28 F. Supp. 3d 190
S.D.N.Y.2014Background
- This memorandum addresses competing jury instructions about statutory damages where two owners hold copyrights in the musical composition and the sound recording of the infringed work.
- The court had previously ruled that plaintiffs sharing both copyrights may receive a single award of statutory damages for the infringed work.
- Statutory damages are calculated by treating separate copyrights as not distinct works unless they can live their own copyright life.
- The decision cites Spooner v. EEN, Inc. and other authorities to treat the sound recording and composition as one work where the infringement targeted the sound recording.
- The court rejects Teevee Toons, Inc. v. MP3.com, Inc. as controlling, criticizing its approach to multiple awards when ownership is separate.
- Conclusion: where two owners hold copyrights in the composition and sound recording of the same song, they share a single statutory damages award.
Issues
| Issue | Plaintiff's Argument | Defendant's Argument | Held |
|---|---|---|---|
| Whether two copyrights in one song yield one statutory damages award | Plaintiff argues for one award for the work. | Defendant argues possible multiple awards if ownership is separate. | One award per work; single damages for both rights. |
| Whether composition and sound recording copyrights are a single work for damages | Plaintiff asserts the two rights are part of one work. | Defendant contends separate exploitation could justify separate awards. | They are subsumed in one work for statutory damages. |
Key Cases Cited
- Bryant v. Media Right Prods., Inc., 603 F.3d 135 (2d Cir. 2010) (one award of damages for any work infringed)
- Robert Stigwood Grp. Ltd. v. O’Reilly, 530 F.2d 1096 (2d Cir. 1976) (overlapping copyrights in libretto, score, and performance)
- Teevee Toons, Inc. v. MP3.com, Inc., 134 F. Supp. 2d 546 (S.D.N.Y. 2001) (controversial rule on separate awards based on ownership)
- Spooner v. EEN, Inc., 2010 WL 1930239 (D. Me. 2010) (one work when infringement targeted sound recordings; no separate musical-life)
