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Guzman v. Hacienda Records & Recording Studio, Inc.
808 F.3d 1031
5th Cir.
2015
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Background

  • Guzman wrote and copyrighted the Tejano song Triste in the 1970s; his band Los Duendes recorded and performed it locally in Corpus Christi through at least the 1970s, with disputed frequency thereafter.
  • Hacienda Records produced a 1990 recording of Cartas by the Hometown Boys; Cartas shares near-identical opening lyrics with Triste but differs musically and was commercially unsuccessful.
  • Guzman sued Hacienda alleging copyright infringement (copying) and a DMCA §1202(a) claim based on false identification, asserting Hacienda had access to Triste and that the works were strikingly similar.
  • At a three-day bench trial the district court credited Hacienda’s witnesses, found Guzman’s evidence of radio play and live-performance circulation unreliable, and ruled Guzman failed to prove access or striking similarity.
  • The district court also declined Guzman’s proposed “sliding scale” rule (less access required when similarity is high) and denied the DMCA claim for lack of requisite intent; Guzman appealed.

Issues

Issue Plaintiff's Argument Defendant's Argument Held
Whether Hacienda had "access" to Triste before recording Cartas Guzman: Radio play and local live performances in Corpus Christi plus Garcia’s presence in the scene created a reasonable possibility of access. Hacienda: Trial testimony was inconsistent; no corroborating evidence of significant dissemination; Garcia credibly denied knowing Triste. Court: Affirmed district court — credibility findings supported conclusion that access was speculative, not reasonably possible.
Whether Triste and Cartas are "strikingly similar" so access need not be shown Guzman: Opening lyrics are virtually identical and thus sufficiently striking. Hacienda: Lyrics are common phrases set to different music; experts identified routine genre similarities and material musical differences. Court: Affirmed — similarities were not sufficiently unique/complex to infer copying absent access.
Whether the court should apply a "sliding scale" reducing access burden when similarity is high Guzman: Strong similarity warrants lowering access proof. Hacienda: Sliding-scale inappropriate here; credibility and factual findings control. Court: Declined to adopt sliding-scale as circuit law and refused to apply it in this case.
DMCA §1202(a) claim (false CMI with intent to induce/conceal infringement) Guzman: Remand requested if access finding reversed. Hacienda: No intent shown and access lacking. Court: Waived by failure to brief distinct arguments; affirmed district court judgment given access ruling.

Key Cases Cited

  • Anderson v. City of Bessemer City, 470 U.S. 564 (1985) (bench-trial credibility findings receive great deference; clear-error standard explained)
  • One Beacon Ins. Co. v. Crowley Marine Servs., Inc., 648 F.3d 258 (5th Cir. 2011) (bench-trial factual findings reviewed for clear error; legal issues de novo)
  • Positive Black Talk, Inc. v. Cash Money Records, Inc., 394 F.3d 357 (5th Cir. 2004) (elemental test for copying: factual copying and substantial similarity; striking-similarity doctrine discussed)
  • Armour v. Knowles, 512 F.3d 147 (5th Cir. 2007) (access requires a reasonable possibility, not mere speculation)
  • Peel & Co., Inc. v. Rug Market, 238 F.3d 391 (5th Cir. 2001) (discusses reasonable-possibility access standard and limits on speculative access showings)
  • Selle v. Gibb, 741 F.2d 896 (7th Cir. 1984) (striking similarity requires uniqueness or complexity such that copying is the only plausible explanation)
Read the full case

Case Details

Case Name: Guzman v. Hacienda Records & Recording Studio, Inc.
Court Name: Court of Appeals for the Fifth Circuit
Date Published: Dec 14, 2015
Citation: 808 F.3d 1031
Docket Number: 15-40297
Court Abbreviation: 5th Cir.