13 F.4th 427
5th Cir.2021Background:
- Anthony Barilla, a professional musician, challenges three Houston ordinances that (1) ban "playing of bands" on public streets outside the Theater District, (2) require a permit to perform ("sidewalk performances") inside the Theater District, and (3) require written permission from adjacent property owners for a permit.
- Barilla previously obtained a one-year busking permit in 2018 but did not renew in 2019 because he believed better busking locations lie outside the Theater District, the neighbor-permission requirement is burdensome, and fees make renewal unattractive.
- After stopping busking, Barilla sued under 42 U.S.C. § 1983 alleging the ordinances violate the First Amendment and sought declaratory and injunctive relief and nominal damages.
- The City moved to dismiss for lack of standing; the district court granted dismissal, reasoning Barilla alleged no citation, arrest, threat, or imminent enforcement.
- The Fifth Circuit reversed, holding Barilla adequately pleaded a pre-enforcement chilling injury and therefore has standing; the case was remanded. The appeal of denial of reconsideration/leave to amend was dismissed as moot.
Issues:
| Issue | Plaintiff's Argument | Defendant's Argument | Held |
|---|---|---|---|
| Standing (injury-in-fact for pre-enforcement First Amendment challenge) | Barilla says he ceased busking due to ordinances and would resume but-for them; this self-censorship is a concrete injury | City says no concrete injury because Barilla was never cited, arrested, or threatened with enforcement | Court: Reversed dismissal — pre-enforcement chill can supply injury; Barilla alleged sufficient facts for standing |
| Serious intent to engage in proscribed conduct | Barilla previously obtained a permit and actually busked in Theater District, showing serious intent | City implies intent insufficient or speculative | Court: Prior permit and past performance show serious, concrete intent |
| Whether ordinances arguably proscribe Barilla's conduct | Ordinances ban busking outside Theater District and require permits inside, covering solo performers | City contends language targets "bands" and may not apply to solo performers | Court: Plausible reading that chapter 40 definitions and the permitting scheme encompass solo performers; conduct is arguably proscribed |
| Substantial threat of future enforcement (moribund-standard) | Ordinances remain in force, City did not disavow enforcement, and prior permitting indicates ongoing enforcement | City points to lack of recent citations or explicit threats | Court: In pre-enforcement cases, credible threat of enforcement is presumed absent compelling contrary evidence; City offered no disavowal — threat substantial |
Key Cases Cited
- Lujan v. Defenders of Wildlife, 504 U.S. 555 (standing requires injury in fact, traceability, and redressability)
- Susan B. Anthony List v. Driehaus, 573 U.S. 149 (pre-enforcement claim need not wait for actual prosecution; chill can confer standing)
- Babbitt v. United Farm Workers Nat'l Union, 442 U.S. 289 (pre-enforcement challenges and credible-threat principle)
- Speech First, Inc. v. Fenves, 979 F.3d 319 (5th Cir.) (articulating moribund/credible-threat presumption for facial restrictions on expressive activity)
- Dombrowski v. Pfister, 380 U.S. 479 (chilled speech is justiciable injury)
- Virginia v. American Booksellers Ass'n, 484 U.S. 383 (self-censorship can establish standing in First Amendment pre-enforcement suits)
- Steffel v. Thompson, 415 U.S. 452 (no need to await prosecution before challenging statute)
- Zimmerman v. City of Austin, 881 F.3d 378 (5th Cir.) (serious intent shown by steps taken toward proscribed conduct)
- Ward v. Rock Against Racism, 491 U.S. 781 (music is protected expressive conduct)
