don filed a termination notice in 2011 (effective 2016) seeking to reclaim the 1960 grants; after Phil’s death his heirs filed competing termination notices.
  • Don sued in 2017 for a declaratory judgment that he is sole author and that defendants’ claims are time-barred; the district court granted summary judgment for Don, finding an express repudiation (and accrual) by 2011.
  • The Sixth Circuit reversed and remanded, holding a genuine dispute of material fact exists about whether Don ‘‘plainly and expressly’’ repudiated Phil’s authorship (so as to trigger the 3‑year copyright limitations period).

Issues

Issue Plaintiff's Argument (Don) Defendant's Argument (Phil's successors) Held
1) Did Don expressly repudiate Phil’s authorship so as to start the 3‑year limitations clock? Don says his demand that Phil "take his name off," the 1980 Release, publisher records, royalties, BMI recognition, and the 2011 termination show clear repudiation. Defendants say the 1980 Release was a voluntary transfer of economic/credit rights (not authorship), later records are consistent with that deal, and Don did not plainly repudiate authorship. Reversed district court: court finds triable factual dispute whether repudiation occurred; summary judgment improper.
2) Does the 1980 Release itself transfer or conclusively establish authorship (and thus trigger accrual)? Don treats the Release and surrounding conduct as evidence of repudiation. Defendants note authorship cannot be transferred by contract; the Release may only convey royalties/credit and is ambiguous on authorship. The court: 1980 Release is ambiguous; it cannot as a matter of law be treated as conclusive repudiation—jury must resolve intent and context.
3) Do later public acts (publisher registrations, licenses, BMI award, Reba McEntire credits, 2011 termination) alone trigger accrual? Don contends those public acts show Don publicly asserted sole authorship and put Phil on notice. Defendants contend many of those acts reflect administrative or voluntary allocation of benefits under the 1980 Release and/or lacked notice to Phil; registrations alone may not give constructive notice. Court: such acts are not dispositive; some (e.g., registrations, termination filing) do not establish constructive notice or repudiation as a matter of law—fact question remains.
4) Should the accrual date for termination claims be the effective termination date? Don argues repudiation occurred earlier and accrual is not tied to termination effective date. Defendants raised on reconsideration that termination rights cannot accrue until effective date. Appellate court declined to consider this argument (forfeited below); thus not decided here.

Key Cases Cited

  • Ritchie v. Williams, 395 F.3d 283 (6th Cir. 2005) (plain-and-express repudiation starts accrual for co-ownership/authorship claims)
  • Zuill v. Shanahan, 80 F.3d 1366 (9th Cir. 1996) (express repudiation analogous to adverse possession; accrual on repudiation)
  • Aalmuhammed v. Lee, 202 F.3d 1227 (9th Cir. 2000) (movie credits can constitute public repudiation of authorship)
  • Roger Miller Music, Inc. v. Sony/ATV Publ’g, LLC, 477 F.3d 383 (6th Cir. 2007) (distinguishes continuing infringement accrual from ownership/authorship accrual)
  • Gaiman v. McFarlane, 360 F.3d 644 (7th Cir. 2004) (repudiation requires adverse conduct; plaintiff’s lack of notice can defeat accrual)
  • Wilson v. Dynatone Publ’g Co., 892 F.3d 112 (2d Cir. 2018) (registration/records alone may not repudiate authorship absent notice)
  • Gary Friedrich Enters., LLC v. Marvel Characters, Inc., 716 F.3d 302 (2d Cir. 2013) (distinguishing repudiation of initial-term ownership from repudiation of authorship/renewal rights)
  • Petrella v. Metro‑Goldwyn‑Mayer, Inc., 572 U.S. 663 (2014) (statute‑of‑limitations principles for copyright accrual discussed by concurrence)
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Case Details

Case Name: Isaac Donald Everly v. Patrice Everly
Court Name: Court of Appeals for the Sixth Circuit
Date Published: May 4, 2020
Citations: 958 F.3d 442; 19-5150
Docket Number: 19-5150
Court Abbreviation: 6th Cir.
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    Isaac Donald Everly v. Patrice Everly, 958 F.3d 442